EXP\u00c9DITIONS.\u00a0Le mot, grav\u00e9 en lettres capitales sur la fa\u00e7ade du b\u00e2timent, r\u00e9sonne comme un ordre de d\u00e9part. \u00abJe hais les voyages et les explorateurs\u00bb, \u00e9crivait Claude L\u00e9vi-Strauss en ouverture de\u00a0Tristes Tropiques. Cela tombe bien: il n\u2019est point question de conqu\u00eate en terres lointaines, mais de tenter l\u2019aventure au coin de la rue. Pour abandonner les rivages lausannois balis\u00e9s, il suffit de d\u00e9passer le\u00a0Flon. A dix minutes de marche, au c\u0153ur du quartier industriel de S\u00e9beillon, une ancienne halle de marchandises des CFF dresse sa carcasse anguleuse de b\u00e9ton et de m\u00e9tal. C\u2019est l\u2019Espace Amaretto. Le lieu ressemble \u00e0 s\u2019y m\u00e9prendre \u00e0\u00a0Youkali \u2013 cette \u00eele du bout du monde chant\u00e9e par Kurt Weill, terre de d\u00e9sirs et de refuges improvis\u00e9s.<\/p>\n
A l\u2019autre bout du fil, Antonino Tramparulo, l\u2019architecte volubile qui a r\u00e9habilit\u00e9 cette halle, nous raconte un bout de l\u2019histoire. \u00abDans les ann\u00e9es 1950, le site constituait la toute premi\u00e8re halle aux marchandises de Lausanne. Le mot \u00abexp\u00e9ditions\u00bb \u00e9tait \u00e0 prendre au sens le plus litt\u00e9ral qui soit, s\u2019amuse l\u2019architecte.\u00a0C\u2019\u00e9tait l\u2019endroit d\u2019o\u00f9 l\u2019on exp\u00e9diait les marchandises hors de la ville.\u00bb Un pass\u00e9 logistique qui donne aujourd\u2019hui au mot une r\u00e9sonance po\u00e9tique toute particuli\u00e8re.<\/p>\n","protected":false},"excerpt":{"rendered":"EXP\u00c9DITIONS.\u00a0Le mot, grav\u00e9 en lettres capitales sur la fa\u00e7ade du b\u00e2timent, r\u00e9sonne comme un ordre de d\u00e9part. \u00abJe…\n","protected":false},"author":2,"featured_media":295976,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[19],"tags":[172,177,1512,2475,174,983,23],"class_list":["post-295975","post","type-post","status-publish","format-standard","has-post-thumbnail","category-lausanne","tag-culture","tag-lausanne","tag-musique-classique","tag-opera","tag-premium","tag-scenes","tag-suisse"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ch_fr\/117230540123608631","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/posts\/295975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/comments?post=295975"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/posts\/295975\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/media\/295976"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/media?parent=295975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/categories?post=295975"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ch-fr\/wp-json\/wp\/v2\/tags?post=295975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}