{"id":174420,"date":"2026-05-23T03:40:09","date_gmt":"2026-05-23T03:40:09","guid":{"rendered":"https:\/\/www.europesays.com\/at\/174420\/"},"modified":"2026-05-23T03:40:09","modified_gmt":"2026-05-23T03:40:09","slug":"alexander-calder-in-moenchengladbach-wie-museum-abteiberg-seine-skultpur-restaurieren-will","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/at\/174420\/","title":{"rendered":"Alexander Calder in M\u00f6nchengladbach: Wie Museum Abteiberg seine Skultpur restaurieren will"},"content":{"rendered":"<p class=\"text_ohne_einzug richtext text-em-55 !leading-serif mx-6 desktop:mx-0\">Das hier sei der entscheidende Moment, sagt Christine Adolphs. Kostenpflichtiger Inhalt <a href=\"https:\/\/rp-online.de\/nrw\/staedte\/moenchengladbach\/kultur\/moenchengladbach-christine-adolphs-ist-restauratorin-am-museum-abteiberg_aid-84546917\" rel=\"nofollow noopener\" target=\"_blank\">Die Restauratorin des Museums Abteiberg<\/a> steht auf der Plattenebene des Geb\u00e4udes, der Wind zerrt an ihrer Jacke, vor ihr dehnt sich die Skulptur des verstorbenen US-amerikanischen K\u00fcnstlers Alexander Calder aus: \u201ePointes et Courbes\u201c. Vier M\u00e4nner haben sich davor gekniet. Sie versuchen, eine der 151 Schrauben zu l\u00f6sen. Manchmal stellt sich einer von ihnen auf den Werkzeugschl\u00fcssel, um mehr Kraft auszu\u00fcben. Minuten sp\u00e4ter haben sie es geschafft und tragen ein metallenes St\u00fcck des Kunstwerks auf einen Wagen. Es ist die erste von insgesamt 12 Stahlplatten.<\/p>\n","protected":false},"excerpt":{"rendered":"Das hier sei der entscheidende Moment, sagt Christine Adolphs. Kostenpflichtiger Inhalt Die Restauratorin des Museums Abteiberg steht auf&hellip;\n","protected":false},"author":2,"featured_media":174421,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[26],"tags":[53944,158,157,46,42,159,147,53943,161,160,49756,44,148],"class_list":["post-174420","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kunst-und-design","tag-antoinette","tag-art","tag-art-and-design","tag-at","tag-austria","tag-design","tag-entertainment","tag-gouan","tag-kunst","tag-kunst-und-design","tag-marie","tag-oesterreich","tag-unterhaltung"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@at\/116621818175803127","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts\/174420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/comments?post=174420"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts\/174420\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/media\/174421"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/media?parent=174420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/categories?post=174420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/tags?post=174420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}