{"id":11127,"date":"2026-05-14T06:56:08","date_gmt":"2026-05-14T06:56:08","guid":{"rendered":"https:\/\/www.europesays.com\/australia\/11127\/"},"modified":"2026-05-14T06:56:08","modified_gmt":"2026-05-14T06:56:08","slug":"sydney-dance-company-returns-to-the-sydney-opera-house-with-engine","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/australia\/11127\/","title":{"rendered":"Sydney Dance Company returns to the Sydney Opera House with Engine"},"content":{"rendered":"<p>\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/www.europesays.com\/australia\/wp-content\/uploads\/2026\/05\/pedro.jpeg\" alt=\"\" title=\"pedro\"   class=\"wp-image-12537\"\/><\/p>\n<p style=\"text-align: center;\">Sydney Dance Company takes to Sydney Opera House with a high-impact triple bill celebrating the strength, precision, and expressive power of the human body. Engine unites three extraordinary choreographers \u2013 Rafael Bonachela, Fran D\u00edaz and Melanie Lane \u2013 in an exhilarating showcase of contemporary dance.<\/p>\n<p>Sydney Dance Company Artistic Director Rafael Bonachela\u2019s new work, The Journey Itself Is Home, is set to a score by Grammy Award\u2013winning composer Bryce Dessner and draws inspiration from the writings of 17th-century Japanese poet Matsuo Bash\u014d. Exploring movement as a state of being, the work traces an evolving landscape of change, longing and transformation, where fragility and strength exist in tension. Bonachela\u2019s signature style drives the work\u2019s shifting emotional arc, underscoring a choreography that unfolds through momentum rather than destination. Bryce Dessner\u2019s four-movement score weaves together orchestral and electronic recordings, reflecting the arc of tension, release and renewal.<\/p>\n<p>Berlin-based Spanish choreographer Fran D\u00edaz, one of Europe\u2019s most exciting rising talents, makes his Australian debut with The Mass Ornament, set to the music of Polish composer Henryk G\u00f3recki. Reimagining Siegfried Kracauer\u2019s 1927 essay, D\u00edaz transforms mass movement into a study of the collective and the individual to reveal a deeply human network where bodies operate in unison, en masse, in constant dialogue with one another.<\/p>\n<p>The program includes the Sydney return of the critically acclaimed Love Lock \u2013 a vivid, futuristic work that collides romance, tradition, and imagination \u2013 by Australian choreographer of Javanese\/European cultural heritage Melanie Lane. Drawing on social ritual, symbolic gesture and the emotional charge of love songs, Lane reimagines folk dance for an accelerating world, celebrating its power to move, warn and empower. Featuring spectacular costumes by legendary Australian designer Akira Isogawa and a pulsating score by UK electronic artist Clark, Love Lock unfolds with a palpable otherworldly energy.<\/p>\n<p>For the first time Sydney Dance Company will offer an under 25\u2019s ticket tier of $35, encouraging greater access to the physicality, creativity and innovation of contemporary dance. This will be an ongoing offering during Sydney Dance Company\u2019s mainstage Sydney seasons.<\/p>\n<p>June 24 \u2013 July 12<\/p>\n<p><a href=\"http:\/\/sydneydancecompany.com\" rel=\"nofollow noopener\" target=\"_blank\">sydneydancecompany.com<\/a><\/p>\n<p>Image: Pedro Greig<\/p>\n","protected":false},"excerpt":{"rendered":"Sydney Dance Company takes to Sydney Opera House with a high-impact triple bill celebrating the strength, precision, and&hellip;\n","protected":false},"author":2,"featured_media":11128,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[247],"class_list":{"0":"post-11127","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-sydney","8":"tag-sydney"},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/posts\/11127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/comments?post=11127"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/posts\/11127\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/media\/11128"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/media?parent=11127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/categories?post=11127"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/tags?post=11127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}