
**Клезмер** (на идиш: כליזמר) е музикален стил – народната музика на **ашкеназките** общности в Източна Европа.
Within the repertoire of klezmer music in eastern Europe, the **bulgarish** was a regional phenomenon, originating in **Bessarabia** as the **bulgărească**, and then spreading as the **klezmer bulgarish** to parts of Eastern Ukraine. In America between 1881 and 1920, however, the bulgarish became increasingly identified as a major genre of klezmer dance music for Jews of various regional backgrounds.
Odessa Bulgar [https://www.youtube.com/watch?v=bwCtnU6\_csA](https://www.youtube.com/watch?v=bwCtnU6_csA)
Bulgar – slow, medium and fast [https://www.youtube.com/watch?v=6XhENCiitU4](https://www.youtube.com/watch?v=6XhENCiitU4)
Hora Bulgar Klezmer [https://www.youtube.com/watch?v=F1n-99lOaKs](https://www.youtube.com/watch?v=F1n-99lOaKs)
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The annexation of the Ottoman Moldavian province of **Bessarabia** by **Russia in 1812** had a significant effect on the development of klezmer music, and on the composition of professional musicianship in northeastern Europe. The Russian annexation of 1812 resulted in several **demographic movements**. Yiddish-speaking **Jews from Ukraine began to settle in Bessarabia** in increasingly large numbers, because the Russian government was less oppressive toward the Jews in its newly acquired southern territories than in the older Pale of Settlement. In addition, **Christian Bulgarians** and Turkic Gagauz **migrated from Ottoman Bulgaria to Russian Bessarabia**. While there had been a Jewish population of Ashkenazic, Sephardic, and other (probably Crimean) origins in pre-nineteenth-century Moldavia, the Russian annexation of Bessarabia caused a significant increase in the number of Jews living in that province, which became significantly higher than the number resident in the Turkish (later Romanian) portion of Moldavia.
The dance **bulgărească (in the Bulgarian manner)** was **documented in the first half of the nineteenth century in Bessarabia**; the dance, with its characteristic music, is known primarily in Bessarabia. **It is therefore doubtful that the dance existed prior to the migration of Bulgarians** after 1812, or it would have appeared more prominently in other regions of Bulgaro/Romanian contact. Choreographically, the **bulgărească** is related to the **sîrba, the chain dance that is ubiquitous in every region of Moldavia and Wallachia**. The sîrba is based on a six-beat measure, consisting of cross to the right, kick to the right, kick to the left. **This dance pattern was alien to Ashkenazic dance, which followed symmetrical patterns.**
It is likely that the **bulgărească** adopted some of these rhythmic patterns from the **Northern Bulgarian pravo dance** genre, but, in any case, they were exotic in Jewish dance music.
Not so surprised. The history of Khazaria is quite interesting and bulgars played a big role in their society – in fact, they were more or less assimilated and stopped existing as a major force due to becoming part of Khazaria and the subsequent entities on that territory.
I highly recommend to anyone to read the history of Khazaria – it’s fascinating how the bulgars were separated and mixed with other ethnicities in the empire. Explains a lot about certain cultural similarities with people in Ukraine and western Russia.