{"id":103220,"date":"2026-08-14T04:43:01","date_gmt":"2026-08-14T04:43:01","guid":{"rendered":"https:\/\/www.europesays.com\/britain\/103220\/"},"modified":"2026-08-14T04:43:01","modified_gmt":"2026-08-14T04:43:01","slug":"stopping-while-ahead-london-gallery-sid-motion-to-shut-after-a-decade-the-art-newspaper","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/britain\/103220\/","title":{"rendered":"\u2018Stopping while ahead\u2019: London gallery Sid Motion to shut after a decade &#8211; The Art Newspaper"},"content":{"rendered":"<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Sid Motion Gallery, the South London dealership that has spent the past decade building a programme supporting emerging and mid-career artists, is to close this autumn, with its founder saying she has chosen to wind up the business while the programme and finances are still intact.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cMy heart is full when I think of the conversations and connections that the gallery has facilitated over the years,\u201d says Sid Motion, who founded the business in 2016. \u201cClosing the gallery is a positive and conscious decision. We are stopping while we are ahead, while my artists are properly serviced and the quality of the programme remains high.\u201d The gallery\u2019s final show, That Which Appears, opens on 18 September and runs until 31 October. It will be the 85th exhibition staged by Motion. <\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The closure comes at a moment of considerable adjustment for London\u2019s commercial gallery scene and is a notably measured response to the difficult economics facing the sector. A slower market, higher operating costs and changing collecting patterns have prompted dealers to reconsider the traditional model of maintaining permanent spaces while financing exhibitions, art fairs and the long-term career development of artists.<\/p>\n<p>I will not compromise when it comes to supporting my artists in the way that they deserve<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The pressures have been particularly acute for smaller and mid-sized galleries, though larger businesses have not been immune. In June, Pace announced it was cutting 50 artists from its roster and laying off 50 members of staff, while Stephen Friedman closed in February after 30 years in business, with \u00a38m-worth of debt still outstanding. Several of Friedman\u2019s top artists are among the main creditors. <\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Motion believes her decision prioritises her artists\u2019 best interests. \u201cAs I look ahead to the future, I can see that the gallery is not in the financial position to fully honour the extraordinary potential of each of my artists,\u201d she says. \u201cI will not compromise when it comes to supporting them in the way that they deserve.\u201d <\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Her decision also underscores the limits of the small-gallery model as the art market continues to grapple with significant recalibration. While some have been forced to close, other galleries are reorganising\u2014experimenting with smaller spaces, collaborating with other businesses and taking different approaches to fairs and programming. <\/p>\n<p><img alt=\"\" loading=\"lazy\" width=\"644\" height=\"429.61974649766506\" decoding=\"async\" data-nimg=\"1\" style=\"color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' viewBox='0 0 644 429.61974649766506'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/jpeg;base64,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'\/%3E%3C\/svg%3E&quot;)\"  src=\"https:\/\/www.europesays.com\/britain\/wp-content\/uploads\/2026\/08\/9988df4ae2f0d594c9736e05e02a240726e2b3bf-1499x1000.jpg\"\/><\/p>\n<p>Installation view of Ancestors, a solo exhibition by Max Wade, May 2026<\/p>\n<p>\u00a9 Luke Fullalove<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Nonetheless, Motion is keen to not frame her closure as a judgement on London\u2019s art scene. As she puts it: \u201cThe London art world remains vibrant, internationally significant and full to the brim with brilliant, deeply passionate and genuine people.\u201d <\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Motion\u2019s gallery was born from a relatively low-cost model. In 2015, she found a disused betting shop in Kings Cross, which she transformed into a gallery space in the mornings and evenings while still working full time. Motion opened the gallery the following year, initially without knowing whether sales from one exhibition would be enough to finance the next. After several successful years, in 2019 she moved to the Penarth Centre in South Bermondsey, drawn by the area\u2019s concentration of artists and studios. The new location allowed her to establish her gallery as part of the local artistic community and to show emerging artists alongside internationally recognised names. The move also led to the establishment of the South Bermondsey Art Trail, which now involves around 70 artists and creatives. This year\u2019s trail takes place on 4 and 5 September, shortly before the gallery\u2019s final exhibition opens. <\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The last show will not entirely disappear when the gallery does. That Which Appears, co-curated by Motion along with the artists Olivia Bax and James Fisher, is due to be shown again at the Millennium Gallery, Sheffield Museums, in April 2028. In the meantime, Motion says she intends to remain closely involved with the artists she has represented. As she puts it: \u201cI will be the front row supporter on their next projects as their confidant, champion and lifelong friend.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Sid Motion Gallery, the South London dealership that has spent the past decade building a programme supporting emerging&hellip;\n","protected":false},"author":2,"featured_media":103221,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[26],"tags":[11464,191,26053,27],"class_list":["post-103220","post","type-post","status-publish","format-standard","has-post-thumbnail","category-london","tag-art-market","tag-closures","tag-commercial-galleries","tag-london"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@UnitedKingdom\/117092037728655860","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/britain\/wp-json\/wp\/v2\/posts\/103220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/britain\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/britain\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/britain\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/britain\/wp-json\/wp\/v2\/comments?post=103220"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/britain\/wp-json\/wp\/v2\/posts\/103220\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/britain\/wp-json\/wp\/v2\/media\/103221"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/britain\/wp-json\/wp\/v2\/media?parent=103220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/britain\/wp-json\/wp\/v2\/categories?post=103220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/britain\/wp-json\/wp\/v2\/tags?post=103220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}