{"id":212542,"date":"2026-07-10T11:03:09","date_gmt":"2026-07-10T11:03:09","guid":{"rendered":"https:\/\/www.europesays.com\/ch-fr\/212542\/"},"modified":"2026-07-10T11:03:09","modified_gmt":"2026-07-10T11:03:09","slug":"rencontres-de-la-photographie-a-arles-meghann-riepenhoff-la-photographe-sans-appareil","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ch-fr\/212542\/","title":{"rendered":"Rencontres de la photographie \u00e0 Arles\u00a0: Meghann Riepenhoff, la photographe sans appareil"},"content":{"rendered":"<p>Aux <a href=\"https:\/\/www.laprovence.com\/article\/culture-loisirs\/2206379073744214\/rencontres-de-la-photo-a-arles-clement-cogitore-accumule-les-archives-videos-et-travaille-les-memoires\" target=\"_blank\" rel=\"nofollow noopener\">Rencontres de la photographie d\u2019Arles<\/a>, l\u2019artiste am\u00e9ricaine Meghann Riepenhoff propose une exposition d\u2019une grande puissance contemplative. Intitul\u00e9e Lame de fond (Upwelling), elle r\u00e9unit, au <a href=\"https:\/\/www.laprovence.com\/article\/culture-loisirs\/5236291298502314\/l-annonciation-de-louis-finson-restauree-fait-son-grand-retour-dans-le-cloitre-saint-trophime-d-arles\" target=\"_blank\" rel=\"nofollow noopener\">clo\u00eetre Saint-Trophime<\/a>, six \u0153uvres monumentales ayant toutes les caract\u00e9ristiques de photographies abstraites mais qui sont, en r\u00e9alit\u00e9, de vastes cyanotypes r\u00e9alis\u00e9s en collaboration directe avec les \u00e9l\u00e9ments naturels.<\/p>\n<p>Le titre de l\u2019exposition renvoie au ph\u00e9nom\u00e8ne oc\u00e9anique de la \u00ab\u00a0remont\u00e9e d\u2019eaux profondes\u00a0\u00bb (upwelling), un mouvement qui r\u00e9g\u00e9n\u00e8re les <a href=\"https:\/\/www.laprovence.com\/article\/france-monde\/3061619954726414\/les-canicules-une-hecatombe-invisible-dans-les-ecosystemes-marins\" target=\"_blank\" rel=\"nofollow noopener\">\u00e9cosyst\u00e8mes marins<\/a>. Pour l\u2019artiste, ce terme \u00e9voque aussi une mont\u00e9e en puissance, qu\u2019elle soit \u00e9motionnelle, politique ou \u00e9cologique. Son travail explore ainsi \u00ab\u00a0la complexit\u00e9 de nos relations au paysage, au sublime, au temps et \u00e0 l\u2019impermanence\u00a0\u00bb, comme indique le texte de pr\u00e9sentation de l\u2019exposition.<\/p>\n<p>Son travail artistique commence par un souvenir d\u2019enfance. Face \u00e0 l\u2019oc\u00e9an Atlantique, la jeune Meghann d\u00e9couvre une mer \u00e0 la fois fascinante et inqui\u00e9tante. \u00ab\u00a0Mes premiers souvenirs viennent du rivage, l\u00e0 o\u00f9 l\u2019eau et la terre se rencontrent. La mer me paraissait belle et dangereuse, immense, et pourtant intimement connect\u00e9e \u00e0 mon \u00eatre\u00a0\u00bb, raconte-t-&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"Aux Rencontres de la photographie d\u2019Arles, l\u2019artiste am\u00e9ricaine Meghann Riepenhoff propose une exposition d\u2019une grande puissance contemplative. Intitul\u00e9e&hellip;\n","protected":false},"author":2,"featured_media":212543,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[449,32723,155,156,172,113,112,48067,6116,755,46135,48068,32220,23],"class_list":["post-212542","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-et-design","tag-449","tag-arles","tag-arts-and-design","tag-arts-et-design","tag-culture","tag-divertissement","tag-entertainment","tag-meghann","tag-photographe","tag-photographie","tag-rencontres","tag-riepenhoff","tag-sans","tag-suisse"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ch_fr\/116895350991732852","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/posts\/212542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/comments?post=212542"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/posts\/212542\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/media\/212543"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/media?parent=212542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/categories?post=212542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/tags?post=212542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}