{"id":138811,"date":"2026-05-04T08:10:11","date_gmt":"2026-05-04T08:10:11","guid":{"rendered":"https:\/\/www.europesays.com\/at\/138811\/"},"modified":"2026-05-04T08:10:11","modified_gmt":"2026-05-04T08:10:11","slug":"high-heels-filmdienst","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/at\/138811\/","title":{"rendered":"High Heels | Filmdienst"},"content":{"rendered":"

Becky del P\u00e1ramo (Marisa Paredes<\/a>), in den 1960er-Jahren eine gefeierte Pops\u00e4ngerin, \u00fcberl\u00e4sst f\u00fcr die Karriere ihre 12-j\u00e4hrige Tochter Rebeca (Victoria Abril<\/a>) dem Ehemann. Jahre sp\u00e4ter erwartet die zur Nachrichtensprecherin Avancierte, mit einem Fernsehdirektor Verheiratete Rebeca am Madrider Flughafen ihre Hassfigur. Zwei (Mode-)Welten treffen aufeinander: Chanel gegen Armani. Sehr schnell findet der unsichere Star heraus, dass Rebeca ihren Ex-Liebhaber Manuel (F\u00e9odor Atkine<\/a>) geehelicht hat, ohne dies freilich zu wissen. Das Trio besucht die Show eines Transvestiten, Femme letal (Miguel Bos\u00e9<\/a>), der den internationalen Star imitierend zum Objekt der Sehnsucht f\u00fcr Rebeca geworden ist. Manuels Gef\u00fchle von fr\u00fcher weist sie zur\u00fcck. Wenig sp\u00e4ter findet man ihn ermordet auf.Ein knalliges Pop-Art-Melodram von Pedro Almod\u00f3var<\/a> um Liebe, Leidenschaft und Tod in einer von Egoismus gepr\u00e4gten Gesellschaft, konzipiert als ein von schwarzem Humor, Ironie und Hysterie durchtr\u00e4nktes Psychogramm.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"Becky del P\u00e1ramo (Marisa Paredes), in den 1960er-Jahren eine gefeierte Pops\u00e4ngerin, \u00fcberl\u00e4sst f\u00fcr die Karriere ihre 12-j\u00e4hrige Tochter…\n","protected":false},"author":2,"featured_media":138812,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[46,42,2015,46292,152,1132,26346,41,44,97,96,101,98,100,99],"class_list":{"0":"post-138811","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-wissenschaft-technik","8":"tag-at","9":"tag-austria","10":"tag-heimkino","11":"tag-high-heels-die-waffen-einer-frau","12":"tag-kino","13":"tag-kultur","14":"tag-mediatheken","15":"tag-news","16":"tag-oesterreich","17":"tag-science","18":"tag-science-technology","19":"tag-technik","20":"tag-technology","21":"tag-wissenschaft","22":"tag-wissenschaft-technik"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@at\/116515295983373159","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts\/138811","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/comments?post=138811"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts\/138811\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/media\/138812"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/media?parent=138811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/categories?post=138811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/tags?post=138811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}