Juraje Chlp\u00edka<\/a> pr\u00e1ce se \u0161iroko\u00fahl\u00fdm form\u00e1tem Cinemascope, sv\u011btlem a vizu\u00e1ln\u00edmi metaforami. Ingrid je od po\u010d\u00e1tku spojena se sv\u011btlem \u2013 i v sebetmav\u0161\u00edch sc\u00e9n\u00e1ch ji prov\u00e1z\u00ed z\u00e1\u0159, a\u0165 u\u017e jde o um\u011bl\u00e9 osv\u011btlen\u00ed, nebo roj sv\u011btlu\u0161ek. P\u0159\u00edzna\u010dn\u011b bydl\u00ed v modern\u00edm prosklen\u00e9m dom\u011b s obrovsk\u00fdmi okny a v\u00fdhledem do krajiny. Sv\u011btlo nazna\u010duj\u00edc\u00ed jej\u00ed osv\u00edcenost je v\u0161ak z\u00e1rove\u0148 spojen\u00e9 s l\u00e9ka\u0159sk\u00fdm z\u00e1krokem, se sterilizac\u00ed t\u011bla i spole\u010dnosti.<\/p>\nZvolen\u00fd koncept prom\u011b\u0148uje dobov\u00e9 re\u00e1lie ve snov\u00e9 prostory \u00faniku z ka\u017edodenn\u00ed rutiny. Kontrapunktem k nemocni\u010dn\u00ed sterilit\u011b jsou syrov\u00e9 t\u011blesn\u00e9 obrazy, jako je opakuj\u00edc\u00ed se velk\u00fd detail lidsk\u00e9ho oka nebo mystick\u00e1 sc\u00e9na s tlej\u00edc\u00ed vysokou zv\u011b\u0159\u00ed, kter\u00e1 implikuje skrytou hnilobu pod pastelov\u00fdm povrchem vypr\u00e1v\u011bn\u00ed.<\/p>\n
Kr\u00e1sn\u00e9 z\u00e1b\u011bry jako anestetikum<\/p>\n
Pramen z\u016fst\u00e1v\u00e1 st\u00e1t na p\u016fli cesty mezi dv\u011bma ambicemi. Nab\u00edz\u00ed lehce didaktickou historickou lekci o dobov\u00e9m nerespektov\u00e1n\u00ed t\u011blesn\u00e9 integrity a z\u00e1rove\u0148 se sna\u017e\u00ed b\u00fdt subtiln\u00edm, nedo\u0159e\u010den\u00fdm festivalov\u00fdm dramatem. T\u00edm, \u017ee tv\u016frci v z\u00e1jmu zobecn\u011bn\u00ed odm\u00edtaj\u00ed mor\u00e1ln\u00ed soudy a necht\u011bj\u00ed ukazovat \u201emonstra\u201c, stvo\u0159ili d\u00edlo, kter\u00e9 je k vlastn\u00ed \u0161kod\u011b a\u017e p\u0159\u00edli\u0161 jemn\u00e9, bezkrevn\u00e9 a n\u00e1znakov\u00e9.<\/p>\n
T\u00e9ma nucen\u00fdch sterilizac\u00ed by ze sv\u00e9 podstaty m\u011blo burcovat siln\u00e9 emoce, vztek, bezmoc a pocit nespravedlnosti. Pramen m\u00edsto toho generuje sp\u00ed\u0161 uspokojen\u00ed z kr\u00e1sn\u011b naaran\u017eovan\u00fdch z\u00e1b\u011br\u016f, kter\u00e9 funguj\u00ed jako estetick\u00e9 anestetikum.<\/p>\n
Tento d\u016fraz na estetickou distanci se nejv\u00fdrazn\u011bji prom\u00edt\u00e1 do zp\u016fsobu, jak\u00fdm film nakl\u00e1d\u00e1 s distribuc\u00ed empatie a soci\u00e1ln\u00edm koment\u00e1\u0159em. Ostrochovsk\u00e9mu nelze up\u0159\u00edt snahu vyhnout se plak\u00e1tovosti. Bezcitn\u00fdm chov\u00e1n\u00ed a p\u0159edsudky nemocni\u010dn\u00edho person\u00e1lu trefn\u011b ilustruje propast mezi b\u00edlou majoritou a romskou men\u0161inou.<\/p>\n
Jen\u017ee Romov\u00e9 jsou p\u0159ev\u00e1\u017en\u011b komparzisty v dramatu b\u00edl\u00e9 intelektu\u00e1lky.\u00a0Jej\u00ed pov\u00fd\u0161en\u00e9 vn\u00edm\u00e1n\u00ed za\u010dne naru\u0161ovat a\u017e p\u0159\u00e1telstv\u00ed s bezprost\u0159edn\u00ed romskou sanit\u00e1\u0159kou Ag\u00e1tou (debutuj\u00edc\u00ed Simona Boledovi\u010dov\u00e1). Kdy\u017e spolu tr\u00e1v\u00ed \u010das mimo nemocnici, v les\u00edch a u vody, film implikuje mo\u017enost hlub\u0161\u00ed, snad a\u017e intimn\u00ed bl\u00edzkosti. Zd\u00e1 se, \u017ee velk\u00e1 spole\u010densk\u00e1 prom\u011bna m\u016f\u017ee za\u010d\u00edt u oby\u010dejn\u00e9 schopnosti nav\u00e1zat vztah s n\u011bk\u00fdm mimo na\u0161i soci\u00e1ln\u00ed bublinu.<\/p>\n
Jen\u017ee Ag\u00e1ta v tomto sestersk\u00e9m vztahu nefunguje jako rovnocenn\u00e1 spoluhr\u00e1\u010dka. Jej\u00ed vlastn\u00ed minulost odhalujeme jen tehdy, kdy\u017e se j\u00ed Ingrid pt\u00e1. St\u00e1v\u00e1 se prim\u00e1rn\u011b instrumentem pro procitnut\u00ed hlavn\u00ed hrdinky. Film tak sice spr\u00e1vn\u011b diagnostikuje historick\u00e9 vyt\u011bs\u0148ov\u00e1n\u00ed romsk\u00e9 perspektivy, ale ve sv\u00e9 snaze o univerz\u00e1ln\u00ed metaforu se na n\u011bm nev\u011bdomky s\u00e1m pod\u00edl\u00ed.<\/p>\n
Film<\/p>\n
Pramen<\/p>\n
Re\u017eie: Ivan Ostrochovsk\u00fd<\/p>\n
Aerofilms, premi\u00e9ra v kinech 16. \u010dervence 2026<\/p>\n","protected":false},"excerpt":{"rendered":"Nam\u00edsto \u010dernob\u00edl\u00e9 ob\u017ealoby re\u017eimu a jednorozm\u011brn\u00fdch padouch\u016f nab\u00edz\u00ed ost\u0159\u00edlen\u00fd slovensk\u00fd filma\u0159 odta\u017eit\u00fd, esteticky vyt\u0159\u00edben\u00fd portr\u00e9t pragmatismu, kter\u00fd byl…\n","protected":false},"author":2,"featured_media":141793,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[20325,79,36978,35998,195,80],"class_list":["post-141792","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-anna-geislerova","tag-entertainment","tag-ivan-ostrochovsky","tag-mff-karlovy-vary","tag-recenze","tag-zabava"],"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/141792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=141792"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/141792\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/141793"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=141792"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=141792"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=141792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"Anna](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/07\/snimek-obrazovky-2026-07-05-094021.png\")
<\/p>\n![\"A\u0148a](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/07\/snimek-obrazovky-2026-07-05-095851.png\")
<\/p>\n