Trois fauteuils se retournent pour CJM\u2019S et sa version beatbox de \u00ab Le Poin\u00e7onneur des Lilas \u00bb de Serge Gainsbourg lors de la deuxi\u00e8me soir\u00e9e des auditions \u00e0 l\u2019aveugle de la saison 2026 de The Voice. Son instrument ? Lui-m\u00eame. CJM\u2019S transforme sa voix en orchestre, empile percussions, basses et harmonies, comme un artisan construisant un monde pi\u00e8ce par pi\u00e8ce. Enfant, il imitait les jouets, les g\u00e9n\u00e9riques, les bruitages. Une obsession joyeuse devenue discipline. Il a grandi dans un m\u00e9lange de musique familiale, d\u2019\u00e9glise et de styles vari\u00e9s. Tr\u00e8s t\u00f4t, il s\u2019est initi\u00e9 au beatbox, puis au hip-hop, et la sc\u00e8ne est devenue son terrain de jeu. Au d\u00e9part, il ne se destinait pas \u00e0 une carri\u00e8re artistique : m\u00e9canique a\u00e9ronautique, cours de danse, battles\u2026 une vie plut\u00f4t stable. Puis, il y a cinq ans, il a bascul\u00e9 vers l\u2019artistique \u00e0 plein temps. Depuis, il encha\u00eene les projets, les plateaux et les performances, tout en gardant une hygi\u00e8ne de vie rigoureuse : street workout, cardio, entra\u00eenement\u2026 Chez lui, tout doit suivre. Le chant a mis du temps \u00e0 s\u2019imposer. Longtemps, il n\u2019\u00e9tait qu\u2019une couleur parmi les rythmes. Aujourd\u2019hui, son projet est clair, presque radical : un univers 100 % vocal, une musique fabriqu\u00e9e \u00e0 partir de rien, sans artifice. \u00ab Tout arrive au bon moment \u00bb, dit-il. Avant, il avait le talent. Maintenant, il a aussi le propos. Et l\u2019envie de faire de cette \u00ab performance \u00bb un vrai geste musical. The Voice, tous les samedis \u00e0 21h15 sur TF1 et TF1+.<\/p>\n
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