{"id":123987,"date":"2026-06-20T13:35:13","date_gmt":"2026-06-20T13:35:13","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/123987\/"},"modified":"2026-06-20T13:35:13","modified_gmt":"2026-06-20T13:35:13","slug":"marek-adamczyk-antifolovi-se-otrese-jeho-znamy-svet-i-ja-zazil-vztah-kdy-jsem-ztracel-rozum","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/123987\/","title":{"rendered":"Marek Adamczyk: Antifolovi se ot\u0159ese jeho zn\u00e1m\u00fd sv\u011bt. I\u00a0j\u00e1 za\u017eil vztah, kdy jsem ztr\u00e1cel rozum"},"content":{"rendered":"<p>Pamatujete si, kdy jste se jako herec poprv\u00e9 zmocnil Shakespearova textu?<\/p>\n<p class=\"c_bz\">Mysl\u00edm, \u017ee to bylo u\u017e na konci prvn\u00edho ro\u010dn\u00edku na DAMU, kdy jsme si m\u011bli p\u0159ipravit Hamlet\u016fv monolog k\u00a0herc\u016fm. J\u00e1 jsem se ho ale moc nezmocnil. V\u016fbec jsem nebyl schopn\u00fd se to nau\u010dit. Obecn\u011b mi d\u00e1 vst\u0159ebat do sebe text dost pr\u00e1ce, a\u00a0tenkr\u00e1t jsem si z\u0159ejm\u011b tolik pr\u00e1ce nedal, tak\u017ee to dopadlo dost katastrof\u00e1ln\u011b a\u00a0j\u00e1 u\u00a0toho propotil i\u00a0tren\u00fdrky. <\/p>\n<p class=\"c_bz\">Za trest jsem pak dostal monolog Romea k\u00a0Julii pod balkonem, ale to u\u017e bylo o\u00a0mnoho lep\u0161\u00ed. A\u00a0taky to napodruh\u00e9 bylo m\u00e9 prvn\u00ed setk\u00e1n\u00ed s\u00a0p\u0159ekladem Josefa Topola a\u00a0m\u00e9ho d\u011bdy, dramaturga a\u00a0p\u0159ekladatele Karla Krause, kter\u00fd proslavila inscenace v\u00a0N\u00e1rodn\u00edm divadle v\u00a0re\u017eii Otomara Krej\u010d\u00ed v\u00a0roce 1963\u00a0s\u00a0Janem T\u0159\u00edskou a\u00a0Mari\u00ed Tom\u00e1\u0161ovou v\u00a0hlavn\u00edch rol\u00edch.<\/p>\n<p><a data-dot=\"atm-link\" target=\"_self\" href=\"https:\/\/www.novinky.cz\/clanek\/kultura-divadlo-divadla-se-stehuji-pod-sire-nebe-a-nabizeji-oblibene-hity-i-premiery-40580689\" class=\"c_N\" rel=\"nofollow noopener\"><img fetchpriority=\"high\" height=\"675\" width=\"1200\" src=\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/06\/1781797047_802_komedie-plna-omylu-aneta-krejcikova-marek-adamczyk.jpeg\" loading=\"eager\" decoding=\"sync\" class=\"c_t c_r\"\/><\/a>Tak to m\u00e1te dobr\u00fd rodinn\u00fd z\u00e1klad. Mimochodem, setkal jste se se Shakespearem, kdy\u017e jste byl po absolutoriu DAMU na hereck\u00e9 st\u00e1\u017ei v\u00a0lond\u00fdnsk\u00e9 Rose Bruford College?<\/p>\n<p class=\"c_bz\">To pr\u00e1v\u011b ne, proto\u017ee v\u00a0dob\u011b, kdy jsem tam byl, se v\u00fduka v\u011bnovala jin\u00fdm britsk\u00fdm autor\u016fm. Ale vid\u011bl jsem v\u00a0Lond\u00fdn\u011b \u0159adu shakespearovsk\u00fdch inscenac\u00ed. Nezapomenuteln\u00fd byl pro m\u011b Hamlet v\u00a0tituln\u00ed roli s\u00a0Michaelem Sheenem. Hr\u00e1lo se to v\u00a0Young Vic, kde\u00a0\u2013 na rozd\u00edl od Globu, kde je to v\u00edc turistick\u00e1 atrakce\u00a0\u2013 jde v\u00edc o\u00a0hru, o\u00a0divadlo a\u00a0o v\u00fdklad. Byla to pro m\u011b moc zaj\u00edmav\u00e1 zku\u0161enost a\u00a0r\u00e1d na to vzpom\u00edn\u00e1m.<\/p>\n<p>Jak se vyrovn\u00e1v\u00e1te v\u00a0Komedii omyl\u016f se Shakespearov\u00fdm textem pln\u00fdm slovn\u00edch hr\u00e1tek?<\/p>\n<p class=\"c_bz\">Mus\u00edm \u0159\u00edct, \u017ee docela dob\u0159e. Jednak jsem od dob studi\u00ed p\u0159ece jen ud\u011blal v\u00a0u\u010den\u00ed text\u016f velk\u00fd pokrok, a\u00a0taky u\u017e v\u00edm, jak d\u016fle\u017eit\u00e9 je text dob\u0159e um\u011bt. A\u00a0p\u0159eklad Martina Hilsk\u00e9ho m\u00e1 sv\u016fj rytmus, kter\u00fd se li\u0161\u00ed od rytmu b\u011b\u017en\u00e9 \u010de\u0161tiny a\u00a0kter\u00fd je t\u0159eba dostat pod k\u016f\u017ei, proto\u017ee tady nen\u00ed \u010das a\u00a0prostor lovit slova. \u010c\u00edm v\u00edc m\u00e1 herec text osvojen\u00fd, t\u00edm v\u00edc ho nese a\u00a0podr\u017e\u00ed, plyne jako proud vody, na kter\u00e9 se d\u00e1 surfovat.<\/p>\n<p>Ten text m\u00e1 i\u00a0svou muzikalitu. Jak vn\u00edm\u00e1te spolupr\u00e1ci s\u00a0Nikosem Engonidosem, kter\u00fd vytv\u00e1\u0159\u00ed v\u00a0inscenaci \u017eivou hudbu?<\/p>\n<p class=\"c_bz\">Nikos do toho vn\u00e1\u0161\u00ed \u00fapln\u011b nov\u00fd rozm\u011br a\u00a0jeho \u00fa\u010dast na zkou\u0161k\u00e1ch je ohromn\u011b inspiruj\u00edc\u00ed. Kdy\u017e ho tam nevid\u00edm, tak v\u017edycky hned trochu posmutn\u00edm. On je velmi citliv\u00fd a\u00a0v\u00ed, jak hudba m\u016f\u017ee divadlo podpo\u0159it. To nen\u00ed jen hudebn\u00ed podkres, ale dal\u0161\u00ed d\u016fle\u017eit\u00e1 postava. Zat\u00edm jsem nic podobn\u00e9ho na jevi\u0161ti neza\u017eil, ale je to pro m\u011b velmi osv\u011b\u017euj\u00edc\u00ed.<\/p>\n<p>Co pro v\u00e1s bylo motivac\u00ed vstoupit do Letn\u00edch shakespearovsk\u00fdch slavnost\u00ed?<\/p>\n<p class=\"c_bz\">S veden\u00edm Letn\u00edch shakespearovsk\u00fdch slavnost\u00ed jsem byl v\u00a0jedn\u00e1n\u00ed u\u017e d\u0159\u00edve, ale zat\u00edm jsem nem\u011bl \u010das se zkou\u0161en\u00ed intenzivn\u011b v\u011bnovat, ten m\u00e1m a\u017e te\u010f. M\u00edt mo\u017enost se v\u00a0l\u00e9t\u011b potulovat po Hrad\u011b a\u00a0m\u00edt tu co na pr\u00e1ci, mi p\u0159ijde fajn a\u00a0za\u010d\u00edn\u00e1m si ten pocit pomalu u\u017e\u00edvat.<\/p>\n<p>S hran\u00edm pod \u0161ir\u00fdm nebem m\u00e1te zku\u0161enost u\u017e z\u00a0inscenace Forman na pra\u017esk\u00e9 Kamp\u011b\u2026<\/p>\n<p class=\"c_bz\">Tu m\u00e1m u\u017e daleko d\u0159\u00edve ze sv\u00e9ho plze\u0148sk\u00e9ho anga\u017em\u00e1, kde se ka\u017ed\u00e9 pr\u00e1zdniny po\u0159\u00e1dalo takzvan\u00e9 Divadeln\u00ed l\u00e9to pod plze\u0148sk\u00fdm nebem, a\u00a0j\u00e1 jsem hr\u00e1l skoro v\u00a0ka\u017ed\u00e9m ro\u010dn\u00edku, tak\u017ee tam jsem nabral nejv\u00edc zku\u0161enost\u00ed. A\u00a0krom\u011b Formana na Kamp\u011b hraju i\u00a0na hrad\u010dansk\u00e9m Nov\u00e9m Sv\u011bt\u011b na sc\u00e9n\u011b Letn\u00edho Ungeltu inscenaci Rande s\u00a0feministou.<\/p>\n<p>V \u010dem je hran\u00ed pod \u0161ir\u00fdm nebem jin\u00e9?<\/p>\n<p class=\"c_bz\">Pro m\u011b je nejv\u011bt\u0161\u00ed rozd\u00edl v\u00a0zach\u00e1zen\u00ed s\u00a0p\u0159enosem zvuku. V\u00a0divadle si s\u00e1m prostor osah\u00e1te a\u00a0v\u00edte, jak ho zvl\u00e1dnout, zat\u00edmco venku se dnes prakticky v\u0161ude pou\u017e\u00edvaj\u00ed mikroporty nebo sb\u011brov\u00e9 mikrofony, co\u017e vy\u017eaduje p\u0159izp\u016fsoben\u00ed hereck\u00e9ho projevu technice.<\/p>\n<p><img height=\"806\"   width=\"1200\" src=\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/06\/1781962513_400_komedie-plna-omylu-aneta-krejcikova-marek-adamczyk.jpeg\" loading=\"eager\" decoding=\"sync\" class=\"c_t c_r\"\/>Foto: Letn\u00ed shakespearovsk\u00e9 slavnosti<\/p>\n<p class=\"c_bz\">Aneta Krej\u010d\u00edkov\u00e1 a\u00a0Marek Adamczyk jako \u00fast\u0159edn\u00ed duo Komedie pln\u00e9 omyl\u016f na Letn\u00edch shakespearovsk\u00fdch slavnostech.<\/p>\n<p>Funguje i\u00a0na letn\u00ed sc\u00e9n\u011b pro herce kontakt s\u00a0publikem?<\/p>\n<p class=\"c_bz\">Ur\u010dit\u011b, dokonce i\u00a0v\u00edc, proto\u017ee zejm\u00e9na b\u011bhem prvn\u00ed poloviny p\u0159edstaven\u00ed, kdy\u017e je\u0161t\u011b nen\u00ed \u00fapln\u00e1 tma, tak div\u00e1ky z\u00a0jevi\u0161t\u011b i\u00a0l\u00e9pe vid\u00edme ne\u017e v\u00a0klasick\u00e9m divadle. Kontakt s\u00a0publikem mi v\u017edycky p\u0159ipad\u00e1 p\u0159irozen\u00fd a\u00a0v p\u0159\u00edpad\u011b letn\u00edho hran\u00ed docela dob\u0159e zapad\u00e1 i\u00a0do p\u0159edstavy o\u00a0tom, co m\u00e1 takov\u00e1 produkce plnit. Hor\u0161\u00ed je, kdy\u017e nastanou interakce s\u00a0nediv\u00e1ky, i\u00a0to se n\u00e1m v\u00a0Plzni na n\u00e1m\u011bst\u00ed dost \u010dasto st\u00e1valo. A\u00a0v Letn\u00edm Ungeltu n\u00e1m p\u0159ed prvn\u00ed \u0159adou u\u017e b\u011bhal i\u00a0pes, kter\u00fd sice z\u00a0hledi\u0161t\u011b nebyl vid\u011bt, zato bylo sly\u0161et ve sb\u011brov\u00fdch mikrofonech jeho fun\u011bn\u00ed.<\/p>\n<p>V\u00e1\u0161 Antifolus efezsk\u00fd pro\u017e\u00edv\u00e1 kru\u0161n\u00e9 chv\u00edle, kdy\u017e se mu zd\u00e1nliv\u011b zn\u00e1m\u00fd sv\u011bt prudce m\u011bn\u00ed p\u0159ed o\u010dima.<\/p>\n<p class=\"c_bz\">To m\u011b pr\u00e1v\u011b bav\u00ed a\u00a0nut\u00ed m\u011b to p\u0159em\u00fd\u0161let o\u00a0tom, jak\u00fd je jeho \u00fahel pohledu na to, co se kolem n\u011bj d\u011bje. Existuje term\u00edn gaslighting (N\u00e1zev je odvozen od americk\u00e9 filmov\u00e9 adaptace divadeln\u00ed hry Patricka Hamiltona Plynov\u00e9 lampy z\u00a0roku 1944\u00a0re\u017eis\u00e9ra Georga Cukora s\u00a0Charlesem Boyerem a\u00a0Ingrid Bergmanovou\u00a0\u2013 pozn. red.), co\u017e je forma manipulace \u010dlov\u011bka t\u00edm zp\u016fsobem, \u017ee v\u00e1m n\u011bkdo neust\u00e1le p\u0159ekrucuje skute\u010dnost, a\u017e se v\u016fbec nem\u016f\u017eete spolehnout na to, co vid\u00edte a\u00a0sly\u0161\u00edte. <\/p>\n<p class=\"c_bz\">A\u00a0to v\u00e1s vede k\u00a0ohromn\u00e9mu znejist\u011bn\u00ed, nev\u00edte, jestli jste se zbl\u00e1znila vy, nebo jestli v\u00e1m v\u0161ichni kolem l\u017eou. P\u0159esn\u011b to pro\u017e\u00edv\u00e1 i\u00a0Antifolus, kter\u00e9mu se tot\u00e1ln\u011b ot\u0159ese jeho do t\u00e9 doby zn\u00e1m\u00fd sv\u011bt. <\/p>\n<p class=\"c_bz\">Douf\u00e1m, \u017ee se n\u00e1m poda\u0159\u00ed ud\u011blat v\u00fdlet do situace \u010dlov\u011bka, kter\u00fd nev\u00ed, \u010deho se zachytit. Antifolus se to chv\u00edlemi sna\u017e\u00ed vy\u0159e\u0161it svou autoritou i\u00a0fyzickou silou a\u00a0vz\u00e1p\u011bt\u00ed \u00fapln\u011b rezignuje, proto\u017ee za\u010dne pochybovat s\u00e1m o\u00a0sob\u011b a\u00a0o pravdivosti sv\u00e9ho vn\u00edm\u00e1n\u00ed reality. A\u00a0to je n\u011bco, co v\u00e1s dok\u00e1\u017ee zlomit a\u00a0co pro m\u011b tvo\u0159\u00ed zaj\u00edmav\u00fd aspekt t\u00e9hle postavy.<\/p>\n<p>Za\u017eil jste podobnou situaci i\u00a0ve sv\u00e9m \u017eivot\u011b?<\/p>\n<p class=\"c_bz\">Za\u017eil a\u00a0nebylo to p\u0159\u00edjemn\u00e9. \u0160lo o\u00a0vztah, v\u00a0n\u011bm\u017e jsme po n\u011bkolika m\u011bs\u00edc\u00edch m\u011bli ka\u017ed\u00fd \u00fapln\u011b jinou verzi vz\u00e1jemn\u00e9ho sou\u017eit\u00ed. Pro m\u011b to bylo hrozn\u011b vy\u010derp\u00e1vaj\u00edc\u00ed, nev\u011bd\u011bl jsem, jestli ztr\u00e1c\u00edm rozum j\u00e1, nebo mi n\u011bkdo l\u017ee, a\u00a0nakonec nebylo jin\u00e9 cesty ne\u017e z\u00a0toho vztahu odej\u00edt. A\u00a0hned potom se mi zas ud\u011blalo dob\u0159e.<\/p>\n<p>Antifolus m\u00e1 bratra-dvoj\u010de, s\u00a0n\u00edm\u017e za\u017eil pocit sourozeneck\u00e9ho par\u0165\u00e1ctv\u00ed. Jak jste na tom vy?<\/p>\n<p class=\"c_bz\">J\u00e1 \u017e\u00e1dn\u00e9ho sourozence nem\u00e1m a\u00a0mus\u00edm \u0159\u00edct, \u017ee mi v\u00a0d\u011btstv\u00ed i\u00a0dosp\u00edv\u00e1n\u00ed dost chyb\u011bl a\u00a0p\u0159\u00e1l jsem si ho m\u00edt. Ale pocit par\u0165\u00e1ctv\u00ed m\u00e1m zprost\u0159edkovan\u00fd skrze kamar\u00e1dy. Ostatn\u011b Antifolus sice br\u00e1chu m\u00e1, ale po celou hru o\u00a0n\u011bm vlastn\u011b nev\u00ed.<\/p>\n<p>A pocit par\u0165\u00e1ctv\u00ed za\u017e\u00edv\u00e1 sp\u00ed\u0161 se sv\u00fdm sluhou Dromiem.<\/p>\n<p class=\"c_bz\">Pr\u00e1v\u011b. V\u00a0r\u00e1mci hry je to jedin\u00fd \u010dlov\u011bk, kter\u00fd je ochoten mu pomoct a\u00a0potvrdit mu jeho identitu. I\u00a0kdy\u017e i\u00a0Dromio za\u017e\u00edv\u00e1 podobn\u00fd zmatek jako Antifolus. Ale je to jist\u00fd ostr\u016fvek p\u0159\u00ed\u010detnosti v\u00a0\u0161\u00edlen\u00e9m sv\u011bt\u011b kolem.<\/p>\n<p>Jak se v\u00e1m zkou\u0161\u00ed Antifolus v\u00a0alternaci s\u00a0Tom\u00e1\u0161em Havl\u00ednkem?<\/p>\n<p class=\"c_bz\">Moc dob\u0159e. J\u00e1 jsem na alternaci zvykl\u00fd u\u017e z\u00a0Formana, kde tituln\u00ed roli alternujeme s\u00a0Patrikem D\u011brgelem. S\u00a0ob\u011bma je to super, vz\u00e1jemn\u011b se dopl\u0148ujeme, \u017e\u00e1dn\u00e1 rivalita neexistuje. Jedin\u00e9, co je na tom nep\u0159\u00edjemn\u00e9, \u017ee z\u00a0celkov\u00e9 doby zkou\u0161en\u00ed zbude na ka\u017ed\u00e9ho vlastn\u011b jen polovic \u010dasu. Ale u\u017e jsem se s\u00a0t\u00edm nau\u010dil zach\u00e1zet tak, abych to zvl\u00e1dl.<\/p>\n<p>T\u00edm, \u017ee jde o\u00a0situa\u010dn\u00ed komedii s\u00a0pevn\u011b dan\u00fdmi pravidly, tak asi nem\u00e1te velk\u00fd prostor v\u00e9st postavu ka\u017ed\u00fd sv\u00fdm zp\u016fsobem?<\/p>\n<p class=\"c_bz\">To bych a\u017e tak \u00fapln\u011b ne\u0159ekl, mysl\u00edm, \u017ee m\u00e1me v\u00a0nuanc\u00edch a\u00a0drobnokresb\u011b postavy prostor a\u00a0svobodu k\u00a0jej\u00edmu dotv\u00e1\u0159en\u00ed. Situace mus\u00ed b\u00fdt vystav\u011bn\u00e9 stejn\u011b, ale zp\u016fsob jejich ztv\u00e1rn\u011bn\u00ed a\u00a0pro\u017e\u00edv\u00e1n\u00ed m\u00e1me ka\u017ed\u00fd trochu jin\u00fd. A\u00a0v\u011b\u0159\u00edm, \u017ee bude \u010das postavu dov\u00e9st do n\u011bjak\u00e9 osobit\u011bj\u0161\u00ed podoby i\u00a0b\u011bhem repr\u00edz. <\/p>\n<p class=\"c_bz\">Pro m\u011b je p\u0159i zkou\u0161en\u00ed komedie d\u016fle\u017eit\u00e9 m\u00edt co nejautenti\u010dt\u011bj\u0161\u00ed prost\u0159ed\u00ed a\u00a0rekvizity, tak\u017ee se st\u00e1v\u00e1, \u017ee mi postava vyroste a\u017e na t\u011bch konkr\u00e9tn\u00edch detailech odpov\u00eddaj\u00edc\u00edch skute\u010dn\u00e9 jevi\u0161tn\u00ed akci. A\u00a0pak se st\u00e1v\u00e1 i\u00a0to, \u017ee m\u011b a\u017e v\u00a0kontaktu s\u00a0realitou napadaj\u00ed ty nejlep\u0161\u00ed v\u011bci. Mluv\u00edme spolu v\u00a0dob\u011b, kdy se teprve chyst\u00e1me zkou\u0161et na jevi\u0161ti v\u00a0Nejvy\u0161\u0161\u00edm purkrabstv\u00ed, tak jsem zv\u011bdav\u00fd, co mi to prost\u0159ed\u00ed p\u0159inese.<\/p>\n<p>M\u00e1te r\u00e1d komedie i\u00a0jako div\u00e1k? A\u00a0jak\u00e9?<\/p>\n<p class=\"c_bz\">M\u00e1m je moc r\u00e1d. M\u00e1m r\u00e1d komedie, kter\u00e9 se skrze humor sna\u017e\u00ed p\u0159edat i\u00a0n\u011bco v\u00edc ne\u017e jen z\u00e1bavu. Takov\u00e9 jsou pro m\u011b t\u0159eba hry Martina McDonagha, kter\u00e9 jsou velmi vtipn\u00e9, ale \u010dasto i\u00a0brut\u00e1ln\u00ed, a\u00a0v\u017edycky maj\u00ed v\u00a0podtextu n\u011bjak\u00fd soci\u00e1ln\u00ed koment\u00e1\u0159, hloubku, do kter\u00e9 se d\u00e1 pono\u0159it. A\u00a0to je pro m\u011b jako pro div\u00e1ka nejzaj\u00edmav\u011bj\u0161\u00ed.<\/p>\n<p class=\"c_bz\">Co se t\u00fd\u010de filmov\u00e9 komedie, jako p\u0159\u00edklad bych uvedl film Toni Erdmann, co\u017e pro n\u011bkoho ani komedie nen\u00ed, ale pro m\u011b pr\u00e1v\u011b to, \u017ee velmi neot\u0159ele a\u00a0s vtipem vypr\u00e1v\u00ed o\u00a0slo\u017eit\u00e9m vztahu otce a\u00a0dcery skrze bizarn\u00ed p\u0159\u00edb\u011bh, je na tom filmu jedine\u010dn\u00e9.<\/p>\n<p><img height=\"2732\"   width=\"4096\" src=\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/06\/komedie-omylu.jpeg\" loading=\"eager\" decoding=\"sync\" class=\"c_t c_r\"\/>Foto: \u00a9AGENTURA SCHOK, Pavel Hejn\u00fd<a data-dot=\"atm-link\" target=\"_self\" href=\"https:\/\/www.novinky.cz\/clanek\/kultura-divadlo-letni-shakespearovske-slavnosti-zahaji-komedie-omylu-40568390\" class=\"c_N\" rel=\"nofollow noopener\"><img fetchpriority=\"high\" height=\"675\" width=\"1200\" src=\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/06\/1781797047_802_komedie-plna-omylu-aneta-krejcikova-marek-adamczyk.jpeg\" loading=\"eager\" decoding=\"sync\" class=\"c_t c_r\"\/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Pamatujete si, kdy jste se jako herec poprv\u00e9 zmocnil Shakespearova textu? Mysl\u00edm, \u017ee to bylo u\u017e na konci&hellip;\n","protected":false},"author":2,"featured_media":123988,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[79,5355,34432,80],"class_list":["post-123987","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-entertainment","tag-marek-adamczyk","tag-shakespearovske-slavnosti","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116782702595692301","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/123987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=123987"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/123987\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/123988"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=123987"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=123987"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=123987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}