{"id":90356,"date":"2026-06-30T07:27:11","date_gmt":"2026-06-30T07:27:11","guid":{"rendered":"https:\/\/www.europesays.com\/ai\/90356\/"},"modified":"2026-06-30T07:27:11","modified_gmt":"2026-06-30T07:27:11","slug":"a24s-ai-bet-is-a-lesson-in-creative-influence-for-fashion","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ai\/90356\/","title":{"rendered":"A24\u2019s AI Bet Is a Lesson in Creative Influence for Fashion"},"content":{"rendered":"

At the same time, independent fashion brands are facing many of the same structural pressures: rising production costs, an early-stage funding drought, and growing competition from conglomerates with deeper pockets and proprietary technology. But so far, fashion\u2019s AI partnerships have largely focused on applications rather than co-creation. L\u2019Or\u00e9al is working with OpenAI<\/a> to develop AI-powered beauty experiences, while some brands like Moncler<\/a>, Valentino, Gucci<\/a>, and Victoria Beckham<\/a> have experimented with generative imagery and digital twin virtual try-on. But much of the industry\u2019s AI conversation remains framed around efficiency, authenticity, and creative risk. What\u2019s still missing are purpose-built AI tools for fashion\u2019s own creative workflows \u2014\u00a0and the strategic partnerships to build them well.<\/p>\n

Queisser points to how A24\u2019s deal with Google could represent a blueprint for industries like fashion to move beyond the AI resistance and experimentation phases. \u201cIndustries resist these tools until the cost of resistance exceeds the cost of adoption. Both ends of the film business [both major Hollywood studios and indie studios] have now reached that threshold,\u201d he says.<\/p>\n

A question of cultural cachet \u2014 and taste<\/p>\n

Google has historically been the go-to for developer workflow tools, but now, it\u2019s clear that AI lab DeepMind is broadening its scope.<\/p>\n

\u201cThe collaboration pairs a world-leading research lab with the industry\u2019s most filmmaker-forward studio to help artists develop new workflows and techniques,\u201d Google said in a statement announcing the collaboration. \u201cThis ensures the tools of the future are shaped by the creators who use them.\u201d While Google could have partnered with any major studio for this research partnership, instead, it chose A24, a studio with outsized cultural clout.<\/p>\n

At a time where Big Tech is obsessed with the question of taste, and increasingly leaning on fashion\u2019s playbook<\/a> to gain mass adoption of its AI tools, this decision sends an important signal to luxury brands.<\/p>\n

First, by partnering with Google, A24 is able to exercise cultural influence and shape how AI tools are made for the film industry. It also gets a say in what Google can access, where IP experts say that sitting outside the AI conversation can pose a bigger commercial risk to creatives\u2019 IPs. \u201cThe single largest pain point across both Hollywood and luxury fashion marketing is unregulated copyright scraping,\u201d says Deborah Harpur, founder and CEO of AI talent licensing company FanClub AI.<\/p>\n

\u201cThe partnership moves the conversation away from standard generative models toward building intentional, creator-led infrastructure, because it establishes strict guardrails,\u201d Harpur adds. She points to how workflows, storyboarding, and project pre-visualization are currently where filmmakers are most readily adopting AI, because they offer cost efficiencies without risking the underlying creative IP. \u201cIt makes complete sense that a tastemaker studio like A24 would leave its core content library out of an initial tech partnership,\u2019 she continues. \u201cIndependent studios are fiercely protective of their back catalogs, because protecting a multi-billion-dollar portfolio from copyright infringement carries an immediate, high-stakes ROI.\u201d<\/p>\n

\"Image<\/p>\n

Artistic duo Hunter Hornof incorporated AI into a Celine photoshoot for Pop Magazine, shot by photographer Reto Schmid.
Photo: Courtesy of Hunter Hornof, Reto Schmid, and Pop Magazine<\/p>\n

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