{"id":108234,"date":"2026-05-15T16:15:14","date_gmt":"2026-05-15T16:15:14","guid":{"rendered":"https:\/\/www.europesays.com\/be-fr\/108234\/"},"modified":"2026-05-15T16:15:14","modified_gmt":"2026-05-15T16:15:14","slug":"notre-critique-de-soudain-si-long-si-lent","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/be-fr\/108234\/","title":{"rendered":"Notre critique de Soudain : si long, si lent"},"content":{"rendered":"<p>\n    EN COMP\u00c9TITION &#8211; Oscaris\u00e9 en 2022 pour Drive My Car, le Japonais Ryusuke Hamaguchi imagine Virginie Efira en directrice d\u2019Ehpad parisien aux m\u00e9thodes particuli\u00e8res. Une rude \u00e9preuve.<\/p>\n<p class=\"fig-paragraph\">Cela existe. Il ne s\u2019agit pas d\u2019une invention de S\u00e9gol\u00e8ne Royal. L\u2019Humanitude permet de mieux comprendre les \u00eatres, de compatir avec la vieillesse. Marie-Lou (<a href=\"http:\/\/www.lefigaro.fr\/cinema\/virginie-efira-des-que-je-le-pouvais-je-m-arrangeais-pour-rester-sur-le-plateau-et-regarder-travailler-jodie-foster-20251202\" data-fig-type=\"Article\" data-gtm-custom-categorie=\"navigation\" data-gtm-custom-action=\"crossclick\" data-gtm-custom-label=\"Contextuel\" data-gtm-event=\"customEventSPE\" data-fig-domain=\"LEFIGARO\" rel=\"nofollow noopener\" target=\"_blank\">Virginie Efira<\/a>), qui dirige un Ehpad, applique ces th\u00e9ories audacieuses. Au Jardin de la Libert\u00e9, les pensionnaires sont aux anges, m\u00eame si la m\u00e9thode les \u00e9tonne. Certains membres du personnel semblent r\u00e9sister \u00e0 cet exc\u00e8s de modernit\u00e9. Il faut dire que l\u2019Humanitude couvre un champ assez vaste. Cela va de l\u2019\u00e9coute attentive au massage des pieds. Il n\u2019est pas interdit de chantonner A la Claire fontaine pour endormir les pensionnaires les plus anxieux.<\/p>\n<p class=\"fig-paragraph\">La chose repose sur quatre piliers \u2013 vous notez, j\u2019esp\u00e8re\u00a0: le regard, la parole, le toucher et la verticalit\u00e9, ce dernier terme indiquant qu\u2019il faut favoriser la position debout. Au moins, gr\u00e2ce \u00e0 Ryusuke Hamaguchi, nous ne mourrons pas idiots. Qu\u2019est-ce que c\u2019est que ces trois heures un quart pour apprendre ces v\u00e9rit\u00e9s essentielles\u00a0?<\/p>\n<p>                                            \u00abUn coup de foudre sans tonnerre\u00bb<\/p>\n<p class=\"fig-paragraph\">On suit donc les aventures de Marie-Lou qui\u2026<\/p>\n<p class=\"fig-premium-paywall__infos\">\n        Cet article est r\u00e9serv\u00e9 aux abonn\u00e9s.        Il vous reste 70% \u00e0 d\u00e9couvrir.\n    <\/p>\n<p>                <img  data- alt=\"Le Figaro\" class=\"fig-img--complete fig-img\"\/><\/p>\n<p class=\"fig-premium-paywall__title\">Vente Flash<\/p>\n<p class=\"fig-premium-paywall__subtitle\">-70% sur votre abonnement. Sans engagement.<\/p>\n<p class=\"fig-premium-paywall__connect\">\n                D\u00e9j\u00e0 abonn\u00e9\u00a0?                <a class=\"fig-premium-paywall__connect-link\" href=\"https:\/\/connect.lefigaro.fr\/login?client=horizon_web&amp;type=main&amp;redirect_uri=https%3A%2F%2Fwww.lefigaro.fr%2Ffestival-de-cannes%2Fnotre-critique-de-soudain-si-long-si-lent-20260515\" data-js-gtm=\"{&quot;event&quot;:&quot;customEventGA4&quot;,&quot;eventName&quot;:&quot;click_action&quot;,&quot;feature&quot;:&quot;paywall&quot;,&quot;location&quot;:&quot;paywall&quot;,&quot;button_action&quot;:&quot;connect&quot;,&quot;click_text&quot;:&quot;Connectez-vous&quot;}\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n                    Connectez-vous<br \/>\n                <\/a>\n            <\/p>\n","protected":false},"excerpt":{"rendered":"EN COMP\u00c9TITION &#8211; Oscaris\u00e9 en 2022 pour Drive My Car, le Japonais Ryusuke Hamaguchi imagine Virginie Efira en&hellip;\n","protected":false},"author":2,"featured_media":108235,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[97],"tags":[12,13,18,17,96,39634,95,1294,106,105,5283,12191,7781],"class_list":{"0":"post-108234","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-films","8":"tag-be","9":"tag-be-fr","10":"tag-belgique","11":"tag-belgium","12":"tag-divertissement","13":"tag-drive-my-car","14":"tag-entertainment","15":"tag-festival-de-cannes","16":"tag-films","17":"tag-movies","18":"tag-oscars","19":"tag-palme-dor","20":"tag-virginie-efira"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@be_fr\/116579488552161885","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts\/108234","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/comments?post=108234"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts\/108234\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/media\/108235"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/media?parent=108234"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/categories?post=108234"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/tags?post=108234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}