The visual dimension of the project belongs to Julian Charri\u00e8re. The Swiss-French artist\u2019s work explores the cultural and environmental histories embedded in natural landscapes, spanning film, sculpture, photography, and installation. His practice often involves fieldwork in ecologically and symbolically charged sites such as glaciers, volcanoes, nuclear test zones, and deep-sea ecosystems. Charri\u00e8re studied under Olafur Eliasson at the Universit\u00e4t der K\u00fcnste in Berlin, graduating in 2013. His research-driven practice fuses art, science, and anthropology.\u00a0His presence here confirms that Warehouse Artefacts is closer to being an exhibition than a concert. It promises sound and visual art to be operating on equal footing.<\/p>\n Bangalter\u2019s Return: A Story Worth Following<\/p>\n It\u2019s Bangalter\u2019s involvement is what makes this announcement remarkable. Since Daft Punk\u2019s split in 2021, Bangalter has scored several projects but\u00a0had largely withdrawn from public performance. That changed in October 2025, when he appeared at Paris\u2019 Centre Pompidou alongside Fred again.., Erol Alkan and Busy P. This was for Because Music\u2019s 20th anniversary party, his first maskless set in 24 years.\u00a0As Fred again.. wrote afterwards: \u201cThomas told me he hasn\u2019t played a proper set without the mask on for 24 years. I didn\u2019t know what to say to either of those things and I still don\u2019t.<\/p>\n That was the beginning. Bangalter then joined Fred again..<\/a> for the grand finale of his \u201cUSB002<\/a>\u201d tour at London\u2019s Alexandra Palace \u2014 his second live appearance in nearly 20 years. This was a set that the pair spent an entire week in the studio preparing for.\u00a0The resulting performance blended Daft Punk\u2019s \u201cOne More Time,\u201d Fred\u2019s \u201cMarea (We\u2019ve Lost Dancing),\u201d and house and techno touchstones from across four decades. The video is now available to stream on YouTube.<\/p>\n Warehouse Artefacts now marks the next step in what appears to be a deliberate re-emergence from one of electronic music\u2019s most iconic figures. This time in a context that speaks directly to the artistic ambitions he has pursued since stepping away from Daft Punk. <\/p>\n Details beyond the core concept remain limited. May be entirely by design for an event built around immersion and atmosphere rather than conventional spectacle.<\/p>\n![\"\"](\"https:\/\/www.europesays.com\/ch\/wp-content\/uploads\/2026\/04\/WAREHOUSE-ARTEFACTS-is-an-immersive-experience-by-Thomas-Bangalter-Julian-Charriere-and-Rampa-p-768x.jpeg\")
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