{"id":33890,"date":"2026-03-09T05:35:18","date_gmt":"2026-03-09T05:35:18","guid":{"rendered":"https:\/\/www.europesays.com\/at\/33890\/"},"modified":"2026-03-09T05:35:18","modified_gmt":"2026-03-09T05:35:18","slug":"wie-werke-fuer-millionen-zum-kunstpalast-kommen","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/at\/33890\/","title":{"rendered":"Wie Werke f\u00fcr Millionen zum Kunstpalast kommen"},"content":{"rendered":"<p class=\"text_ohne_einzug richtext text-em-55 !leading-serif mx-6 desktop:mx-0\">Die blassblau und hellvioletten Pinselstriche lassen das Wasser unter der Br\u00fccke aussehen, als t\u00e4nzelte auf ihm das Licht. Fabrikschornsteine, die eigentlich wuchtig erscheinen m\u00fcssten, verschwinden nahezu im weichen <a href=\"https:\/\/rp-online.de\/thema\/nebel\/\" rel=\"nofollow noopener\" target=\"_blank\">Nebel<\/a> der Kulisse. Die Br\u00fccke erstrahlt im Glanz der Sonnenstrahlen, die auf ihr fahrenden W\u00e4gen schimmern wie Bl\u00fcmchen auf einer Wiese. Rund 40 Versionen hat <a href=\"https:\/\/rp-online.de\/thema\/claude-monet\/\" rel=\"nofollow noopener\" target=\"_blank\">Claude Monet<\/a> w\u00e4hrend seines Aufenthalts in <a href=\"https:\/\/rp-online.de\/thema\/london\/\" rel=\"nofollow noopener\" target=\"_blank\">London<\/a> Anfang des 20. Jahrhunderts von der Waterloo Bridge angefertigt. Und eines dieser kostbaren Bilder soll im <a href=\"https:\/\/rp-online.de\/thema\/kunstpalast\/\" rel=\"nofollow noopener\" target=\"_blank\">Kunstpalast<\/a> aufgeh\u00e4ngt werden.<\/p>\n","protected":false},"excerpt":{"rendered":"Die blassblau und hellvioletten Pinselstriche lassen das Wasser unter der Br\u00fccke aussehen, als t\u00e4nzelte auf ihm das Licht.&hellip;\n","protected":false},"author":2,"featured_media":33891,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26],"tags":[158,157,46,2210,15582,15583,42,15577,15578,159,15576,3429,147,15586,15581,8400,161,160,15574,15584,44,6554,15580,15579,4213,148,15585,15575],"class_list":{"0":"post-33890","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-kunst-und-design","8":"tag-art","9":"tag-art-and-design","10":"tag-at","11":"tag-ausstellung","12":"tag-ausstellungshalle","13":"tag-ausstellungskulisse","14":"tag-austria","15":"tag-bruecke","16":"tag-claude-monet","17":"tag-design","18":"tag-dubois","19":"tag-duesseldorf","20":"tag-entertainment","21":"tag-ereignis","22":"tag-gemaelde","23":"tag-hommage","24":"tag-kunst","25":"tag-kunst-und-design","26":"tag-kunstpalast","27":"tag-kunstsammler","28":"tag-oesterreich","29":"tag-planung","30":"tag-rahmen","31":"tag-scharf","32":"tag-sicherheit","33":"tag-unterhaltung","34":"tag-vorkehrung","35":"tag-waterloo-bridge"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@at\/116197597042517099","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts\/33890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/comments?post=33890"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts\/33890\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/media\/33891"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/media?parent=33890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/categories?post=33890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/tags?post=33890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}