{"id":8235,"date":"2026-05-09T23:28:25","date_gmt":"2026-05-09T23:28:25","guid":{"rendered":"https:\/\/www.europesays.com\/australia\/8235\/"},"modified":"2026-05-09T23:28:25","modified_gmt":"2026-05-09T23:28:25","slug":"your-ultimate-guide-to-the-queer-films-lighting-up-sydney-film-festival-2026","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/australia\/8235\/","title":{"rendered":"Your ultimate guide to the queer films lighting up Sydney Film Festival 2026"},"content":{"rendered":"<p>Sydney Film Festival is officially returning for its 73rd year, once again taking over the city with red carpets, filmmaker talks, afterparties and a stacked lineup of films.<\/p>\n<p>From June 3 to 14 the festival will be running across the iconic State Theatre, plus cinemas throughout the CBD, Newtown, Cremorne and Randwick<\/p>\n<p>The festival has built a reputation for championing bold, boundary-pushing cinema from around the globe.<\/p>\n<p>And this year? Queer film lovers are absolutely eating.<\/p>\n<p>From horny thrillers and queer horror to AIDS-era dramas, camp satire and tender love stories, here are some of the standout LGBTQIA+ films on the 2026 lineup.<\/p>\n<p>I Want Your Sex<\/p>\n<p>Directed by queer cinema icon Gregg Araki, <a href=\"https:\/\/www.sff.org.au\/program\/event\/i-want-your-sex\/\" rel=\"nofollow noopener\" target=\"_blank\">I Want Your Sex<\/a> stars Olivia Wilde, Cooper Hoffman, Mason Gooding, Daveed Diggs and Charli XCX in a twisted erotic thriller about obsession, manipulation and murder.<\/p>\n<p>The film follows Elliot, a young assistant who becomes entangled with provocative artist Erika Tracy after becoming her sexual muse.<\/p>\n<p>Araki is a foundational figure in New Queer Cinema, previously winning Cannes\u2019 first-ever Queer Palm for Kaboom.<\/p>\n<p>According to The Hollywood Reporter, the film is \u201cslick, provocative and deeply unserious in exactly the right ways.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-174261\" src=\"https:\/\/www.europesays.com\/australia\/wp-content\/uploads\/2026\/05\/Laura-website-images-65.png\" alt=\"\" width=\"910\" height=\"560\"  \/>Image: Sydney Film Festival<br \/>\nThe Man I Love<\/p>\n<p>Set in the late 1980s New York, <a href=\"https:\/\/www.sff.org.au\/program\/event\/the-man-i-love\/\" rel=\"nofollow noopener\" target=\"_blank\">The Man I Love<\/a> is the kind of emotionally devastating prestige drama likely to leave audiences quietly staring into the middle distance afterwards.<\/p>\n<p>Directed by acclaimed queer filmmaker Ira Sachs, the film stars Rami Malek as Jimmy George, a theatre icon confronting mortality during the AIDS crisis while pouring himself into one final performance.<\/p>\n<p>Sachs is already beloved for films like Keep the Lights On, which won the Berlinale Teddy Award.<\/p>\n<p>The film\u2019s queer lens is deeply baked in.<\/p>\n<p>From its historical setting to Sachs\u2019 own legacy as one of America\u2019s most celebrated gay independent filmmakers.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-174262\" src=\"https:\/\/www.europesays.com\/australia\/wp-content\/uploads\/2026\/05\/Laura-website-images-66.png\" alt=\"\" width=\"910\" height=\"560\"  \/>Image: Sydney Film Festival<br \/>\nTeenage Sex and Death at Camp Miasma<\/p>\n<p>Yes, <a href=\"https:\/\/www.sff.org.au\/program\/event\/teenage-sex-and-death-at-camp-miasma\/\" rel=\"nofollow noopener\" target=\"_blank\">that title is real.<\/a><\/p>\n<p>Directed by cult favourite Jane Schoenbrun (I Saw the TV Glow), this psychosexual horror follows a queer filmmaker spiralling into obsession while rebooting a fictional slasher franchise.<\/p>\n<p>Starring Hannah Einbinder and Gillian Anderson, it sounds deeply unhinged in the most appealing possible way.<\/p>\n<p>Schoenbrun has quickly become one of the most exciting filmmakers exploring queer, trans and internet identity on screen, making this an instant must-watch for anyone who likes their cinema weird and emotionally destabilising.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-174263\" src=\"https:\/\/www.europesays.com\/australia\/wp-content\/uploads\/2026\/05\/Laura-website-images-67.png\" alt=\"\" width=\"910\" height=\"560\"  \/>Image: Sydney Film Festival<br \/>\nLeviticus<\/p>\n<p>One of the most talked-about Australian queer titles on the lineup, <a href=\"https:\/\/www.sff.org.au\/program\/event\/leviticus\/\" rel=\"nofollow noopener\" target=\"_blank\">Leviticus<\/a> blends supernatural horror with direct social commentary.<\/p>\n<p><a href=\"https:\/\/qnews.com.au\/new-queer-horror-movie-leviticus-takes-conversion-therapy-and-makes-it-even-more-terrifying\/\" rel=\"nofollow noopener\" target=\"_blank\">Set in regional Victoria,<\/a> the film follows two queer teenage boys subjected to a Christian conversion ritual after being outed, while a terrifying entity takes the form of their deepest desires.<\/p>\n<p>Directed by Australian filmmaker Adrian Chiarella, the film premiered at Sundance to strong buzz.<\/p>\n<p>The Guardian described it as \u201can unnerving and timely queer horror.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-174264\" src=\"https:\/\/www.europesays.com\/australia\/wp-content\/uploads\/2026\/05\/Laura-website-images-68.png\" alt=\"\" width=\"910\" height=\"560\"  \/>Image: Sydney Film Festival<br \/>\nBody Blow<\/p>\n<p>Shot partly at Sydney\u2019s iconic Stonewall Hotel, <a href=\"https:\/\/www.sff.org.au\/program\/event\/body-blow\/\" rel=\"nofollow noopener\" target=\"_blank\">Body Blow<\/a> feels especially local.<\/p>\n<p>The Australian thriller follows undercover cop Aiden as he enters Sydney\u2019s queer nightlife scene investigating criminal activity.<\/p>\n<p>Only to spiral into conspiracy, desire and danger after meeting a seductive bartender and sex worker.<\/p>\n<p>Featuring Tim Pocock and a special appearance from Kween Kong, the film is steeped in queer nightlife aesthetics and local LGBTQIA+ history.<\/p>\n<p>A dark, sweaty Sydney thriller? We know the audience for this.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-174265\" src=\"https:\/\/www.europesays.com\/australia\/wp-content\/uploads\/2026\/05\/Laura-website-images-69.png\" alt=\"\" width=\"910\" height=\"560\"  \/>Image: Sydney Film Festival<br \/>\nThe Blood Countess<\/p>\n<p>If your ideal cinema experience includes vampires, decadence and Isabelle Huppert being deeply unsettling, <a href=\"https:\/\/www.sff.org.au\/program\/event\/the-blood-countess\/\" rel=\"nofollow noopener\" target=\"_blank\">The Blood Countess <\/a>is the one for you.<\/p>\n<p>Directed by legendary German filmmaker Ulrike Ottinger, the film follows Countess B\u00e1thory as she awakens in present-day Vienna after centuries of slumber.<\/p>\n<p>She begins searching for a mysterious red elixir, all while evading vampirologists, police and various people threatening the vampire world.<\/p>\n<p>Ottinger has long been regarded as a major queer auteur, with much of her work exploring gender, identity and outsider culture through surrealist, avant-garde filmmaking.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-174266\" src=\"https:\/\/www.europesays.com\/australia\/wp-content\/uploads\/2026\/05\/Laura-website-images-70.png\" alt=\"\" width=\"910\" height=\"560\"  \/>Image: Sydney Film Festival<br \/>\nMaddie\u2019s Secret<\/p>\n<p><a href=\"https:\/\/www.sff.org.au\/program\/event\/maddies-secret\/\" rel=\"nofollow noopener\" target=\"_blank\">A satirical drama<\/a> marking the directorial debut of comedian and actor John Early, an openly gay comedian with a devoted queer following.<\/p>\n<p>Early also stars as Maddie, a rising vegetarian food influencer desperately trying to maintain an impossibly curated online persona while quietly battling an eating disorder.<\/p>\n<p>The film premiered at TIFF and has already generated buzz for its stylised, melodramatic take on internet identity, perfectionism and self-destruction.<\/p>\n<p>Variety\u00a0praised the film\u2019s sharp tone, while The Hollywood Reporter highlighted its satirical bite.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-174267\" src=\"https:\/\/www.europesays.com\/australia\/wp-content\/uploads\/2026\/05\/Laura-website-images-71.png\" alt=\"\" width=\"910\" height=\"560\"  \/>Image: Sydney Film Festival<br \/>\nThere\u2019s plenty more queer gems to discover<\/p>\n<p>Other queer titles worth adding to your watchlist include:<\/p>\n<p>On The Road \u2014 a Queer Lion winning Mexican erotic road drama<br \/>\nBaby Jackfruit Baby Guava \u2014 a deeply personal documentary from queer Vietnamese filmmaker Quang Nh\u1eadt N\u00f4ng<br \/>\nJulian \u2014 follows a couple marrying in every country where same-sex marriage is legal<br \/>\nJoy Boy: A Tribute to Julius Eastman \u2014 exploring the life, music and activism of legendary gay Black composer Julius Eastman<br \/>\nThe Mutation \u2014 a Black Korean man joins a queer woman on her search for her missing partner<br \/>\nStrawberries \u2014 based on the modern exploitation of strawberry pickers in Spain<\/p>\n<p>Honestly, Sydney Film Festival may have just built a queer lineup so stacked it should come with emotional support afterwards.<\/p>\n<p>For more information on the festival and the full program visit the <a href=\"https:\/\/www.sff.org.au\/\" rel=\"nofollow noopener\" target=\"_blank\">Sydney Film Festival website.<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-174268 size-full\" src=\"https:\/\/www.europesays.com\/australia\/wp-content\/uploads\/2026\/05\/Laura-website-images-72.png\" alt=\"\" width=\"910\" height=\"560\"  \/>Image: Sydney Film Festival<\/p>\n<p>For the latest LGBTIQA+\u00a0Sister Girl and Brother Boy\u00a0<a href=\"https:\/\/qnews.com.au\/news\/\" rel=\"nofollow noopener\" target=\"_blank\">news,<\/a>\u00a0<a href=\"https:\/\/qnews.com.au\/entertainment\/\" rel=\"nofollow noopener\" target=\"_blank\">entertainment,<\/a>\u00a0<a href=\"https:\/\/qnews.com.au\/community\/\" rel=\"nofollow noopener\" target=\"_blank\">and\u00a0community stories<\/a>\u00a0in Australia, visit\u00a0<a href=\"https:\/\/qnews.com.au\/\" rel=\"nofollow noopener\" target=\"_blank\">qnews.com.au<\/a>. Find us on\u00a0<a href=\"https:\/\/www.facebook.com\/QNewsMag\" rel=\"nofollow noopener\" target=\"_blank\">Facebook<\/a>,\u00a0<a href=\"https:\/\/twitter.com\/qnews_media\" rel=\"nofollow noopener\" target=\"_blank\">Twitter<\/a>,\u00a0<a href=\"https:\/\/www.instagram.com\/qnewsmag\" rel=\"nofollow noopener\" target=\"_blank\">Instagram<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.youtube.com\/user\/QNewsAustralia\" rel=\"nofollow noopener\" target=\"_blank\">YouTube<\/a>.<\/p>\n<p>\t\t\t<script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"Sydney Film Festival is officially returning for its 73rd year, once again taking over the city with red&hellip;\n","protected":false},"author":2,"featured_media":8236,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[9662,9663,9664,9665,9666,9667,247,3901,9668,9669,9670],"class_list":["post-8235","post","type-post","status-publish","format-standard","has-post-thumbnail","category-sydney","tag-body-blow","tag-i-want-your-sex","tag-leviticus","tag-maddies-secret","tag-queer-cinema","tag-queer-films","tag-sydney","tag-sydney-film-festival","tag-teenage-sex-and-death-at-camp-miasma","tag-the-blood-countess","tag-the-man-i-love"],"_links":{"self":[{"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/posts\/8235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/comments?post=8235"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/posts\/8235\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/media\/8236"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/media?parent=8235"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/categories?post=8235"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/australia\/wp-json\/wp\/v2\/tags?post=8235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}