{"id":233410,"date":"2026-07-26T16:46:08","date_gmt":"2026-07-26T16:46:08","guid":{"rendered":"https:\/\/www.europesays.com\/ch-fr\/233410\/"},"modified":"2026-07-26T16:46:08","modified_gmt":"2026-07-26T16:46:08","slug":"rencontres-de-la-photo-a-arles-orianne-ciantar-la-photographe-qui-retourne-ses-pellicules","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ch-fr\/233410\/","title":{"rendered":"Rencontres de la photo \u00e0 Arles\u00a0: Orianne Ciantar, la photographe qui retourne ses pellicules"},"content":{"rendered":"<p>\u00ab\u00a0Quand on veut r\u00e9engager un regardeur face \u00e0 une image de conflit, il faut amortir cette violence, pour pouvoir ouvrir le champ du dialogue et des opinions extr\u00eamement tranch\u00e9es et polaris\u00e9es.\u00a0\u00bb Orianne Ciantar Olive fait partie de ces artistes dont on aime particuli\u00e8rement \u00e9couter le processus artistique. Elle \u00e9tait pr\u00e9sente le 10\u00a0juillet dernier \u00e0 <a href=\"https:\/\/www.laprovence.com\/article\/societe\/1267536901671\/sara-lauziere-elue-presidente-de-la-croix-rouge-d-arles-apres-six-mois-d-administration-provisoire\" target=\"_self\" rel=\"nofollow noopener\">Arles<\/a>, afin de pr\u00e9senter son <a href=\"https:\/\/www.laprovence.com\/article\/culture-loisirs\/54938832695404\/exposition-le-passage-de-venus-a-arles-le-retour-d-une-enfant-du-pays-au-musee-bleu\" target=\"_self\" rel=\"nofollow noopener\">exposition<\/a> Les ruines circulaires \u00e0 la Maison des Peintres.<\/p>\n<p>Apr\u00e8s avoir quitt\u00e9 la Syrie en\u00a02011, au d\u00e9but de la guerre, elle s\u2019est install\u00e9e \u00e0 <a href=\"https:\/\/www.laprovence.com\/article\/culture-loisirs\/1265654351693615\/le-delta-festival-dans-la-tourmente-de-violences-sexuelles-se-prepare-sur-les-plages-du-prado-a-marseille\" target=\"_self\" rel=\"nofollow noopener\">Marseille<\/a>. En\u00a02019, elle entreprend d\u2019y retourner, en longeant l\u2019ancienne voie de chemin de fer Beyrouth-Damas, d\u00e9truite pendant la guerre civile.<\/p>\n<p>Elle d\u00e9cide de remonter le fil de cet \u00e9ternel recommencement de la guerre au Liban, jusqu\u2019au mur de s\u00e9paration de Kfar Kila, qui l\u2019emp\u00eachera de franchir la fronti\u00e8re.<\/p>\n<p>Liban devient Nabil<\/p>\n<p>Berc\u00e9e par ces soleils bleu, rouge et jaune, que d\u00e9peint Etlen Adan dans sa trilogie de po\u00e8mes Apocalypse arabe datant des ann\u00e9es\u00a01970, \u00ab\u00a0le soleil est devenu un rep\u00e8re quotidien\u00a0\u00bb, explique-t-elle. Celui-ci devient dans son exposition, de la technique jusqu\u2019\u00e0 la structure, un op\u00e9rateur conceptuel.<\/p>\n<p>Au centre de la pi\u00e8ce, le soleil\u00a0: on y voit, par&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"\u00ab\u00a0Quand on veut r\u00e9engager un regardeur face \u00e0 une image de conflit, il faut amortir cette violence, pour&hellip;\n","protected":false},"author":2,"featured_media":233411,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[449,32723,155,156,51764,172,113,112,51763,8455,6116,1965,46135,23],"class_list":["post-233410","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-et-design","tag-449","tag-arles","tag-arts-and-design","tag-arts-et-design","tag-ciantar","tag-culture","tag-divertissement","tag-entertainment","tag-orianne","tag-photo","tag-photographe","tag-qui","tag-rencontres","tag-suisse"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ch_fr\/116987296610408750","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/posts\/233410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/comments?post=233410"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/posts\/233410\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/media\/233411"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/media?parent=233410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/categories?post=233410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/tags?post=233410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}