{"id":69078,"date":"2026-03-27T13:51:11","date_gmt":"2026-03-27T13:51:11","guid":{"rendered":"https:\/\/www.europesays.com\/at\/69078\/"},"modified":"2026-03-27T13:51:11","modified_gmt":"2026-03-27T13:51:11","slug":"rheingold-zum-auftakt-weltuntergangsstimmung-bei-den-osterfestspielen","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/at\/69078\/","title":{"rendered":"Rheingold zum Auftakt &#8211; Weltuntergangsstimmung bei den Osterfestspielen"},"content":{"rendered":"<p>Island diente als Vorbild f\u00fcr dystopische Kulisse<br \/>\u201eDas Rheingold\u201c startet im Winter in Afrika, das entgegen aller Postkartenvorstellungen nach einer nicht n\u00e4her definierten gro\u00dfen Katastrophe kahl, fremd und unwirtlich ist. F\u00fcr die Kulisse dieser Dystopie ist das K\u00fcnstlerduo \u201eRecycle Group\u201c zust\u00e4ndig. Andrey Blokhin und Georgy Kuznetsov sind daf\u00fcr mit ihrem Regisseur sogar nach Island gereist, um die dystopische Atmosph\u00e4re in Filmbildern einzufangen, bevor ein einziges B\u00fchnenbild gebaut war. Das Ergebnis, so beschreiben sie es selbst, soll so noch nie gesehen worden sein.<\/p>\n","protected":false},"excerpt":{"rendered":"Island diente als Vorbild f\u00fcr dystopische Kulisse\u201eDas Rheingold\u201c startet im Winter in Afrika, das entgegen aller Postkartenvorstellungen nach&hellip;\n","protected":false},"author":2,"featured_media":69079,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[1219,27341,46,42,27342,27343,27344,14071,24420,27345,26906,44,27346,27347,192,7859,27348,27349,1055,27350],"class_list":{"0":"post-69078","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-salzburg","8":"tag-afrika","9":"tag-andrey-blokhin","10":"tag-at","11":"tag-austria","12":"tag-christian-gerhaher","13":"tag-frank-castorfs","14":"tag-georgy-kuznetsov","15":"tag-island","16":"tag-kirill-petrenko","17":"tag-kirill-serebrennikov","18":"tag-nikolaus-bachler","19":"tag-oesterreich","20":"tag-petrenko","21":"tag-recycle-group","22":"tag-salzburg","23":"tag-schutz","24":"tag-serebrennikov","25":"tag-serebrennikovs","26":"tag-wagner","27":"tag-wagners"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@at\/116301469051428721","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts\/69078","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/comments?post=69078"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/posts\/69078\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/media\/69079"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/media?parent=69078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/categories?post=69078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/at\/wp-json\/wp\/v2\/tags?post=69078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}