Jusqu\u2019au 31 ao\u00fbt, Pierre Quentel expose ses \u0153uvres r\u00e9centes au caf\u00e9 Touline, \u00e0 Morlaix. Intitul\u00e9e \u00ab\u00a0Visages et Silhouettes\u00a0\u00bb, l\u2019exposition pr\u00e9sente une s\u00e9rie de portraits f\u00e9minins, pos\u00e9s ou dessin\u00e9s en direct, r\u00e9alis\u00e9s dans un esprit \u00ab\u00a0carnet de voyage\u00a0\u00bb.<\/p>\n
\u00ab\u00a0Le premier mouvement, c\u2019est souvent cela qui est int\u00e9ressant, le trait qui vient \u00e0 ce moment-l\u00e0. Apr\u00e8s, la technique de l\u2019aquarelle permet de rehausser\u00a0\u00bb, explique Pierre Quentel. Dans ces \u0153uvres, on appr\u00e9cie la fluidit\u00e9 du trait de l\u2019artiste, qui transmet une \u00e9motion et \u00e9voque une ambiance.<\/p>\n
Un livre po\u00e9tique \u00e0 d\u00e9couvrir<\/p>\n
L\u2019exposition pr\u00e9sente \u00e9galement un autre volet, li\u00e9 \u00e0 un projet de publication\u00a0: un livre po\u00e9tique n\u00e9 de la rencontre entre les po\u00e8mes de Catherine Chartier et les aquarelles de Pierre Quentel. Qui, de la plume ou du pinceau, a inspir\u00e9 le mouvement\u00a0? Pour Catherine Chartier, \u00ab\u00a0R\u00e9sonances, c\u2019est un \u00e9lan, une envie de partage, c\u2019est le bonheur des mots qui ont trouv\u00e9 parure pour accompagner une respiration, le voyage du ressenti et de la mati\u00e8re\u00a0\u00bb.<\/p>\n
\u00c0 travers les th\u00e8mes de l\u2019eau, de la lumi\u00e8re, du silence et des paysages chers \u00e0 Pierre Quentel, \u00ab\u00a0R\u00e9sonances\u00a0\u00bb est aussi profond\u00e9ment li\u00e9 \u00e0 la Bretagne.<\/p>\n
Pratique<\/p>\n
Exposition Pierre Quentel au Caf\u00e9 Touline, 43 rue du Mur, Morlaix. Ouvert\u00a0: samedi\u00a0: 10\u00a0h – 20\u00a0h\u00a030, dimanche, lundi et mercredi\u00a0: 11\u00a0h – 19\u00a0h, vendredi\u00a0: 11\u00a0h – 20\u00a0h\u00a030. Ferm\u00e9 mardi et jeudi.<\/p>\n","protected":false},"excerpt":{"rendered":"Jusqu\u2019au 31 ao\u00fbt, Pierre Quentel expose ses \u0153uvres r\u00e9centes au caf\u00e9 Touline, \u00e0 Morlaix. Intitul\u00e9e \u00ab\u00a0Visages et Silhouettes\u00a0\u00bb,…\n","protected":false},"author":2,"featured_media":205046,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[101],"tags":[126,124,125,12,13,18,17,127,96,95,6005],"class_list":["post-205045","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-et-design","tag-arts","tag-arts-and-design","tag-arts-et-design","tag-be","tag-be-fr","tag-belgique","tag-belgium","tag-design","tag-divertissement","tag-entertainment","tag-morlaix"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@be_fr\/117060191057764464","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts\/205045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/comments?post=205045"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts\/205045\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/media\/205046"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/media?parent=205045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/categories?post=205045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/tags?post=205045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}