Evanston native Tasha Glenn-Francellno and her husband Dante Glenn recently opened Frances Glenn Studio, a photography studio, art gallery and event space on West Howard Street. The project is the culmination of years of hard work for the dynamic duo, who now call themselves two of Evanston’s newest Black business owners.
Both count themselves as artists and creatives. They hope to bring a welcoming and safe creative space to Evanston to elevate other creators and entrepreneurs, especially those struggling for a chance to showcase their work.

The studio officially opened full-time for vendor markets and photoshoots earlier this month at 745 W. Howard St. A “soft opening” promotion for event space bookings is also scheduled for March 1.
For art shows, the studio’s ideal client is a person who identifies themselves as creative, and they also plan to host art workshops and parties for kids.
“We are a dynamic and flexible creative space dedicated to fostering artistic expression, collaboration, and innovation,” they posted this week on their Facebook page. “Our mission is to support and host a diverse range of creative endeavors, providing a welcoming environment where artists, makers, entrepreneurs, and visionaries can bring their ideas to life.”
A journey to photography
Glenn grew up in the Englewood neighborhood on Chicago’s South Side.
“You never know that you’re in a bad environment, because you’re in that environment,” said Glenn, who added that he “grew up around gangs.”
“It’s hard to have hope. You have to see something different and leave your environment, [but] not everyone has the opportunity,” he said. Growing up, he wasn’t exposed to other neighborhoods, but he did have a community.
“It was also fun. It wasn’t all crime and gangs. … We had a lot of things to do that were fun outside of the things that were a bit traumatic,” Glenn said. “Everything was community. The kids in the neighborhood were always together.”
As a youngster, he wanted to be a basketball player. Sports was his passion and way of surviving. “I stayed out of trouble by being in sports,” he said. “Every body of color or Black man isn’t bad. We as Black men are very accommodating, and we love hard.”
He grew up in a multigenerational home with his grandmother, grandfather, aunt and uncle. Drawing from everyone in his family, he was a big observer of the world around him. “My grandmother and my aunt had the most influence,” Glenn said.

He remembers his grandmother always telling him that “nobody’s perfect, and if you do something, find out how to do it the right way. … Don’t do things without the knowledge first.”
His aunt did photography, and Glenn remembers some of the photos she would take. “Some of the photos were of street photography,” he said. He’s fond of her work, and also of the late Gordon Parks, who was known for documenting poverty across America and the effects of racial segregation in the 1940s and ’50s.
Glenn currently works for Unison Home, a design brand that focuses on high end furniture, accessories and home decor. He’s been working with them for three years.
ConcreteJournalist, Glenn’s instagram page, hosts all of his art. His photography brand is called Concrete Noize, and he sells prints and custom tote bags that feature his art. He’s been shooting photos since 2002.

Overall, Glenn’s exposure to the streets allowed him to tell the stories of those who live on the margins. “When I met my wife, I noticed she did photography, which encouraged me to do it … and then I was just drawn to street photography,” he said.
In 2002, when he and Glenn-Francellno were living in San Francisco, they encountered a protest against the Iraq War. “I got caught in the middle of San Francisco downtown, and I had my son in his baby carrier. … I was already out shooting street pictures,” he said. These images were some of his first, and capturing that moment sparked a dream in his mind that pushed him to continue taking photos.
Soon after shooting that, he started taking photos of unhoused people, and he soon had so many photos he made a book from them.
Glenn’s proudest moment as a photographer has been getting to sell his own pieces at an art show. He submitted two pieces to this particular show: “One was ‘Pro-choice,’ the other was ‘No Trump.’ The pro-choice piece sold in one day,” he said.
He saw these images posted on a parking meter, and they were spontaneous shots. The pro-choice print proved to be his most popular, as two other individuals also asked to buy it.

In general, Glenn’s passion for street photography comes from witnessing struggle. “Seeing people and how they overcome hardship … just to see the resilience of people, especially people of color, make life good for themselves,” he explained.
Obviously, national politicians and media outlets often portray Chicago as dangerous, especially South Side neighborhoods like Englewood. Glenn knows how easy it is to get trapped in a bad situation, but he emphasized that not everyone’s experience is the same.
“You can overcome anything by seeing people come out of these situations … because some people make it completely out the hood where it’s nothing but success in their lives later on down the line,” Glenn said. “Everybody’s not stuck.”
Glenn’s photography brings the neighborhood’s history to life. These environments weren’t always poor.
“I love shooting abandoned storefronts where businesses used to be, because it shows the history of the neighborhood. … We did once have our own, before gentrification and tax rates,” he said.
“Me and my sons were looked at differently coming out of our home when we lived in Lincoln Park. … We were looked at like we were doing something suspect. … It didn’t run us off, but the long term goal for us, as parents, is to ensure our sons are in environments that are considered the best, to put them in situations where they can be successful. … We want our sons to elevate themselves as Black men.”

As a man who is learning and growing everyday, Glenn said he’s pushing to break the stereotypes of Black men and the prejudice he and his family have experienced living in the Lincoln Park neighborhood of Chicago, where they lived for three years. They have now moved to Evanston, where Glenn-Francellno grew up.
He said his family gives him the drive to achieve greatness, especially his wife: “She inspires me because she’s so creative, and if I hadn’t met her … I wouldn’t be who I am today.”
Coming home to Evanston
Glenn-Francellno has always had access to art. She attended Walker Elementary and Chute Middle schools before going to Evanston Township High School. She was always inspired to learn, something she said she got from her mother.
The community Glenn-Francellno has built in Evanston is one of a kind. Though resources and access to them can sometimes be scarce, she has still made a way for herself and her family. “I’m self-made,” she said. “I go to work everyday and everything I have, attributes to what I’ve done myself.”
Glenn-Francellno is an artist. She DJs, does photography and works for Related Management as a property manager. The money she earns from her management job is how she funds her photography work. She learned photography at ETHS, and was given her mother’s camera. She immediately fell in love with it.
“I would do women’s makeup and take photos of them when I was first starting out,” she said. But her favorite subject nowadays is her husband.

She’s also sold many of her own pieces, like her husband. “Dream Big B***h” was a huge piece for her. She created it during a period of low energy to remind herself not to give up. She uses her ability to survive as fuel for her work.

They’ve opened other studios before, but this is their first time having a space in Evanston. “The other spaces I saw didn’t feel right. I wanted to connect back to my community … the people that gave to me,” Glenn-Francellno said.
The couple hosted a vendor market in early December. They even provided a promotion to those who made a purchase — whoever bought a product received a complimentary photoshoot. “I feel like this event was a great introduction to upcoming community events supporting local creative small businesses,” said Glenn-Francellno. She hopes to get more traffic and generate more revenue for the vendors.
The Glenns have a two-year lease. To build the studio, they had to repaint and even knock a wall down. They’re hoping to give opportunities to artists, especially those who are underprivileged, to showcase their work.
Glenn-Francellno is glad to be back at home in Evanston. “It’s nice having a sense of belonging and connection to the people I love,” she said.
For more info or to book events or photoshoots, visit their website at francesglennstudio.com.
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