{"id":115773,"date":"2026-06-12T14:09:14","date_gmt":"2026-06-12T14:09:14","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/115773\/"},"modified":"2026-06-12T14:09:14","modified_gmt":"2026-06-12T14:09:14","slug":"svuj-hlas-vyuziva-jako-prevleky-prijizdi-nevyzpytatelna-aldous-harding","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/115773\/","title":{"rendered":"Sv\u016fj hlas vyu\u017e\u00edv\u00e1 jako p\u0159evleky. P\u0159ij\u00ed\u017ed\u00ed nevyzpytateln\u00e1 Aldous Harding"},"content":{"rendered":"

P\u0159\u00edpravek na l\u00e9\u010dbu ADHD ritalin, jezen\u00ed kamen\u016f a\u00a0rostlin, setk\u00e1n\u00ed s\u00a0Johnem Calem, modlitba za incely. Zn\u00ed to jako n\u00e1hodn\u00e1 sm\u011bs motiv\u016f a\u00a0mo\u017en\u00e1 to tak skute\u010dn\u011b je. Z\u00e1rove\u0148 se jedn\u00e1 pouze o\u00a0zlomek t\u00e9mat, kter\u00e1 na pr\u00e1v\u011b vydan\u00e9 desce Train on the Island otev\u00edr\u00e1 novoz\u00e9landsk\u00e1 hudebnice Aldous Harding.<\/p>\n

\u201eChci, aby se ka\u017ed\u00fd c\u00edtil jako filozof. T\u011bch 40\u00a0minut, kdy si pust\u00edte nahr\u00e1vku, pat\u0159\u00ed jenom v\u00e1m,\u201c vysv\u011btlila p\u0159ed \u010dasem pro server Pitchfork hudebnice, k\u00a0jej\u00edm\u017e p\u00edsn\u00edm neexistuj\u00ed spr\u00e1vn\u00e9 v\u00fdklady. Ka\u017ed\u00fd si v\u00a0nich m\u00e1 naj\u00edt sv\u00e9. \u010cesk\u00e9 publikum tu mo\u017enost dostane 22.\u00a0\u010dervna, kdy Aldous Harding vystoup\u00ed v\u00a0pra\u017esk\u00e9m klubu Roxy.<\/p>\n

Pro\u010d vysv\u011btlovat sama sebe<\/p>\n

Jej\u00ed surrealistick\u00e9 texty nesourodost\u00ed a\u00a0rozmanitost\u00ed vyb\u00edzej\u00ed k\u00a0p\u00e1tr\u00e1n\u00ed po v\u00fdznamu a\u00a0vym\u00fd\u0161len\u00ed spletit\u00fdch teori\u00ed. Hudebnice je ale dlouhodob\u011b odm\u00edt\u00e1 vysv\u011btlovat. Neznamen\u00e1 to, \u017ee by jej\u00ed d\u00edlo bylo ploch\u00e9, bezobsa\u017en\u00e9 nebo \u017ee by skladby k\u00a0ni\u010demu neodkazovaly. Autorka jen odm\u00edt\u00e1 existenci jedin\u00e9ho spr\u00e1vn\u00e9ho pohledu.<\/p>\n

Asociace, kter\u00e9 do text\u016f a\u00a0melodi\u00ed sama vkl\u00e1d\u00e1, nenad\u0159azuje t\u011bm, je\u017e v\u00a0nich nach\u00e1z\u00ed poslucha\u010dstvo. \u201eO\u010dek\u00e1v\u00e1 se od n\u00e1s, \u017ee dok\u00e1\u017eeme sami sebe vysv\u011btlit, vyu\u017e\u00edt prostor a\u00a0m\u00edt n\u011bjak\u00e9 posl\u00e1n\u00ed\u00a0\u2013 jako bychom ho m\u011bli ulo\u017een\u00e9 v\u00a0ta\u0161ti\u010dce, kterou s\u00a0sebou v\u0161ude nos\u00edme. Ale j\u00e1 to takhle nutn\u011b nem\u00e1m,\u201c konstatovala v\u00a0americk\u00e9m rozhlasu NPR. A\u00a0v\u00a0jej\u00edm t\u00f3nu nebylo ani stopy po arogantn\u00edm odstupu nebo snaze p\u016fsobit tajemn\u011b. Naopak \u0161lo o\u00a0neobvykle up\u0159\u00edmn\u00e9 tvrzen\u00ed kohosi, kdo nevid\u00ed smysl ve sv\u011bt\u011b definovan\u00e9m neust\u00e1lou sebeprezentac\u00ed.<\/p>\n

Hudba bude samoz\u0159ejm\u011b v\u017edy n\u011bjak odr\u00e1\u017eet osobnost autora, stejn\u011b jako v\u00a0\u017eivot\u011b se ale tak\u00e9 v\u00a0hudb\u011b d\u00e1 o\u00a0prostor rozd\u011blit s\u00a0ostatn\u00edmi, nebaz\u00edrovat na sv\u00e9m. Pr\u00e1v\u011b tato strategie je jedn\u00edm z\u00a0kl\u00ed\u010dov\u00fdch prvk\u016f, d\u00edky nim\u017e osobnost i\u00a0d\u00edlo Aldous Harding p\u016fsob\u00ed tak specificky.<\/p>\n

Pro tvorbu hudebnice, je\u017e od roku 2014\u00a0vydala p\u011bt desek, je charakteristick\u00e1 pr\u00e1ce s\u00a0vok\u00e1lem i\u00a0fonetikou. R\u00e1da vyu\u017e\u00edv\u00e1 r\u016fzn\u00e9 p\u0159\u00edzvuky a\u00a0barvy hlasu jako masky, p\u0159evleky. Tracky \u010dasto p\u016fsob\u00ed, jako by je vypr\u00e1v\u011blo n\u011bkolik r\u016fzn\u00fdch postav. \u201eSv\u016fj hlas pou\u017e\u00edv\u00e1m coby hudebn\u00ed n\u00e1stroj a\u00a0stejn\u011b jako u\u00a0jazyk\u016f nebo oble\u010den\u00ed nem\u00e1m pocit, \u017ee bych nemohla vyu\u017e\u00edvat jeho r\u016fzn\u00e9 podoby,\u201c p\u0159em\u00fd\u0161l\u00ed um\u011blkyn\u011b.<\/p>\n

Se zkoum\u00e1n\u00edm podob a\u00a0mo\u017enost\u00ed vlastn\u00edho t\u011bla pracuje i\u00a0vizu\u00e1ln\u011b\u00a0\u2013 na\u017eivo st\u0159\u00edd\u00e1 kost\u00fdmy a\u00a0grimasy, experimentuje s\u00a0klaunskou stylizac\u00ed. Pr\u00e1v\u011b pro svou n\u00e1paditost a\u00a0propracovanost sklidily pozitivn\u00ed ohlasy jej\u00ed videoklipy nap\u0159\u00edklad ke skladb\u00e1m The Barrel a\u00a0Horizon, kter\u00e9 jako by byly samostatn\u00fdmi audiovizu\u00e1ln\u00edmi kusy.<\/p>\n

Pastviny a\u00a0existenci\u00e1ln\u00ed \u00fazkost<\/p>\n

Aldous Harding, vlastn\u00edm jm\u00e9nem Hannah Sian Topp, vyrostla na farm\u011b pobl\u00ed\u017e novoz\u00e9landsk\u00e9ho m\u011bsta Geraldine a\u00a0venkovsk\u00e9 prost\u0159ed\u00ed ji do velk\u00e9 m\u00edry formovalo. Rodi\u010de byli muzikanti, a\u00a0tak byla hudbou obklopena od \u00fatl\u00e9ho v\u011bku. V\u00a0sedmi letech dostala od matky, folkov\u00e9 p\u00edsni\u010dk\u00e1\u0159ky, prvn\u00ed kytaru a\u00a0ve t\u0159in\u00e1cti \u00fa\u010dinkovala na n\u011bkolika mat\u010din\u00fdch nahr\u00e1vk\u00e1ch.<\/p>\n

Vyr\u016fst\u00e1n\u00ed v\u00a0um\u011bleck\u00e9m prost\u0159ed\u00ed ji nepopirateln\u011b ovlivnilo\u00a0\u2013 ot\u010d\u00edm, jeho\u017e jm\u00e9no pozd\u011bji p\u0159ejala pro sv\u016fj um\u011bleck\u00fd pseudonym, vlastnil obchod s\u00a0hudebninami. P\u0159esto se ani Aldous Harding nevyhnula obvykl\u00e1 tendence se proti rodinn\u00e9mu pojet\u00ed hudby vymezit.<\/p>\n

Foto: Profimedia.cz<\/p>\n

Aldous Harding v\u00a0Praze poprv\u00e9 vystoupila roku 2016\u00a0na festivalu Nouvelle Prague. Sedm let nato se p\u0159edstavila v\u00a0Pal\u00e1ci Akropolis. Letos zazp\u00edv\u00e1 v\u00a0prostorn\u011bj\u0161\u00edm klubu Roxy.<\/p>\n

Sv\u00e9 prvn\u00ed roky dosp\u011blosti popisuje jako obdob\u00ed mlhy, strachu, \u00fazkosti a\u00a0hled\u00e1n\u00ed vlastn\u00ed identity. Pr\u00e1v\u011b ty pozd\u011bji ozna\u010dila za hlavn\u00ed prvky prom\u00edtaj\u00edc\u00ed se na debutov\u00e9m albu, kter\u00e9 roku 2014\u00a0vydala na mal\u00e9 novoz\u00e9landsk\u00e9 zna\u010dce Lyttelton Records. Nahr\u00e1vku vytvo\u0159enou s\u00a0producentem Marlonem Williamsem pozd\u011bji p\u0159evzal v\u00fdznamn\u00fd tamn\u00ed label Flying Nun, co\u017e bylo vzhledem k\u00a0jeho vazb\u00e1m na sv\u011btovou alternativn\u00ed sc\u00e9nu pro dosud nezn\u00e1mou tv\u016frkyni zlomov\u00e9.<\/p>\n

Jej\u00ed prvn\u00ed album b\u00fdv\u00e1 ozna\u010dov\u00e1no za nejtemn\u011bj\u0161\u00ed a\u00a0z\u00e1rove\u0148 nejintimn\u011bj\u0161\u00ed. Hudebn\u011b vych\u00e1z\u00ed z\u00a0tradi\u010dn\u00edho britsk\u00e9ho folku, textov\u011b zase odkazuje k\u00a0novoz\u00e9landsk\u00fdm lidov\u00fdm a\u00a0pastor\u00e1ln\u00edm motiv\u016fm. I\u00a0p\u0159es minimalistick\u00e9 pojet\u00ed\u00a0\u2013 p\u0159evl\u00e1d\u00e1 jednohlas\u00fd zp\u011bv a\u00a0akustick\u00e1 kytara\u00a0\u2013 lze na desce naj\u00edt n\u00e1znaky budouc\u00edho sm\u011b\u0159ov\u00e1n\u00ed: divadelnost, st\u0159\u00edd\u00e1n\u00ed hlasov\u00fdch poloh a\u00a0perspektiv, fascinace maskami a\u00a0prom\u011bnami identity. Na rozd\u00edl od pozd\u011bj\u0161\u00edch alb m\u00e1 ale gotick\u00fd n\u00e1dech a\u00a0ve v\u0161\u00ed zranitelnosti odhaluje to, co v\u00a0dal\u0161\u00edch letech \u010d\u00e1ste\u010dn\u011b zakryj\u00ed grotesknost, humor a\u00a0experimenty.<\/p>\n

L\u00e1ska chce \u010das<\/p>\n

Po zve\u0159ejn\u011bn\u00ed debutu za\u010dalo o\u00a0Aldous Harding postupn\u011b projevovat z\u00e1jem \u0161ir\u0161\u00ed publikum. Pohybovala se v\u00a0komunit\u011b kolem novoz\u00e9landsk\u00e9ho m\u011bsta Lytteltonu, z\u00a0n\u00ed\u017e vze\u0161li um\u011blci a\u00a0um\u011blkyn\u011b jako Nadia Reid, Marlon Williams \u010di Tiny Ruins.<\/p>\n

Kdy\u017e za\u010dala p\u0159ipravovat sv\u00e9 druh\u00e9 album Party z\u00a0roku 2017, naskytla se j\u00ed p\u0159\u00edle\u017eitost spolupracovat s\u00a0producentem Johnem Parishem, v\u00fdznamnou personou sc\u00e9ny, proslulou nap\u0159\u00edklad produkov\u00e1n\u00edm nahr\u00e1vek PJ Harvey nebo skupin Sparklehorse a\u00a0Eels. Prvn\u00edm v\u00fdsledkem jejich spole\u010dn\u00e9 \u010dinnosti byl singl Horizon a\u00a0n\u011bkolik m\u011bs\u00edc\u016f p\u0159ed vyd\u00e1n\u00edm desky ohl\u00e1sil Aldous Harding jako\u017eto novou posilu sv\u00fdch \u0159ad britsk\u00fd label 4AD.<\/p>\n

Aldous Harding vysv\u011btluje, \u017ee spolupr\u00e1ci s\u00a0presti\u017en\u00ed zna\u010dkou nevyhled\u00e1vala c\u00edlen\u011b, stala se sp\u00ed\u0161e d\u016fsledkem jej\u00ed soustavn\u00e9 snahy d\u011blat lep\u0161\u00ed hudbu. Povahou sv\u00e9 tvorby do t\u00e9to \u201est\u00e1je\u201c nicm\u00e9n\u011b p\u0159irozen\u011b zapadla, typologie um\u011blc\u016f, kter\u00e9 4AD podporuje, je spojena pr\u00e1v\u011b s\u00a0experiment\u00e1ln\u00edm pojet\u00edm tradi\u010dn\u00edch \u017e\u00e1nr\u016f, neza\u0159aditelnost\u00ed a\u00a0v\u00fdraznou zvukovou identitou. <\/p>\n

Spolupr\u00e1ce s\u00a0Parishem u\u00a0Aldous Harding ani tolik nezas\u00e1hla do stylov\u00e9 podoby, jako sp\u00ed\u0161 do produkce\u00a0\u2013 co\u017e jen potvrzuje, \u017ee skute\u010dn\u011b dobr\u00fd producent sv\u011b\u0159ence nem\u011bn\u00ed podle sv\u00e9ho obrazu, ale dok\u00e1\u017ee pojmenovat jejich siln\u00e9 str\u00e1nky a\u00a0t\u011bm d\u00e1t vyniknout. U\u00a0Aldous Harding byly t\u011bmito siln\u00fdmi str\u00e1nkami vok\u00e1l, ochota experimentovat s\u00a0formou i\u00a0instrumentac\u00ed a\u00a0sympatick\u00e1 inklinace k\u00a0divadelnosti \u010di surrealismu.<\/p>\n

To v\u0161echno jsou nosn\u00e9 pil\u00ed\u0159e nahr\u00e1vky Party. Nese u\u017e sv\u00e9bytn\u00fd rukopis na pomez\u00ed klaunstv\u00ed, zvukov\u00e9ho obrazu a\u00a0pomysln\u00e9ho den\u00edku, z\u00a0n\u011bj\u017e ale jako by \u010dlov\u011bk \u010detl pouze ka\u017edou p\u00e1tou v\u011btu. P\u0159i poslechu se nelze ubr\u00e1nit rozt\u0159\u00ed\u0161t\u011bn\u00e9mu pocitu z\u00a0\u010dehosi d\u016fv\u011brn\u00e9ho, ale z\u00e1rove\u0148 distancovan\u00e9ho. \u201eKdy\u017e je n\u011bkde party \/ Po\u010dk\u00e1\u0161 na m\u011b?\u201c pt\u00e1 se Aldous Harding up\u0159\u00edmn\u011b v\u00a0tituln\u00ed skladb\u011b. Do tracku Imagining My Man zase za\u0159adila zraniteln\u00e9 vyzn\u00e1n\u00ed: \u201eCel\u00fd \u017eivot \/ Bojuju s\u00a0t\u00edm, abych z\u016fstala \/ M\u011bl jsi pravdu \/ L\u00e1ska pot\u0159ebuje \u010das.\u201c<\/p>\n

<\/a><\/p>\n

O dva roky pozd\u011bji nahr\u00e1la op\u011bt s\u00a0Johnem Parishem ve walesk\u00fdch Rockfield Studios album Designer. Touto dobou u\u017e se d\u00edky ne\u00fanavn\u00e9mu koncertov\u00e1n\u00ed stala mezin\u00e1rodn\u011b zn\u00e1mou um\u011blkyn\u00ed a\u00a0postavou fascinuj\u00edc\u00ed hudebn\u00ed tisk. Kv\u016fli jej\u00ed ne\u010ditelnosti se novin\u00e1\u0159i p\u0159edh\u00e1n\u011bli, kdo tajemn\u00e9 hudebnici p\u0159ijde na kloub.<\/p>\n

Server Pitchfork v\u00a0recenzi desky Designer poznamenal, \u017ee \u201eu Aldous Harding nejsou \u017e\u00e1dn\u00e9 snadn\u00e9 odpov\u011bdi\u201c, a\u00a0nem\u00fdlil se. Pokra\u010dovala zde v\u00a0nazna\u010den\u00e9 trajektorii, d\u00e1l ale roz\u0161\u00ed\u0159ila kompozi\u010dn\u00ed a\u00a0n\u00e1strojov\u00fd rejst\u0159\u00edk. Pos\u00edlila zejm\u00e9na roli perkus\u00ed, kter\u00e9 nav\u00edc vyu\u017e\u00edvala v\u00a0n\u00e1padit\u011bj\u0161\u00edch rytmech, p\u0159idala saxofon a\u00a0dal\u0161\u00ed vrstvy hlasu, kter\u00fd t\u00edm v\u00a0n\u011bkter\u00fdch pas\u00e1\u017e\u00edch nabyl sborov\u00e9ho n\u00e1dechu. <\/p>\n

Za vrchol alba lze pova\u017eovat track The Barrel o\u00a0strachu z\u00a0uv\u011bzn\u011bn\u00ed v\u00a0\u017eivotn\u00edch rol\u00edch, jako jsou partnerstv\u00ed a\u00a0rodi\u010dovstv\u00ed. Stal se jej\u00ed nejposlouchan\u011bj\u0161\u00ed p\u00edsn\u00ed, jen na platform\u011b Spotify m\u00e1 p\u0159es 60\u00a0milion\u016f p\u0159ehr\u00e1n\u00ed. Dokonale ilustruje autor\u010din cit pro komi\u010dno\u00a0\u2013 skladba i\u00a0p\u0159es nep\u0159\u00edli\u0161 optimistick\u00fd obsah nezn\u00ed ponu\u0159e ani depresivn\u011b, dr\u017e\u00ed se tane\u010dn\u00edho rytmu a\u00a0hrav\u00e9 saxofonov\u00e9 linky v\u00a0pozad\u00ed.<\/p>\n

N\u00e1sleduj\u00edc\u00ed desku Warm Chris z\u00a0roku 2022\u00a0mnoz\u00ed pova\u017euj\u00ed za jej\u00ed nejabstraktn\u011bj\u0161\u00ed a\u00a0nejm\u00e9n\u011b p\u0159\u00edstupnou\u00a0\u2013 jako by se pot\u00e9, co na Designeru popustila uzdu humoru a\u00a0radosti, posunula je\u0161t\u011b d\u00e1l a\u00a0nechala v\u011bci prost\u011b plynout. Sama \u0159\u00edk\u00e1, \u017ee se j\u00ed tento projekt tvo\u0159il nejjednodu\u0161eji. Jednozna\u010dn\u00e9 p\u00eds\u0148ov\u00e9 formy se za\u010daly rozpadat do voln\u011bj\u0161\u00edch celk\u016f, aran\u017em\u00e1 se vracela k\u00a0minimalismu, logick\u00e9 struktury p\u0159est\u00e1valy d\u00e1vat smysl.<\/p>\n

<\/a><\/p>\n

Poslucha\u010de hudebnice nech\u00e1v\u00e1, aby si k\u00a0p\u00edsn\u00edm na\u0161li cestu sami. A\u00a0je\u0161t\u011b intenzivn\u011bji st\u0159\u00edd\u00e1 hlasov\u00e9 polohy\u00a0\u2013 Aldous Harding tu klou\u017ee mezi d\u011btskou fistul\u00ed, hlubok\u00fdm altem a\u00a0podivn\u011b afektovan\u00fdm p\u0159ednesem, co\u017e britsk\u00fd den\u00edk The Guardian v\u00a0recenzi trefn\u011b shrnul pozn\u00e1mkou, \u017ee \u201ese sv\u00fdm hlasem nakl\u00e1d\u00e1 jako s\u00a0b\u0159ichomluveckou loutkou\u201c.<\/p>\n

V\u0161echny svr\u0161ky najednou<\/p>\n

Letos na ja\u0159e vydala Aldous Harding zat\u00edm posledn\u00ed desku Train On The Island. Op\u011bt ve spolupr\u00e1ci s\u00a0Johnem Parishem, op\u011bt nato\u010denou v\u00a0Rockfield Studios. Celek, kter\u00fd v\u00a0tracku I\u00a0Ate The Most jako p\u0159\u00edjemn\u00fd detail otev\u00edr\u00e1 pravideln\u00e1 perkusivn\u00ed linka p\u0159ipom\u00ednaj\u00edc\u00ed m\u00edjen\u00ed pra\u017ec\u016f na vlakov\u00fdch kolej\u00edch, propojuje jej\u00ed dosavadn\u00ed tv\u016fr\u010d\u00ed polohy. <\/p>\n

Kdybychom se dr\u017eeli jej\u00edch metafor a\u00a0brali hudbu jako kusy oble\u010den\u00ed, dalo by se \u0159\u00edci, \u017ee si obl\u00e9kla v\u0161echny svr\u0161ky najednou. Oproti Warm Chris tu lze pozorovat v\u011bt\u0161\u00ed emo\u010dn\u00ed p\u0159\u00edmo\u010darost a\u00a0z\u00fa\u017een\u00ed aran\u017em\u00e1, skladby jsou tvo\u0159eny jednoduch\u00fdmi beaty a\u00a0basovou linkou dopln\u011bnou klav\u00edrem, kytarou a\u00a0zp\u011bvem. P\u0159esto celek p\u016fsob\u00ed nezpochybniteln\u011b propracovan\u011b.<\/p>\n

Jednotliv\u00e9 kompozice p\u0159ep\u00ednaj\u00ed mezi r\u016fzn\u00fdmi identitami i\u00a0emo\u010dn\u00edmi stavy, n\u011bkter\u00e9 motivy se nap\u0159\u00ed\u010d deskou vracej\u00ed jako pomysln\u00fd refr\u00e9n. Snad tohle v\u00a0pozad\u00ed nahr\u00e1vky udr\u017euje p\u0159\u00edjemn\u011b podmaniv\u00fd podt\u00f3n neur\u010dit\u00e9ho nap\u011bt\u00ed a\u00a0pr\u00e1v\u011b d\u00edky tomu kritika i\u00a0fanou\u0161ci ozna\u010duj\u00ed Train on the Island za jej\u00ed dosud nejlep\u0161\u00ed po\u010din.<\/p>\n

D\u00e1vat na ciz\u00ed dojmy by nicm\u00e9n\u011b bylo proti \u00fast\u0159edn\u00ed my\u0161lence cel\u00e9 tvorby Aldous Harding. Nezb\u00fdv\u00e1, ne\u017e se j\u00edt osobn\u011b p\u0159esv\u011bd\u010dit do Roxy.<\/p>\n

Koncert: Aldous Harding<\/p>\n

Po\u0159adatel: Fource Entertainment<\/p>\n

22.\u00a0\u010dervna 2026, Roxy, Praha<\/p>\n","protected":false},"excerpt":{"rendered":"P\u0159\u00edpravek na l\u00e9\u010dbu ADHD ritalin, jezen\u00ed kamen\u016f a\u00a0rostlin, setk\u00e1n\u00ed s\u00a0Johnem Calem, modlitba za incely. Zn\u00ed to jako n\u00e1hodn\u00e1…\n","protected":false},"author":2,"featured_media":115774,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[32730,8390,79,1336,84,984,9618,80],"class_list":["post-115773","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-aldous-harding","tag-alternativni-hudba","tag-entertainment","tag-fource-entertainment","tag-hudba","tag-koncerty","tag-roxy-prague","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116737537904004645","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/115773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=115773"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/115773\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/115774"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=115773"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=115773"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=115773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}