{"id":16370,"date":"2026-01-11T02:52:11","date_gmt":"2026-01-11T02:52:11","guid":{"rendered":"https:\/\/www.europesays.com\/africa\/16370\/"},"modified":"2026-01-11T02:52:11","modified_gmt":"2026-01-11T02:52:11","slug":"nigerias-kannywood-tiptoes-between-censor-boards-and-modernity","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/africa\/16370\/","title":{"rendered":"Nigeria&#8217;s &#8216;Kannywood&#8217; tiptoes between censor boards and modernity"},"content":{"rendered":"<p>                                        KANO, NIGERIA: <\/p>\n<p>Long overshadowed by south Nigeria&#8217;s Nollywood, filmmakers in the north of Africa&#8217;s cinema powerhouse are pushing boundaries in search of international eyeballs \u2014\u00a0all while navigating the Muslim-majority region&#8217;s social conservatism.<\/p>\n<p>Young creatives \u2014\u00a0influenced not just by their peers in the wealthier Christian south of the country, but even as far as India \u2014 hope to expand the audience beyond Nigeria&#8217;s borders for the north&#8217;s frenetic &#8220;Kannywood&#8221; cinema industry, known for churning out some 200 films a month.<\/p>\n<p>With some 80 million speakers of the north&#8217;s Hausa language spread across west and central Africa \u2014\u00a0not to mention the vast Nigerian diaspora around the world \u2014\u00a0Kannywood&#8217;s potential market is huge.<\/p>\n<p>Yet reconciling international expectations with local constraints is no easy task: Islam&#8217;s sharia law code runs alongside common law in Kano state, the bustling cultural hub of northern Nigeria, and a government censor board reviews music and film production.<\/p>\n<p>Kamilu Ibrahim is among the directors hoping to break the mould \u2014\u00a0in addition to pushing to include &#8220;aspects that are not commonly seen in Hausa films&#8221;, Ibrahim has also put English and Arabic subtitles in his work in a bid to reach a wider audience.<\/p>\n<p>Filmmakers still find a way to focus on the same themes that dominate Nollywood: love, vengeance and treason all make good fodder for the at times over-the-top melodrama Nigerian movies are known for.<\/p>\n<p>But nudity, &#8220;sexual scenes&#8221; as well as &#8220;content that is contrary to customs, traditions, and religion&#8221; are all out of bounds, Abba El-Mustapha, an actor and director who also serves as the executive secretary of the Kano State film censorship board, told AFP.<\/p>\n<p>Hausa-focused streamers<\/p>\n<p>When AFP visited Ibrahim&#8217;s set last year, he was filming season two of &#8220;Wata Shida&#8221;, a series about a woman confronted with the prospect of a forced marriage.<\/p>\n<p>In order to get out of it, she marries another man, with both of them seeking the convenience of a partnership on paper, rather than real romance \u2014\u00a0an on-the-nose plotline in a region where women and girls are frequently wedded to their parents&#8217; choice of husband.<\/p>\n<p>&#8220;We are not used to seeing someone going out in pursuit of a dream without family consent,&#8221; Ibrahim said, noting the importance of films to &#8220;question certain important social issues&#8221;.<\/p>\n<p>&#8220;Wata Shida&#8221; actor Adam Garba said he hopes to see the series broadcast on a major streaming platform one day \u2014\u00a0though for now, it&#8217;s available on YouTube.<\/p>\n<p>Most Nigerian films on major streamers like Netflix and Amazon Prime are from the country&#8217;s richer south, where Hausa is a minority language.<\/p>\n<p>&#8220;They have more budget, more equipment, they have more sponsors, more investors,&#8221; Garba told AFP.<\/p>\n<p>That might be changing.<\/p>\n<p>Freshly launched Arewaflix is a new streaming initiative from Abdurrahman Muhammad Amart, a Nigerian production company CEO.<\/p>\n<p>Arewaflix will be a service &#8220;not only for Hausa films, but also for films in other languages from northern Nigeria&#8221;, including Nupe and Kanuri, Amart said.<\/p>\n<p>Subtitles are planned in English, French and Arabic.<\/p>\n<p>It&#8217;s not the first such attempt: Northflix, another Hausa-focused effort, shuttered in 2023 amid slow growth.<\/p>\n<p>Getting people to pay for media is tough in any country. Nigeria \u2014\u00a0where millions live in poverty, compounded by an economic crisis since 2023 \u2014\u00a0is no exception.<\/p>\n<p>&#8220;When a film is accessible to a hundred people on a platform with poor security, it can quickly be pirated and circulated everywhere,&#8221; said Mustapha, the censor board secretary.<\/p>\n<p>Bollywood inspiration<\/p>\n<p>The industry is known for its scrappiness, but the key to international growth is better production equipment, said director Umar Abdulmalik.<\/p>\n<p>With top-notch stories and production, the language barrier won&#8217;t be an issue, he predicted, noting how India&#8217;s Bollywood has become a media staple in Nigeria, despite many viewers not speaking English or Hindi, &#8220;because they are carried away by the characters&#8217; emotions&#8221;.<\/p>\n<p>For now, though, there&#8217;s one tradition that Kannywood seems set to stick with: doing more with less.<\/p>\n<p>On the set of &#8220;Wata Shida&#8221;, the heat was rising as the call to prayer rang out from nearby mosques.<\/p>\n<p>After calling cut, director Ibrahim called for another take.<\/p>\n<p>&#8220;That&#8217;s good, but we can do better,&#8221; he said. &#8220;Let&#8217;s do it again.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"KANO, NIGERIA: Long overshadowed by south Nigeria&#8217;s Nollywood, filmmakers in the north of Africa&#8217;s cinema powerhouse are pushing&hellip;\n","protected":false},"author":2,"featured_media":16371,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[3300,122],"class_list":{"0":"post-16370","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-nigeria","8":"tag-latest","9":"tag-nigeria"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/africa\/wp-json\/wp\/v2\/posts\/16370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/africa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/africa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/africa\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/africa\/wp-json\/wp\/v2\/comments?post=16370"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/africa\/wp-json\/wp\/v2\/posts\/16370\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/africa\/wp-json\/wp\/v2\/media\/16371"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/africa\/wp-json\/wp\/v2\/media?parent=16370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/africa\/wp-json\/wp\/v2\/categories?post=16370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/africa\/wp-json\/wp\/v2\/tags?post=16370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}