{"id":104849,"date":"2026-06-02T10:46:14","date_gmt":"2026-06-02T10:46:14","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/104849\/"},"modified":"2026-06-02T10:46:14","modified_gmt":"2026-06-02T10:46:14","slug":"recenze-joker-ve-fraku-a-zlutych-zabkach-nebesky-reziruje-shakespeara","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/104849\/","title":{"rendered":"Recenze: Joker ve fraku a\u00a0\u017elut\u00fdch \u017eabk\u00e1ch. Nebesk\u00fd re\u017e\u00edruje Shakespeara"},"content":{"rendered":"

V\u00a0ponur\u00e9m, betonovou ka\u0161\u00edrkou obklopen\u00e9m prostoru s\u00a0nouzov\u00fdm osv\u011btlen\u00edm a\u00a0cedulkou exit se hlavou dol\u016f vzn\u00e1\u0161\u00ed velryba. Oz\u00fdv\u00e1 se zvuk rozbou\u0159en\u00e9ho mo\u0159e. Na podlaze sebou mrskaj\u00ed dv\u011b polonah\u00e1 lidsk\u00e1 t\u011bla, na\u010de\u017e jedno miz\u00ed a\u00a0druh\u00e9 se s\u00a0nabyt\u00fdm ostychem vzty\u010duje. Je to d\u00edvka Viola v\u00a0pod\u00e1n\u00ed here\u010dky Denisy Bare\u0161ov\u00e9. Jako biblick\u00e1 Eva po prvotn\u00edm h\u0159\u00edchu zakr\u00fdv\u00e1 sv\u00e9 pohlav\u00ed.<\/p>\n

P\u016fsobiv\u00fdm a\u00a0mnohozna\u010dn\u00fdm obrazem vstupuje nov\u00e1 inscenace komedie Ve\u010der t\u0159\u00edkr\u00e1lov\u00fd od Williama Shakespeara, kter\u00e1 m\u011bla v\u00a0re\u017eii Jana Nebesk\u00e9ho minul\u00fd t\u00fdden premi\u00e9ru v\u00a0pra\u017esk\u00e9m Stavovsk\u00e9m divadle, do fantaskn\u00ed zem\u011b Il\u00fdrie. U\u00a0jej\u00edch b\u0159eh\u016f ztroskotaj\u00ed sourozenci Viola a\u00a0Sebastian. N\u00e1mo\u0159n\u00ed katastrofa zap\u0159\u00ed\u010din\u00ed jejich odlou\u010den\u00ed. Oba se domn\u00edvaj\u00ed, \u017ee ten druh\u00fd utonul. Osi\u0159el\u00e1 hrdinka se v\u00a0bratrov\u011b\u00a0mu\u017esk\u00e9m p\u0159evleku vyd\u00e1v\u00e1 k\u00a0m\u00edstn\u00edmu v\u00e9vodovi, \u010d\u00edm\u017e netu\u0161e spou\u0161t\u00ed \u0159et\u011bzec z\u00e1m\u011bn, intrik, l\u00e9\u010dek a\u00a0sm\u011b\u0161n\u00fdch souboj\u016f.<\/p>\n

Motiv dvoj\u010dete \u010di dvojnictv\u00ed se objevuje u\u017e v\u00a0Komedii omyl\u016f, Shakespearov\u011b h\u0159e napsan\u00e9 je\u0161t\u011b p\u0159ed rokem 1600.\u00a0A\u00a0p\u0159estrojen\u00ed spojen\u00e9 se z\u00e1m\u011bnou identity je zase kl\u00ed\u010dem k\u00a0Jak se v\u00e1m l\u00edb\u00ed, kter\u00e9 bezprost\u0159edn\u011b p\u0159edch\u00e1zelo Ve\u010deru t\u0159\u00edkr\u00e1lov\u00e9mu.<\/p>\n

Rozvern\u00e1 atmosf\u00e9ra, je\u017e ho definuje, vych\u00e1z\u00ed z\u00a0bujar\u00fdch lidov\u00fdch a\u00a0c\u00edrkevn\u00edch slavnost\u00ed zvan\u00fdch sv\u00e1tky bl\u00e1zn\u016f, p\u0159ipadaj\u00edc\u00edch na prosinec \u010di za\u010d\u00e1tek ledna. V\u00a0renesan\u010dn\u00ed kultu\u0159e se tak odr\u00e1\u017eela a\u00a0pokra\u010dovala st\u0159edov\u011bk\u00e1 tradice. Sm\u00edch tu platil za univerz\u00e1ln\u00ed, sv\u011bton\u00e1zorov\u00fd princip. N\u00e1zev hry Ve\u010der t\u0159\u00edkr\u00e1lov\u00fd aneb Cokoli chcete avizuje, \u017ee d\u011bj se v\u00e1\u017ee ke konci v\u00e1no\u010dn\u00edch sv\u00e1tk\u016f a\u00a0silvestrovsk\u00e9mu vesel\u00ed. Nab\u00eddka v\u0161eho, co je libo, z\u00e1rove\u0148 ospravedl\u0148uje spojen\u00ed rozmanit\u00fdch prvk\u016f.<\/p>\n

M\u00edsen\u00ed \u017e\u00e1nr\u016f, styl\u016f i\u00a0zd\u00e1nliv\u011b nespojiteln\u00fdch epoch je programovou podstatou postmoderny, kterou ve sv\u00e9 tvorb\u011b u\u017e des\u00edtky let rozv\u00edj\u00ed re\u017eis\u00e9r Jan Nebesk\u00fd. V\u00a0N\u00e1rodn\u00edm divadle dosud uvedl n\u011bkolik provokativn\u00edch inscenac\u00ed, jimi\u017e sv\u00e9r\u00e1zn\u011b bo\u0159il k\u00e1non. Jeho posledn\u00ed zdej\u0161\u00ed, cenou kritiky ov\u011bn\u010den\u00e1 pr\u00e1ce Wernisch v\u00a0sob\u011b kloubila pro re\u017eis\u00e9ra typickou groteskn\u00ed asociaci s\u00a0lyrikou, a\u017e melancholi\u00ed poci\u0165ovanou na sklonku \u017eivota. Nebesk\u00fd se v\u00a0n\u00ed vyzn\u00e1v\u00e1 z\u00a0l\u00e1sky k\u00a0text\u016fm p\u0159\u00edtele, sou\u010dasn\u00e9ho b\u00e1sn\u00edka Ivana Wernische, a\u00a0bilancuje z\u00e1rove\u0148 jeho i\u00a0sv\u016fj \u017eivot.<\/p>\n

Foto: Martin \u0160pelda<\/p>\n

Aktu\u00e1ln\u00ed Ve\u010der t\u0159\u00edkr\u00e1lov\u00fd m\u00e1 bl\u00ed\u017e sp\u00ed\u0161 k\u00a0jeho star\u0161\u00edmu Kr\u00e1li Learovi \u010di pozd\u011bj\u0161\u00ed variaci na Moli\u00e9rova Tartuffa, uv\u00e1d\u011bn\u00e9 ve Stavovsk\u00e9m divadle pod n\u00e1zvem Tartuffe Impromptu! Re\u017eis\u00e9r v\u00a0nich svobodn\u011b, dost mo\u017en\u00e1 sv\u00e9voln\u011b nakl\u00e1dal s\u00a0p\u016fvodn\u00ed l\u00e1tkou, jej\u00edmu\u017e smyslu a\u00a0podstat\u011b se v\u0161ak sna\u017eil v\u017edy d\u016fsledn\u011b porozum\u011bt. Ve Ve\u010deru t\u0159\u00edkr\u00e1lov\u00e9m se ch\u00e1pe pob\u00eddky deklarovan\u00e9 v\u00a0n\u00e1zvu hry Cokoli chcete, kterou dov\u00e1d\u00ed do absolutn\u00edho d\u016fsledku.<\/p>\n

Kytovec zav\u011b\u0161en\u00fd ve st\u0159edu jevi\u0161t\u011b m\u016f\u017ee odkazovat k\u00a0B\u00edl\u00e9 velryb\u011b ze stejnojmenn\u00e9ho rom\u00e1nu americk\u00e9ho spisovatele Hermana Melvilla. Pron\u00e1sledov\u00e1n\u00ed obrovsk\u00e9ho b\u00edl\u00e9ho vorvan\u011b, jemu\u017e n\u00e1mo\u0159n\u00edci p\u0159ezd\u00edvaj\u00ed Moby Dick, rozv\u00edjelo \u00favahy o\u00a0lidsk\u00e9m \u017eivot\u011b, jeho smyslu a\u00a0pacht\u011bn\u00ed se za nere\u00e1ln\u00fdmi c\u00edli.<\/p>\n

S motivy lidsk\u00e9 pom\u00edjivosti je ve Ve\u010deru t\u0159\u00edkr\u00e1lov\u00e9m spojena postava \u0160a\u0161ka. Jako jedin\u00fd ofici\u00e1ln\u00ed bl\u00e1zen p\u0159edsed\u00e1 coby p\u00e1n ne\u0159\u00e1du mask\u00e1m b\u011bhem sv\u00e1te\u010dn\u00edho vesel\u00ed. V\u00a0re\u00e1ln\u00e9m sv\u011bt\u011b mu ale p\u0159\u00edslu\u0161\u00ed role n\u00e1mezdn\u00ed pracovn\u00ed s\u00edly. Kost\u00fdmn\u00ed v\u00fdtvarnice Kate\u0159ina \u0160tefkov\u00e1 a\u00a0Nebesk\u00fd jej vyobrazuj\u00ed jako undergroundovou m\u00e1ni\u010dku, n\u011bkoho, kdo se vymezuje v\u016f\u010di pravidl\u016fm i\u00a0za cenu toho, \u017ee z\u016fstane na okraji spole\u010dnosti.<\/p>\n

Jeho p\u0159edstavitel Filip Ka\u0148kovsk\u00fd s\u00a0dlouh\u00fdmi pa\u010desy a\u00a0kost\u011bn\u00fdmi br\u00fdlemi obl\u00e9k\u00e1 om\u0161elou reflexn\u00ed vestu, z\u00a0nevzhledn\u00fdch sand\u00e1l\u016f mu \u010douhaj\u00ed pono\u017eky. Po pauze se prom\u011b\u0148uje ve vrchn\u00edho ob\u0159adn\u00edka. Maskovan\u00fd pr\u016fvod p\u0159ipom\u00ednaj\u00edc\u00ed Tanec smrti slo\u017een\u00fd z\u00a0kostlivce, kon\u011b \u010di prasete se shroma\u017e\u010fuje okolo rakve, v\u00a0jej\u00edch\u017e \u00fatrob\u00e1ch je uv\u011bzn\u011bn l\u00e1skou rozdycht\u011bn\u00fd a\u00a0intrikou podveden\u00fd spr\u00e1vce Malvolio.<\/p>\n

<\/a><\/p>\n

Toho ztv\u00e1rnil David Pracha\u0159 jako distingovan\u00e9ho \u010d\u00ed\u0161n\u00edka ve fraku a\u00a0b\u00edl\u00fdch rukavic\u00edch, kter\u00fd je v\u017edy p\u0159ipraven asistovat Olivii. Na jej\u00ed popud, p\u0159esn\u011bji na z\u00e1klad\u011b zfal\u0161ovan\u00e9ho dopisu, si ust\u0159ihne kalhoty pod kolena a\u00a0nam\u00edsto v\u00a0textu uveden\u00fdch \u017elut\u00fdch podvazk\u016f k\u0159\u00ed\u017eem nazuje stejn\u011b barevn\u00e9 \u017eabky. S\u00a0namalovan\u00fdm \u00fasm\u011bvem na tv\u00e1\u0159i a\u00a0vy\u0161inutou po\u0165ouchlost\u00ed se p\u0159ehr\u00e1v\u00e1 do psychopatick\u00e9ho komiksov\u00e9ho Jokera.<\/p>\n

Sourozeneckou dvojici hraj\u00ed Denisa Bare\u0161ov\u00e1 v\u00a0roli Violy s\u00a0hostuj\u00edc\u00edm Prokopem Ko\u0161a\u0159em, jen\u017e ztv\u00e1rnil Sebastiana. Ten sv\u00fdm p\u0159evlekem a\u00a0\u00fa\u010desem p\u0159ipom\u00edn\u00e1 japonsk\u00e9 samuraje. Robert Miklu\u0161 v\u00a0roli str\u00fdce, alkoholem se permanentn\u011b posiluj\u00edc\u00edho Tobi\u00e1\u0161e Broka, vypad\u00e1 jako st\u00e1rnouc\u00ed rocker, ne\u0159kuli \u010dlen kapely Leningrad Cowboys z\u00a080.\u00a0let minul\u00e9ho stolet\u00ed. V\u00a0toto\u017en\u00e9 poloze u\u017e stejn\u011b jako mnoho dal\u0161\u00edch interpret\u016f vystoupil nes\u010detn\u011bkr\u00e1t.<\/p>\n

Inscenace z\u00e1rove\u0148 supluje p\u0159ehl\u00eddku hudebn\u00edch \u017e\u00e1nr\u016f. V\u011bt\u0161ina postav do n\u00ed vn\u00e1\u0161\u00ed konkr\u00e9tn\u00ed hudebn\u00ed motiv odvozen\u00fd od\u00a0vlastn\u00ed \u00falohy v\u00a0d\u011bji. Olivie, odm\u00edtaj\u00edc\u00ed l\u00e1sku v\u00e9vody Orsina a\u00a0marn\u011b dycht\u00edc\u00ed po mladi\u010dk\u00e9 Viole v\u00a0mu\u017esk\u00e9m p\u0159evleku, se p\u0159ehr\u00e1v\u00e1 do melancholick\u00e9 \u0161ansoni\u00e9rky. Klasick\u00fd reperto\u00e1r up\u0159ednost\u0148uje Orsino, zamilovan\u00fd ve skute\u010dnosti nikoli do Olivie, ale l\u00e1sky samotn\u00e9.<\/p>\n

Sc\u00e9nografick\u00fd n\u00e1vrh Dragana Stoj\u010devsk\u00e9ho podporuje vz\u00e1jemn\u00e9 zrcadlen\u00ed t\u00e9to dvojice, roztou\u017een\u00e9 egocentriky um\u00edstil na protilehl\u00e9 okraje jevi\u0161t\u011b, kde se v\u00a0ko\u017eenkov\u00fdch boxech ut\u00e1p\u00ed ve sv\u00e9 sebeprojekci.<\/p>\n

Foto: Martin \u0160pelda<\/p>\n

\u0160a\u0161ka hran\u00e9ho Filipem Ka\u0148kovsk\u00fdm vyobrazili tv\u016frci jako undergroundovou m\u00e1ni\u010dku. Vlevo je Lucie Trm\u00edkov\u00e1 v\u00a0roli Olivie.<\/p>\n

Ob\u011b role obsadil re\u017eis\u00e9r Nebesk\u00fd mnohem star\u0161\u00edmi herci, ne\u017e b\u00fdv\u00e1 zvykem. Olivii hraje \u0161estapades\u00e1tilet\u00e1 Lucie Trm\u00edkov\u00e1, Orsina \u010dty\u0159ia\u0161edes\u00e1tilet\u00fd Vladim\u00edr Javorsk\u00fd. Milostn\u00fd cit, kter\u00fd nakonec chovaj\u00ed k\u00a0partner\u016fm o\u00a0v\u00edce ne\u017e generaci mlad\u0161\u00edm, m\u016f\u017ee na n\u011bkoho p\u016fsobit a\u017e perverzn\u011b, p\u0159esto\u017ee l\u00e1ska nezn\u00e1 meze pohlav\u00ed ani v\u011bku.<\/p>\n

Ve\u010der t\u0159\u00edkr\u00e1lov\u00fd v\u011bt\u0161inou b\u00fdv\u00e1 inscenov\u00e1n jako hra bl\u00edzk\u00e1 autorov\u00fdm pozdn\u00edm romanc\u00edm. P\u0159irozen\u00fd kontrast tvo\u0159\u00ed tragikomick\u00e1 linka oklaman\u00e9ho a\u00a0v\u00a0z\u00e1v\u011bru mstou vyhro\u017euj\u00edc\u00edho Malvolia. V\u00a0pojet\u00ed Jana Nebesk\u00e9ho se to v\u0161e m\u011bn\u00ed v\u00a0grotesku, jej\u00ed\u017e dynamiku ur\u010duje objem humoru d\u00e1vkovan\u00e9ho v\u00a0p\u0159ehnan\u00fdch kadenc\u00edch a\u00a0s\u00a0jistou nahodilost\u00ed p\u0159ipom\u00ednaj\u00edc\u00ed ranou zb\u011bsilost porevolu\u010dn\u00edch 90.\u00a0let minul\u00e9ho stolet\u00ed.<\/p>\n

Kdy\u017e Malvolio po vzoru nacistick\u00e9ho v\u016fdce vzty\u010d\u00ed pravici, \u010dlov\u011bku zatrne. Ne v\u0161ak hr\u016fzou ze\u00a0Shakespearova zrcadlen\u00ed neboli divadeln\u00edho odrazu sou\u010dasn\u00e9ho stavu sv\u011bta, ale rozpaky, jestli u\u017e toho na jeden ve\u010der nebylo p\u0159ece jen p\u0159esp\u0159\u00edli\u0161.<\/p>\n

Inscenace: William Shakespeare\u00a0\u2013 Ve\u010der t\u0159\u00edkr\u00e1lov\u00fd<\/p>\n

Po\u0159adatel: N\u00e1rodn\u00ed divadlo<\/p>\n

Hraj\u00ed: Vladim\u00edr Javorsk\u00fd, Denisa Bare\u0161ov\u00e1, Lucie Trm\u00edkov\u00e1, Kate\u0159ina Winterov\u00e1, David Pracha\u0159, Robert Miklu\u0161, Ond\u0159ej Pavelka, Filip Ka\u0148kovsk\u00fd, Prokop Ko\u0161a\u0159, Ji\u0159\u00ed \u010cern\u00fd a\u00a0Darina Korandov\u00e1 <\/p>\n

Stavovsk\u00e9 divadlo, Praha, premi\u00e9ry 28.\u00a0a\u00a029.\u00a0kv\u011btna 2026, nejbli\u017e\u0161\u00ed repr\u00edzy 10., 11.\u00a0a\u00a012.\u00a0\u010dervna.<\/p>\n","protected":false},"excerpt":{"rendered":"V\u00a0ponur\u00e9m, betonovou ka\u0161\u00edrkou obklopen\u00e9m prostoru s\u00a0nouzov\u00fdm osv\u011btlen\u00edm a\u00a0cedulkou exit se hlavou dol\u016f vzn\u00e1\u0161\u00ed velryba. Oz\u00fdv\u00e1 se zvuk rozbou\u0159en\u00e9ho…\n","protected":false},"author":2,"featured_media":104850,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[426,7878,1172,2095,79,16411,30735,16412,1253,30734,13223,24015,80],"class_list":["post-104849","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-david-prachar","tag-denisa-baresova","tag-divadelni-predstaveni","tag-divadelni-recenze","tag-entertainment","tag-jan-nebesky","tag-katerina-winterova","tag-lucie-trmikova","tag-narodni-divadlo","tag-stavovske-divadlo","tag-vladimir-javorsky","tag-william-shakespeare","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116680116659503963","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/104849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=104849"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/104849\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/104850"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=104849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=104849"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=104849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}