{"id":151347,"date":"2026-06-23T14:59:18","date_gmt":"2026-06-23T14:59:18","guid":{"rendered":"https:\/\/www.europesays.com\/be-fr\/151347\/"},"modified":"2026-06-23T14:59:18","modified_gmt":"2026-06-23T14:59:18","slug":"a-rome-lincroyable-renovation-historique-dun-palais-baroque-de-230-m2","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/be-fr\/151347\/","title":{"rendered":"\u00c0 Rome, l&rsquo;incroyable r\u00e9novation historique d&rsquo;un palais baroque de 230 m2"},"content":{"rendered":"<p>Le Palazzo Massimo di Rignano, un d\u00e9fi historique<img decoding=\"async\" alt=\"Cour intrieure fontaine baroque XVIIe si\u00e8cle  Carlo Fontana\" loading=\"lazy\" class=\"ResponsiveImageContainer-dkeESL cQPiWi responsive-image__image\"   src=\"https:\/\/www.europesays.com\/be-fr\/wp-content\/uploads\/2026\/06\/%C2%A9%20Simon%20Watson_Palazzo%20Massimo%20-%20Colonna_0341.jpg\"\/><\/p>\n<p>Dans la cour int\u00e9rieure, une fontaine baroque du XVIIe si\u00e8cle cr\u00e9\u00e9e par Carlo Fontana devient source de fra\u00eecheur.<\/p>\n<p>\u00a9 Simon Watson<\/p>\n<p>Si le fait de r\u00e9nover un bien <a href=\"https:\/\/www.admagazine.fr\/article\/woodstock-hippie-maison-familiale-coloree\" rel=\"nofollow noopener\" target=\"_blank\">familial<\/a> est souvent un d\u00e9fi pour un jeune architecte, il est d\u2019autant plus complexe lorsqu\u2019il s\u2019agit d\u2019un patrimoine architectural datant du XVe si\u00e8cle. Voici le challenge auquel a fait face la jeune et prometteuse architecte Claudia d\u2019Oncieu, cofondatrice de l\u2019agence Paran\u00e0 Studio.<\/p>\n<p><img decoding=\"async\" alt=\"Architecte Claudia dOncieu cour Palazzo Massimo di Rignano.\" loading=\"lazy\" class=\"ResponsiveImageContainer-dkeESL cQPiWi responsive-image__image\"   src=\"https:\/\/www.europesays.com\/be-fr\/wp-content\/uploads\/2026\/06\/%C2%A9%20Simon%20Watson_Palazzo%20Massimo%20-%20Colonna_0396.jpg\"\/><\/p>\n<p>L\u2019architecte Claudia d\u2019Oncieu dans la cour du Palazzo Massimo di Rignano.<\/p>\n<p>\u00a9 Simon Watson<\/p>\n<p>La r\u00e9novation d&rsquo;un h\u00e9ritage familiale<\/p>\n<p>C\u2019est \u00e0 <a href=\"https:\/\/www.admagazine.fr\/dossier\/rome\" isautogenerated=\"true\" rel=\"nofollow noopener\" target=\"_blank\">Rome<\/a>, au c\u0153ur du Palazzo Massimo di Rignano, \u00e9l\u00e9gant \u00e9difice de style <a href=\"https:\/\/www.admagazine.fr\/dossier\/baroque\" isautogenerated=\"true\" rel=\"nofollow noopener\" target=\"_blank\">baroque<\/a>, qu\u2019elle a restructur\u00e9 cet int\u00e9rieur de 230 m\u00e8tres carr\u00e9s. H\u00e9rit\u00e9 de son arri\u00e8re-arri\u00e8re grand\u2011p\u00e8re, Prospero Colonna, duc de Rignano et ancien maire de Rome, l\u2019<a href=\"https:\/\/www.admagazine.fr\/article\/paris-transformation-appartement-haussmannien-ecrin-douceur-atmosphere-enveloppante\" rel=\"nofollow noopener\" target=\"_blank\">appartement<\/a> a originellement \u00e9t\u00e9 con\u00e7u par l\u2019architecte Carlo Fontana, repr\u00e9sentant et th\u00e9oricien reconnu du baroque romain. Reconverti en cabinet d\u2019avocats durant plusieurs ann\u00e9es, le projet pr\u00e9voyait de lui faire retrouver son caract\u00e8re r\u00e9sidentiel afin notamment d\u2019y accueillir ses parents : \u00ab Outre les \u00e9l\u00e9ments d\u2019\u00e9poque, il a fallu composer avec la passion pour le classique de ma m\u00e8re et la collection d\u2019<a href=\"https:\/\/www.admagazine.fr\/dossier\/art\" isautogenerated=\"true\" rel=\"nofollow noopener\" target=\"_blank\">art<\/a> des <a href=\"https:\/\/www.admagazine.fr\/adshopping\/article\/assises-mythiques-design-annees-1950\" rel=\"nofollow noopener\" target=\"_blank\">ann\u00e9es 1950<\/a> \u00e0 <a href=\"https:\/\/www.admagazine.fr\/article\/madrid-appartement-1970-bois-chaud-beton\" rel=\"nofollow noopener\" target=\"_blank\">1970<\/a> de mon beau-p\u00e8re. \u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"Le Palazzo Massimo di Rignano, un d\u00e9fi historique Dans la cour int\u00e9rieure, une fontaine baroque du XVIIe si\u00e8cle&hellip;\n","protected":false},"author":2,"featured_media":151348,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[101],"tags":[126,124,125,49457,12,13,18,17,127,96,95,6655],"class_list":["post-151347","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-et-design","tag-arts","tag-arts-and-design","tag-arts-et-design","tag-baroque","tag-be","tag-be-fr","tag-belgique","tag-belgium","tag-design","tag-divertissement","tag-entertainment","tag-rome"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@be_fr\/116800020029637296","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts\/151347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/comments?post=151347"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts\/151347\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/media\/151348"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/media?parent=151347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/categories?post=151347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/tags?post=151347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}