{"id":8736,"date":"2026-03-27T16:31:12","date_gmt":"2026-03-27T16:31:12","guid":{"rendered":"https:\/\/www.europesays.com\/be\/8736\/"},"modified":"2026-03-27T16:31:12","modified_gmt":"2026-03-27T16:31:12","slug":"belgian-court-rejects-netflix-local-production-obligations-appeal","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/be\/8736\/","title":{"rendered":"Belgian Court Rejects Netflix Local Production Obligations Appeal"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<a href=\"https:\/\/deadline.com\/tag\/belgium\/\" id=\"auto-tag_belgium\" data-tag=\"belgium\" rel=\"nofollow noopener\" target=\"_blank\">Belgium<\/a>\u2019s Constitutional Court has rejected a <a href=\"https:\/\/deadline.com\/tag\/netflix\/\" id=\"auto-tag_netflix\" data-tag=\"netflix\" rel=\"nofollow noopener\" target=\"_blank\">Netflix<\/a> appeal opposing local production investment obligations in the country\u2019s French-Speaking <a href=\"https:\/\/deadline.com\/tag\/wallonia-brussels\/\" id=\"auto-tag_wallonia-brussels\" data-tag=\"wallonia-brussels\" rel=\"nofollow noopener\" target=\"_blank\">Wallonia-Brussels<\/a> region.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tNetflix filed the appeal last summer in response to a 2024 decision by the Wallonia-Brussels Federation (FWB) to oblige streamers operating in the region to invest up to 9.5% of their turnover in the territory in local production, against 2.2% before.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe obligation was imposed within the tenets of the <a href=\"https:\/\/deadline.com\/tag\/european-union\/\" id=\"auto-tag_european-union\" data-tag=\"european-union\" rel=\"nofollow noopener\" target=\"_blank\">European Union<\/a>\u2019s 2018 Audiovisual Media Services Directive (<a href=\"https:\/\/deadline.com\/tag\/avmsd\/\" id=\"auto-tag_avmsd\" data-tag=\"avmsd\" rel=\"nofollow noopener\" target=\"_blank\">AVMSD<\/a>) under which streamers must ensure that at least 30% of their content offering is European in origin. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe transposition of the directive into law across the EU has seen some territories impose obligations around investment in local productions, as well as introduce clauses to protect producer independence and ring-fence rights.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tWhile widely dismissing the appeal, the Court also referred preliminary questions to the Court of Justice of the European Union (CJEU) regarding certain aspects of the obligation mechanism, leaving the legal debate open.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tEuropean audiovisual professional organisations Pro Spere, UPFF+, SAA AISBL, ARPI, and the <a href=\"https:\/\/deadline.com\/tag\/european-producers-club\/\" id=\"auto-tag_european-producers-club\" data-tag=\"european-producers-club\" rel=\"nofollow noopener\" target=\"_blank\">European Producers Club<\/a> (EPC) welcomed the ruling in a joint statement on Friday and also downplayed the CJEU referral.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cThe referral of certain questions to the Court of Justice of the European Union must be interpreted carefully and without exaggeration,\u201d they said. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cIt does not call into question the principle of platform contributions, nor the overall validity of the objective pursued. It concerns specific aspects of the scheme, including certain eligible forms of investment, the consideration of possible contributions paid in other Member States, and certain technical aspects of implementation.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe bodies, representing thousands of producers, directors, writers, composers and performers from across the EU, noted that the decision was significant from a cultural standpoint, especially for a relatively small territory such as the Wallonia-Brussels region.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cThe Court recognizes the legitimacy of the legislator\u2019s objective, namely the promotion of cultural and linguistic diversity. It also validates the principle that a significant share of investments must benefit French-speaking Belgian audiovisual works,\u201d it read.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cThis point is fundamental: it acknowledges that cultural diversity cannot be preserved without concrete instruments, structured financing, and effective support for works, talents, and creative sectors rooted in Belgium.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe ruling also has strong significance for an ongoing five-yearly review of the AVMSD, which was passed in 2018 with a requirement for EU members to transpose it into law by September 2020. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tU.S. streamers and studios are expected to step up lobbying for the softening of some of the directive\u2019s obligations and quotas during the review period.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThere have been suggestions that the Netflix appeal against the Wallonia-Brussels region obligations was also an attempt to set a legal precedent in <a href=\"https:\/\/deadline.com\/tag\/europe\/\" id=\"auto-tag_europe\" data-tag=\"europe\" rel=\"nofollow noopener\" target=\"_blank\">Europe<\/a> with which to counter AVMSD-supported obligations in other European territories.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tContacted by Deadline for comment, Netflix replied with the following statement: \u201cWe acknowledge the Belgian Constitutional Court\u2019s decision regarding our challenge to the Wallonian investment obligation and the referral to the European Court of Justice. We agree that the ECJ is best suited to look into this matter further. We will now study the Court\u2019s decision in detail.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Belgium\u2019s Constitutional Court has rejected a Netflix appeal opposing local production investment obligations in the country\u2019s French-Speaking Wallonia-Brussels&hellip;\n","protected":false},"author":2,"featured_media":8737,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[4],"tags":[6101,7,69,6102,125,1192,6103],"class_list":["post-8736","post","type-post","status-publish","format-standard","has-post-thumbnail","category-belgium","tag-avmsd","tag-belgium","tag-europe","tag-european-producers-club","tag-european-union","tag-netflix","tag-wallonia-brussels"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@be\/116302098101901252","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/be\/wp-json\/wp\/v2\/posts\/8736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/be\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/be\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be\/wp-json\/wp\/v2\/comments?post=8736"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/be\/wp-json\/wp\/v2\/posts\/8736\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/be\/wp-json\/wp\/v2\/media\/8737"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/be\/wp-json\/wp\/v2\/media?parent=8736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/be\/wp-json\/wp\/v2\/categories?post=8736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/be\/wp-json\/wp\/v2\/tags?post=8736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}