{"id":87197,"date":"2026-06-18T21:16:12","date_gmt":"2026-06-18T21:16:12","guid":{"rendered":"https:\/\/www.europesays.com\/ch\/87197\/"},"modified":"2026-06-18T21:16:12","modified_gmt":"2026-06-18T21:16:12","slug":"art-basel-bets-on-digital-art-as-medium-for-future-generations","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ch\/87197\/","title":{"rendered":"Art Basel bets on digital art as medium for future generations"},"content":{"rendered":"<p>By Marleen Kaesebier<\/p>\n<p>BASEL, Switzerland, June 18 (Reuters) &#8211; Art Basel, the world&#8217;s biggest art fair, is this year embracing digital art with a new exhibition, betting that the market \u200cis set to take off.<\/p>\n<p>Digital art can encompass everything from work on screens and \u200cvideos to paintings created with computer technology, including from Photoshop, coding and even artificial intelligence.<\/p>\n<p>Dubbed Zero 10, the exhibition across \u200bthe street from the fair&#8217;s paintings and sculptures comes to the home of Art Basel for the first time after it premiered in Miami last December.<\/p>\n<p>Art Basel chief executive Noah Horowitz said the appeal of digital art was a natural bet for the future with a younger generation of people \u200ccoming of age on screens.<\/p>\n<p>&#8220;A lot \u2060of what that generation is going to be attracted to collecting and acquiring are going to be objects and things that speak that language,&#8221; Horowitz told \u2060Reuters.<\/p>\n<p>Sales of digital art made up only 3% of the $59.6 billion worth of global art sales last year, but that was up from just 1% in 2024, according to the Art Basel &amp; UBS Global \u200bArt Market \u200bReport 2026.<\/p>\n<p>UBS art adviser Eric Landolt said that reflected \u200bgrowing interest not just from millennial \u200cand Gen Z buyers, but also from seasoned collectors and institutions.<\/p>\n<p>&#8216;IT&#8217;S JUST LANGUAGE&#8217;<\/p>\n<p>William Mapan, a French artist who created paintings over two years through meticulous coding, said for the first decade, no one took an interest in his digital art. At Tuesday&#8217;s opening, his work sold out in the first hour.<\/p>\n<p>&#8220;People usually say painting and coding are completely separate disciplines but it depends on the \u200cway you see it. It&#8217;s just language &#8211; painting is a \u200blanguage, coding is a language, and you can make \u200ba third new language in between,&#8221; he \u200bsaid.<\/p>\n<p>Still, there are concerns that digital art is exposed to technology that is \u200cconstantly evolving.<\/p>\n<p>&#8220;You might have digital formats that \u200bexist now, but how \u200bdo you ensure they work in future too?&#8221; said Landolt.<\/p>\n<p>Alejandro Cartagena, co-founder of Fellowship, a gallery which sold a $500,000 piece of digital art by john gerrard at Zero 10, said \u200bthat risk was being factored \u200cin.<\/p>\n<p>&#8220;Every collector has a breakdown of exactly what it needs to have this run \u200bforever,&#8221; he said. &#8220;We&#8217;re very committed to the conservation of the works.&#8221;<\/p>\n<p>(Reporting by Marleen Kaesebier \u200bin BaselEditing by Dave Graham and Gareth Jones)<\/p>\n","protected":false},"excerpt":{"rendered":"By Marleen Kaesebier BASEL, Switzerland, June 18 (Reuters) &#8211; Art Basel, the world&#8217;s biggest art fair, is this&hellip;\n","protected":false},"author":2,"featured_media":87198,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[8],"tags":[1377,14499,77,20049,44393,5529],"class_list":["post-87197","post","type-post","status-publish","format-standard","has-post-thumbnail","category-basel","tag-art-basel","tag-art-fair","tag-basel","tag-digital-art","tag-eric-landolt","tag-noah-horowitz"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ch\/116773190680399506","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/posts\/87197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/comments?post=87197"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/posts\/87197\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/media\/87198"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/media?parent=87197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/categories?post=87197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/tags?post=87197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}