{"id":127274,"date":"2026-06-23T15:51:15","date_gmt":"2026-06-23T15:51:15","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/127274\/"},"modified":"2026-06-23T15:51:15","modified_gmt":"2026-06-23T15:51:15","slug":"recenze-brnensky-rockovy-muzikal-janosik-aneb-na-skle-malovane-jako-portret-soucasnosti","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/127274\/","title":{"rendered":"RECENZE: Brn\u011bnsk\u00fd rockov\u00fd muzik\u00e1l J\u00e1no\u0161\u00edk aneb Na skle malovan\u00e9 jako portr\u00e9t sou\u010dasnosti"},"content":{"rendered":"

Re\u017eis\u00e9rem J\u00e1no\u0161\u00edka je Stanislav Slov\u00e1k, kter\u00fd st\u00e1l za re\u017eijn\u00edm pultem i\u00a0v roce 2008.\u00a0Spolu s\u00a0dramaturgy Vojt\u011bchem Balcarem a\u00a0Janem \u0160otkovsk\u00fdm je z\u00e1rove\u0148 spoluautorem inscena\u010dn\u00ed \u00fapravy. Ta d\u00e1v\u00e1 nastudov\u00e1n\u00ed nov\u00fd rozm\u011br a\u00a0specifick\u00fd charakter, gradaci zbojnick\u00fdch sc\u00e9n i\u00a0romantiku m\u00fdtick\u00e9 poh\u00e1dky inscenovan\u00e9 pod \u0161ir\u00fdm nebem s\u00a0nasv\u011btlenou no\u010dn\u00ed katedr\u00e1lou svat\u00e9ho Petra a\u00a0Pavla v\u00a0pozad\u00ed.<\/p>\n

P\u0159edstaven\u00ed za\u010d\u00edn\u00e1 p\u0159\u00edjezdem potuln\u00fdch herc\u016f, kte\u0159\u00ed se vz\u00e1p\u011bt\u00ed dost\u00e1vaj\u00ed pod drobnohled \u201edom\u00e1c\u00edch\u201c pandur\u016f (str\u00e1\u017ec\u016f po\u0159\u00e1dk\u016f). Hraje se divadlo na divadle, \u00fast\u0159edn\u00ed d\u011bjov\u00e1 linka se to\u010d\u00ed kolem l\u00e1sky, svobody, d\u016fstojn\u00e9ho byt\u00ed a\u00a0mladick\u00e9 zbojnick\u00e9 hrdosti a\u00a0nespoutanosti.<\/p>\n

<\/a><\/p>\n

P\u0159edstavitel\u00e9 potuln\u00fdch herc\u016f jsou oble\u010deni do dobov\u011b lad\u011bn\u00fdch kost\u00fdm\u016f kontrastuj\u00edc\u00edch s\u00a0pandury, kte\u0159\u00ed maj\u00ed na sob\u011b civiln\u00ed \u201erockov\u00e9\u201c rifle a\u00a0ko\u017een\u00e9 bundy. Pomyslnou t\u0159et\u00ed rovinu nastudov\u00e1n\u00ed reprezentuj\u00ed, a\u00a0celou inscenaci propojuj\u00ed a\u00a0o\u017eivuj\u00ed, mysti\u010dt\u00ed z\u00e1stupci nebe, pekla a\u00a0um\u00edr\u00e1n\u00ed; And\u011bl (v b\u00edl\u00e9m \u0161atov\u00e9m h\u00e1bitu), \u010cert (v \u010dern\u00e9m modern\u00edm overalu) a\u00a0Smrt (v neutr\u00e1ln\u00edm h\u00e1vu). Autorkami kost\u00fdm\u016f jsou Andrea a\u00a0Ad\u00e9la Ku\u010derovy.<\/p>\n

Sc\u00e9nu Jaroslava Milfajta obklopuj\u00ed \u010derven\u00e9 \u0161\u00e1ly zahaluj\u00edc\u00ed otev\u0159en\u00e9 prostory za provizorn\u00edm jevi\u0161t\u011bm, kter\u00e9 \u00fa\u010dinn\u011b izoluj\u00ed magick\u00fd sv\u011bt divadla od okoln\u00ed historick\u00e9 architektury. \u010cerven\u00e1 barva symbolizuje zbojnickou v\u00e1\u0161e\u0148, vzdor, krev i\u00a0l\u00e1sku. Hlavn\u00ed kulisou a\u00a0rekvizitou je d\u0159ev\u011bn\u00fd rozkl\u00e1dac\u00ed v\u016fz, kter\u00fd se prom\u011b\u0148uje v\u00a0sou\u010dinnosti s\u00a0d\u011bjem muzik\u00e1lu.<\/p>\n

Hybnou slo\u017ekou nastudov\u00e1n\u00ed je hudba Ernesta Brylla. A\u010dkoliv z\u016fstalo hudebn\u00ed aran\u017em\u00e1 Karla C\u00f3na z\u00a0roku 2008, n\u00e1strojov\u00fdm obsazen\u00edm orchestru hudba \u017e\u00e1nrov\u011b p\u0159itvrdila. Biskupsk\u00fdm dvorem se nesou strhuj\u00edc\u00ed energick\u00e9 rytmy elektrick\u00fdch kytar, syntetiz\u00e1tor\u016f, bic\u00edch, ale i\u00a0surov\u00e9 zvuky \u017eeleza, v\u0161e pod dirigentskou taktovkou Karla Albrechta. Nelze nejmenovat nap\u0159\u00edklad p\u00edse\u0148 Ej baby baby, muzik\u00e1l ale nab\u00edz\u00ed i\u00a0dal\u0161\u00ed poveden\u00e9 skladby. Mnohdy m\u00e1 div\u00e1k pod vlivem hudby, zp\u011bvu a\u00a0tance na jevi\u0161ti probl\u00e9m vydr\u017eet sed\u011bt na seda\u010dce v\u00a0hledi\u0161ti.<\/p>\n

Pod strhuj\u00edc\u00ed, pohybov\u011b nen\u00e1silnou a\u00a0p\u0159irozen\u011b p\u016fsob\u00edc\u00ed choreografi\u00ed, kter\u00e1 je inspirovan\u00e1 divok\u00fdmi zbojnick\u00fdmi odzemky, skoky, ale tak\u00e9 tradi\u010dn\u00edmi folklorn\u00edmi tanci, je podeps\u00e1na Hana Kratochvilov\u00e1.<\/p>\n

P\u0159edstaviteli hlavn\u00edch rol\u00ed\u00a0\u2013 J\u00e1no\u0161\u00edka a\u00a0Prvn\u00edho d\u011bv\u010dete\u00a0\u2013 jsou Libor Matou\u0161 a\u00a0Lesana Krauskov\u00e1. Oba mlad\u00ed um\u011blci pod\u00e1vaj\u00ed vynikaj\u00edc\u00ed hereck\u00e9, p\u011bveck\u00e9 i\u00a0tane\u010dn\u00ed v\u00fdkony, stejn\u011b jako cel\u00fd hraj\u00edc\u00ed soubor.<\/p>\n

Foto: M\u011bstsk\u00e9 divadlo Brno, Tino Kratochvil<\/p>\n

Protip\u00f3lem milostn\u00e9ho dua jsou pandu\u0159i v\u00a0pod\u00e1n\u00ed Rastislava Gajdo\u0161e, Marka Hur\u00e1ka, Martina Mih\u00e1la a\u00a0Patrika Moj\u017e\u00ed\u0161e. Reprezentuj\u00ed jak\u00fdsi politick\u00fd dohled nad obecn\u00ed z\u00e1bavou. Potuln\u00ed herci hraj\u00ed na jejich zad\u00e1n\u00ed. Ov\u0161em p\u016fvodn\u00ed idea se jaksi zvrh\u00e1v\u00e1 jin\u00fdm sm\u011brem, ne\u017e cht\u011bli a\u00a0hereck\u00e1 skupina rozehr\u00e1v\u00e1 dramatick\u00fd \u017eivotn\u00ed p\u0159\u00edb\u011bh hrd\u00e9ho zbojn\u00edka Jury.<\/p>\n

Zde do d\u011bje hry vstupuj\u00ed ji\u017e jmenovan\u00e9 personifikovan\u00e9 postavy. And\u011bl (Ivana Va\u0148kov\u00e1) vn\u00e1\u0161\u00ed do p\u0159edstaven\u00ed skrze noblesn\u00ed a\u00a0elegantn\u00ed projev \u010distotu a\u00a0v\u00edru v\u00a0lidsk\u00e9 dobro. \u010cert je ztv\u00e1rn\u011bn zku\u0161en\u00fdmi zral\u00fdmi hereck\u00fdmi prost\u0159edky Sv\u011btlany Janotov\u00e9. Hled\u00e1 lidsk\u00e9 slabosti, h\u0159\u00edchy, poku\u0161en\u00ed a\u00a0odvr\u00e1cenou stranu zbojnick\u00e9ho \u0159emesla. Smrt v\u00a0pod\u00e1n\u00ed Marty Mat\u011bjov\u00e9 p\u0159istupuje k\u00a0hrdin\u016fm s\u00a0absolutn\u00ed lhostejnost\u00ed a\u00a0chladem, \u010d\u00edm\u017e d\u00e1v\u00e1 ve\u010deru mraziv\u00e9 nap\u011bt\u00ed.<\/p>\n

Hnac\u00ed silou inscenace je vedle strhuj\u00edc\u00ed hudby, zp\u011bvu a\u00a0tance tak\u00e9 v\u0161e prostupuj\u00edc\u00ed konflikt, boj za d\u016fstojn\u00e9 byt\u00ed. I\u00a0kdy\u017e se zpo\u010d\u00e1tku m\u016f\u017ee nastudov\u00e1n\u00ed jevit jako d\u011bjov\u00fd a\u00a0v\u00fdtvarn\u00fd slepenec, cel\u00e1 koncepce m\u00e1 ve skute\u010dnosti pevn\u00fd \u0159\u00e1d, kter\u00fd propojuje t\u0159i odli\u0161n\u00e9 sv\u011bty\u00a0\u2013 prost\u00fd, ale siln\u00fd lid, v\u0161ude p\u0159\u00edtomnou nad\u0159azenost mocn\u00fdch a\u00a0kone\u010dn\u011b poh\u00e1dkovou nad\u010dasovost.<\/p>\n

\u00dast\u0159edn\u00ed a\u00a0nejsiln\u011bj\u0161\u00ed spojnic\u00ed J\u00e1no\u0161\u00edka je naka\u017eliv\u00e9 nad\u0161en\u00ed a\u00a0zaujet\u00ed herc\u016f, kte\u0159\u00ed se zvl\u00e1\u0161t\u011b v\u00a0den premi\u00e9ry museli mimo jin\u00e9 vypo\u0159\u00e1dat s\u00a0nepl\u00e1novan\u00fdm zna\u010dn\u011b ru\u0161iv\u00fdm elementem v\u00a0podob\u011b hlu\u010dn\u00e9ho \u017eiv\u00e9ho koncertu, kter\u00fd prob\u00edhal v\u00a0bezprost\u0159edn\u00ed bl\u00edzkosti Biskupsk\u00e9ho dvora. Nep\u0159\u00edjemnou hudebn\u00ed \u201ekulisu\u201c pak sem tam vtipn\u011b glosovali ve sv\u00fdch v\u00fdstupech.<\/p>\n

Prost\u0159ed\u00ed Biskupsk\u00e9ho dvora pod osv\u011btlenou katedr\u00e1lou svat\u00e9ho Petra a\u00a0Pavla d\u00e1v\u00e1 nov\u00e9mu nastudov\u00e1n\u00ed J\u00e1no\u0161\u00edka zvl\u00e1\u0161tn\u00ed tajemn\u011b poh\u00e1dkov\u00fd r\u00e1z, kter\u00fd dokonale lad\u00ed s\u00a0otev\u0159enou letn\u00ed sc\u00e9nou uprost\u0159ed historick\u00e9ho j\u00e1dra m\u011bsta Brna.<\/p>\n

Katarzyna G\u00e4rtnerov\u00e1, Ernest Bryll: J\u00e1no\u0161\u00edk aneb Na skle malovan\u00e9Re\u017eie: Stanislav Slov\u00e1k. Hudebn\u00ed aran\u017em\u00e1: Karel C\u00f3n. Nastudov\u00e1n\u00ed, \u00faprava a dirigent: Karel Albrecht. Kost\u00fdmy: Andrea a Ad\u00e9la Ku\u010derovy. Choreografie: Hana Kratochvilov\u00e1Hraj\u00ed: Libor Matou\u0161, Lesana Krauskov\u00e1, Ji\u0159\u00ed Daniel, Kristian Pekar, Ivana Va\u0148kov\u00e1, Svetlana Janotov\u00e1, Marta Mat\u011bjov\u00e1, Patrik F\u00f6lde\u0161i a dal\u0161\u00edPremi\u00e9ra: 6. \u010dervna 2026, Letn\u00ed sc\u00e9na M\u011bstsk\u00e9ho divadla Brno v Biskupsk\u00e9m dvo\u0159eHodnocen\u00ed: 75 %<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Re\u017eis\u00e9rem J\u00e1no\u0161\u00edka je Stanislav Slov\u00e1k, kter\u00fd st\u00e1l za re\u017eijn\u00edm pultem i\u00a0v roce 2008.\u00a0Spolu s\u00a0dramaturgy Vojt\u011bchem Balcarem a\u00a0Janem \u0160otkovsk\u00fdm…\n","protected":false},"author":2,"featured_media":127275,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[2847,79,1448,35017,5086,4343,80],"class_list":["post-127274","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-divadla","tag-entertainment","tag-kultura","tag-muzikal-janosik-aneb-na-skle-malovane","tag-muzikaly","tag-rock","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116800224549850819","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/127274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=127274"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/127274\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/127275"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=127274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=127274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=127274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}