{"id":374073,"date":"2026-09-04T02:01:11","date_gmt":"2026-09-04T02:01:11","guid":{"rendered":"https:\/\/www.europesays.com\/at\/374073\/"},"modified":"2026-09-04T02:01:11","modified_gmt":"2026-09-04T02:01:11","slug":"review-natalie-imbruglia-algorithm-review","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/at\/374073\/","title":{"rendered":"Review: Natalie Imbruglia \u2013 Algorithm: Review"},"content":{"rendered":"<p>        <img decoding=\"async\" src=\"https:\/\/www.europesays.com\/at\/wp-content\/uploads\/2026\/09\/1788487271_13_rs-badge-recommendation.png\" alt=\"ROLLING STONE Badge\"\/><\/p>\n<p>Empfehlungen der\u00a0Redaktion<\/p>\n<p>Der raketenhafte Aufstieg ihres Megahits \u201eTorn\u201c vor 30 Jahren f\u00fchrte den Ex-Star der australischen Soap \u201eNeighbours\u201c in eine l\u00e4ngliche Psychokrise. Es gab Konflikte mit dem Label, gefolgt von kreativen Blockaden. Das Vertrauen in die eigene Stimme war futsch.<\/p>\n<p>Die Alben in der Zwischenzeit waren nett, mehr aber auch nicht. Nun eine neuer Anlauf nach f\u00fcnf Jahren. Die 51-j\u00e4hrige Natalie Imbruglia folgt mit Pop, Disco- und House-Glamour dem Weg von Madonna und <a href=\"https:\/\/www.rollingstone.de\/reviews\/robyn-sexistential-eierstoecke-auf-hyperantrieb\/\" target=\"_blank\" rel=\"noopener nofollow\">Robyn<\/a> in die heutige Club-\u00c4sthetik der Erwachsenen.<\/p>\n<p>Im Titelst\u00fcck arbeitet sie Jahrzehnte im Rampenlicht auf. Solides Comeback.<\/p>\n","protected":false},"excerpt":{"rendered":"Empfehlungen der\u00a0Redaktion Der raketenhafte Aufstieg ihres Megahits \u201eTorn\u201c vor 30 Jahren f\u00fchrte den Ex-Star der australischen Soap \u201eNeighbours\u201c&hellip;\n","protected":false},"author":2,"featured_media":374074,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[24],"tags":[93664,46,42,147,153,154,61655,44,2016,148],"class_list":["post-374073","post","type-post","status-publish","format-standard","has-post-thumbnail","category-musik","tag-algorithm","tag-at","tag-austria","tag-entertainment","tag-music","tag-musik","tag-natalie-imbruglia","tag-oesterreich","tag-review","tag-unterhaltung"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@at\/117210310028577629","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts\/374073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/comments?post=374073"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts\/374073\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/media\/374074"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/media?parent=374073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/categories?post=374073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/tags?post=374073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}