Le Palais de l\u2019Archev\u00each\u00e9 \u00e9ventr\u00e9. Sur les trois accords initiaux en mi-b\u00e9mol majeur \u2013 cette tonalit\u00e9 solennelle dont les trois b\u00e9mols \u00e0 la cl\u00e9 posent imm\u00e9diatement le chiffre de la franc-ma\u00e7onnerie si ch\u00e8re \u00e0 Mozart \u2013, Cl\u00e9ment Cogitore fait instantan\u00e9ment r\u00e9sonner la destruction et le d\u00e9labrement de l\u2019apr\u00e8s-guerre. Dans sa Fl\u00fbte enchant\u00e9e, le chemin initiatique ne se fera pas dans le secret d\u2019un temple \u00e9gyptien, mais au c\u0153ur du d\u00e9sastre. Sur le grand \u00e9cran de tulle, les ruines de notre civilisation d\u00e9filent \u00e0 travers des images d\u2019archives. A la mani\u00e8re du\u00a0Rome, ville ouverte\u00a0de Roberto Rossellini, on plonge dans les balafres de l\u2019Histoire. La cam\u00e9ra devient le t\u00e9moin d\u2019un monde moralement et physiquement d\u00e9vast\u00e9.<\/p>\n
Le spectacle, hu\u00e9 le soir de premi\u00e8re, a-t-il \u00e9t\u00e9 injustement incompris? Peut-\u00eatre car Cl\u00e9ment Cogitore substitue le miroir de nos m\u00e9moires aux illusions de la sc\u00e8ne. L\u00e0 o\u00f9 Mozart concevait sa\u00a0Fl\u00fbte enchant\u00e9e\u00a0comme un voyage spirituel vers la connaissance, une qu\u00eate universelle d\u2019\u00e9l\u00e9vation guidant l\u2019homme \u00e0 travers les \u00e9preuves pour op\u00e9rer le passage de l\u2019obscurit\u00e9 \u00e0 la lumi\u00e8re, le metteur en sc\u00e8ne choisit de confronter ce projet humaniste au plus grand cataclysme du\u00a0XXe\u00a0si\u00e8cle. Ce traumatisme collectif de la Seconde Guerre mondiale qui a bris\u00e9 l\u2019id\u00e9e m\u00eame d\u2019humanit\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"Le Palais de l\u2019Archev\u00each\u00e9 \u00e9ventr\u00e9. Sur les trois accords initiaux en mi-b\u00e9mol majeur \u2013 cette tonalit\u00e9 solennelle dont…\n","protected":false},"author":2,"featured_media":207496,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[10],"tags":[172,113,112,1512,2475,174,23],"class_list":["post-207495","post","type-post","status-publish","format-standard","has-post-thumbnail","category-divertissement","tag-culture","tag-divertissement","tag-entertainment","tag-musique-classique","tag-opera","tag-premium","tag-suisse"],"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/posts\/207495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/comments?post=207495"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/posts\/207495\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/media\/207496"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/media?parent=207495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/categories?post=207495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/tags?post=207495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}