\u00ab\u00a0L’or r\u00e9serv\u00e9 \u00e0 la face et la patine noire \u00e0 la chevelure conf\u00e8rent \u00e0 la physionomie une \u00e9l\u00e9gance m\u00e9ditative et un raffinement proches de l’art bouddhique extr\u00eame-oriental, admir\u00e9 par Brancusi au Mus\u00e9e Guimet\u00a0\u00bb, analyse Marielle Tabart, experte de l’oeuvre du sculpteur, cit\u00e9e sur le site du Centre Pompidou.<\/p>\n
Selon le mus\u00e9e parisien, qui poss\u00e8de dans ses collections une soeur jumelle de la sculpture vendue lundi, Brancusi a multipli\u00e9 les tirages en bronze de sa \u00ab\u00a0Dana\u00efde\u00a0\u00bb entre 1913 et 1918. D’autres exemplaires sont expos\u00e9s \u00e0 la Tate de Londres, au Kunst Museum de Winterthour, pr\u00e8s de Zurich, et le Philadelphia Museum of Art.<\/p>\n
Valeur multipli\u00e9e par six<\/p>\n
Selon Christie’s, le tirage vendu lundi \u00e9tait le seul exemplaire dor\u00e9 toujours en mains priv\u00e9es.<\/p>\n
Coul\u00e9 en 1913, il avait \u00e9t\u00e9 achet\u00e9 par le banquier Eugene Meyer et son \u00e9pouse Agnes, m\u00e9c\u00e8nes et amis de Brancusi, lors de la premi\u00e8re exposition personnelle de l’artiste \u00e0 New York en 1914. L’oeuvre \u00e9tait rest\u00e9e dans leur famille jusqu’en 2002 et son achat par le magnat des m\u00e9dias S.I. Newhouse Jr.<\/p>\n
Acquise par le collectionneur new-yorkais pour 18,2 millions de dollars, la sculpture \u00e9tait devenue \u00e0 l’\u00e9poque la sculpture la plus ch\u00e8re jamais vendue lors d’une vente aux ench\u00e8res. Sa valeur a \u00e9t\u00e9 multipli\u00e9e par six en 24 ans.<\/p>\n
Lundi, l’oeuvre a \u00e9t\u00e9 acquise par un acheteur anonyme soumettant ses offres par t\u00e9l\u00e9phone.<\/p>\n","protected":false},"excerpt":{"rendered":"\u00ab\u00a0L’or r\u00e9serv\u00e9 \u00e0 la face et la patine noire \u00e0 la chevelure conf\u00e8rent \u00e0 la physionomie une \u00e9l\u00e9gance…\n","protected":false},"author":2,"featured_media":112207,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[101],"tags":[40778,40777,126,124,125,12,13,18,17,40776,127,96,6404,95,151,168,444,567],"class_list":["post-112206","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-et-design","tag-agnes-carlsson","tag-alberto-giacometti","tag-arts","tag-arts-and-design","tag-arts-et-design","tag-be","tag-be-fr","tag-belgique","tag-belgium","tag-constantin-brancusi","tag-design","tag-divertissement","tag-encheres","tag-entertainment","tag-france","tag-peinture","tag-sculpture","tag-usa"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@be_fr\/116602035469728272","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts\/112206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/comments?post=112206"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts\/112206\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/media\/112207"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/media?parent=112206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/categories?post=112206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/tags?post=112206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}