M\u00e1lokdo dnes v\u00ed, \u017ee tento talentovan\u00fd herec nebyl jen v\u00fdraznou tv\u00e1\u0159\u00ed \u010dernob\u00edl\u00e9ho filmu, ale jeho geny dodnes koluj\u00ed v\u00a0jedn\u00e9 z\u00a0nejsledovan\u011bj\u0161\u00edch rodin \u010desk\u00e9ho \u0161oubyznysu. Anton\u00edn Zacpal byl toti\u017e d\u011bde\u010dkem Dominiky Gottov\u00e9, nejstar\u0161\u00ed dcery zp\u011bv\u00e1ka Karla Gotta.<\/p>\n
\u017divot mu ovlivnili p\u0159\u00edslu\u0161n\u00edci rodu Nov\u00fdch<\/p>\n
Na sv\u011bt p\u0159i\u0161el 22.\u00a0listopadu 1908\u00a0v\u00a0Praze jako syn Anton\u00edna Zacpala a\u00a0Karly Lendeckov\u00e9, rozen\u00e9 Farka\u010dov\u00e9. O\u00a0jeho d\u011btstv\u00ed se toho p\u0159\u00edli\u0161 mnoho nev\u00ed. Jist\u00e9 je jen to, \u017ee divadeln\u00ed m\u00faza jej svedla ji\u017e v\u00a0necel\u00fdch sedmn\u00e1cti letech. Pr\u00e1v\u011b tehdy nastoupil do sv\u00e9ho prvn\u00edho anga\u017em\u00e1 v\u00a0N\u00e1rodn\u00edm divadle moravskoslezsk\u00e9m v\u00a0Ostrav\u011b. Do zdej\u0161\u00edho souboru jej p\u0159ijal \u0159editel Milo\u0161 Nov\u00fd, str\u00fdc snad nejv\u011bt\u0161\u00edho eleg\u00e1na prvorepublikov\u00e9ho filmu\u00a0\u2013 Old\u0159icha Nov\u00e9ho, v\u00a0t\u00e9 dob\u011b ov\u0161em je\u0161t\u011b t\u00e9m\u011b\u0159 nezn\u00e1m\u00e9ho. Anton\u00edn ve m\u011bst\u011b horn\u00edk\u016f pobyl \u010dty\u0159i roky a\u00a0pak se vr\u00e1til do rodn\u00e9 Prahy. Hr\u00e1l v\u00a0Uranii i\u00a0v Divadle akropolis na \u017di\u017ekov\u011b. A\u00a0pr\u00e1v\u011b tehdy do jeho \u017eivota vstoupila \u0161\u0165astn\u00e1 n\u00e1hoda. Do hostince naproti divadlu chod\u00edval na licitovan\u00fd mari\u00e1\u0161 ji\u017e zmi\u0148ovan\u00fd Old\u0159ich Nov\u00fd, jen\u017e mu u\u00a0karet nab\u00eddl m\u00edsto ve sv\u00e9m Nov\u00e9m divadle. <\/p>\n
Zacpal p\u0159ijal a\u00a0osv\u011bd\u010dil se a\u00a0jeliko\u017e jeho nov\u00fd \u0161\u00e9f ji\u017e v\u00a0t\u00e9 dob\u011b za\u010d\u00ednal z\u00e1\u0159it na pl\u00e1tnech kin, stalo se Nov\u00e9 divadlo odrazov\u00fdm m\u016fstkem p\u0159ed filmovou kameru i\u00a0pro n\u011bj samotn\u00e9ho. Role sice nedost\u00e1val velk\u00e9, sp\u00ed\u0161e jen bezejmenn\u00e9, hlavn\u00ed hv\u011bzdou byl Old\u0159ich Nov\u00fd, jen v\u00a0roce 1939\u00a0jich ale bylo rovn\u00fdch dev\u011bt. Mihnul se ve filmech D\u00edvka v\u00a0modr\u00e9m, Kristian \u010di D\u011bde\u010dkem proti sv\u00e9 v\u016fli. Hned v\u00a0n\u00e1sleduj\u00edc\u00edm roce ho pozorn\u00fd div\u00e1k mohl zaregistrovat v\u00a0komedi\u00edch P\u0159\u00edtelkyn\u011b pana ministra nebo Hotel Modr\u00e1 hv\u011bzda. A\u017e do konce druh\u00e9 sv\u011btov\u00e9 v\u00e1lky si Zacpal p\u0159ipsal do filmografie skoro dv\u011b des\u00edtky filmov\u00fdch postav. Nej\u010dast\u011bji se jednalo o\u00a0filmy, v\u00a0nich\u017e hr\u00e1l se sv\u00fdm divadeln\u00edm \u0161\u00e9fem. \u201eU Old\u0159icha Nov\u00e9ho jsem hr\u00e1l sedm rok\u016f a\u00a0v\u017edy jsem mu pro jeho dceru d\u011blal spolu se Zitou Kab\u00e1tovou Mikul\u00e1\u0161e. Zita d\u011blala and\u011bla a\u00a0Robert Mor\u00e1vek \u010derta,\u201c prozradil po letech Zacpal v\u00a0televizn\u00ed Kav\u00e1rni\u010dce d\u0159\u00edve narozen\u00fdch.<\/p>\n
P\u0159ednostou v\u00a0nesmrteln\u00e9 komedii<\/p>\n
Svoji \u017eivotn\u00ed \u00falohu ale nakonec ztv\u00e1rnil po boku Kr\u00e1le komik\u016f Vlasty Buriana. Ve Svit\u00e1kov\u011b komedii P\u0159ednosta stanice si zahr\u00e1l prav\u00e9ho p\u0159ednostu Anatola Jelena, kter\u00e9ho p\u0159ed gener\u00e1ln\u00edm inspektorem Kokrhelem nahrad\u00ed sv\u00e9r\u00e1zn\u00fd rozna\u0161e\u010d let\u00e1k\u016f a\u00a0\u010dern\u00fd pasa\u017e\u00e9r \u0164opka, jeho\u017e ztv\u00e1rnil pr\u00e1v\u011b Vlasta Burian. D\u00e1le se zde objevil Jaroslav Marvan v\u00a0roli inspektora Kokrhela a\u00a0Zita Kab\u00e1tov\u00e1 coby Anatolova man\u017eelka.<\/p>\n
Po osvobozen\u00ed pro\u0161el Anton\u00edn Zacpal \u0159adou oblastn\u00edch sc\u00e9n. P\u016fsobil v\u00a0Karlov\u00fdch Varech, Teplic\u00edch \u010di na Kladn\u011b. Do Prahy se nakr\u00e1tko vr\u00e1til v\u00a0druh\u00e9 polovin\u011b pades\u00e1t\u00fdch let, kdy se stal \u010dlenem souboru Divadla S. K. Neumanna, pot\u00e9 ode\u0161el zase na oblast a\u00a0svoji kari\u00e9ru ukon\u010dil v\u00a0Divadle V\u00edt\u011bzslava Nezvala v\u00a0Karlov\u00fdch Varech. Mimopra\u017esk\u00e1 anga\u017em\u00e1 jej vzd\u00e1lilo filmov\u00e9mu pr\u016fmyslu, a\u00a0tak se p\u0159ed kameru vracel ji\u017e jen sporadicky. Objevil se nap\u0159\u00edklad jako ob\u017ealovan\u00fd Arno\u0161t Pechar v\u00a0psychologick\u00e9m dramatu Miroslava Cik\u00e1na Lavina. \u010cast\u011bji za\u010dal s\u00a0filma\u0159i spolupracovat a\u017e po sv\u00e9m odchodu na odpo\u010dinek. Zahr\u00e1l si nap\u0159\u00edklad jednoho ze \u0161tamgast\u016f v\u00a0ho\u0159k\u00e9 komedii N\u011b\u017en\u00fd barbar, kterou nato\u010dil Petr Koliha podle stejnojmenn\u00e9 novely Bohumila Hrabala, nebo v\u00fd\u010depn\u00edho Jarom\u00edra v\u00a0psychologick\u00e9m dramatu Fera Feni\u010de Zvl\u00e1\u0161tn\u00ed bytosti. Vyzkou\u0161el si i\u00a0pr\u00e1ci na seri\u00e1lu, kdy\u017e p\u0159ijal \u00falohu jednoho ze star\u00fdch vina\u0159\u016f v\u00a0Nejv\u011bt\u0161\u00edm z\u00a0Pierot\u016f. Se sv\u011btem st\u0159\u00edbrn\u00e9ho pl\u00e1tna se rozlou\u010dil mysteri\u00f3zn\u00edm sn\u00edmkem Jana \u0160vankmajera Lekce Faust.<\/p>\n
Vnu\u010dku mu po\u0159\u00eddil slavn\u00fd zp\u011bv\u00e1k<\/p>\n
\u010casto a\u00a0r\u00e1d spolupracoval i\u00a0s rozhlasem a\u00a0tak\u00e9 po cel\u00fd \u017eivot maloval. Velkou inspirac\u00ed mu byli impresionist\u00e9 a\u00a0Rembrandt s\u00a0D\u00fcrrerem. Kreslil ale i\u00a0karikatury sv\u00fdch divadeln\u00edch koleg\u016f. Co se t\u00fd\u010de jeho soukrom\u00ed, ji\u017e v\u00a0roce 1931\u00a0se o\u017eenil s\u00a0here\u010dkou Karlou Chvalovskou. M\u011bl s\u00a0n\u00ed dceru Antonii Zacpalovou, kter\u00e1 se pozd\u011bji stala baletkou Hudebn\u00edho divadla v\u00a0Karl\u00edn\u011b. Pr\u00e1v\u011b tato um\u011blkyn\u011b porodila Karlu Gottovi jeho prvorozenou dceru Dominiku.<\/p>\n
Anton\u00edn Zacpal zem\u0159el 1.\u00a0srpna 1994\u00a0v\u00a0Praze ve v\u011bku nedo\u017eit\u00fdch osmdes\u00e1ti \u0161esti let. Jeho kolegov\u00e9 a\u00a0p\u0159\u00e1tel\u00e9 vz\u00e1p\u011bt\u00ed p\u0159ipravili v\u00a0pra\u017esk\u00e9 Galerii Mimo prvn\u00ed a\u00a0posledn\u00ed v\u00fdstavu jeho obraz\u016f. \u201eVernis\u00e1\u017e byla a\u017e ne\u010dekanou spole\u010denskou ud\u00e1lost\u00ed a\u00a0manifestac\u00ed l\u00e1sky a\u00a0obdivu k\u00a0osobnosti Anton\u00edna Zacpala. Z\u00fa\u010dastnila se j\u00ed \u0159ada osobnost\u00ed pra\u017esk\u00e9ho kulturn\u00edho \u017eivota i\u00a0\u010dlenov\u00e9 Ton\u00ed\u010dkovy rodiny, dcera Antonie Zacpalov\u00e1 a\u00a0vnu\u010dka Dominika Gottov\u00e1,\u201c napsal tehdy ve sv\u00e9 recenzi Ji\u0159\u00ed Linhart.<\/p>\n","protected":false},"excerpt":{"rendered":"M\u00e1lokdo dnes v\u00ed, \u017ee tento talentovan\u00fd herec nebyl jen v\u00fdraznou tv\u00e1\u0159\u00ed \u010dernob\u00edl\u00e9ho filmu, ale jeho geny dodnes koluj\u00ed…\n","protected":false},"author":2,"featured_media":128932,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[1720,79,1093,441,1448,650,1073,80,437],"class_list":["post-128931","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-dejiny","tag-entertainment","tag-filmy","tag-historie","tag-kultura","tag-lide","tag-pribeh","tag-zabava","tag-zajimavosti"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116809311391479848","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/128931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=128931"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/128931\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/128932"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=128931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=128931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=128931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}