{"id":110721,"date":"2026-06-08T06:21:08","date_gmt":"2026-06-08T06:21:08","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/110721\/"},"modified":"2026-06-08T06:21:08","modified_gmt":"2026-06-08T06:21:08","slug":"budoucnost-kin-krik-a-tanec-publikum-prahne-po-sile-sdileni-tise-sedet-uz-je-pase-aktualne-cz","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/110721\/","title":{"rendered":"Budoucnost kin? K\u0159ik a tanec. Publikum prahne po s\u00edle sd\u00edlen\u00ed, ti\u0161e sed\u011bt u\u017e je pas\u00e9 \u2013 Aktu\u00e1ln\u011b.cz"},"content":{"rendered":"

Kinos\u00e1l byl dlouho vn\u00edman\u00fd jako svatost\u00e1nek. M\u00edsto, kde sledujeme konkr\u00e9tn\u00ed d\u00edlo spole\u010dn\u011b s des\u00edtkami lid\u00ed a z\u00e1rove\u0148 m\u00e1me \u010das jen pro sebe a vnit\u0159n\u00ed komunikaci s pl\u00e1tnem. Takov\u00e1 je alespo\u0148 bl\u00e1hov\u00e1 cinefiln\u00ed p\u0159edstava. Pro v\u011bt\u0161inu lid\u00ed v\u0161ak kino p\u0159edstavuje spole\u010denskou ud\u00e1lost, \u010dasto propojenou s dal\u0161\u00edmi aktivitami, pov\u011bt\u0161inou ve\u010de\u0159\u00ed \u010di p\u0159edch\u00e1zej\u00edc\u00ed proch\u00e1zkou. A\u0165 u\u017e jde o rande nebo v\u00fdlet s rodinou. B\u011bhem filmu sd\u00edl\u00edme emoce se sv\u00fdmi bl\u00edzk\u00fdmi.\u00a0<\/p>\n

A to plat\u00ed i dnes v digit\u00e1ln\u00ed \u00e9\u0159e, kdy se pro audiovizi stalo normou dom\u00e1c\u00ed sledov\u00e1n\u00ed. N\u00e1v\u0161t\u011bva kina je sp\u00ed\u0161e jak\u00fdmsi luxusem, v\u00fdjime\u010dnou nadstavbou, nikoli nutnost\u00ed, pokud chceme vid\u011bt nov\u00e9 filmy. V r\u016fznorod\u00fdch diskus\u00edch nejednou naraz\u00edme na argument typu \u201edo kina nechod\u00edm, proto\u017ee lid\u00e9 kolem m\u011b chroupou popcorn, a nav\u00edc je to drah\u00fd, rad\u0161i si n\u011bco pust\u00edm doma na 4K televizi\u201c.\u00a0<\/p>\n

\"PREMI\u00c9RA<\/p>\n

I v Bratislav\u011b p\u0159ich\u00e1zeli v dubnu 2025 n\u00e1v\u0161t\u011bvn\u00edci do kina na premi\u00e9ru sn\u00edmku Minecraft film v kost\u00fdmech a mask\u00e1ch. Foto: Profimedia<\/p>\n

Jde v\u00edc o z\u00e1\u017eitek samotn\u00fd ne\u017e o film\u00a0<\/p>\n

Zat\u00edmco multiplexy s unifikovan\u00fdm programem budou o plat\u00edc\u00ed n\u00e1v\u0161t\u011bvn\u00edky bojovat st\u00e1le obt\u00ed\u017en\u011bji, kina s kur\u00e1torovan\u00fdm programem, je\u017e do pop\u0159ed\u00ed stav\u00ed ud\u00e1losti, diskuse \u010di \u00favody a m\u00edsto popcornu prod\u00e1vaj\u00ed ledovou matchu s kol\u00e1\u010dkem, maj\u00ed budoucnost z\u00e1\u0159iv\u011bj\u0161\u00ed. Pokud dnes jdeme do kina, chceme n\u011bco v\u00edc ne\u017e film. Chceme se potk\u00e1vat, sd\u00edlet emoce s ostatn\u00edmi. Prim\u00e1rn\u00ed nen\u00ed film, n\u00fdbr\u017e z\u00e1\u017eitek.\u00a0<\/p>\n

Minul\u00fd rok s\u00edt\u011b zaplavila videa z prom\u00edt\u00e1n\u00ed Minecraft filmu. Celosv\u011btov\u011b. Lid\u00e9 k\u0159i\u010deli, \u010dekali na obl\u00edben\u00e9 a vir\u00e1ln\u00ed hl\u00e1\u0161ky nast\u00edn\u011bn\u00e9 u\u017e v traileru, s\u00e1l bou\u0159il, k\u0159i\u010del a h\u00e1zel popcorn. Ve vyhrocen\u00fdch p\u0159\u00edpadech publikum odpalovalo petardy, na jednom z vide\u00ed bylo dokonce mo\u017en\u00e9 vid\u011bt, \u017ee n\u011bkdo p\u0159inesl \u017eivou slepici. Chaos a \u017eiveln\u00fd ekosyst\u00e9m demonstroval s\u00edlu internetov\u00e9 subkultury.\u00a0<\/p>\n

Te\u010f po s\u00edt\u00edch koluj\u00ed videa div\u00e1k\u016f, kte\u0159\u00ed b\u011bhem prom\u00edt\u00e1n\u00ed \u017eivotopisn\u00e9ho sn\u00edmku Michael chod\u00ed v kost\u00fdmech p\u0159ed pl\u00e1tna a zp\u00edvaj\u00ed p\u00edsn\u011b spole\u010dn\u011b se zp\u011bv\u00e1kem na projek\u010dn\u00ed plo\u0161e. Tomu jde na ruku i samotn\u00fd film. Nejde o vypr\u00e1v\u011bn\u00ed, n\u00fdbr\u017e koncertn\u00ed z\u00e1\u017eitek. K n\u011bmu explicitn\u011b burcovala i Billie Eilish b\u011bhem propagace nov\u00e9ho dokumentu v\u00a0re\u017eii Jamese Camerona, jen\u017e posouv\u00e1 stylistick\u00e9 mo\u017enosti koncertn\u00edho z\u00e1znamu.\u00a0<\/p>\n

Interpretka vyb\u00edzela n\u00e1v\u0161t\u011bvn\u00edky k tomu, aby se neb\u00e1li tan\u010dit a zp\u00edvat. Billie Eilish \u2013 Hit Me Hard and Soft: The Tour je toti\u017e opulentn\u00edm, v\u00fdsostn\u011b ok\u00e1zal\u00fdm popov\u00fdm spekt\u00e1klem, kde je dun\u00edc\u00ed sound design stup\u0148uj\u00edc\u00ed fanou\u0161kovsk\u00e9 v\u00fdk\u0159iky z koncert\u016f svou energi\u00ed lehce p\u0159enositeln\u00fd i na publikum v kin\u011b. A to rozhodn\u011b nen\u00ed pasivn\u00ed. Zejm\u00e9na diva\u010dky impulzivn\u011b poskakuj\u00ed p\u0159ed pl\u00e1tnem, to\u010d\u00ed se u toho, zp\u00edvaj\u00ed\u2026 zkr\u00e1tka jako na koncert\u011b.\u00a0<\/p>\n

T\u0159i p\u0159\u00edklady z ned\u00e1vn\u00e9 doby se v\u00e1\u017eou k film\u016fm s jasn\u011b definovanou a dlouhodob\u011b etablovanou fanou\u0161kovskou z\u00e1kladnou, podep\u0159enou multimedi\u00e1ln\u00edm prostorem. Prod\u00e1v\u00e1 se zna\u010dka, osobnost. Subverzivn\u00ed \u010di neobvykl\u00e1 filmov\u00e1 \u0159e\u010d je podru\u017en\u00e1, sn\u00edmky jdou c\u00edlen\u011b na ruku tomuto koncertn\u00edmu a eventov\u00e9mu z\u00e1\u017eitku. Ostatn\u011b Minecraft film pak na streamu vy\u0161el i ve speci\u00e1ln\u00ed karaoke verzi. V n\u011b\u010dem se tak vrac\u00edme zp\u00e1tky ke ko\u0159en\u016fm.\u00a0<\/p>\n

Kina byla kdysi n\u011bco jako pou\u0165\u00a0<\/p>\n

P\u0159edstava divadla coby strnul\u00e9ho prostoru, kde je povolen jen ob\u010dasn\u00fd sm\u00edch a potlesk, se za\u010dala pln\u011b formovat a\u017e pot\u00e9, co byla dramata uzav\u0159ena do budov. Pozvolna v 16. stolet\u00ed, naplno pak v 19. stolet\u00ed. Do t\u00e9 doby dominovaly amfite\u00e1try pod otev\u0159en\u00fdm nebem. Publikum hlasit\u011b interagovalo s d\u011bjem. St\u00e9nalo, demonstrovalo \u00fadiv, hur\u00f3nsky se sm\u00e1lo, p\u0159\u00edpadn\u011b bu\u010delo. Jak bylo ned\u00e1vno nap\u0159\u00edklad vid\u011bt v citliv\u00e9m melodramatu Hamnet b\u011bhem z\u00e1v\u011bre\u010dn\u00e9 katarze v \u201eShakespearov\u011b\u201c Globu.\u00a0<\/p>\n

Prim\u00e1rn\u011b ni\u017e\u0161\u00ed vrstva publika s levn\u00fdm vstupn\u00fdm \u201ena stoj\u00e1ka\u201c p\u0159\u00edmo p\u0159ed jevi\u0161t\u011bm byla na tento zp\u016fsob komunikace zvykl\u00e1, na rozd\u00edl od boh\u00e1\u010d\u016f usazen\u00fdch na balkonech. \u0160erosvitem protkan\u00e9 budovy s daleko men\u0161\u00ed kapacitou pozd\u011bji vedly k\u00a0prodeji dra\u017e\u0161\u00edch l\u00edstk\u016f \u010dili jasn\u011b vyprofilovan\u00e9 skupin\u011b, kter\u00e1 si mohla p\u0159edstaven\u00ed u\u017e\u00edt jako mnohem intimn\u011bj\u0161\u00ed, ti\u0161\u0161\u00ed z\u00e1\u017eitek. Rozjuchan\u00fd kontrast tvo\u0159ily vaudevilly, dlouho n\u00e1lepkovan\u00e9 coby poklesl\u00e1 forma um\u011bn\u00ed pro chud\u00e9. Tam se div\u00e1ci nahlas bavili, hodovali, \u010dastokr\u00e1t byli i vta\u017eeni do inscenace.\u00a0<\/p>\n

\"Jak<\/p>\n

Jak kdysi lid\u00e9 v publiku emotivn\u011b reagovali na to, co se odehr\u00e1valo p\u0159ed nimi, jsme mohli vid\u011bt i b\u011bhem z\u00e1v\u011bre\u010dn\u00e9 sc\u00e9ny v \u201eShakespearov\u011b\u201c Globu ve filmu Hamnet. Foto: CinemArt<\/p>\n

Tento vaudevillovsk\u00fd model v ran\u00e9 \u00e9\u0159e p\u0159ebrala i kinematografie, tehdy vn\u00edman\u00e1 jako pou\u0165ov\u00e1 z\u00e1bava. N\u011bm\u00e9 filmy doprov\u00e1zen\u00e9 hudbou, hlasem vyprav\u011b\u010de \u010di ruchy byly v\u011bt\u0161inou obohacen\u00e9 dal\u0161\u00edmi v\u00fdstupy, zat\u00edmco se m\u011bnily kotou\u010de. \u0160lo o bavi\u010dsk\u00e9 p\u00e1smo, takt\u00e9\u017e postr\u00e1daj\u00edc\u00ed dekorum.\u00a0<\/p>\n

Pravidla pro chov\u00e1n\u00ed v s\u00e1le p\u0159i\u0161la a\u017e s postupnou pr\u016fmyslovou profesionalizac\u00ed kinematografie v 10. letech. Posl\u00e9ze se i z kinos\u00e1l\u016f, s celove\u010dern\u00ed stop\u00e1\u017e\u00ed ji\u017e naplno utopen\u00fdch ve tm\u011b, stalo m\u00edsto klidu, kde ru\u0161\u00edc\u00ed p\u0159\u00edsed\u00edc\u00ed ok\u0159ikujeme jako v knihovn\u011b. Alternativn\u00ed cesty pro hlasit\u011bj\u0161\u00ed z\u00e1bavu v 50. letech tvo\u0159ily t\u0159eba autokina, vysoce popul\u00e1rn\u00ed p\u0159edev\u0161\u00edm mezi teenagery.\u00a0<\/p>\n

I \u0161patn\u00fd film m\u016f\u017ee b\u00fdt p\u0159\u00edle\u017eitost k z\u00e1bav\u011b\u00a0<\/p>\n

Komunitn\u00ed prom\u00edt\u00e1n\u00ed s tak\u0159ka ritu\u00e1ln\u00edmi pravidly jsou spjat\u00e1 s kultovn\u00edmi tituly. A ty nav\u00edc nemus\u00ed b\u00fdt ani kvalitn\u00ed. Vzpome\u0148me t\u0159eba legend\u00e1rn\u00ed a glob\u00e1ln\u011b po\u0159\u00e1dan\u00e9 projekce \u201enejhor\u0161\u00edho filmu v\u0161ech dob\u201c The Room. Topornou a l\u00edbezn\u011b neum\u011btelskou klasiku znaj\u00ed div\u00e1ci nazpam\u011b\u0165. K\u0159i\u010d\u00ed ikonick\u00e9 hl\u00e1\u0161ky spole\u010dn\u011b s hrdiny a st\u00e1lic\u00ed se stalo h\u00e1zen\u00ed plastov\u00fdch l\u017ei\u010dek, kdykoli se na pl\u00e1tn\u011b objev\u00ed l\u017ei\u010dka. Jde o n\u00e1dhernou absurditu vych\u00e1zej\u00edc\u00ed takzvan\u011b odspoda, z \u010dist\u00e9 fanou\u0161kovsk\u00e9 radosti.\u00a0<\/p>\n

Film (by\u0165 v\u00a0tomto p\u0159\u00edpad\u011b nudn\u00fd a prachb\u00eddn\u00fd) se st\u00e1v\u00e1 prost\u0159edkem k nezapomenuteln\u00fdm ve\u010der\u016fm. Z\u00e1\u017eitkov\u00fd ekvivalent bychom (mimo jin\u00e9) na\u0161li i u n\u00e1s. A to t\u0159eba pravideln\u00e9 projekce extravagantn\u00edho campu Rocky Horror Picture Show v pra\u017esk\u00e9m kin\u011b Aero, kdy p\u0159ed pl\u00e1tnem d\u011bj filmu paraleln\u011b p\u0159edehr\u00e1vaj\u00ed performe\u0159i. N\u00e1v\u0161t\u011bvn\u00edci jsou vybaven\u00ed sadou r\u016fznorod\u00fdch rekvizit a manu\u00e1lem, kter\u00fd \u0159\u00edk\u00e1, co p\u0159i rozsv\u00edcen\u00ed p\u0159\u00edslu\u0161n\u00e9ho \u010d\u00edsla na pl\u00e1tn\u011b maj\u00ed d\u011blat. Spole\u010dn\u00fd tanec je samoz\u0159ejmost\u00ed.\u00a0<\/p>\n

Kino Aero s\u00e1z\u00ed na s\u00edlu nostalgie dlouhodob\u011b. Publikum sem chod\u00ed na filmy, kter\u00e9 se nesmazateln\u011b zapsaly do popkultury. A\u0165 u\u017e jde o ak\u010dn\u00ed trh\u00e1ky se Schwarzeneggerem, Hannu Montanu, Stm\u00edv\u00e1n\u00ed nebo kino maratony P\u00e1na prsten\u016f, je\u017e se tu po\u0159\u00e1daj\u00ed n\u011bkolikr\u00e1t do roka. Hlasit\u00e9 j\u00e1s\u00e1n\u00ed, tlesk\u00e1n\u00ed \u010di impulzivn\u00ed odvaha jednotlivc\u016f nahlas \u0159\u00edkat vtipy jsou p\u016fvabn\u011b prchav\u00e9ho charakteru. Jde o n\u011bco neopakovateln\u00e9ho, pouze te\u010f a tady. Nem\u011bnn\u00fd film je op\u0159eden\u00fd z\u00e1\u017eitkem spjat\u00fdm pr\u00e1v\u011b s divadlem, kde nikdy nic nen\u00ed poka\u017ed\u00e9 stejn\u00e9. Jen nesm\u00edme ve vln\u00e1ch nostalgie utonout.<\/p>\n

Pokud tedy tyto typy projevu za\u010d\u00ednaj\u00ed pronikat i do film\u016f prom\u00edtan\u00fdch v multiplexech, kde si publikum vezme prostor i film tak n\u011bjak za sv\u00e9, je to jedin\u011b dob\u0159e. Kontakt a pocit spole\u010dn\u00e9ho pro\u017eitku, by\u0165 projeven\u00fd hlasit\u011b, budou st\u00e1le pot\u0159ebn\u011bj\u0161\u00ed. A kinos\u00e1ly se v eventov\u00fd prostor budou pravd\u011bpodobn\u011b m\u011bnit st\u00e1le \u010dast\u011bji, dost mo\u017en\u00e1 p\u016fjde o jeden z m\u00e1la udr\u017eiteln\u00fdch model\u016f. Vid\u011bt lidi k\u0159i\u010det, chroupat popcorn a sm\u00e1t se je toti\u017e paradoxn\u011b daleko m\u00e9n\u011b ru\u0161iv\u00e9 ne\u017e sledovat znud\u011bn\u00e9 publikum, je\u017e pravideln\u011b otev\u00edr\u00e1 z\u00e1\u0159\u00edc\u00ed displeje mobilu a scrolluje.<\/p>\n","protected":false},"excerpt":{"rendered":"Kinos\u00e1l byl dlouho vn\u00edman\u00fd jako svatost\u00e1nek. M\u00edsto, kde sledujeme konkr\u00e9tn\u00ed d\u00edlo spole\u010dn\u011b s des\u00edtkami lid\u00ed a z\u00e1rove\u0148 m\u00e1me…\n","protected":false},"author":2,"featured_media":110722,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[27475,79,31906,16746,31907,18281,20102,80],"class_list":["post-110721","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-billie-eilish","tag-entertainment","tag-happening","tag-kinematografie","tag-kino-aero","tag-michael-jackson","tag-minecraft","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116713048449239625","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/110721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=110721"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/110721\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/110722"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=110721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=110721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=110721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}