{"id":87547,"date":"2026-06-19T07:08:14","date_gmt":"2026-06-19T07:08:14","guid":{"rendered":"https:\/\/www.europesays.com\/ch\/87547\/"},"modified":"2026-06-19T07:08:14","modified_gmt":"2026-06-19T07:08:14","slug":"big-names-pay-off-for-basel-exclusive-the-art-newspaper","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ch\/87547\/","title":{"rendered":"Big names pay off for Basel Exclusive &#8211; The Art Newspaper"},"content":{"rendered":"<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">With this year\u2019s new initiative Basel Exclusive, more than 200 Art Basel exhibitors voluntarily left significant works from their stands off pre-fair PDFs sent to clients. The aim was to heighten excitement and encourage collectors to visit the fair in person.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cNone of us want to deny the importance of the digital platforms in how we live and are informed by our digital tools,\u201d says the Art Basel director Vincenzo de Bellis. \u201cAt the same time, you need to find a balance between wanting to do that and having people who make the effort to come here\u2014they need to have something special that otherwise they would not have.\u201d<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">While attendees seemed enthused by being surprised with works in the stands, it was not necessarily a boon for sales. Exclusive work that sold during the VIP previews tended towards tried-and-tested artists and work with relatively competitive price tags. One of the more high-profile paintings in the Exclusive initiative was Pablo Picasso\u2019s Homme Assis (1972) at Helly Nahmad. The gallery confirmed the large-scale work had sold but did not disclose a price. Picasso seemed to be a winning bet for Exclusive. Almine Rech, the granddaughter-in-law of the artist, sold his 1938 painting Satyre, Pan et nymphe for $6m-$6.5m during the first VIP preview day.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Hauser &amp; Wirth also sold a 1946 painting by Philip Guston, The Courtyard, for an undisclosed price during the VIP preview. The early figurative work comes from a private US collection, gifted by Guston just a few years after it was painted.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cWe really want to emphasise the importance of coming and experiencing the works in person,\u201d says Marc Payot, the president of Hauser &amp; Wirth. \u201cWe picked Guston because it\u2019s such an exceptional work to be on the market. It\u2019s a super rare object, and we thought it\u2019s just perfect to do for Exclusive.\u201d<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Other reported sales included Elizabeth Peyton\u2019s Transmission (E, rose) (2026) for $1.2m at David Zwirner; a painting by Nicolas Party for around $200,000 at Xavier Hufkens; and Hayal Pozanti\u2019s Envoys From Deep Time (2026) for $55,000 at Jessica Silverman. Spr\u00fcth Magers also placed a John Baldessari work for $500,000, and Casey Kaplan sold Blue-fire (2026) by Patricia Fern\u00e1ndez Carcedo for around $20,000.<\/p>\n","protected":false},"excerpt":{"rendered":"With this year\u2019s new initiative Basel Exclusive, more than 200 Art Basel exhibitors voluntarily left significant works from&hellip;\n","protected":false},"author":2,"featured_media":87548,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[8],"tags":[43250,77,39846,9227],"class_list":["post-87547","post","type-post","status-publish","format-standard","has-post-thumbnail","category-basel","tag-art-basel-2026","tag-basel","tag-basel-exclusive","tag-commercial-galleries"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ch\/116775518350885483","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/posts\/87547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/comments?post=87547"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/posts\/87547\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/media\/87548"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/media?parent=87547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/categories?post=87547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ch\/wp-json\/wp\/v2\/tags?post=87547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}