![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/07\/antonin-rydl-alexandra-myskova.jpeg\")
Foto: nezn\u00e1m\u00ed, Public domain, via Wikimedia Commons<\/p>\nM\u00e1lokter\u00fd \u017eivotn\u00ed p\u0159\u00edb\u011bh je tak fascinuj\u00edc\u00ed jako ten, kter\u00fd pro\u017e\u00edv\u00e1 Alexandra My\u0161kov\u00e1. Nejstar\u0161\u00ed \u017eij\u00edc\u00ed \u010desk\u00e1 here\u010dka, divadeln\u00ed re\u017eis\u00e9rka a\u00a0pedago\u017eka se narodila v\u00a0Praze v\u00a0dubnu roku 1922.\u00a0Sv\u011bt divadla ji p\u0159itom okouzlil u\u017e ve t\u0159ech letech, kdy ji rodi\u010de vzali na opern\u00ed p\u0159edstaven\u00ed Prodan\u00e9 nev\u011bsty do N\u00e1rodn\u00edho divadla. Dlouho si pak myslela, \u017ee divadeln\u00ed um\u011bn\u00ed a\u00a0opera jsou jedno a\u00a0tot\u00e9\u017e. V\u00a0deseti letech u\u017e recitovala v\u00a0rozhlase b\u00e1sni\u010dku k\u00a0narozenin\u00e1m prezidenta Masaryka a\u00a0brzy za\u010dala zp\u00edvat v\u00a0K\u00fchnov\u011b d\u011btsk\u00e9m sboru. Z\u00a0gymn\u00e1zia pak jej\u00ed kroky vedly p\u0159\u00edmo na St\u00e1tn\u00ed konzervato\u0159, kterou \u00fasp\u011b\u0161n\u011b absolvovala v\u00a0roce 1941.<\/p>\n
T\u011b\u017ek\u00e9 v\u00e1le\u010dn\u00e9 zkou\u0161ky<\/p>\n
B\u011bhem druh\u00e9 sv\u011btov\u00e9 v\u00e1lky postihla mladou studentku obrovsk\u00e1 katastrofa, p\u0159i\u0161la o\u00a0oba rodi\u010de. Tuto ztr\u00e1tu dok\u00e1zala v\u00a0devaten\u00e1cti letech zvl\u00e1dnout jen d\u00edky obrovsk\u00e9mu pracovn\u00edmu nasazen\u00ed a\u00a0podpo\u0159e p\u0159\u00e1tel z\u00a0divadeln\u00edho prost\u0159ed\u00ed. V\u00a0t\u00e9 dob\u011b \u00fa\u010dinkovala pod veden\u00edm Jind\u0159icha Honzla v\u00a0Divad\u00e9lku pro 99, kde se potk\u00e1vala s\u00a0v\u00fdrazn\u00fdmi kolegy, jako byli Dana Med\u0159ick\u00e1 nebo Felix le Breux.<\/p>\n
Hned po skon\u010den\u00ed v\u00e1lky kr\u00e1tce p\u016fsobila ve Studiu N\u00e1rodn\u00edho divadla a\u00a0n\u00e1sledn\u011b se na n\u011bkolik let stala posilou souboru Realistick\u00e9ho divadla. Pr\u00e1v\u011b na t\u00e9to sc\u00e9n\u011b potkala sv\u00e9ho prvn\u00edho man\u017eela Vladim\u00edra R\u00e1\u017ee, kter\u00fd byl tehdy obletovan\u00fdm idolem \u017een a\u00a0pozd\u011bji se proslavil jako kr\u00e1l Miroslav v\u00a0legend\u00e1rn\u00ed poh\u00e1dce Py\u0161n\u00e1 princezna. P\u0159esto\u017ee si byla dob\u0159e v\u011bdoma jeho obrovsk\u00e9ho \u00fasp\u011bchu u\u00a0z\u00e1stup\u016f fanynek, pojilo je siln\u00e9 citov\u00e9 pouto a\u00a0vz\u00e1jemn\u00fd humor.<\/p>\n
Nejt\u011b\u017e\u0161\u00ed \u017eivotn\u00ed ztr\u00e1ta<\/p>\n
Spole\u010dn\u00e9 \u0161t\u011bst\u00ed man\u017eel\u016f ale netrvalo dlouho a\u00a0bylo vystaveno t\u00e9 nejt\u011b\u017e\u0161\u00ed zkou\u0161ce. V\u00a0roce 1949\u00a0se jim narodil syn Martin. Jejich druhorozen\u00fd syn David, kter\u00fd p\u0159i\u0161el na sv\u011bt o\u00a0dva roky pozd\u011bji, na ja\u0159e roku 1952\u00a0n\u00e1hle zem\u0159el ve v\u011bku pouh\u00fdch osmi m\u011bs\u00edc\u016f. Trag\u00e9die se odehr\u00e1la za dosud nevyjasn\u011bn\u00fdch okolnost\u00ed pot\u00e9, co se matka vr\u00e1tila dom\u016f z\u00a0ve\u010dern\u00edho divadeln\u00edho p\u0159edstaven\u00ed. Zni\u010den\u00fd otec tehdy chlapce okam\u017eit\u011b odvezl do nemocnice, rodina se podrobn\u011bj\u0161\u00ed dokumentace o\u00a0p\u0159\u00ed\u010din\u011b \u00famrt\u00ed nikdy nedo\u010dkala.<\/p>\n
Tato obrovsk\u00e1 r\u00e1na vedla k\u00a0rozpadu man\u017eelsk\u00e9ho vztahu. P\u0159ed \u00fapln\u00fdm psychick\u00fdm zhroucen\u00edm zachr\u00e1nila Alexandru My\u0161kovou intenzivn\u00ed divadeln\u00ed pr\u00e1ce a\u00a0tak\u00e9 siln\u00e1 touha po dal\u0161\u00edm d\u00edt\u011bti. Jej\u00ed p\u0159\u00e1n\u00ed se splnilo v\u00a0roce 1956, kdy se j\u00ed narodil syn Eduard. B\u011bhem 50.\u00a0a\u00a060.\u00a0let pat\u0159ila k\u00a0p\u0159edn\u00edm zakl\u00e1daj\u00edc\u00edm \u010dlenk\u00e1m hereck\u00e9ho souboru M\u011bstsk\u00fdch divadel pra\u017esk\u00fdch, kde pro\u017eila n\u00e1dhernou \u00e9ru pod veden\u00edm \u0159editele Oty Ornesta. Vytvo\u0159ila zde p\u0159es sedmdes\u00e1t divadeln\u00edch rol\u00ed a\u00a0objevila se ve dvaceti filmech, v\u010detn\u011b sn\u00edmk\u016f slavn\u00fdch re\u017eis\u00e9r\u016f Alfr\u00e9da Radoka \u010di Zby\u0148ka Brynycha. Od roku 1961\u00a0nav\u00edc za\u010dala s\u00a0velk\u00fdm z\u00e1palem vyu\u010dovat na pra\u017esk\u00e9 DAMU.<\/p>\n
Foto: nezn\u00e1m\u00ed, Public domain, via Wikimedia Commons<\/p>\n
Anton\u00edn R\u00fddl v\u00a0roli Kadl\u00edka a\u00a0Alexandra My\u0161kov\u00e1 jakoMa\u0159ka<\/p>\n
Zasko\u010dila komunisty a\u00a0dobyla norskou kulturu<\/p>\n
Z\u00e1sadn\u00ed \u017eivotn\u00ed obrat nastal v\u00a0kv\u011btnu roku 1969, kdy odjela se sv\u00fdmi studenty z\u00a0DAMU na hostov\u00e1n\u00ed do norsk\u00e9ho Osla. Seversk\u00e1 zem\u011b ji naprosto o\u010darovala a\u00a0m\u00edstn\u00ed kanto\u0159i j\u00ed nab\u00eddli, aby tam str\u00e1vila letn\u00ed pr\u00e1zdniny i\u00a0se sv\u00fdmi d\u011btmi. B\u011bhem dovolen\u00e9 dostala od rektora m\u00edstn\u00ed St\u00e1tn\u00ed divadeln\u00ed \u0161koly ofici\u00e1ln\u00ed nab\u00eddku na pedagogick\u00e9 hostov\u00e1n\u00ed pod podm\u00ednkou, \u017ee se rychle nau\u010d\u00ed norsky. V\u00a0Praze ji divadlo uvolnilo, tak\u017ee \u00fasp\u011b\u0161n\u011b absolvovala jazykov\u00fd kurz pro vysoko\u0161kolsk\u00e9 pedagogy a\u00a0na podzim za\u010dala v\u00a0Oslu u\u010dit.<\/p>\n
P\u0159ed V\u00e1nocemi roku 1970\u00a0obdr\u017eela z\u00a0Prahy dopis, \u017ee ministerstvo kultury po\u017eaduje jej\u00ed osobn\u00ed n\u00e1vrat kv\u016fli v\u00fdm\u011bn\u011b tehdej\u0161\u00edch v\u00fdjezdn\u00edch dolo\u017eek. Vzhledem k\u00a0tomu, \u017ee m\u011bla v\u00a0Norsku oba sv\u00e9 syny, necht\u011bla riskovat, \u017ee by ji komunistick\u00fd re\u017eim u\u017e nepustil zp\u011bt. Rozhodla se v\u00a0Oslu z\u016fstat natrvalo, \u010d\u00edm\u017e sice definitivn\u011b uzav\u0159ela svou \u00fasp\u011b\u0161nou \u010deskou hereckou kari\u00e9ru, ale pln\u011b se oddala pedagogick\u00e9 a\u00a0re\u017eis\u00e9rsk\u00e9 \u010dinnosti v\u00a0zahrani\u010d\u00ed. Cel\u00e1 desetilet\u00ed vyu\u010dovala na norsk\u00fdch st\u00e1tn\u00edch i\u00a0muzik\u00e1lov\u00fdch akademi\u00edch a\u00a0stala se velmi respektovanou osobnost\u00ed. Jako re\u017eis\u00e9rka v\u00a0tamn\u00edch divadlech a\u00a0rozhlase p\u0159ipravila v\u00edce ne\u017e dvacet inscenac\u00ed, \u010dasto na motivy d\u011bl klasick\u00fdch autor\u016f, jako byl Karel \u010capek nebo jej\u00ed milovan\u00fd Ivan Sergejevi\u010d Turgen\u011bv. Za svou severskou divadeln\u00ed hru M\u011bs\u00edc na vsi dokonce obdr\u017eela presti\u017en\u00ed norskou cenu kritik\u016f a\u00a0za celo\u017eivotn\u00ed p\u0159\u00ednos tamn\u00ed kultu\u0159e j\u00ed kr\u00e1l Harald V. ud\u011blil vysok\u00e9 st\u00e1tn\u00ed vyznamen\u00e1n\u00ed v\u00a0podob\u011b Kr\u00e1lovsk\u00e9 medaile Za z\u00e1sluhy ve zlat\u011b.<\/p>\n
Recept na dlouhov\u011bkost<\/p>\n
Po p\u00e1du \u017eelezn\u00e9 opony se Alexandra My\u0161kov\u00e1, kter\u00e1 byla celkem t\u0159ikr\u00e1t vdan\u00e1, za\u010dala pravideln\u011b vracet do sv\u00e9 vlasti. Sv\u00e9 okol\u00ed dodnes udivuje neuv\u011b\u0159itelnou psychickou i\u00a0fyzickou vitalitou. Sama to nepova\u017euje za nic v\u00fdjime\u010dn\u00e9ho a\u00a0p\u0159isuzuje to genetick\u00fdm p\u0159edpoklad\u016fm a\u00a0obrovsk\u00e9 l\u00e1sce, kterou do n\u00ed v\u00a0ran\u00e9m d\u011btstv\u00ed v\u0161t\u00edpila jej\u00ed matka. Z\u00e1rove\u0148 v\u0161ak zd\u016fraz\u0148uje pot\u0159ebu neust\u00e1le pe\u010dovat o\u00a0t\u011blesnou schr\u00e1nku, pravideln\u011b cvi\u010dit a\u00a0chodit na proch\u00e1zky.<\/p>\n
Jej\u00ed zdrav\u00fd \u017eivotn\u00ed styl podporuje i\u00a0fakt, \u017ee je absolutn\u00ed neku\u0159a\u010dkou a\u00a0cigaretu dr\u017eela v\u00a0ruce pouze na jevi\u0161ti v\u00a0r\u00e1mci sv\u00fdch rol\u00ed, p\u0159i\u010dem\u017e alkohol nikdy nepila, proto\u017ee j\u00ed zkr\u00e1tka nechutnal. Jako velk\u00e1 milovnice klasick\u00e9 hudby a\u00a0opery se po cel\u00fd \u017eivot hl\u00e1s\u00ed k\u00a0pacifismu a\u00a0odm\u00edt\u00e1n\u00ed jak\u00e9hokoli n\u00e1sil\u00ed, co\u017e stvrdila i\u00a0t\u00edm, \u017ee ve sv\u00fdch sto letech osobn\u011b p\u0159isp\u011bla na nahr\u00e1vku skladby Modlitba za m\u00edr. Kdy\u017e se ohl\u00ed\u017e\u00ed za sv\u00fdm bohat\u00fdm osudem pln\u00fdm dramatick\u00fdch zvrat\u016f, stav\u00ed na nejvy\u0161\u0161\u00ed m\u00edsto jedno kl\u00ed\u010dov\u00e9 slovo, kter\u00fdm je respekt k\u00a0ostatn\u00edm lidem a\u00a0k z\u00e1konitostem nov\u00e9ho prost\u0159ed\u00ed.<\/p>\n","protected":false},"excerpt":{"rendered":"M\u00e1lokter\u00fd \u017eivotn\u00ed p\u0159\u00edb\u011bh je tak fascinuj\u00edc\u00ed jako ten, kter\u00fd pro\u017e\u00edv\u00e1 Alexandra My\u0161kov\u00e1. Nejstar\u0161\u00ed \u017eij\u00edc\u00ed \u010desk\u00e1 here\u010dka, divadeln\u00ed re\u017eis\u00e9rka…\n","protected":false},"author":2,"featured_media":141958,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[1538,2775,1563,8075,79,37343,1539,441,1448,650,1253,3065,10093,1718,13638,2780,649,47,29823,80,437],"class_list":["post-141957","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-celebrity","tag-cesky-herec","tag-dlouhovekost","tag-emigrace","tag-entertainment","tag-fakulta-damu","tag-herectvi","tag-historie","tag-kultura","tag-lide","tag-narodni-divadlo","tag-norsko","tag-osud","tag-pribehy-ze-zivota","tag-pysna-princezna","tag-retro","tag-spolecnost","tag-televize","tag-vladimir-raz","tag-zabava","tag-zajimavosti"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116884486535205419","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/141957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=141957"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/141957\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/141958"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=141957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=141957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=141957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}