\u00a0Le vernissage de l\u2019exposition collective \u201cCe qui demeure\u201d (What Remains) a eu lieu, jeudi \u00e0 Rabat, \u00e0 l\u2019initiative de La Maison Qantara, en collaboration avec le Four Seasons Hotel Rabat at Kasr Al Bahr et la Gallery Kent, avec la participation d\u2019une pl\u00e9iade de cr\u00e9atrices dans les domaines des arts plastiques et de la sculpture.<\/p>\n
Ouverte jusqu\u2019au 3 mai, cette exposition met en lumi\u00e8re les th\u00e9matiques de la mati\u00e8re, du corps, de la m\u00e9moire et de la couleur, \u00e0 travers les cr\u00e9ations de Itaf Benjelloun, Hajar El Moustaassime, Zahra Filali, Houda Rahmani et Catherine Renaud Baret.<\/p>\n
Dans une d\u00e9claration \u00e0 la MAP, l\u2019artiste plasticienne et sculptrice, Itaf Benjelloun, a fait part de sa fiert\u00e9 de prendre part \u00e0 ce projet artistique, affirmant que cette exp\u00e9rience constitue un apport important \u00e0 son parcours cr\u00e9atif.<\/p>\n
Ses \u0153uvres, a-t-elle expliqu\u00e9, reposent essentiellement sur le bas-relief et les sculptures en volume, \u00e0 travers une technique d\u2019assemblage de mat\u00e9riaux vari\u00e9s, pr\u00e9cisant que son orientation artistique privil\u00e9gie les couleurs monochromes afin de pr\u00e9server les caract\u00e9ristiques naturelles des mati\u00e8res brutes.<\/p>\n
Pour sa part, l\u2019artiste contemporaine Zahra Filali a soulign\u00e9 que son exp\u00e9rience s\u2019articule autour du concept de \u201cl\u2019invisible\u201d, par le biais de formes \u201ctot\u00e9miques\u201d qui \u00e9mergent sur des fonds sombres.<\/p>\n","protected":false},"excerpt":{"rendered":"\u00a0Le vernissage de l\u2019exposition collective \u201cCe qui demeure\u201d (What Remains) a eu lieu, jeudi \u00e0 Rabat, \u00e0 l\u2019initiative…\n","protected":false},"author":2,"featured_media":65717,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[83],"tags":[281,245,1124,1125,1122,1126,1121,86,133,1128,126,1123,46,1127],"class_list":{"0":"post-65716","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-maroc","8":"tag-actualite","9":"tag-culture","10":"tag-finance-economie","11":"tag-high-tech","12":"tag-infos","13":"tag-lifestyle","14":"tag-linformation-ma","15":"tag-maroc","16":"tag-monde","17":"tag-people","18":"tag-politique","19":"tag-site-infos","20":"tag-sport","21":"tag-videos"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@afrique\/116345328279281111","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/posts\/65716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/comments?post=65716"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/posts\/65716\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/media\/65717"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/media?parent=65716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/categories?post=65716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/tags?post=65716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}