Superbooth 2026: all the latest synth news from Berlin – LIVE!

“While the Liven series focuses on sound itself — making it easy to create music tailored to each sound engine — the deconstruct series focuses on musical structure, analyzing and reconstructing it to enable deeper musical expression.”

Described as being ‘designed to create hypnotic minimal grooves’, Deconstruct Minimal is a 10-track groovebox featuring a drum machine accompanied by a virtual analogue bass synth and sampler capabilities.

The sequencer tracks are designed for creative drum programming, equipped with per-track accents, sub-steps, randomised velocity, swing and phrase rotation. Rather than channeling the sound of vintage drum machines, Minimal instead aims to recapture the ‘groove DNA’ of classic hardware by replicating the grooves of vintage machines, along with their subtle drifts in rhythm and pitch drift.

As Teenage Engineering says: “The plan was to build a mixer for the KO II but it became more of an effect-box with a built-in sequencer. Quite cool actually.”

(Image credit: Roland)

What musicians want that future to look like is very much open to question so, perhaps wisely, Roland has made the changes to Lydia based on demos, industry showcases and global surveys.

The result is a refined hardware design that promises enhanced flexibility, such as easier Raspberry Pi 5 installation and standalone USB MIDI controller operation. There’s also fully integrated I/O, which does away with the need for an external USB audio interface, and an onboard LCD display for easier navigation and real-time parameter feedback.

User preset memories are now part of the package, so control settings can be stored, and MIDI connectivity has been added for deeper control, automation and integration with other studio and live gear.

We’re still a way off from Lydia being something that you can actually buy, but Roland says that the first prototype generated strong interest, which prompted it to have a good think about where to go next with it.

Then, there’s 17 direct-access control knobs for instantaneous sound shaping. It looks like the perfect antidote to tedious menu-scrolling…

The Element One is being posited as more of a responsive instrument, then – an instrument that attendees of this year’s Superbooth can test out with their own hands over at Modal’s booth (H101).

“Element One is for musicians and producers who want more sound and more expression without turning into full-time programmers,” says the Modal team. “It doesn’t ask you to learn the rules; it dares you to play.”

But that simplicity belies the fact that, under the hood, the Element One sports some impressive specs: 64 high-resolution oscillators (up to 8 per voice) can provide textured warmth right through to more modern-leaning sounds. Then there’s 30 resonant filter types including morphable and static options.

Element One is available through authorised retailers for MSRP 649 €/ or MAP $599 .

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(Image credit: Polyend)

Its four analogue voices are based on modern SSI chips that produce two VCOs, an additional noise source and a third digital oscillator that can be used for creating layered sounds or set up for frequency modulation. Each analogue voice also packs a multimode VCF and envelope-controlled VCA.

The remaining voices can make use of a variety of digital synthesis engines or samples. According to Polyend, options include “more than forty instruments, each with its own sub-mode mutations, giving users hundreds of sound options to choose from.” These digital tracks also have acces to eight individual LFOs to provide modulation.

For sequencing, Drums makes use of what Polyend calls its “most intuitive sequencing system so far.” This involves a combination of fills, probability, micro-timing, parameter locks, pattern chaining, generative tools and multiple track play modes. Drums can also save and recall up-to 64 patterns, 64 drum kits and 48 song arrangements.

The drum machine also has an ‘XOY’ fader, which allows users to fluidly morph between two versions of a drum kit during performances. There’s also a broad selection of effects, available as sends, inserts or part of the master chain. Effects can be sequenced per-track making, in the words of Polyend, “effects part of the rhythm rather than something added only at the end of the signal chain.”

“Drums is a return to the fundamentals that defined Polyend from the beginning,” says Polyend CEO Piotr Raczyński. “We wanted to build the drum machine we would want to use and own ourselves. Something uncompromising in sound, materials, and workflow. Like our earliest instruments, Drums is made in small batches, with close attention to every detail, and built to stay relevant for decades.”

Drums is available for reservation now via a refundable $500 deposit, with the first run of units due to ship in around three or four months. The retail price will be €/$2,699, and Polyend says there will be quantities available at launch.

To operate, Kalimba relies on tiny microphones, touch sensors and an accelerometer to yield all manner of expressive sounds. All of which are housed within a physical design that is inspired by the traditional kalimba, tines and all.

There seems to be a theme emerging at this year’s show, of prioritised expression and more traditional-instrument based-routes into exploring sound, and the handheld Kalimba is no exception. “Treat it like an acoustic instrument, it will answer like one” Bastl say.

Playing the tines at varying intensities excite the internal physical modelling and FM engines, thanks to the instrument’s internal microphones. The internal accelerometer acts as both an exciter for the physical modelling engine and also filters the left and right channels of the FM engine, as the device is physically rotated.

Honestly, it looks incredibly fun to us. We’ll bring you a demo as soon as we can.

Whoever comes out on top in the Game of Thrones Affordable Samplers, 1010’s latest has a lot going for it.

Like its predecessor, the Blackbox 2 is a portable, touchscreen-equipped instrument that houses a self-contained sampling workstation within a compact, rugged device. However, for version 2 1010 has significantly reworked the interface, adding a larger touchscreen and new layout that promises an improved workflow.

The central feature of this new look Blackbox is its four-inch hi-res colour touchscreen, which is used as the primary interface for sequencing and sample editing. A bank of four multi-use rotaries sit directly above the screen while a bank of transport and navigation buttons are placed below.

Blackbox 2 is a four-track workstation that can load up-to four one-shot, loop, slicer or multisample instruments, with the one-shot and loop instruments capable of supporting 16 samples per-patch. Blackbox 2 expands the song-creation features of the original, introducing new launch, scene, song, mixing and effect screens for editing various elements of the composition.

Unlike its predecessor, which required an external power source, Blackbox 2 contains its own rechargeable battery, allowing for 3hrs of fully portable use. It also adds USB-C host and device ports capable of transmitting multichannel USB audio and MIDI.

Blackbox 2 is scheduled to arrive in July, priced at $649.

(Image credit: Cyma Forma)

Undoubtedly the most minimalist synth we’ve ever come across, RND is a compact box with an interface made up of a single button. That’s it. No keys, no knobs, no faders, and no display, just one button that generates a randomized musical idea with every press.

There are four monophonic melodic tracks, which can be used as distinct sequencers when output via MIDI, or via two sets of analogue pitch, CV and gate outputs. These are joined by eight percussive sequencer tracks, each of which has its own analogue trigger output.

Programm is designed to be used both for precise programming and for generating randomised ideas. Each step can be configured via pitch, gate length, ratcheting, CV/CC, note offset, and step condition parameters.

Each sequence can have its own individual length up-to 64 steps. The device can save 64 patterns as well 32 multi-pattern songs.

(Image credit: Cre8audio)

The melodic sequencer tracks can be used in four modes – mono, chord, arp, and chip, which combines the chord and arp functions. The sequencer can make use of key and scale functionality, as well as six groove modes that Cre8audio says “expand far beyond classic swing”.