{"id":129827,"date":"2026-06-26T04:40:18","date_gmt":"2026-06-26T04:40:18","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/129827\/"},"modified":"2026-06-26T04:40:18","modified_gmt":"2026-06-26T04:40:18","slug":"zitra-vecer-uvidite-film-ktery-zmenil-akcni-hrdinky","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/129827\/","title":{"rendered":"Z\u00edtra ve\u010der uvid\u00edte film, kter\u00fd zm\u011bnil ak\u010dn\u00ed hrdinky"},"content":{"rendered":"

\n\t\t\t\tJe odsouzena k smrti. Pak ale zmiz\u00ed. Nikdo netu\u0161\u00ed kam ani pro\u010d. Za zdmi tajn\u00e9ho vl\u00e1dn\u00edho programu se z probl\u00e9mov\u00e9 narkomanky st\u00e1v\u00e1 dokonal\u00e1 zbra\u0148. Jen\u017ee i ten nejlep\u0161\u00ed zabij\u00e1k m\u016f\u017ee ud\u011blat osudovou chybu. A pr\u00e1v\u011b tehdy za\u010d\u00edn\u00e1 skute\u010dn\u00fd p\u0159\u00edb\u011bh Nikity.\n\t\t\t<\/p>\n

Kdy\u017e se z delikventky stane n\u00e1jemn\u00e1 vra\u017eedkyn\u011b<\/p>\n

Na za\u010d\u00e1tku je n\u00e1sil\u00ed, drogy a beznad\u011bj. Mlad\u00e1 Nikita se spole\u010dn\u011b s partou narkoman\u016f pod\u00edl\u00ed na p\u0159epaden\u00ed l\u00e9k\u00e1rny, kter\u00e9 skon\u010d\u00ed krvavou p\u0159est\u0159elkou s polici\u00ed. Ve chv\u00edli, kdy zast\u0159el\u00ed policistu, je jej\u00ed osud zd\u00e1nliv\u011b zpe\u010det\u011bn. N\u00e1sleduje rozsudek smrti. Jen\u017ee m\u00edsto popravy p\u0159ich\u00e1z\u00ed n\u011bco mnohem ne\u010dekan\u011bj\u0161\u00edho.<\/p>\n

Nikita se probouz\u00ed v tajn\u00e9m vl\u00e1dn\u00edm za\u0159\u00edzen\u00ed, kde j\u00ed nab\u00eddnou jedinou mo\u017enost p\u0159e\u017eit\u00ed. Bu\u010f se pod\u0159\u00edd\u00ed, nebo zem\u0159e. Mlad\u00e1 \u017eena se tak st\u00e1v\u00e1 sou\u010d\u00e1st\u00ed p\u0159\u00edsn\u011b utajovan\u00e9ho programu, jeho\u017e c\u00edlem je vytvo\u0159it z oby\u010dejn\u00e9ho \u010dlov\u011bka profesion\u00e1ln\u00edho zabij\u00e1ka. U\u010d\u00ed se etiketu, ovl\u00e1d\u00e1n\u00ed zbran\u00ed, bojov\u00e1 um\u011bn\u00ed i psychologii. Z divok\u00e9 rebelky se postupn\u011b st\u00e1v\u00e1 elegantn\u00ed \u017eena schopn\u00e1 splnit jak\u00fdkoli \u00fakol.<\/p>\n

Pr\u00e1v\u011b tento neobvykl\u00fd p\u0159\u00edb\u011bh st\u00e1l v roce 1990 za vznikem jednoho z nejv\u00fdznamn\u011bj\u0161\u00edch evropsk\u00fdch thriller\u016f sv\u00e9 doby. Francouzsk\u00fd re\u017eis\u00e9r Luc Besson nato\u010dil film, kter\u00fd se odm\u00edtal pod\u0159\u00eddit tehdej\u0161\u00edm \u017e\u00e1nrov\u00fdm pravidl\u016fm. Brut\u00e1ln\u00ed Nikita nebyla ani klasickou ak\u010dn\u00ed pod\u00edvanou, ani \u010dist\u00fdm dramatem. Byla n\u011b\u010d\u00edm mezi. Temnou poh\u00e1dkou o ztracen\u00e9 du\u0161i hledaj\u00edc\u00ed vlastn\u00ed identitu.<\/p>\n

Luc Besson trefil dobu dokonale<\/p>\n

Na p\u0159elomu osmdes\u00e1t\u00fdch a devades\u00e1t\u00fdch let dominovali ak\u010dn\u00edm film\u016fm svalnat\u00ed hrdinov\u00e9 jako Arnold Schwarzenegger<\/a>, Sylvester Stallone<\/a> nebo Jean-Claude Van Damme<\/a>. \u017densk\u00e9 postavy v\u011bt\u0161inou st\u00e1ly v pozad\u00ed a slou\u017eily jako romantick\u00fd dopln\u011bk mu\u017esk\u00fdch protagonist\u016f.<\/p>\n

Luc Besson se rozhodl j\u00edt opa\u010dn\u00fdm sm\u011brem. Do centra d\u011bn\u00ed postavil mladou \u017eenu, kter\u00e1 nen\u00ed ani superhrdinkou, ani femme fatale. Nikita je zraniteln\u00e1, impulzivn\u00ed, \u010dasto chybuje a sama netu\u0161\u00ed, kam jej\u00ed \u017eivot sm\u011b\u0159uje. Pr\u00e1v\u011b tato lidskost se stala jedn\u00edm z hlavn\u00edch d\u016fvod\u016f \u00fasp\u011bchu filmu.<\/p>\n

Besson nav\u00edc dok\u00e1zal propojit syrovou akci s v\u00fdraznou vizu\u00e1ln\u00ed stylizac\u00ed. Chladn\u00e9 interi\u00e9ry, minimalistick\u00e9 prost\u0159ed\u00ed a precizn\u011b komponovan\u00e9 z\u00e1b\u011bry vytvo\u0159ily atmosf\u00e9ru, kter\u00e1 byla na svou dobu mimo\u0159\u00e1dn\u011b modern\u00ed. Kritici tehdy \u010dasto upozor\u0148ovali, \u017ee film p\u0159ipom\u00edn\u00e1 spojen\u00ed hollywoodsk\u00e9ho thrilleru s francouzsk\u00fdm um\u011bleck\u00fdm filmem.<\/p>\n

N\u011bkte\u0159\u00ed recenzenti byli nad\u0161en\u00ed, jin\u00ed rozpa\u010dit\u00ed. V\u011bt\u0161ina se v\u0161ak shodovala na tom, \u017ee podobn\u00fd film dosud nevznikl.<\/p>\n

Anne Parillaud vytvo\u0159ila \u017eivotn\u00ed roli<\/p>\n

Velkou z\u00e1sluhu na \u00fasp\u011bchu sn\u00edmku m\u011bla p\u0159edstavitelka hlavn\u00ed role Anne Parillaud. Here\u010dka, kter\u00e1 byla v t\u00e9 dob\u011b tak\u00e9 partnerkou Luca Bessona, dostala p\u0159\u00edle\u017eitost p\u0159edv\u00e9st mimo\u0159\u00e1dn\u011b n\u00e1ro\u010dn\u00fd v\u00fdkon. B\u011bhem filmu projde jej\u00ed postava obrovskou prom\u011bnou. Z agresivn\u00ed narkomanky se stane pohledn\u00e1 a kultivovan\u00e1\u00a0\u017eena. P\u0159esto si st\u00e1le uchov\u00e1v\u00e1 k\u0159ehkost a nejistotu, kter\u00e9 z n\u00ed \u010din\u00ed uv\u011b\u0159itelnou postavu.<\/p>\n

Parillaud za sv\u016fj v\u00fdkon z\u00edskala presti\u017en\u00ed francouzskou filmovou cenu C\u00e9sar pro nejlep\u0161\u00ed here\u010dku. Mnoz\u00ed kritici ji ozna\u010dovali za hlavn\u00ed d\u016fvod, pro\u010d film funguje i v emocion\u00e1ln\u00ed rovin\u011b. Div\u00e1k toti\u017e nesleduje pouze p\u0159\u00edb\u011bh n\u00e1jemn\u00e9 vra\u017eedkyn\u011b, ale p\u0159edev\u0161\u00edm \u010dlov\u011bka, kter\u00fd zoufale tou\u017e\u00ed po norm\u00e1ln\u00edm \u017eivot\u011b.<\/p>\n

Pr\u00e1v\u011b vztah Nikity a jej\u00edho p\u0159\u00edtele Marca dod\u00e1v\u00e1 filmu p\u0159ekvapivou citlivost. Uprost\u0159ed n\u00e1sil\u00ed, l\u017e\u00ed a tajn\u00fdch operac\u00ed se odehr\u00e1v\u00e1 intimn\u00ed p\u0159\u00edb\u011bh \u017eeny, kter\u00e1 se sna\u017e\u00ed uchovat alespo\u0148 \u010d\u00e1st sv\u00e9 lidskosti.<\/p>\n

Mu\u017e, kter\u00fd inspiroval Leona<\/p>\n

Jednou z nejv\u011bt\u0161\u00edch zaj\u00edmavost\u00ed filmu je vedlej\u0161\u00ed role Jeana Rena<\/a>. Ten zde ztv\u00e1rnil z\u00e1hadn\u00e9ho \u201e\u010disti\u010de\u201c Victora, profesion\u00e1la povol\u00e1van\u00e9ho ve chv\u00edli, kdy se mise nebezpe\u010dn\u011b zkomplikuje.<\/p>\n

P\u0159esto\u017ee se na pl\u00e1tn\u011b objev\u00ed jen na kr\u00e1tkou dobu, stal se jednou z nejpam\u00e1tn\u011bj\u0161\u00edch postav cel\u00e9ho filmu. Jeho chladnokrevnost, profesionalita a t\u00e9m\u011b\u0159 nadlidsk\u00fd klid fascinovaly div\u00e1ky natolik, \u017ee mnoz\u00ed filmov\u00ed historici dodnes pova\u017euj\u00ed Victora za p\u0159edch\u016fdce slavn\u00e9ho Leona z filmu L\u00e9on (1994).<\/p>\n

Pr\u00e1v\u011b d\u00edky Nikit\u011b za\u010dala tak\u00e9 dlouholet\u00e1 spolupr\u00e1ce mezi Bessonem a Jeanem Renem, kter\u00e1 pozd\u011bji p\u0159inesla n\u011bkolik dal\u0161\u00edch \u00fasp\u011b\u0161n\u00fdch projekt\u016f.<\/p>\n

Film, kter\u00fd odstartoval lavinu napodobitel\u016f<\/p>\n

Dnes je t\u011b\u017ek\u00e9 si uv\u011bdomit, jak velk\u00fd vliv Brut\u00e1ln\u00ed Nikita m\u011bla. Po jej\u00edm \u00fasp\u011bchu vznikla \u0159ada film\u016f a seri\u00e1l\u016f inspirovan\u00fdch stejn\u00fdm konceptem. V roce 1993 p\u0159i\u0161el americk\u00fd remake N\u00e1jemn\u00e1 vra\u017eedkyn\u011b s Bridget Fondovou. N\u00e1sledoval \u00fasp\u011b\u0161n\u00fd televizn\u00ed seri\u00e1l La Femme Nikita a o mnoho let pozd\u011bji tak\u00e9 americk\u00fd seri\u00e1l Nikita s Maggie Q.<\/p>\n

V\u0161echny tyto projekty vych\u00e1zely ze stejn\u00e9 z\u00e1kladn\u00ed my\u0161lenky, kterou Luc Besson p\u0159edstavil u\u017e v roce 1990. Mlad\u00e1 \u017eena je proti sv\u00e9 v\u016fli prom\u011bn\u011bna ve smrt\u00edc\u00ed zbra\u0148, ale z\u00e1rove\u0148 se sna\u017e\u00ed zachovat vlastn\u00ed svobodu a lidskost.<\/p>\n

Dnes se podobn\u00fd motiv objevuje v cel\u00e9 \u0159ad\u011b film\u016f a seri\u00e1l\u016f. V dob\u011b premi\u00e9ry v\u0161ak \u0161lo o n\u011bco zcela nov\u00e9ho.<\/p>\n

Kultovn\u00ed thriller, kter\u00fd nest\u00e1rne<\/p>\n

Brut\u00e1ln\u00ed Nikita nen\u00ed jen p\u0159\u00edb\u011bhem o tajn\u00fdch agentech a n\u00e1jemn\u00fdch zabij\u00e1c\u00edch. Je p\u0159edev\u0161\u00edm vypr\u00e1v\u011bn\u00edm o druh\u00e9 \u0161anci, ztr\u00e1t\u011b identity a hled\u00e1n\u00ed vlastn\u00edho m\u00edsta ve sv\u011bt\u011b. Pr\u00e1v\u011b d\u00edky t\u00e9to kombinaci akce, emoc\u00ed a psychologick\u00e9 hloubky si film z\u00edskal postaven\u00ed kultovn\u00edho d\u00edla.<\/p>\n

V\u00edce ne\u017e t\u0159icet let po premi\u00e9\u0159e p\u016fsob\u00ed st\u00e1le sv\u011b\u017ee. Nejen d\u00edky stylov\u00e9 re\u017eii a v\u00fdborn\u00fdm hereck\u00fdm v\u00fdkon\u016fm, ale tak\u00e9 proto, \u017ee se neboj\u00ed kl\u00e1st ot\u00e1zky, kter\u00e9 jsou aktu\u00e1ln\u00ed i dnes. Jakou cenu m\u00e1 svoboda? Lze uniknout vlastn\u00ed minulosti? A co z \u010dlov\u011bka z\u016fstane ve chv\u00edli, kdy se stane pouh\u00fdm n\u00e1strojem v rukou mocn\u011bj\u0161\u00edch?<\/p>\n

Luc Besson tehdy vytvo\u0159il film, kter\u00fd zm\u011bnil pohled na \u017eensk\u00e9 ak\u010dn\u00ed hrdinky. A Nikita se d\u00edky tomu nav\u017edy zapsala do d\u011bjin evropsk\u00e9 kinematografie.<\/p>\n

Ve vys\u00edl\u00e1n\u00ed 26.6. ve 21:40 na \u010cT2.<\/p>\n","protected":false},"excerpt":{"rendered":"Je odsouzena k smrti. Pak ale zmiz\u00ed. Nikdo netu\u0161\u00ed kam ani pro\u010d. Za zdmi tajn\u00e9ho vl\u00e1dn\u00edho programu se…\n","protected":false},"author":2,"featured_media":129828,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[79,1093,20844,3844,20845,181,3990,1746,3099,80],"class_list":["post-129827","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-entertainment","tag-filmy","tag-hodnoceni-filmu","tag-kino","tag-kinotip","tag-novinky","tag-premiera","tag-recenze-filmu","tag-tipy","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116814572761162214","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/129827","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=129827"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/129827\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/129828"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=129827"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=129827"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=129827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}