{"id":122657,"date":"2026-06-19T05:45:11","date_gmt":"2026-06-19T05:45:11","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/122657\/"},"modified":"2026-06-19T05:45:11","modified_gmt":"2026-06-19T05:45:11","slug":"bez-iluzi-a-bez-patosu-francouzsti-dokumentariste-se-vypravili-do-lurd-aktualne-cz","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/122657\/","title":{"rendered":"Bez iluz\u00ed a bez patosu. Francouz\u0161t\u00ed dokumentarist\u00e9 se vypravili do Lurd \u2013 Aktu\u00e1ln\u011b.cz"},"content":{"rendered":"

Slovo Lurdy dnes vyvol\u00e1v\u00e1 ambivalentn\u00ed pocity. Na jedn\u00e9 stran\u011b stoj\u00ed archaick\u00e1 religiozita, na stran\u011b druh\u00e9 nevkusn\u00fd kapitalistick\u00fd profit, st\u00e1nky s kanystry na svatou vodu a k\u00fd\u010dovit\u00e9 madonky. <\/p>\n

\"Sn\u00edmek<\/p>\n

Sn\u00edmek z francouzsk\u00e9ho filmu V LurdechFoto: \u00a9 Mars Films<\/p>\n

Francouz\u0161t\u00ed dokumentarist\u00e9, kte\u0159\u00ed v minulosti nato\u010dili portr\u00e9t pornohorce Rocca Siffrediho i sondu do nitra pa\u0159\u00ed\u017esk\u00e9ho baletu, se v\u0161ak ve sv\u00e9m devades\u00e1timinutov\u00e9m sn\u00edmku V Lurdech rozhodli ob\u011b tato kli\u0161\u00e9 ignorovat.<\/p>\n

Re\u017eis\u00e9\u0159i vytvo\u0159ili form\u00e1ln\u011b rigor\u00f3zn\u00ed studii lidsk\u00e9ho utrpen\u00ed a solidarity. Sn\u00edmek, kter\u00fd se do \u010desk\u00fdch kin dost\u00e1v\u00e1 dlouh\u00fdch 7 let od sv\u00e9 premi\u00e9ry, p\u0159edstavuje v kontextu televizn\u00edch report\u00e1\u017e\u00ed a hran\u00fdch film\u016f \u2013 jak\u00fdm byly nap\u0159\u00edklad Lurdy Jessicy Hausner \u2013 obrat k intimit\u011b. <\/p>\n

Demaizi\u00e8re a Teurlai zcela rezignovali na koment\u00e1\u0159 mimo obraz, expertn\u00ed rozbory sociolog\u016f \u010di teolog\u016f a akademick\u00fd skepticismus. T\u00e9ma zkoumaj\u00ed v\u00fdlu\u010dn\u011b skrze samotn\u00e9ho poutn\u00edka, jeho t\u011blo, psychiku a bezprost\u0159edn\u00ed okol\u00ed.<\/p>\n

Portr\u00e9ty poutn\u00edk\u016f<\/p>\n

Dokument\u00e1rn\u00ed mozaika je slo\u017eena z portr\u00e9t\u016f lid\u00ed, kter\u00e9 spole\u010dnost kv\u016fli jejich handicapu \u010di soci\u00e1ln\u00edmu postaven\u00ed \u010dasto p\u0159ehl\u00ed\u017e\u00ed. V\u00a0pe\u010dliv\u011b komponovan\u00fdch z\u00e1b\u011brech sledujeme nap\u0159\u00edklad otce, kter\u00fd doprov\u00e1z\u00ed dosp\u00edvaj\u00edc\u00ed dceru pot\u00fdkaj\u00edc\u00ed se s morbidn\u00ed obezitou, poni\u017eov\u00e1n\u00edm a v\u00fdsm\u011bchem okol\u00ed. <\/p>\n

Vid\u00edme \u00fasp\u011b\u0161n\u00e9ho mana\u017eera ochromen\u00e9ho nevyl\u00e9\u010ditelnou amyotrofickou later\u00e1ln\u00ed skler\u00f3zou, kter\u00fd s klidem reflektuje svou bl\u00ed\u017e\u00edc\u00ed se smrt. Mezi poutn\u00edky se objevuje tak\u00e9 ochrnut\u00fd Jean-Louis, jen\u017e po pokusu o sebevra\u017edu ztratil \u0159e\u010d i mobilitu, nikoli v\u0161ak smysl pro humor, \u010di voj\u00e1k odhodlan\u00fd uleh\u010dit posledn\u00ed dny sv\u00e9mu v\u00e1\u017en\u011b nemocn\u00e9mu synovi.<\/p>\n

Jak zachytit tolik t\u00edsn\u011b a ne\u0161t\u011bst\u00ed, ani\u017e by do\u0161lo k jejich exploataci? Auto\u0159i nach\u00e1zej\u00ed odpov\u011b\u010f v odstupu, promy\u0161len\u00e9m st\u0159ihu a pozorn\u00e9m naslouch\u00e1n\u00ed. <\/p>\n

Jedn\u00edm z nejpozoruhodn\u011bj\u0161\u00edch aspekt\u016f filmu je dekonstrukce samotn\u00e9ho procesu pouti. Vid\u00edme precizn\u00ed logistiku, od hromadn\u00fdch transport\u016f nemocn\u00fdch a\u017e po ka\u017edodenn\u00ed provoz ve specializovan\u00fdch za\u0159\u00edzen\u00edch, kter\u00e1 tyto \u201el\u00e1ze\u0148sk\u00e9 hosty\u201c na t\u00fdden p\u0159ij\u00edmaj\u00ed.<\/p>\n

Absolutn\u00ed nezi\u0161tn\u00e1 solidarita<\/p>\n

P\u0159i tom vyvst\u00e1v\u00e1 \u00fast\u0159edn\u00ed motiv filmu, kter\u00fd p\u0159esahuje samotn\u00e9 n\u00e1bo\u017eensk\u00e9 dogma: absolutn\u00ed nezi\u0161tn\u00e1 solidarita. Pomocn\u00edci a dobrovoln\u00edci, mezi nimi\u017e figuruje mnoho mlad\u00fdch lid\u00ed ob\u011btuj\u00edc\u00edch sv\u016fj voln\u00fd \u010das, nejsou zobrazeni jako ti, kdo si kupuj\u00ed \u010dist\u00e9 sv\u011bdom\u00ed. Film akcentuje vz\u00e1jemnost jejich aktu \u2013 asistenti dost\u00e1vaj\u00ed od nemocn\u00fdch stejn\u00e9 mno\u017estv\u00ed energie, jak\u00e9 sami investuj\u00ed. <\/p>\n

Vztah mezi o\u0161et\u0159ovatelem a pacientem je prost servility \u010di soucitu. Drsn\u00e1 realita p\u00e9\u010de se st\u0159\u00edd\u00e1 s momenty odleh\u010den\u00ed, kdy sestry v \u0161ed\u00fdch uniform\u00e1ch tleskaj\u00ed do rytmu ban\u00e1ln\u00ed popov\u00e9 p\u00edsni\u010dky.<\/p>\n

\"Sn\u00edmek<\/p>\n

Sn\u00edmek z francouzsk\u00e9ho filmu V LurdechFoto: \u00a9 Mars Films<\/p>\n

Autoritu c\u00edrkve pak osv\u011b\u017euj\u00edc\u00edm zp\u016fsobem naru\u0161uje postava mlad\u00e9ho kn\u011bze. Jeho p\u0159\u00edmo\u010darost, absence sentimentu a b\u0159itk\u00fd humor rozb\u00edjej\u00ed za\u017eit\u00e9 stereotypy o upjat\u00e9m katolick\u00e9m klerikalismu. Vn\u00e1\u0161\u00ed do celkov\u011b t\u00ed\u017eiv\u00e9 atmosf\u00e9ry momenty ryz\u00ed radosti a ukazuje, \u017ee v\u00edra nemus\u00ed b\u00fdt rigidn\u00edm souborem p\u0159\u00edkaz\u016f, ale \u017eiv\u00fdm, neform\u00e1ln\u00edm dialogem.<\/p>\n

Ot\u00e1zka uzdraven\u00ed a z\u00e1zrak\u016f je v dokumentu p\u0159\u00edtomna neust\u00e1le, ale sp\u00ed\u0161 podprahov\u011b. C\u00edrkev od po\u010d\u00e1tku tradice uznala pouh\u00fdch 70 p\u0159\u00edpad\u016f nevysv\u011btliteln\u00fdch vyl\u00e9\u010den\u00ed. <\/p>\n

Z\u00e1zraky jsou loterie<\/p>\n

\u201eZ\u00e1zraky jsou jako loterie, vybr\u00e1no je n\u00e1s naprost\u00e9 minimum,\u201c konstatuje odevzdan\u011b jeden z paralyzovan\u00fdch mu\u017e\u016f. Statistick\u00e1 nepravd\u011bpodobnost v\u0161ak zhruba pro 6 milion\u016f v\u011b\u0159\u00edc\u00edch, kte\u0159\u00ed do Lurd ka\u017edoro\u010dn\u011b zav\u00edtaj\u00ed, zjevn\u011b nep\u0159edstavuje bari\u00e9ru.<\/p>\n

\"Sn\u00edmek<\/p>\n

Sn\u00edmek z filmu V LurdechFoto: \u00a9 Mars Films<\/p>\n

Thierry Demaizi\u00e8re a Alban Teurlai velice st\u0159\u00edzliv\u011b kombinuj\u00ed viditeln\u00e9 s neviditeln\u00fdm. Jejich film d\u00edky tomu nen\u00ed teologickou obhajobou k\u0159es\u0165anstv\u00ed ani investigativn\u00ed report\u00e1\u017e\u00ed o komer\u010dn\u00edm pozad\u00ed jednoho z nejnav\u0161t\u011bvovan\u011bj\u0161\u00edch poutn\u00edch m\u00edst sv\u011bta.<\/p>\n

Jde o d\u00edlo, jeho\u017e mor\u00e1ln\u00ed apel je siln\u011b humanistick\u00fd a sekul\u00e1rn\u00ed. Skute\u010dn\u00fd z\u00e1zrak, kter\u00fd re\u017eis\u00e9\u0159i v Lurdech objevuj\u00ed, spo\u010d\u00edv\u00e1 v lidsk\u00e9m odhodl\u00e1n\u00ed \u010delit nep\u0159\u00edzni osudu a v s\u00edle kolektivn\u00ed soun\u00e1le\u017eitosti.<\/p>\n","protected":false},"excerpt":{"rendered":"Slovo Lurdy dnes vyvol\u00e1v\u00e1 ambivalentn\u00ed pocity. Na jedn\u00e9 stran\u011b stoj\u00ed archaick\u00e1 religiozita, na stran\u011b druh\u00e9 nevkusn\u00fd kapitalistick\u00fd profit,…\n","protected":false},"author":2,"featured_media":122658,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[3878,1299,79,5195,378,1448,34167,34168,3990,80],"class_list":["post-122657","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-dokument","tag-dokumentarista","tag-entertainment","tag-film-a-televize","tag-francie","tag-kultura","tag-lurdy","tag-poutnici","tag-premiera","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116775192313483865","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/122657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=122657"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/122657\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/122658"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=122657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=122657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=122657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}