{"id":112573,"date":"2026-06-09T16:48:28","date_gmt":"2026-06-09T16:48:28","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/112573\/"},"modified":"2026-06-09T16:48:28","modified_gmt":"2026-06-09T16:48:28","slug":"recenze-paul-mccartney-vzpomina-na-stare-casy-a-zase-hraje-na-puvodni-basu","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/112573\/","title":{"rendered":"Recenze: Paul McCartney vzpom\u00edn\u00e1 na star\u00e9 \u010dasy. A\u00a0zase hraje na p\u016fvodn\u00ed basu"},"content":{"rendered":"

Na za\u010d\u00e1tku pandemie koronaviru uv\u00e1zl Paul McCartney u\u00a0p\u0159\u00edbuzn\u00fdch v\u00a0Americe. V\u00a0jedn\u00e9 dom\u00e1cnosti s\u00a0mal\u00fdm d\u00edt\u011btem za\u010dal na kytaru vym\u00fd\u0161let melodii, ke kter\u00e9 pozd\u011bji p\u0159idal slova. \u201e\u017divot m\u016f\u017ee b\u00fdt t\u011b\u017ek\u00fd \/ Ale pr\u00e1v\u011b tehdy ho za\u010d\u00edn\u00e1me znovu skl\u00e1dat dohromady,\u201c zp\u00edv\u00e1 v\u00a0balad\u011b nazvan\u00e9 Life Can Be Hard.<\/p>\n

Mu\u017e, kter\u00e9mu ve 14\u00a0letech zem\u0159ela matka a\u00a0jen\u017e pozd\u011bji p\u0159i\u0161el o\u00a0spoluhr\u00e1\u010de Johna Lennona, George Harrisona i\u00a0prvn\u00ed man\u017eelku Lindu McCartney, se nau\u010dil hledat z\u00a0t\u011b\u017ek\u00fdch \u010das\u016f cestu ven. A\u00a0stejn\u011b nalad\u011bn\u00fd byl b\u011bhem covidov\u00e9 krize. \u201eCo jin\u00e9ho tak\u00e9 zb\u00fdv\u00e1? V\u00a0opa\u010dn\u00e9m p\u0159\u00edpad\u011b v\u00e1m \u017eivot zho\u0159kne, co\u017e si nep\u0159eji. Nechci skon\u010dit v\u00a0depres\u00edch, tak\u017ee s\u00a0takov\u00fdmi stavy bojuji a\u00a0\u0159\u00edk\u00e1m si: soust\u0159e\u010f se na to, kolik se ti v\u00a0\u017eivot\u011b d\u011bje skv\u011bl\u00fdch v\u011bc\u00ed,\u201c vypr\u00e1v\u00ed v\u00a0aktu\u00e1ln\u00edm \u010d\u00edsle \u010dasopisu Mojo t\u0159iaosmdes\u00e1tilet\u00fd hudebn\u00edk, kter\u00fd je\u0161t\u011b za koronaviru zve\u0159ejnil album nazvan\u00e9 McCartney III.<\/p>\n

P\u00edse\u0148 o\u00a0p\u0159ekon\u00e1v\u00e1n\u00ed t\u011b\u017ek\u00fdch \u010das\u016f na n\u011bj ale nedal. Schoval si ji a\u017e na aktu\u00e1ln\u00ed desku The Boys of Dungeon Lane, kterou vydal p\u0159edminul\u00fd p\u00e1tek. V\u010dera album debutovalo na prvn\u00ed p\u0159\u00ed\u010dce britsk\u00e9 hitpar\u00e1dy.<\/p>\n

V \u0161estilet\u00e9 pauze mezi ob\u011bma projekty Paul McCartney pokra\u010doval ve sv\u011btov\u00e9m turn\u00e9, hostoval na desk\u00e1ch zp\u011bva\u010dek Barbry Streisand a\u00a0Beyonc\u00e9 nebo uvedl dokument\u00e1rn\u00ed film Man On The Run o\u00a0sv\u00e9 kapele Wings ze 70.\u00a0let minul\u00e9ho stolet\u00ed.<\/p>\n

Samoz\u0159ejm\u011b nad\u00e1le z\u016fst\u00e1v\u00e1 spojen\u00fd p\u0159edev\u0161\u00edm se skupinou The Beatles. P\u0159esto\u017ee existovala jen zhruba dek\u00e1du a\u00a0rozpadla se p\u0159ed 56\u00a0lety, dosud nezmizela z\u00a0\u0161irok\u00e9ho pov\u011bdom\u00ed. A\u00a0jej\u00ed odkaz p\u0159ipom\u00edn\u00e1 i\u00a0s\u00e1m McCartney. P\u0159ed n\u011bkolika lety p\u0159isp\u011bl ke vzniku osmihodinov\u00e9 dokument\u00e1rn\u00ed s\u00e9rie The Beatles: Get Back od re\u017eis\u00e9ra Petera Jacksona, posl\u00e9ze dokon\u010dil posledn\u00ed song Beatles nazvan\u00fd Now and Then. Nyn\u00ed se pod\u00edl\u00ed na \u010dty\u0159ech hran\u00fdch sn\u00edmc\u00edch, kter\u00e9 o\u00a0\u010dlenech liverpoolsk\u00e9 \u010dtve\u0159ice p\u0159ipravuje oscarov\u00fd filma\u0159 Sam Mendes. A\u00a0te\u010f Paul McCartney na n\u011bkdej\u0161\u00ed spoluhr\u00e1\u010de vzpom\u00edn\u00e1 i\u00a0na desce The Boys of Dungeon Lane.<\/p>\n

Ve sladkoboln\u00e9 akustick\u00e9 p\u00edsni se sestupn\u00fdm motivem Days We Left Behind l\u00ed\u010d\u00ed d\u011btstv\u00ed v\u00a0Liverpoolu. Jmenuje i\u00a0ulici, kde s\u00a0rodinou bydleli a\u00a0kam ho chod\u00edval nav\u0161t\u011bvovat John Lennon. \u201ePotkali jsme se na Forthlin Road \/ A\u00a0vymysleli jsme si tajn\u00fd k\u00f3d \/ Kter\u00fd jsme nikdy nikomu neprozradili,\u201c zp\u00edv\u00e1 o\u00a0po\u010d\u00e1tku jejich p\u0159\u00e1telstv\u00ed.<\/p>\n

S\u00e1m jen s\u00a0akustickou kytarou nato\u010dil McCartney tak\u00e9 skladbu Down South, ve kter\u00e9 pro zm\u011bnu vypr\u00e1v\u00ed, jak koncem 50.\u00a0let s\u00a0Georgem Harrisonem dostopovali a\u017e do Walesu. \u201eTo bylo p\u0159edt\u00edm, ne\u017e jsme se nau\u010dili Twist and Shout,\u201c zp\u00edv\u00e1 v\u00a0nar\u00e1\u017ece na song, jeho\u017e slavnou coververzi vydali Beatles v\u00a0roce 1963.<\/p>\n

Nejv\u00edc pozornosti pak na McCartneyho nov\u00e9m albu vzbuzuje Home to Us, duet s\u00a0p\u011btaosmdes\u00e1tilet\u00fdm buben\u00edkem Beatles Ringem Starrem, v\u00a0n\u011bm\u017e o\u017e\u00edvaj\u00ed jejich vzpom\u00ednky na Liverpool je\u0161t\u011b poni\u010den\u00fd nacistick\u00fdm bombardov\u00e1n\u00edm z\u00a0druh\u00e9 sv\u011btov\u00e9 v\u00e1lky. Euforickou rockovou skladbu se Starrov\u00fdmi typick\u00fdmi bic\u00edmi p\u0159ibarvuj\u00ed vokalistky: Chrissie Hynde z\u00a0kapely The Pretenders a\u00a0Sherleen Spiteri ze skotsk\u00e9 skupiny Texas.<\/p>\n

Deska obsahuj\u00edc\u00ed 14\u00a0p\u00edsn\u00ed nem\u00e1 ucelen\u00e9 t\u00e9ma. \u201eKdy\u017e za\u010d\u00edn\u00e1m skl\u00e1dat, nikdy dop\u0159edu nev\u00edm, co z\u00a0toho vyleze,\u201c p\u0159iznal<\/a> britsk\u00e9mu den\u00edku Guardian hudebn\u00edk, \u017ee se mu p\u00eds\u0148ov\u00e9 texty nepl\u00e1novan\u011b sto\u010dily ke vzpom\u00ednk\u00e1m, ani\u017e by to zam\u00fd\u0161lel.<\/p>\n

<\/a><\/p>\n

Hned v\u00a0n\u011bkolika kompozic\u00edch reflektuje d\u011btstv\u00ed na p\u0159elomu 40.\u00a0a\u00a050.\u00a0let minul\u00e9ho stolet\u00ed. V\u00a0\u00favodn\u00edm songu As You Lie There prozrazuje, jak coby kluk snil o\u00a0d\u00edvce, jej\u00ed\u017e d\u016fm \u010dasto m\u00edjel. Cel\u00e9 album pak nazval podle ulice Dungeon Lane ze sv\u00e9ho dosp\u00edv\u00e1n\u00ed, podobn\u011b jako to The Beatles kdysi ud\u011blali se singlem Penny Lane.<\/p>\n

\u201eJe p\u0159irozen\u00e9 ps\u00e1t o\u00a0n\u011b\u010dem, co se v\u00e1m p\u0159ihodilo v\u00a0minulosti, kdy\u017e nev\u00edte, co p\u0159ijde. Na druhou stranu minulost je i\u00a0to, co se stalo teprve v\u010dera. Je pln\u00e1 v\u011bc\u00ed a\u00a0n\u00e1pad\u016f,\u201c argumentuje McCartney v\u00a0\u010dasopisu Mojo.<\/p>\n

Autor slavn\u00e9ho songu Yesterday b\u00fdval nostalgick\u00fd v\u017edy. Po osmdes\u00e1tce p\u016fsob\u00ed v\u00a0t\u00e9to poloze p\u0159irozen\u011bji i\u00a0kv\u016fli \u010d\u00edm d\u00e1l k\u0159eh\u010d\u00edmu projevu. Kdo vid\u011bl \u010derstv\u00e9 z\u00e1znamy jeho vystoupen\u00ed v\u00a0televizn\u00edm po\u0159adu Saturday Night Live, v\u00ed, \u017ee zejm\u00e9na ve vy\u0161\u0161\u00edch poloh\u00e1ch u\u017e m\u00e1 dnes Paul McCartney opravdu tenk\u00fd hlas, by\u0165 si zachov\u00e1v\u00e1 osobitou barvu.<\/p>\n

Na desce se mu to da\u0159\u00ed prom\u011bnit v\u00a0p\u0159ednost v\u00a0nostalgick\u00fdch Days We Left Behind, kde hlasov\u00fd projev podtrhuje, kolik des\u00edtek let od t\u00e9 doby ub\u011bhlo. V\u00a0jin\u00fdch \u010d\u00e1stech alba je McCartneyho hlas naopak navrstven\u00fd minim\u00e1ln\u011b ve dvou stop\u00e1ch, p\u0159\u00edpadn\u011b obest\u0159en\u00fd efekty. Na p\u00e1r m\u00edstech, konkr\u00e9tn\u011b v\u00a0As You Lie There nebo Come Inside, dokonce t\u0159iaosmdes\u00e1tilet\u00fd Angli\u010dan zak\u0159i\u010d\u00ed.<\/p>\n

Foto: Profimedia.cz<\/p>\n

Paul McCartney i\u00a0po osmdes\u00e1tce d\u00e1l vystupuje, vloni op\u011bt absolvoval v\u00edce ne\u017e \u010dty\u0159i des\u00edtky koncert\u016f.<\/p>\n

\u017de to nep\u016fsob\u00ed k\u0159e\u010dovit\u011b, je tak\u00e9 d\u00edlem producenta. McCartney je vyu\u017e\u00edval v\u017edy, v\u00a0nov\u00e9m tis\u00edcilet\u00ed nato\u010dil desky s\u00a0Gregem Kurstinem, Nigelem Godrichem \u010di Tommym LiPumou. Te\u010f k\u00a0nim p\u0159ibyl p\u011btat\u0159icetilet\u00fd Andrew Watt, rychle vych\u00e1zej\u00edc\u00ed anglick\u00e1 hv\u011bzda ji\u017e podepsan\u00e1 pod nahr\u00e1vkami Ozzyho Osbourna, The Rolling Stones nebo Iggyho Popa.<\/p>\n

P\u0159i p\u0159edstaven\u00ed alba McCartney nazna\u010dil, \u017ee do n\u011bkter\u00fdch v\u011bc\u00ed ho Watt trochu nutil. \u201eKdy\u017e jsme se poprv\u00e9 setkali, \u0159\u00edkal jsem si, \u017ee na n\u011bco tla\u010d\u00ed a\u017e moc. A\u00a0tak\u00e9 \u017ee jo. Ale pak se mi to rozle\u017eelo. P\u0159ece p\u0159esn\u011b tohle od producenta chcete. Ne aby sed\u011bl v\u00a0kout\u011b, ale aby v\u00e1m \u0159\u00edkal, jak to ud\u011bl\u00e1me,\u201c uva\u017euje hudebn\u00edk.<\/p>\n

Na albu ne\u00fa\u010dinkuje nikdo z\u00a0jeho dlouholet\u00e9 kapely. Ani kytarista Rusty Anderson, ani buben\u00edk Abe Laboriel Jr, kte\u0159\u00ed ho doprov\u00e1zeli tak\u00e9 na posledn\u00edm pra\u017esk\u00e9m koncertu v\u00a0roce 2016.\u00a0V\u011bt\u0161inu n\u00e1stroj\u016f v\u010detn\u011b bic\u00edch, basy, kytar a\u00a0kl\u00e1ves si Paul McCartney op\u011bt nato\u010dil s\u00e1m, jako to um\u00ed Lenny Kravitz nebo to d\u0159\u00edve ud\u011blali Prince a\u00a0Stevie Wonder. Z\u0159ejm\u011b i\u00a0d\u00edky producentovi deska zn\u00ed plnohodnotn\u011b a\u00a0m\u00e1 trochu prokrven\u011bj\u0161\u00ed zvuk ne\u017e p\u0159ede\u0161l\u00fd pandemick\u00fd, p\u0159iznan\u011b na koleni zkonstruovan\u00fd projekt McCartney III.<\/p>\n

I zvukov\u011b je novinka pestr\u00e1, od nostalgick\u00fdch balad p\u0159es t\u00e9m\u011b\u0159 psychedelick\u00fd rock a\u017e po popov\u00e9 songy \u010dasto zpest\u0159en\u00e9 jedn\u00edm dv\u011bma f\u00f3ry. \u00davodn\u00ed p\u00edse\u0148 za\u010d\u00ednaj\u00edc\u00ed akusticky s\u00a0mluven\u00fdm slovem \u010dlov\u011bka na n\u011bkolik des\u00edtek vte\u0159in znejist\u00ed, zda ho opravdu \u010dek\u00e1 rockov\u00e9 album. Come Inside je mollov\u00fd song p\u0159ekvapiv\u011b zavr\u0161en\u00fd durov\u00fdm akordem. A\u00a0t\u0159eba do p\u0159edposledn\u00ed kompozice Salesman Saint o\u00a0McCartneyho rodi\u010d\u00edch za druh\u00e9 sv\u011btov\u00e9 v\u00e1lky se v\u00a0jednu chv\u00edli za\u010dne vlamovat jin\u00e1 p\u00edse\u0148 jako ozv\u011bna swingov\u00fdch kapel tehdej\u0161\u00edch \u010das\u016f.<\/p>\n

Opakovan\u00fd poslech odhal\u00ed dal\u0161\u00ed detaily\u00a0\u2013 od cembala v\u00a0psychedelick\u00e9 skladb\u011b o\u00a0drogov\u00e9m tripu Mountain Top p\u0159es kl\u00e1vesov\u00fd n\u00e1stroj Mellotron napodobuj\u00edc\u00ed fl\u00e9tnu v\u00a0Never Know a\u017e po zvuk p\u0159et\u00e1\u010den\u00e9 p\u00e1sky na konci We Two. Tento jednoduch\u00fd love song s\u00a0v\u00fdraznou basovou linkou nato\u010dili s\u00a0producentem na \u010dty\u0159stop\u00fd magnetofon zna\u010dky Studer, kter\u00fd McCartney v\u00a080.\u00a0letech zachr\u00e1nil ze studi\u00ed Abbey Road p\u0159i tehdej\u0161\u00edm rozprodeji majetku.<\/p>\n

Nen\u00ed to jedin\u00e1 pas\u00e1\u017e, kde hudebn\u00edk s\u00a0producentem zapojili z\u00a0dne\u0161n\u00edho pohledu p\u0159ekonan\u00e9 technologie. P\u0159i tvorb\u011b Mountain Top zase vyu\u017eili techniku zvanou tape loops, tedy smy\u010dku z\u00a0magnetofonov\u00fdch p\u00e1sek, s\u00a0jakou sv\u00e9ho \u010dasu pracovali i\u00a0skladatel\u00e9 modern\u00ed hudby Karlheinz Stockhausen nebo Steve Reich.<\/p>\n

The Boys of Dungeon Lane je p\u011bkn\u00e1, n\u00e1padit\u00e1, rozhodn\u011b nadpr\u016fm\u011brn\u00e1 deska. I\u00a0kdy\u017e ne mimo\u0159\u00e1dn\u00e1, ani tak nal\u00e9hav\u011b up\u0159\u00edmn\u00e1 jako posledn\u00ed nahr\u00e1vky, jimi\u017e se p\u0159ed smrt\u00ed rozlou\u010dili David Bowie \u010di Leonard Cohen. V\u0161ak ale Paul McCartney je\u0161t\u011b nikam neodch\u00e1z\u00ed.<\/p>\n

Ned\u00e1vno za\u010dal znovu hr\u00e1t na svou p\u016fvodn\u00ed basu zna\u010dky H\u00f6fner, kterou za\u010d\u00e1tkem 60.\u00a0let koupil p\u0159i \u00fa\u010dinkov\u00e1n\u00ed Beatles v\u00a0Hamburku a\u00a0vyu\u017eil ji na jejich prvn\u00edch nahr\u00e1vk\u00e1ch. O\u00a0deset let pozd\u011bji ji kdosi ukradl ze zaparkovan\u00e9 dod\u00e1vky. Muzikant n\u00e1stroj nahradil kopiemi tak\u0159ka k\u00a0nerozezn\u00e1n\u00ed. P\u0159edloni se ale oklikou dostal zp\u011bt k\u00a0p\u016fvodn\u00ed base a\u00a0nechal ji opravit. \u201eVezmete ji do ruky a\u00a0okam\u017eit\u011b se vr\u00e1t\u00edte do 60.\u00a0let, jako by se na v\u00e1s vyvalila vlna vzpom\u00ednek,\u201c \u0159\u00edk\u00e1 v\u00a0\u010dasopisu Mojo.<\/p>\n

Na desce The Boys of Dungeon Lane n\u00e1stroj je\u0161t\u011b pou\u017e\u00edt nestihl, u\u017e te\u010f ale p\u0159em\u00fd\u0161l\u00ed, \u017ee by basu vyu\u017eil na t\u00e9 p\u0159\u00ed\u0161t\u00ed. Tak jako mu minule zbyla p\u00edse\u0148 z\u00a0pandemie, na kter\u00e9 vystav\u011bl nyn\u011bj\u0161\u00ed album.<\/p>\n

Album: Paul McCartney\u00a0\u2013 The Boys of Dungeon Lane<\/p>\n

Datum vyd\u00e1n\u00ed: 29.\u00a0kv\u011btna 2026<\/p>\n","protected":false},"excerpt":{"rendered":"Na za\u010d\u00e1tku pandemie koronaviru uv\u00e1zl Paul McCartney u\u00a0p\u0159\u00edbuzn\u00fdch v\u00a0Americe. V\u00a0jedn\u00e9 dom\u00e1cnosti s\u00a0mal\u00fdm d\u00edt\u011btem za\u010dal na kytaru vym\u00fd\u0161let melodii,…\n","protected":false},"author":2,"featured_media":112574,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[8125,79,84,2630,8124,4343,80],"class_list":["post-112573","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-beatles","tag-entertainment","tag-hudba","tag-hudebni-recenze","tag-paul-mccartney","tag-rock","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116721176350958300","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/112573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=112573"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/112573\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/112574"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=112573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=112573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=112573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}