{"id":123304,"date":"2026-06-19T16:48:13","date_gmt":"2026-06-19T16:48:13","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/123304\/"},"modified":"2026-06-19T16:48:13","modified_gmt":"2026-06-19T16:48:13","slug":"ostrava-zazije-svetovou-premieru-opery-o-finskem-odstrelovaci","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/123304\/","title":{"rendered":"Ostrava za\u017eije sv\u011btovou premi\u00e9ru opery o\u00a0finsk\u00e9m odst\u0159elova\u010di"},"content":{"rendered":"

V\u011bt\u0161ina z\u00a0nich skl\u00e1dala na objedn\u00e1vku opern\u00edho bien\u00e1le NODO, jeho\u017e osm\u00fd ro\u010dn\u00edk za\u010dne v\u00a0\u00fater\u00fd 23.\u00a0\u010dervna v\u00a0Ostrav\u011b. Zazn\u00ed sedm d\u011bl, \u0161est ve sv\u011btov\u00e9 premi\u00e9\u0159e.<\/p>\n

N\u00e1zev tvo\u0159\u00ed akronym pro New Opera Days Ostrava, tedy Dny nov\u00e9 opery Ostrava, kter\u00e9 roku 2012\u00a0zalo\u017eil skladatel Petr Kot\u00edk coby prot\u011bj\u0161ek o\u00a0n\u011bco star\u0161\u00edch Ostravsk\u00fdch dn\u016f nov\u00e9 hudby. S\u00a0nimi se akce ob rok st\u0159\u00edd\u00e1. Ostravsk\u00e9 dny se sice zam\u011b\u0159uj\u00ed na \u0161irokou \u0161k\u00e1lu soudob\u00e9 hudby, n\u011bkolik set let star\u00fd hudebn\u011bdramatick\u00fd \u017e\u00e1nr opery v\u0161ak nepokr\u00fdvaj\u00ed.<\/p>\n

Letos n\u00e1v\u0161t\u011bvn\u00edky \u010dek\u00e1 t\u0159eba opera B\u00edl\u00e1 smrt od slovensk\u00e9ho skladatele Miroslava T\u00f3tha. Uvid\u00ed ji netradi\u010dn\u011b na voln\u00e9m prostranstv\u00ed v\u00a0Komensk\u00e9ho sadech. S\u00e1m autor ji ozna\u010duje za dystopickou \u201epost operu\u201c a\u00a0vyz\u00fdv\u00e1 poslucha\u010de, aby p\u0159ekonali o\u010dek\u00e1v\u00e1n\u00ed spojen\u00e1 s\u00a0tradi\u010dn\u00ed podobou \u017e\u00e1nru.<\/p>\n

Leccos nazna\u010duje u\u017e synopse d\u00edla, je\u017e se odehr\u00e1v\u00e1 v\u00a0bl\u00edzk\u00e9 budoucnosti a\u00a0pojedn\u00e1v\u00e1 o\u00a0setk\u00e1n\u00ed finsk\u00e9ho odst\u0159elova\u010de Simo H\u00e4yh\u00e4, co\u017e byla skute\u010dn\u00e1 postava z\u00a0dob druh\u00e9 sv\u011btov\u00e9 v\u00e1lky, s\u00a0n\u011bmeck\u00fdm\u00a0kr\u00e1lem teleshoppingu Horstem Fuchsem. H\u00e4yh\u00e4 podle anotace \u201eu\u010d\u00ed stromy st\u0159\u00edlet, aby ho br\u00e1nily p\u0159ed vet\u0159elci\u201c, Fuchs vyr\u00e1b\u00ed androidy, kte\u0159\u00ed se staraj\u00ed o\u00a0osam\u011bl\u00e9 lidi a\u017e do jejich smrti. <\/p>\n

Finsk\u00e9ho voj\u00e1ka zazp\u00edv\u00e1 portugalsk\u00e1 sopranistka Beatriz Gaud\u00eancio Ramos, Fuchse ztv\u00e1rn\u00ed \u010desk\u00e9mu publiku ji\u017e dob\u0159e zn\u00e1m\u00e1 mezzosopranistka Bella Adamova.<\/p>\n

T\u00f3thova opera voln\u011b navazuje na p\u0159edch\u00e1zej\u00edc\u00ed d\u00edla nazvan\u00e1 Mu\u017e ve skafandru a\u00a0Nulanus z\u00a0let 2019\u00a0a\u00a02022.\u00a0Krom\u011b nich autor slo\u017eil t\u0159eba Kvartet sahaj\u00edc\u00edch chapadel, kter\u00fd na slovensk\u00e9m festivalu Pohoda zahr\u00e1l sv\u011btozn\u00e1m\u00fd Kronos Quartet. <\/p>\n

\u017de mohl nyn\u00ed T\u00f3th zpracovat dal\u0161\u00ed atypick\u00e9 t\u00e9ma, souvis\u00ed s\u00a0mo\u017en\u00e1 nejd\u016fle\u017eit\u011bj\u0161\u00edm aspektem obou ostravsk\u00fdch bien\u00e1le. Po\u0159adatel\u00e9 maj\u00ed v\u00a0tv\u016frce naprostou d\u016fv\u011bru, stejn\u011b jako ve skute\u010dnost, \u017ee se pro ka\u017ed\u00e9 d\u00edlo najde dostatek poslucha\u010d\u016f. Ob\u011b tyto s\u00e1zky se vypl\u00e1c\u00ed u\u017e od roku 2012, respektive 2001, kdy se konaly prvn\u00ed Ostravsk\u00e9 dny.<\/p>\n

Od t\u00e9 doby organiz\u00e1to\u0159i uk\u00e1zali, \u017ee i\u00a0nov\u00e1 a\u00a0komplexn\u00ed hudba, \u010dasto vytvo\u0159en\u00e1 pro \u010cechy nezn\u00e1m\u00fdmi autory, um\u00ed zaujmout i\u00a0vyprodat s\u00e1ly. Ostravsk\u00e9 publikum je dostate\u010dn\u011b rozmanit\u00e9, na akci se sj\u00ed\u017ed\u011bj\u00ed z\u00e1jemci z\u00a0cel\u00e9 republiky, o\u00a0NODO referuj\u00ed zahrani\u010dn\u00ed m\u00e9dia a\u00a0pro p\u0159\u00edznivce soudob\u00e9 hudby se jedn\u00e1 o\u00a0jeden z\u00a0nejzaj\u00edmav\u011bj\u0161\u00edch projekt\u016f ve st\u0159edn\u00ed Evrop\u011b.<\/p>\n

Ve\u00a0spole\u010denstv\u00ed hlas\u016f<\/p>\n

Letos do moravskoslezsk\u00e9 metropole p\u0159ij\u00ed\u017ed\u011bj\u00ed skladatel\u00e9 z\u00a0Velk\u00e9 Brit\u00e1nie, Kanady, Spojen\u00fdch st\u00e1t\u016f i\u00a0Slovenska. Sv\u00e1 d\u00edla tu uvedou Richard Ayres, Ana Sokolovi\u0107, Elliott Sharp a\u00a0Miroslav T\u00f3th, kter\u00e9 dopln\u00ed \u010de\u0161t\u00ed tv\u016frci Milan Gu\u0161tar, Jakub Rataj a\u00a0Krist\u00fdna \u0160vih\u00e1lkov\u00e1. Ta v\u00a0kompozici Company, inspirovan\u00e9 stejnojmennou novelou Samuela Becketta, zu\u017eitkuje i\u00a0sv\u00e9 schopnosti hr\u00e1\u010dky na bic\u00ed. Pr\u00e1v\u011b s\u00a0pali\u010dkami v\u00a0ruce se \u0160vih\u00e1lkov\u00e1 na obou festivalech po\u0159\u00e1dan\u00fdch Ostravsk\u00fdm centrem nov\u00e9 hudby p\u0159edstavila poprv\u00e9.<\/p>\n

\u201eM\u00e1 prvn\u00ed spolupr\u00e1ce souvisela s\u00a0premi\u00e9rou kompozice pro tymp\u00e1ny a\u00a0orchestr Darwin Among The Machines Franti\u0161ka Chaloupky, kde jsem jako s\u00f3listka b\u011bhala na tymp\u00e1nech,\u201c p\u0159ipom\u00edn\u00e1 hudebnice d\u00edlo z\u00a0roku 2021.<\/p>\n

Foto: Martin Popel\u00e1\u0159<\/p>\n

Krist\u00fdna \u0160vih\u00e1lkov\u00e1 se na festivalu poprv\u00e9 p\u0159edstavila v\u00a0roli hr\u00e1\u010dky na bic\u00ed. Letos zde uvede svou operu.<\/p>\n

V\u00a0autorsk\u00e9 roli letos \u0160vih\u00e1lkov\u00e1 debutuje. Company ozna\u010duje za instrument\u00e1ln\u00ed divadlo, tedy \u017e\u00e1nr, kter\u00fd v\u00a0\u010cesku nem\u00e1 dlouholetou tradici a \u201eobohacuje hru na n\u00e1stroj o\u00a0pohyb, pr\u00e1ci s\u00a0hlasem, sv\u011btlem, videem \u010di elektronikou\u201c. Podobn\u011b mnohovrstevnat\u011b um\u011blkyn\u011b ch\u00e1pe i\u00a0svoji roli. Nejd\u016fle\u017eit\u011bj\u0161\u00ed je pro ni \u201ep\u0159\u00edb\u011bh, od kter\u00e9ho se zp\u016fsob m\u00e9 tvorby odv\u00edj\u00ed\u201c.<\/p>\n

Beckettova do \u010de\u0161tiny nep\u0159elo\u017een\u00e1 pr\u00f3za z\u00a0konce 70.\u00a0let minul\u00e9ho stolet\u00ed vypr\u00e1v\u00ed o\u00a0mu\u017ei, jen\u017e p\u0159em\u00edt\u00e1 nad limity vlastn\u00edho v\u011bdom\u00ed a\u00a0sebereflexe. \u201eV n\u00e1vaznosti na p\u0159edlohu pracuji p\u0159edev\u0161\u00edm s\u00a0motivem hlas\u016f, kter\u00e9 p\u0159ich\u00e1zej\u00ed a\u00a0odch\u00e1zej\u00ed a\u00a0nen\u00ed \u00fapln\u011b z\u0159ejm\u00e9, jestli jsou sou\u010d\u00e1st\u00ed podv\u011bdom\u00ed protagonisty, jeho vzpom\u00ednek, nebo se jedn\u00e1 o\u00a0hlasy re\u00e1ln\u00fdch lid\u00ed,\u201c popisuje Krist\u00fdna \u0160vih\u00e1lkov\u00e1.<\/p>\n

Nen\u00ed ani jasn\u00e9, kdo je v\u00a0komorn\u00edm d\u00edle pro dv\u011b zp\u00edvaj\u00edc\u00ed, mluv\u00edc\u00ed a\u00a0deklamuj\u00edc\u00ed bubenice hlavn\u00ed postavou. \u0160vih\u00e1lkov\u00e1 zapojuje tak\u00e9 elektroniku. V\u00a0s\u00e1le bude um\u00edst\u011bno sedm reproduktor\u016f, z\u00a0nich\u017e se linou dal\u0161\u00ed hlasy, aby podpo\u0159ily pocit fragment\u00e1rn\u00ed povahy p\u0159edlohy. \u201eMysl\u00edm, \u017ee div\u00e1k m\u016f\u017ee o\u010dek\u00e1vat beckettovsk\u00e9 nap\u011bt\u00ed, prapodivnost, m\u00edsty nostalgii a\u00a0existencion\u00e1lno,\u201c shrnuje autorka, jej\u00ed\u017e opera zazn\u00ed hned prvn\u00ed festivalov\u00fd den v\u00a0Divadle Anton\u00edna Dvo\u0159\u00e1ka.<\/p>\n

V\u00a0prostoru mezi<\/p>\n

Tak\u00e9 Jakub Rataj se poprv\u00e9 p\u0159edstavil na v\u011bt\u0161\u00edch Ostravsk\u00fdch dnech. V\u00a0roce 2017\u00a0tu figuroval jako reziden\u010dn\u00ed skladatel takzvan\u00e9ho Institutu Ostravsk\u00fdch dn\u016f, intenzivn\u00edch letn\u00edch kurz\u016f, kter\u00e9 vrchol\u00ed proveden\u00edm d\u011bl \u00fa\u010dastn\u00edk\u016f na bien\u00e1le. V\u00a0p\u0159\u00edpad\u011b Rataje \u0161lo o\u00a0jeho smy\u010dcov\u00e9 kvarteto Second Breath.<\/p>\n

\u201eCo vn\u00edm\u00e1m jako podstatn\u00e9, je mo\u017enost rozv\u00edjet mezilidsk\u00e9 vztahy a\u00a0pozn\u00e1vat celou \u0159adu skv\u011bl\u00fdch interpret\u016f a\u00a0nep\u0159ebern\u00e9 mno\u017estv\u00ed hudby,\u201c zd\u016fraz\u0148uje hudebn\u00edk nejv\u011bt\u0161\u00ed p\u0159ednosti obou festival\u016f.<\/p>\n

<\/a><\/p>\n

Budov\u00e1n\u00ed a\u00a0posilov\u00e1n\u00ed kontakt\u016f mezi lok\u00e1ln\u00ed a\u00a0glob\u00e1ln\u00ed sc\u00e9nou nov\u00e9 hudby pat\u0159\u00ed mezi z\u00e1kladn\u00ed pil\u00ed\u0159e NODO. V\u00a0minul\u00fdch letech d\u00edky n\u011bmu opery slo\u017eili Franti\u0161ek Chaloupka, Lucie P\u00e1chov\u00e1 nebo Ha\u0161tal Hapka, kter\u00fd minul\u00fd m\u011bs\u00edc z\u00edskal rozhlasovou cenu International Rostrum of Composers.<\/p>\n

Soub\u011b\u017en\u011b s\u00a0t\u00edm festival za\u0159azoval na program d\u00edla ji\u017e etablovan\u00fdch autor\u016f nebo rozs\u00e1hl\u00e9 pr\u00e1ce z\u00a0ned\u00e1vn\u00e9 minulosti, kter\u00e9 v\u00a0\u010cesku dosud nezazn\u011bly, nap\u0159\u00edklad od Luigiho Nona, Gy\u00f6rgyho Ligetiho nebo Johna Cage.<\/p>\n

Ratajova nov\u00e1 opera nazvan\u00e1 V\u00a0o\u010d\u00edch v\u00e1\u017eky vych\u00e1z\u00ed ze sedmi japonsk\u00fdch haiku. Ve \u010dtvrtek 25.\u00a0\u010dervna zazn\u00ed spole\u010dn\u011b s\u00a0operou skladatele a\u00a0t\u00e9\u017e konstrukt\u00e9ra elektroakustick\u00fdch n\u00e1stroj\u016f Milana Gu\u0161tara ve zch\u00e1tral\u00e9 tan\u010d\u00edrn\u011b b\u00fdval\u00e9ho hotelu Palace, kter\u00fd \u010dek\u00e1 rekonstrukce.<\/p>\n

\u201eV haiku prozn\u00edv\u00e1 jak\u00fdsi prostor mezi, v\u00a0n\u011bkolika slovech je obsa\u017eena \u0159ada skryt\u00fdch v\u00fdznam\u016f. Stejn\u011b tak lze ch\u00e1pat i\u00a0are\u00e1l opu\u0161t\u011bn\u00e9ho hotelu, kter\u00fd se nach\u00e1z\u00ed v\u00a0mezidob\u00ed mezi b\u00fdvalou sl\u00e1vou a\u00a0pl\u00e1novanou obnovou,\u201c objas\u0148uje Rataj souvislosti mezi n\u00e1m\u011btem a\u00a0netradi\u010dn\u00edm m\u00edstem kon\u00e1n\u00ed. \u201eOdjak\u017eiva jsem m\u011bl vztah k\u00a0opu\u0161t\u011bn\u00fdm m\u00edst\u016fm, je v\u00a0tom n\u011bco syrov\u00e9ho. Vn\u00edm\u00e1m v\u00a0nich poz\u016fstatky ozdob, kter\u00e9 postupn\u011b opad\u00e1vaj\u00ed a\u00a0\u010dlov\u011bk si p\u0159est\u00e1v\u00e1 b\u00fdt jist\u00fd, jestli z\u016fstane dr\u017eet to, na \u010dem to cel\u00e9 stoj\u00ed,\u201c napov\u00edd\u00e1 paralely mezi komorn\u00ed operou a\u00a0za\u0161lou tan\u010d\u00edrnou skladatel.<\/p>\n

Foto: Martin Popel\u00e1\u0159<\/p>\n

Operu Jakuba Rataje div\u00e1ci uvid\u00ed ve zch\u00e1tral\u00e9 tan\u010d\u00edrn\u011b b\u00fdval\u00e9ho hotelu Palace, kter\u00fd \u010dek\u00e1 rekonstrukce.<\/p>\n

Zvukov\u011b k\u0159ehk\u00e1 kompozice obsahuje i\u00a0pohybovou slo\u017eku. \u201eTanec tu podobn\u011b jako haiku nen\u00ed narativn\u00ed, vytv\u00e1\u0159\u00ed sp\u00ed\u0161 dal\u0161\u00ed rovinu k\u00a0interpretaci prostoru mezi slovy,\u201c \u0159\u00edk\u00e1 na adresu choreografie, kterou p\u0159ipravila Helena Ratajov\u00e1, jej\u00ed man\u017eel. <\/p>\n

Od jejich posledn\u00ed um\u011bleck\u00e9 spolupr\u00e1ce uplynulo 11\u00a0let. P\u0159\u00edpravy se nesou v\u00a0intenzivn\u00edm duchu. \u201eVypad\u00e1 to t\u0159eba i\u00a0tak, \u017ee jsme si dnes v\u00a0jeden\u00e1ct ve\u010der uv\u011bdomili, \u017ee jsme m\u00e1lem prop\u00e1sli desetilet\u00e9 v\u00fdro\u010d\u00ed na\u0161\u00ed svatby,\u201c sm\u011bje se Rataj.<\/p>\n

Anekdota z\u00a0rodinn\u00e9ho \u017eivota dob\u0159e ilustruje hore\u010dnou a\u00a0inspirativn\u00ed atmosf\u00e9ru festivalu, jeho\u017e n\u00e1v\u0161t\u011bvn\u00edk m\u00e1 v\u017edy pocit, \u017ee se ocitl uprost\u0159ed n\u011b\u010deho jedine\u010dn\u00e9ho, co vznik\u00e1 tady a\u00a0te\u010f. Dop\u0159edu nikdy nelze odhadnout, kolik\u00a0z\u00a0pr\u00e1v\u011b vznikaj\u00edc\u00edch oper usp\u011bje a\u00a0do\u010dk\u00e1 se dal\u0161\u00edch uveden\u00ed. Mo\u017en\u00e1 pr\u00e1v\u011b tato elektrizuj\u00edc\u00ed pom\u00edjivost vytv\u00e1\u0159\u00ed z\u00a0NODO tak v\u00fdjime\u010dn\u00fd po\u010din.<\/p>\n","protected":false},"excerpt":{"rendered":"V\u011bt\u0161ina z\u00a0nich skl\u00e1dala na objedn\u00e1vku opern\u00edho bien\u00e1le NODO, jeho\u017e osm\u00fd ro\u010dn\u00edk za\u010dne v\u00a0\u00fater\u00fd 23.\u00a0\u010dervna v\u00a0Ostrav\u011b. Zazn\u00ed sedm d\u011bl,…\n","protected":false},"author":2,"featured_media":123305,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[34297,79,34299,1429,34300,34298,1435,80],"class_list":["post-123304","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-dny-nove-opery-ostrava-nodo","tag-entertainment","tag-jakub-rataj","tag-klasicka-hudba","tag-kristyna-svihalkova","tag-miroslav-toth","tag-opera","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116777799251604856","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/123304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=123304"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/123304\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/123305"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=123304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=123304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=123304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}