{"id":213457,"date":"2026-08-15T05:42:13","date_gmt":"2026-08-15T05:42:13","guid":{"rendered":"https:\/\/www.europesays.com\/be-fr\/213457\/"},"modified":"2026-08-15T05:42:13","modified_gmt":"2026-08-15T05:42:13","slug":"au-musee-dart-moderne-de-ceret-francis-picabia-a-lheure-espagnole","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/be-fr\/213457\/","title":{"rendered":"Au mus\u00e9e d&rsquo;Art moderne de C\u00e9ret, Francis Picabia \u00e0 l&rsquo;heure espagnole"},"content":{"rendered":"<p class=\"editor-content__paragraph\">Il n\u2019a jamais appartenu \u00e0 personne. Pas \u00e0 la peinture, pas \u00e0 un pays ni \u00e0 une femme, et encore moins \u00e0 <a href=\"https:\/\/www.beauxarts.com\/grand-format\/dada-en-3-minutes\/\" target=\"_blank\" rel=\"noopener nofollow\">Dada<\/a>\u00a0! Cet \u00e9t\u00e9, <a href=\"https:\/\/www.beauxarts.com\/grand-format\/francis-picabia-en-trois-minutes\/\" target=\"_blank\" rel=\"noopener nofollow\">Francis Picabia<\/a> (1879\u2013 1953) se rappelle \u00e0 notre bon souvenir au mus\u00e9e d\u2019Art moderne de C\u00e9ret avec une exposition qui restitue le r\u00f4le cl\u00e9 jou\u00e9 par la Catalogne dans son \u0153uvre et celle de ses contemporains, de 1913 \u00e0 1924.<\/p>\n<p class=\"editor-content__paragraph\">Le parcours s\u2019ouvre sur la p\u00e9riode new-yorkaise, matrice de tout ce qui suit. On y d\u00e9couvre les \u0153uvres dites \u00ab\u00a0m\u00e9canomorphes\u00a0\u00bb, l\u2019amiti\u00e9 nou\u00e9e avec <a href=\"https:\/\/www.beauxarts.com\/grand-format\/marcel-duchamp-en-trois-minutes\/\" target=\"_blank\" rel=\"noopener nofollow\">Marcel Duchamp<\/a> et <a href=\"https:\/\/www.beauxarts.com\/grand-format\/man-ray-en-2-minutes\/\" target=\"_blank\" rel=\"noopener nofollow\">Man Ray<\/a>, la collaboration \u00e0 la revue 291 d\u2019<a href=\"https:\/\/www.beauxarts.com\/grand-format\/alfred-stieglitz-en-2-minutes\/\" target=\"_blank\" rel=\"noopener nofollow\">Alfred Stieglitz<\/a>. \u00c0 l\u2019\u00e9t\u00e9 1916, fuyant la guerre, Picabia s\u2019installe \u00e0 Barcelone avec Gabri\u00eble Buffet.<\/p>\n<p>Un moment fondateur de l\u2019art moderne<\/p>\n<p class=\"editor-content__paragraph\">Il s\u2019entoure d\u2019un petit cercle d\u2019artistes r\u00e9fugi\u00e9s (<a href=\"https:\/\/www.beauxarts.com\/grand-format\/marie-laurencin-en-2-minutes\/\" target=\"_blank\" rel=\"noopener nofollow\">Marie Laurencin<\/a>, <a href=\"https:\/\/www.beauxarts.com\/grand-format\/sonia-delaunay-en-2-minutes-2\/\" target=\"_blank\" rel=\"noopener nofollow\">Sonia Delaunay<\/a>, Serge Charchoune) et lance la revue 391, qui porte en germe le cynisme destructeur et iconoclaste du dada\u00efsme. Les 19\u00a0num\u00e9ros sont ici pr\u00e9sent\u00e9s int\u00e9gralement, accompagn\u00e9s de certaines \u0153uvres originales qui y furent reproduites.<\/p>\n<p>        \u00c0 lire aussi :<br \/>\n        <a class=\"renvoi-explicite__link\" href=\"https:\/\/www.beauxarts.com\/videos\/picabia-en-1950-un-artiste-cest-un-homme-capable-davaler-du-feu\/\" rel=\"nofollow noopener\" target=\"_blank\">Picabia en 1950 : \u00ab\u00a0Un artiste c&rsquo;est un homme capable d&rsquo;avaler du feu\u00a0\u00bb<\/a><\/p>\n<p>Motifs espagnols et avant-gardes<\/p>\n<p class=\"editor-content__paragraph\">Ce que r\u00e9v\u00e8le l\u2019exposition avec force, c\u2019est l\u2019\u00e9cosyst\u00e8me foisonnant qui gravitait autour de Picabia. \u00ab\u00a0C\u2019est un moment d\u2019\u00e9mulation, presque vital, o\u00f9 des esth\u00e9tiques tr\u00e8s diff\u00e9rentes se rencontrent et se r\u00e9pondent\u00a0\u00bb, souligne la co-commissaire Gwendoline Corthier-Hardoin.<\/p>\n<p class=\"editor-content__paragraph\">Surgissent aussi des figures f\u00e9minines longtemps rel\u00e9gu\u00e9es \u00e0 la marge, comme <a href=\"https:\/\/www.beauxarts.com\/expos\/juliette-roche-femme-cameleon-des-avant-gardes\/\" target=\"_blank\" rel=\"noopener nofollow\">Juliette Roche<\/a>, Olga Sacharoff ou H\u00e9l\u00e8ne Gru\u0308nhoff, actrices \u00e0 part enti\u00e8re de cette modernit\u00e9 o\u00f9 motifs espagnols et langages d\u2019avant-garde s\u2019hybrident sans jamais se figer. C\u00e9ret en restitue parfaitement l\u2019atmosph\u00e8re, celle d\u2019un monde en crise qui choisit la cr\u00e9ation comme terrain de r\u00e9sistance.<\/p>\n<p>  Arrow<\/p>\n<p>Picabia, m\u00e9diterran\u00e9e. Picasso, Delaunay, Laurencin\u2026<\/p>\n<p>Du 27 juin 2026 au 29 novembre 2026<\/p>\n<p class=\"url-expo\"><a href=\"https:\/\/www.musee-ceret.com\/expositions\/exposition-en-cours\/\" rel=\"nofollow noopener\" target=\"_blank\">www.musee-ceret.com<\/a><\/p>\n<p class=\"annexe-content__infos\">Mus\u00e9e d\u2019art moderne de C\u00e9ret \u2022 8 Boulevard Mar\u00e9chal Joffre \u2022 66400 C\u00e9ret<br \/><a href=\"http:\/\/www.musee-ceret.com\/\" rel=\"nofollow noopener\" target=\"_blank\">www.musee-ceret.com<\/a><\/p>\n<p>        \u00c0 lire aussi :<br \/>\n        <a class=\"renvoi-explicite__link\" href=\"https:\/\/www.beauxarts.com\/expos\/a-lisle-sur-la-sorgue-la-villa-datris-plonge-dans-les-enjeux-contemporains-de-la-mediterranee-racontes-par-74-artistes\/\" rel=\"nofollow noopener\" target=\"_blank\">\u00c0 L\u2019Isle-sur-la-Sorgue, la Villa Datris plonge dans les enjeux contemporains de la M\u00e9diterran\u00e9e, racont\u00e9s par 74 artistes<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Il n\u2019a jamais appartenu \u00e0 personne. Pas \u00e0 la peinture, pas \u00e0 un pays ni \u00e0 une femme,&hellip;\n","protected":false},"author":2,"featured_media":213458,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[101],"tags":[2728,126,124,125,12,13,18,17,127,96,95,9540,35808],"class_list":["post-213457","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-et-design","tag-art-moderne","tag-arts","tag-arts-and-design","tag-arts-et-design","tag-be","tag-be-fr","tag-belgique","tag-belgium","tag-design","tag-divertissement","tag-entertainment","tag-musee-dart-moderne-de-ceret","tag-premiere-guerre-mondiale"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@be_fr\/117097932183338910","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts\/213457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/comments?post=213457"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/posts\/213457\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/media\/213458"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/media?parent=213457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/categories?post=213457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/be-fr\/wp-json\/wp\/v2\/tags?post=213457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}