{"id":61602,"date":"2026-06-04T03:37:18","date_gmt":"2026-06-04T03:37:18","guid":{"rendered":"https:\/\/www.europesays.com\/ai\/61602\/"},"modified":"2026-06-04T03:37:18","modified_gmt":"2026-06-04T03:37:18","slug":"backrooms-director-kane-parsons-ai-defeats-the-purpose-of-filmmaking","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ai\/61602\/","title":{"rendered":"Backrooms Director Kane Parsons: AI Defeats the Purpose of Filmmaking"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201c<a href=\"https:\/\/variety.com\/t\/backrooms\/\" id=\"auto-tag_backrooms\" data-tag=\"backrooms\" rel=\"nofollow noopener\" target=\"_blank\">Backrooms<\/a>\u201d director <a href=\"https:\/\/variety.com\/t\/kane-parsons\/\" id=\"auto-tag_kane-parsons\" data-tag=\"kane-parsons\" rel=\"nofollow noopener\" target=\"_blank\">Kane Parsons<\/a> recently sounded off on AI in filmmaking during a recent interview with <a href=\"https:\/\/www.theaustralian.com.au\/subscribe\/news\/1\/?sourceCode=TAWEB_WRE170_a_GGL&amp;dest=https%3A%2F%2Fwww.theaustralian.com.au%2Fculture%2Fbackrooms-inside-the-film-that-began-as-a-meme%2Fnews-story%2Fee86786c118e8a6fdfd2ce835e6a102d&amp;memtype=anonymous&amp;mode=premium&amp;v21=GROUPA-Segment-1-NOSCORE\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">The Australian<\/a>. The 20-year-old filmmaker said that he was \u201cin the same boat as most well-adjusted people,\u201d and does not want to see the technology take over Hollywood.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIf I could snap my fingers and make generative AI disappear forever, I probably would,\u201d Parsons said. \u201cCreatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tParsons explained that he sees a future where AI could make some VFX tasks less laborious, but he added that \u201cright now it\u2019s difficult to discuss objectively because there\u2019s so much at stake and so many genuinely harmful consequences already happening.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile wanting AI to stay away from his work, Parsons teased that he wants to explore the themes surrounding AI in a future film.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWhat interests me more is interrogating it artistically,\u201d Parsons said. \u201cWe already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That\u2019s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHe added, \u201cI\u2019m interested in using that iconography in art \u2013 not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile Parsons is rejecting AI, one of Hollywood\u2019s most celebrated directors, Martin Scorsese, is embracing it. The \u201cTaxi Driver\u201d director <a href=\"https:\/\/variety.com\/2026\/film\/news\/martin-scorsese-supports-ai-company-storyboard-movies-1236765037\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">recently joined the AI firm Black Forest Labs<\/a> as an adviser in a bid to \u201cpush the bounds of creativity to create deeper and richer experiences for audiences.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cCinema is a young medium, only around 125 years old, so we have to be open to how it can evolve,\u201d Scorsese said in a statement posted on Black Forest Labs\u2019 website. \u201cI utilized 3D with \u2018Hugo\u2019 and de-aging technology for \u2018The Irishman.\u2019 Now, with this tool, I can share what I\u2019m visualizing more clearly and efficiently to my creative team \u2014 the production designer, art designer, and cinematographer \u2014 for them to build on to enrich cinematic intelligence.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"\u201cBackrooms\u201d director Kane Parsons recently sounded off on AI in filmmaking during a recent interview with The Australian.&hellip;\n","protected":false},"author":2,"featured_media":61603,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[24,25,35254,35255],"class_list":["post-61602","post","type-post","status-publish","format-standard","has-post-thumbnail","category-ai","tag-ai","tag-artificial-intelligence","tag-backrooms","tag-kane-parsons"],"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ai\/wp-json\/wp\/v2\/posts\/61602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ai\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ai\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ai\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ai\/wp-json\/wp\/v2\/comments?post=61602"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ai\/wp-json\/wp\/v2\/posts\/61602\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ai\/wp-json\/wp\/v2\/media\/61603"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ai\/wp-json\/wp\/v2\/media?parent=61602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ai\/wp-json\/wp\/v2\/categories?post=61602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ai\/wp-json\/wp\/v2\/tags?post=61602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}