{"id":68937,"date":"2026-04-07T18:45:15","date_gmt":"2026-04-07T18:45:15","guid":{"rendered":"https:\/\/www.europesays.com\/afrique\/68937\/"},"modified":"2026-04-07T18:45:15","modified_gmt":"2026-04-07T18:45:15","slug":"claire-denis-adapte-bernard-marie-koltes-rien-na-change-sur-les-chantiers-en-afrique","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/afrique\/68937\/","title":{"rendered":"Claire Denis adapte Bernard-Marie Kolt\u00e8s: \u00abRien n\u2019a chang\u00e9 sur les chantiers en Afrique\u00bb"},"content":{"rendered":"<p>Une nuit sur un chantier, quelque part en Afrique de l\u2019Ouest. Un homme s\u2019avance derri\u00e8re la cl\u00f4ture et interpelle le contrema\u00eetre. Il r\u00e9clame le corps de son fr\u00e8re, mort dans un accident de travail, afin de le rendre \u00e0 sa famille. Il s\u2019appelle Alboury (Isaach de Bankol\u00e9) et ne bougera pas tant que la d\u00e9pouille du d\u00e9funt ne lui sera pas rendue. Horn (Matt Dillon), le patron blanc, est intraitable: ce n\u2019est pas possible, il faudra qu\u2019Alboury revienne plus tard, de jour.<\/p>\n<p>Pr\u00e8s de quarante ans apr\u00e8s son premier long m\u00e9trage, Chocolat, Claire Denis retrouve Isaach de Bankol\u00e9 et le continent africain (en l\u2019occurrence le S\u00e9n\u00e9gal) \u2013 o\u00f9 elle a grandi et \u00e9galement tourn\u00e9 Beau Travail (1999) et White Material (2010) \u2013 avec Le Cri des gardes. Une adaptation de la pi\u00e8ce Combat de n\u00e8gres et de chiens, de Bernard-Marie Kolt\u00e8s (1948-1989), cr\u00e9\u00e9e en 1982 \u00e0 New York puis reprise l\u2019ann\u00e9e suivant \u00e0 Nanterre, au Th\u00e9\u00e2tre des Amandiers, dans une mise en sc\u00e8ne de Patrice Ch\u00e9reau.<\/p>\n","protected":false},"excerpt":{"rendered":"Une nuit sur un chantier, quelque part en Afrique de l\u2019Ouest. Un homme s\u2019avance derri\u00e8re la cl\u00f4ture et&hellip;\n","protected":false},"author":2,"featured_media":68938,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[6,4457,245,1024],"class_list":{"0":"post-68937","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-afrique","8":"tag-afrique","9":"tag-cinema","10":"tag-culture","11":"tag-premium"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@afrique\/116364910496191094","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/posts\/68937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/comments?post=68937"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/posts\/68937\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/media\/68938"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/media?parent=68937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/categories?post=68937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/afrique\/wp-json\/wp\/v2\/tags?post=68937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}