{"id":14703,"date":"2026-03-05T09:02:19","date_gmt":"2026-03-05T09:02:19","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/14703\/"},"modified":"2026-03-05T09:02:19","modified_gmt":"2026-03-05T09:02:19","slug":"nove-desky-8-2026-od-gorillaz-pres-tata-bojs-po-bruna-marse","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/14703\/","title":{"rendered":"Nov\u00e9 desky 8\/2026 – od Gorillaz p\u0159es Tata Bojs po Bruna Marse"},"content":{"rendered":"

Minul\u00fd p\u00e1tek p\u0159i\u0161ly velmi pestr\u00e9 novinky. S novou deskou se vr\u00e1tili Tata Bojs a po deseti letech tak\u00e9 Bruno Mars. Gorillaz se vydali do Indie, Mitski k art popu, \u017eiv\u00e1ky vydali jazzmani Bill Frisell, Pat Metheny a Chick Corea. Rockery pot\u011b\u0161\u00ed Morrissey, Neal Morse, Rob Zombie \u010di Archive, dom\u00e1c\u00ed zastupuj\u00ed t\u0159eba Ne\u017efale\u0161 \u010di Tereza Luna.<\/p>\n

V p\u00e1tek 27. \u00fanora vy\u0161ly tyto nov\u00e9 tituly:<\/p>\n

Gorillaz<\/a> – \u092a\u0930\u094d\u0935\u0924
\n\u017e\u00e1nr: world music \/ rock<\/p>\n

\"Gorillaz
\nNov\u00e9, celkem dev\u00e1t\u00e9 album Gorillaz<\/a> nese n\u00e1zev „\u092a\u0930\u094d\u0935\u0924“, co\u017e je indick\u00fd v\u00fdraz pro horu. A rozhodn\u011b nejde jen o symboliku. Damon Albarn<\/a> a Jamie Hewlett<\/a> jej toti\u017e vedle vlastn\u00edho studia nahr\u00e1vali p\u0159edev\u0161\u00edm v Indii a \u010d\u00e1ste\u010dn\u011b ve Spojen\u00fdch st\u00e1tech, ale i v S\u00fdrii a Turkmenist\u00e1nu. Nem\u011blo by v\u00e1s tedy p\u0159ekvapit, \u017ee se na jeho tvorb\u011b pod\u00edlela \u0159ada sou\u010dasn\u00fdch hv\u011bzd world music i popu jako Asha Bhosle, Black Thought<\/a>, Idles<\/a>, Johnny Marr<\/a>, Anoushka Shankar<\/a>, Sparks<\/a>, Omar Souleyman<\/a>, Trueno a Yasiin Bey, a vyu\u017eili i nahr\u00e1vky interpret\u016f, kte\u0159\u00ed u\u017e mezi n\u00e1mi nejsou, jako Dennis Hopper, Bobby Womack<\/a>, David Jolicoeur z De La Soul<\/a>, Tony Allen<\/a>, Proof<\/a> z D12<\/a> \u010di Mark E Smith z The Fall<\/a>. <\/p>\n

Albarn a Hewlett, kte\u0159\u00ed oba za\u017eili ztr\u00e1tu bl\u00edzk\u00fdch p\u0159ed nahr\u00e1v\u00e1n\u00edm alba, jej popsali jako kompaktn\u00ed konceptu\u00e1ln\u00ed d\u00edlo zkoumaj\u00edc\u00ed my\u0161lenky smrti a posmrtn\u00e9ho \u017eivota prost\u0159ednictv\u00edm fiktivn\u00edch postav formace. Produk\u010dn\u011b jsou pod deskou podepsan\u00ed vedle samotn\u00fdch \u010dlen\u016f i James Ford, Samuel Egglenton, Remi Kabaka<\/a> Jr. a Bizarrap. Co z toho nakonec vzniklo, zjist\u00edte na YouTube formace<\/a>. \u017div\u011b si Gorillaz budeme moci u\u017e\u00edt na leto\u0161n\u00edm ro\u010dn\u00edku festivalu Rock for People.<\/p>\n

\"\"\"\"<\/a> <\/p>\n

Tata Bojs<\/a> – V p\u016fvodn\u00edm sn\u011bn\u00ed
\n\u017e\u00e1nr: alternativn\u00ed rock \/ pop-rock \/ elektronika<\/p>\n

\"TataHranice mezi bd\u011bn\u00edm a snovou realitou se stalo \u00fast\u0159edn\u00edm motivem jeden\u00e1ct\u00e9ho \u0159adov\u00e9ho alba „V p\u016fvodn\u00edm sn\u011bn\u00ed“, kter\u00fdm Tata Bojs<\/a> ukon\u010duj\u00ed sv\u00e9 dosud nejdel\u0161\u00ed, \u0161estilet\u00e9 studiov\u00e9 ml\u010den\u00ed. Hanspaulsk\u00e1 parta kolem Milana Caise a Mardo\u0161i se na novince vrac\u00ed k on\u00e9 pov\u011bstn\u00e9 rozost\u0159enosti a hrav\u00e9 introspekci, kter\u00e1 jejich tvorbu definuje u\u017e bezm\u00e1la \u010dty\u0159i dek\u00e1dy. Nahr\u00e1vka, jej\u00ed\u017e vizu\u00e1l zdob\u00ed fascinuj\u00edc\u00ed obraz slune\u010dn\u00ed korony p\u0159i zatm\u011bn\u00ed, p\u016fsob\u00ed jako pe\u010dliv\u011b vystav\u011bn\u00fd vesm\u00edr, kde se digit\u00e1ln\u00ed chlad potk\u00e1v\u00e1 s analogov\u00fdm teplem a kde ka\u017ed\u00e1 z jeden\u00e1cti skladeb funguje jako samostatn\u00e1 kapitola jednoho velk\u00e9ho snu. <\/p>\n

Hudebn\u011b album plynule navazuje na p\u0159edchoz\u00ed „Jedna nula“, ale p\u0159in\u00e1\u0161\u00ed i \u010derstv\u00fd v\u00edtr v podob\u011b multitalentovan\u00e9ho Mat\u011bje Belka, kter\u00fd v sestav\u011b nahradil Ji\u0159\u00edho Hradila. Novinka nab\u00edz\u00ed v\u0161e, co na Tat\u00e1\u010d\u00edch milujete – od \u0161estiminutov\u00e9 tane\u010dn\u00ed j\u00edzdy „Tov\u00e1rna na sny“ p\u0159es nostalgick\u00e9 vzpom\u00edn\u00e1n\u00ed v p\u00edsni „Holandsk\u00fd kakao“ a\u017e po k\u0159ehk\u00e9, t\u00e9m\u011b\u0159 filmov\u00e9 duety, jako je skladba „Um\u011bl\u00e1“ s hostuj\u00edc\u00ed S\u00e1rou Vondr\u00e1\u0161kovou. Cel\u00e1 deska, pod kterou jsou producentsky podepsan\u00ed Milan Cais<\/a> a Du\u0161an Neuwerth<\/a>, vynik\u00e1 precizn\u00edm zvukem a texty, kter\u00e9 s typickou Mardo\u0161ovskou lehkost\u00ed glosuj\u00ed t\u00e9mata komunikace, svobody i vnit\u0159n\u00edch nejistot. Je to nahr\u00e1vka, kter\u00e1 v\u00e1s sice nech\u00e1 sn\u00edt, ale z\u00e1rove\u0148 v\u00e1s sv\u00fdmi tepaj\u00edc\u00edmi biorytmy udr\u017e\u00ed v naprost\u00e9 p\u0159\u00edtomnosti. Uk\u00e1zky k poslechu naleznete na str\u00e1nk\u00e1ch vydavatelstv\u00ed Supraphon<\/a>.<\/p>\n

\"\"\"\"<\/a> <\/p>\n

Bruno Mars<\/a> – The Romantic
\n\u017e\u00e1nr: rock and roll \/ pop<\/p>\n

\"Bruno
\nBruno Mars<\/a> se po deseti letech kone\u010dn\u011b vrac\u00ed s nov\u00fdm albem „The Romantic“, kter\u00e9 navazuje na multiplatinovou desku „24K Magic“. A\u010dkoli je to dlouh\u00e1 doba, rozhodn\u011b se ned\u00e1 \u0159\u00edct, \u017ee by hudebn\u011b zah\u00e1lel. Podstatnou \u010d\u00e1st str\u00e1vil na turn\u00e9, v\u010detn\u011b rezidence v Las Vegas, v\u011bnoval se projektu Silk Sonic<\/a> a spolupracoval s \u0159adou hudebn\u00edk\u016f, z \u010deho\u017e vznikl i megahit „APT.“ s Ros\u00e9<\/a>. Na dev\u00edti novink\u00e1ch za\u010dal pracovat p\u0159ed t\u0159emi roky a stejn\u011b jako v p\u0159\u00edpad\u011b desky „An Evening with Silk Sonic“ mu byl hlavn\u00edm par\u0165\u00e1kem D’Mile. K n\u011bmu se pak p\u0159idali je\u0161t\u011b Philip Lawrence, Brody Brown, James Fauntleroy a v jedn\u00e9 z p\u00edsn\u00ed vyu\u017eil fragment hitu „Slow Motion“ rappera Juvenile<\/a>. Stylov\u011b pak v\u011bt\u0161ina p\u00edsni\u010dek m\u00ed\u0159\u00ed k soft soulu a devades\u00e1tkov\u00e9mu r’n’b. Co si pod t\u00edm p\u0159edstavit, zjist\u00edte na Marsov\u011b YouTube<\/a>.<\/p>\n

\"\"\"\"<\/a> <\/p>\n

Tereza Luna<\/a> – Du\u0161i
\n\u017e\u00e1nr: pop<\/p>\n

\"TerezaTereza Luna<\/a> m\u00e1 za sebou zku\u0161enosti z r\u016fzn\u00fdch hudebn\u00edch i divadeln\u00edch prost\u0159ed\u00ed – zp\u00edvala s Jankem Ledeck\u00fdm<\/a>, v M\u011bstsk\u00e9m divadle Brno ztv\u00e1rnila n\u011bkolik hlavn\u00edch muzik\u00e1lov\u00fdch rol\u00ed a ned\u00e1vno se objevila tak\u00e9 na desce Adama Vopi\u010dky. Nyn\u00ed p\u0159ich\u00e1z\u00ed se svou debutovou deskou, kterou uvedla dvojice singl\u016f „Houp\u00e1\u0161“ a „Ma la la“, je\u017e nazna\u010dily \u017e\u00e1nrov\u00e9 i v\u00fdrazov\u00e9 rozp\u011bt\u00ed projektu. T\u0159et\u00ed ochutn\u00e1vka dorazila t\u011bsn\u011b p\u0159ed vyd\u00e1n\u00edm kolekce a nese n\u00e1zev „Kr\u00e1l“. Na desce spolupracovala s producentem Igorem Ochepovsk\u00fdm – texty napsala sama, hudbu skl\u00e1dali spole\u010dn\u011b a v\u00fdsledn\u00fd tvar m\u00ed\u0159\u00ed do intimn\u00edho alt-popu s doteky r’n’b, soulu i jemn\u00e9 elektroniky. Nejde o koncep\u010dn\u00ed album v klasick\u00e9m slova smyslu, sp\u00ed\u0161 o s\u00e9rii den\u00edkov\u00fdch z\u00e1pisk\u016f popisuj\u00edc\u00edch pocity, situace a vnit\u0159n\u00ed stavy. Klipy k singl\u016fm i celou desku k poslechu najdete na jej\u00edm YouTube profilu<\/a>.<\/p>\n

Pat Metheny<\/a> – Side-Eye III+
\n\u017e\u00e1nr: jazz \/ progresivn\u00ed jazz<\/p>\n

\"Pat
\nAmerick\u00fd jazzov\u00fd kytarista Pat Metheny<\/a> se pomysln\u011b vrac\u00ed do roku 2021, kdy spole\u010dn\u011b s klav\u00edristou Jamesem Franciesem a buben\u00edkem Marcusem Gilmorem nahr\u00e1l \u017eiv\u00e1k „Side-Eye NYC (V1.IV)“. Leto\u0161n\u00ed pokra\u010dov\u00e1n\u00ed je studiov\u00e9 a obsazen\u00ed je trochu jin\u00e9. Dvacetin\u00e1sobn\u00e9ho dr\u017eitele ceny Grammy doprovodili buben\u00edk Joe Dyson a klav\u00edrista Chris Fishman a v epizodn\u00edch \u00faloh\u00e1ch kontrabasista Daryl Johns, harfenistka Brandee Younger<\/a>, perkusista a dvorn\u00ed spolupracovn\u00edk Phila Collinse<\/a> Luis Conte a tenor gospelov\u00e9 a cappella formace Take 6<\/a> Mark Kibble. Kam se spole\u010dn\u011b vydali, zkoumejte na Methenyho YouTube profilu<\/a>.<\/p>\n

Archive<\/a> – Glass Minds
\n\u017e\u00e1nr: post-rock \/ trip hop \/ elektronika<\/p>\n

\"ArchiveK\u0159ehkost lidsk\u00e9ho v\u011bdom\u00ed se st\u00e1v\u00e1 hlavn\u00edm motivem nov\u00e9 desky „Glass Minds“, na kter\u00e9 lond\u00fdnsk\u00fd soubor Archive<\/a> op\u011bt dokazuje, \u017ee hudba m\u016f\u017ee b\u00fdt stejn\u011b pr\u016fzra\u010dn\u00e1 i nebezpe\u010dn\u00e1 jako brou\u0161en\u00e9 sklo. Tito hudebn\u00edci se tentokr\u00e1t rozhodli odlo\u017eit zbyte\u010dnou slo\u017eitost a soust\u0159edit se na \u010dist\u00e9 city a vnit\u0159n\u00ed klid. Cel\u00e9 d\u00edlo nep\u016fsob\u00ed jen jako oby\u010dejn\u00fd soubor p\u00edsn\u00ed, ale jako ucelen\u00e9 vypr\u00e1v\u011bn\u00ed, kter\u00e9 v\u00e1s provede hlubok\u00fdmi i jasn\u00fdmi z\u00e1kout\u00edmi lidsk\u00e9 mysli. Formace zde dovedn\u011b m\u00edch\u00e1 prost\u00e9 klav\u00edrn\u00ed melodie s bohat\u00fdmi zvukov\u00fdmi plochami, kter\u00e9 se pozvolna rozr\u016fstaj\u00ed, a\u017e poslucha\u010de docela obklop\u00ed. <\/p>\n

Zat\u00edmco d\u0159\u00edv\u011bj\u0161\u00ed nahr\u00e1vky byly ob\u010das a\u017e p\u0159\u00edli\u0161 bou\u0159liv\u00e9, na nov\u00e9 kolekci p\u0159evl\u00e1d\u00e1 sp\u00ed\u0161e p\u0159em\u00fd\u0161liv\u00e1 n\u00e1lada a trp\u011blivost. Ka\u017ed\u00fd t\u00f3n m\u00e1 sv\u00e9 p\u0159esn\u00e9 m\u00edsto a ka\u017ed\u00fd hlas p\u0159in\u00e1\u0161\u00ed do celkov\u00e9ho obrazu jin\u00fd odst\u00edn smutku i nad\u011bje. Je to hudba pro chv\u00edle, kdy se \u010dlov\u011bk chce zastavit a nechat na sebe p\u016fsobit kr\u00e1su, kter\u00e1 nikam nesp\u011bch\u00e1. Lond\u00fdn\u0161t\u00ed mist\u0159i n\u00e1lad zkr\u00e1tka vytvo\u0159ili d\u00edlo, kter\u00e9 je sice jemn\u00e9 na dotek, ale v nitru skr\u00fdv\u00e1 obrovskou s\u00edlu a odhodl\u00e1n\u00ed. Chcete poc\u00edtit tuto k\u0159ehkou s\u00edlu na vlastn\u00ed u\u0161i? Pak prvn\u00ed uk\u00e1zky a doprovodn\u00e9 obrazy k novince naleznete na ofici\u00e1ln\u00edm YouTube profilu<\/a>.<\/p>\n

Morrissey<\/a> – Make-Up Is A Lie
\n\u017e\u00e1nr: indie rock \/ indie pop<\/p>\n

\"Morrissey
\nOdvaha \u0159\u00edkat nep\u0159\u00edjemn\u00e9 pravdy bez jak\u00fdchkoli p\u0159\u00edkras se st\u00e1v\u00e1 hlavn\u00edm t\u00e9matem nov\u00e9ho alba „Make-Up Is A Lie“. Morrissey<\/a> se po \u0161esti letech ticha a nekone\u010dn\u00fdch pr\u016ftah\u016f s vydavatelstv\u00edmi kone\u010dn\u011b vrac\u00ed pod k\u0159\u00eddla legend\u00e1rn\u00ed zna\u010dky Sire Records. Deska, kter\u00e1 byla p\u016fvodn\u011b ohla\u0161ov\u00e1na pod jin\u00fdmi n\u00e1zvy, je p\u0159esn\u011b t\u00edm, co od tohoto britsk\u00e9ho barda \u010dek\u00e1te – ironick\u00e1, hluboce osobn\u00ed a hudebn\u011b velmi barevn\u00e1. Pod dohledem producenta Joea Chiccarelliho vzniklo v proslun\u011bn\u00e9 Francii dvan\u00e1ct skladeb, kter\u00e9 s\u00e1zej\u00ed na siln\u00e9 melodie a texty, je\u017e se neboj\u00ed kousnout do t\u00e9mat, jako je povrchnost dne\u0161n\u00ed doby nebo politick\u00e1 korektnost. <\/p>\n

Na novince zp\u011bv\u00e1k ukazuje, \u017ee jeho hlas neztratil nic ze sv\u00e9 s\u00edly a schopnosti dojmout. Hudebn\u011b se zde m\u00eds\u00ed klasick\u00fd kytarov\u00fd rock s prvky snov\u00e9ho popu, a dokonce i ne\u010dekan\u00fdmi experimenty, jako je coververze skladby „Amazona“ od Roxy Music<\/a>. Cel\u00e1 nahr\u00e1vka p\u016fsob\u00ed velmi ucelen\u011b a d\u00e1v\u00e1 prostor jak rychl\u00fdm, \u00fadern\u00fdm p\u00edsn\u00edm, tak dlouh\u00fdm, atmosf\u00e9rick\u00fdm balad\u00e1m. Je to album pro ty, kte\u0159\u00ed v hudb\u011b hledaj\u00ed charakter, odvahu j\u00edt proti proudu. Pokud si chcete poslechnout nahr\u00e1vku, kter\u00e1, a\u010d se rodila nadvakr\u00e1t a v bolestech, p\u0159esto p\u0159ipom\u00edn\u00e1 to nejlep\u0161\u00ed z Morrisseyeho s\u00f3lov\u00e9 kari\u00e9ry, pak uk\u00e1zky naleznete na jeho ofici\u00e1ln\u00edm
\nYouTube profilu<\/a>.<\/p>\n

Tip t\u00fddne<\/p>\n

Mitski<\/a> – Nothing’s About To Happen To Me
\u017e\u00e1nr: americana \/ art pop<\/p>\n

\"Mitski
\nJednou z nejzmi\u0148ovan\u011bj\u0161\u00edch novinek tohoto vyd\u00e1n\u00ed bylo nap\u0159\u00ed\u010d zahrani\u010dn\u00edmi hudebn\u00edmi servery osm\u00e9 album americk\u00e9 p\u00edsni\u010dk\u00e1\u0159ky Mitsuki Laycock aka Mitski<\/a>. A t\u011b\u017eko se divit, kdy\u017e jej\u00ed p\u0159edchoz\u00ed po\u010diny zauj\u00edmaly vysok\u00e1 postaven\u00ed ve v\u00fdro\u010dn\u00edch \u017eeb\u0159\u00ed\u010dc\u00edch nejr\u016fzn\u011bj\u0161\u00edch m\u00e9di\u00ed. Dalo by se \u0159\u00edct, \u017ee v p\u0159\u00edpad\u011b jeden\u00e1cti leto\u0161n\u00edch novinek za\u010d\u00edn\u00e1 tam, kde v p\u0159\u00edpad\u011b „The Land Is Inhospitable and So Are We“ skon\u010dila. Op\u011bt v nich sly\u0161\u00edme velk\u00fd vliv americany a orchestr\u00e1ln\u00edho popu, kter\u00e9 jsou tentokr\u00e1t siln\u011b ovlivn\u011bn\u00e9 art popem. A\u010dkoli se soulem spojovan\u00e9 p\u0159\u00edli\u0161 nejsou, p\u0159esto je stylov\u011b p\u0159irovn\u00e1vaj\u00ed k Dusty Springfield<\/a> a Scottu Walkerovi. U nahr\u00e1v\u00e1n\u00ed pochopiteln\u011b nemohl chyb\u011bt jej\u00ed dvorn\u00ed producent Patrick Hyland, kompletn\u00ed orchestr a vok\u00e1ln\u00ed kvartet. Soud\u011b podle hodnocen\u00ed na metacritic atakuj\u00edc\u00ed 90 %, se jim pr\u00e1ce op\u011bt vyda\u0159ila, co\u017e si ov\u011b\u0159\u00edte na jej\u00edm YouTube<\/a>.<\/p>\n

\"\"\"\"<\/a> <\/p>\n

CHRPY<\/a> – Co mohlo b\u00fdt
\n\u017e\u00e1nr: emo \/ pop-punk<\/p>\n

\"ChrpyMuzikanti z kapely CHRPY<\/a> si u\u017e stihli st\u0159ihnout koncerty po boku Hot Mulligan<\/a>, Me First and the Gimme Gimmes nebo Spanish Love Songs<\/a> a v l\u00e9t\u011b se uk\u00e1\u017eou i na Rock for People. Te\u010f k tomu p\u0159id\u00e1vaj\u00ed prvn\u00ed velk\u00fd z\u00e1\u0159ez do diskografie – u Championship Music vy\u0161el jejich debut „Co mohlo b\u00fdt“. Deska m\u00e1 ambici vr\u00e1tit do hry syrov\u00e9 emoce p\u0159elomu mil\u00e9nia, jen v \u010de\u0161tin\u011b a s dom\u00e1c\u00edmi re\u00e1liemi. CHRPY toti\u017e vznikli v roce 2023 spont\u00e1nn\u011b na baru v pra\u017esk\u00fdch Vr\u0161ovic\u00edch s c\u00edlem p\u0159en\u00e9st energii sv\u011btov\u00e9 emo sc\u00e9ny do \u010desk\u00e9ho jazyka. Inspirace Jimmy Eat World<\/a>, Taking Back Sunday<\/a> nebo Alexisonfire<\/a> se otiskla nejen do zvuku, ale i do filozofie „d\u011blat to lidsky a opravdov\u011b“. Vedle digit\u00e1lu vych\u00e1z\u00ed album i fyzicky – na vinylu a v netradi\u010dn\u00ed CD edici. Ta m\u00edsto klasick\u00e9ho disku obsahuje sem\u00ednka chrpy a QR k\u00f3d ke sta\u017een\u00ed desky v pln\u00e9 kvalit\u011b. K\u0159est je v pl\u00e1nu na 13. b\u0159ezna v pra\u017esk\u00e9m Caf\u00e9 V lese. Ochutnat z hudby formace m\u016f\u017eete na jej\u00edm YouTube profilu<\/a>.<\/p>\n

Bill Frisell<\/a> – In My Dreams
\n\u017e\u00e1nr: jazz<\/p>\n

\"Bill
\nPat Metheny<\/a> nen\u00ed jedin\u00fdm americk\u00fdm jazzov\u00fdm kytaristou, kter\u00fd se rozhodl pochlubit \u017eiv\u00e1kem. A\u010dkoli to dle n\u00e1zvu alba „In My Dreams“ zrovna nevypad\u00e1, t\u00edm dal\u0161\u00edm je Bill Frisell<\/a>. Z\u00e1znam p\u0159in\u00e1\u0161\u00ed dvan\u00e1ct skladeb, na nich\u017e se vedle n\u011bj d\u00e1le pod\u00edleli houslistka Jenny Schelmeinn, violinistka Eyvind Kang, cellista Hank Roberts, kontrabasista Thomas Morgan a buben\u00edk Rudy Royston. Produkce se ujal pochopiteln\u011b jeho dvorn\u00ed spolupracovn\u00edk Lee Townsend a vedle Frissellov\u00fdch kompozic zazn\u011bly i skladby Dukea Ellingtona nebo Stephena Fostera. Usly\u0161\u00edte je i na jeho YouTube kan\u00e1lu<\/a>.<\/p>\n

Rob Zombie<\/a> – The Great Satan
\n\u017e\u00e1nr: horror metal<\/p>\n

\"Rob
\nAmerick\u00fd hudebn\u00edk a filmov\u00fd re\u017eis\u00e9r Rob Zombie<\/a> pat\u0159\u00ed k ikon\u00e1m industrial metalu a vrac\u00ed se po p\u011bti letech s nov\u00fdm albem s n\u00e1zvem „The Great Satan“. Novinka je jeho osmou studiovkou a navazuje na „The Lunar Injection Kool Aid Eclipse Conspiracy“. Hudebn\u011b se vrac\u00ed ke sv\u00fdm hellbilly ko\u0159en\u016fm – op\u011bt kombinuje t\u011b\u017ek\u00e9 kytary, industri\u00e1ln\u00ed beaty a filmov\u00e9 samply. Textov\u011b se vrac\u00ed k hororov\u00fdm obraz\u016fm, satansk\u00e9 ikonografii a groteskn\u00edmu humoru, kter\u00fd je pro jeho tvorbu typick\u00fd. Doposud z\u00edsk\u00e1vala deska v recenz\u00edch sp\u00ed\u0161 nadpr\u016fm\u011brn\u00e9 hodnocen\u00ed. Jednu z patn\u00e1cti nov\u00fdch p\u00edsn\u00ed najdete k poslechu na YouTube<\/a>.<\/p>\n

Joel Hoekstra’s 13<\/a> – From The Fade
\n\u017e\u00e1nr: hard rock<\/p>\n

\"JoelS\u00edla melodick\u00e9ho rocku, kter\u00e1 se vyno\u0159uje z \u0161edi a pr\u016fm\u011brnosti, se st\u00e1v\u00e1 hlavn\u00edm t\u00e9matem nov\u00e9 nahr\u00e1vky „From The Fade“. Joel Hoekstra<\/a>, jen\u017e je zn\u00e1m svou precizn\u00ed prac\u00ed v \u0159ad\u00e1ch slavn\u00fdch Whitesnake<\/a>, zde op\u011bt dokazuje, \u017ee jeho vlastn\u00ed projekt m\u00e1 pevnou p\u016fdu pod nohama a jasn\u00fd sm\u011br. Cel\u00e9 album p\u016fsob\u00ed jako poctiv\u00e9 \u0159emeslo, kde se technick\u00e1 dokonalost kytarov\u00fdch s\u00f3l snoub\u00ed s up\u0159\u00edmnou snahou o silnou p\u00edsni\u010dku. Hoekstra se nesna\u017e\u00ed o \u017e\u00e1dn\u00e9 modern\u00ed v\u00fdst\u0159elky, ale s\u00e1z\u00ed na to, co um\u00ed nejl\u00e9pe – na hutn\u00e9 riffy a melodie, kter\u00e9 v poslucha\u010di z\u016fstanou dlouho po dozn\u011bn\u00ed posledn\u00edho t\u00f3nu. <\/p>\n

Joel zde op\u011bt shrom\u00e1\u017edil v\u00fdkv\u011bt rockov\u00fdch hudebn\u00edk\u016f, jejich\u017e souhra d\u00e1v\u00e1 nahr\u00e1vce punc v\u00fdjime\u010dnosti a sv\u011btov\u00e9 \u00farovn\u011b. Hlas, kter\u00fd tyto p\u00edsn\u011b doprov\u00e1z\u00ed, dod\u00e1v\u00e1 celku pot\u0159ebnou nal\u00e9havost i jemnost tam, kde je j\u00ed zapot\u0159eb\u00ed. Je to d\u00edlo pro ka\u017ed\u00e9ho, kdo v hudb\u011b hled\u00e1 poctivost, jasn\u00e9 struktury a kytarov\u00e9 um\u011bn\u00ed, kter\u00e9 slou\u017e\u00ed celku, nikoliv jen pr\u00e1zdn\u00e9mu p\u0159edv\u00e1d\u011bn\u00ed. Uk\u00e1zky z n\u00e1vratu k nejlep\u0161\u00edm tradic\u00edm tvrd\u00e9ho rocku v modern\u00edm kab\u00e1t\u011b si m\u016f\u017eete poslechnout na jeho YouTube profilu<\/a>.<\/p>\n

EP a minialba
\n Blackpink<\/a> – Deadline
Aktu\u00e1ln\u011b nejslavn\u011bj\u0161\u00ed d\u00edv\u010d\u00ed k-popov\u00e1 skupina si dala chv\u00edli oddech – v r\u00e1mci n\u011bj \u010dlenky vydaly s\u00f3lov\u00e9 debuty. O tom, \u017ee \u0161lo jen o do\u010dasnou pauzu, ale napov\u011bd\u011blo u\u017e lo\u0148sk\u00e9 turn\u00e9, kter\u00e9 neslo n\u00e1zev aktu\u00e1ln\u00edho EP s p\u011btic\u00ed novinek. Produk\u010dn\u011b jsou pod nimi podepsan\u00ed 24, Boaz van de Beatz, Cirkut<\/a>, Diplo<\/a>, Dr. Luke<\/a>, Ido Kush, Vaughn Oliver \u010di Teddy a spoluautorem je i Chris Martin<\/a>, Ejae nebo Tommy Brown. (YouTube<\/a>)
\n
\n The Head And The Heart<\/a> – Ghosts In The Machinery
Americk\u00e1 indiefolkov\u00e1 skupina navazuje na lo\u0148skou desku „Apeture“ sedmi\u010dkou p\u00edsni\u010dek v\u011bnovan\u00fdch duch\u016fm. (YouTube<\/a>)
\n
\n Donovan Woods – Squander Your Gifts
Kanadsk\u00fd folk-rockov\u00fd p\u00edsni\u010dk\u00e1\u0159, kter\u00fd se neboj\u00ed ani country a jeho\u017e skladby zp\u00edv\u00e1 i Tim McGraw<\/a> \u010di Charles Kelley<\/a> z Lady A<\/a>, pro sv\u00e9 leto\u0161n\u00ed EP nahr\u00e1l p\u011bt song\u016f v\u010detn\u011b jednoho s Ana\u00efs Mitchell<\/a>. (YouTube<\/a>)
\n
\n Master Peace – Stupid Kids
Britsk\u00fd hudebn\u00edk s nigerijsk\u00fdmi ko\u0159eny kone\u010dn\u011b po dvou letech navazuje na debut „How To Make A Master Peace“ a mezi \u0161estic\u00ed track\u016f najdeme i jednu spolupr\u00e1ci s Declanem McKennou<\/a>. (YouTube<\/a>) <\/p>\n

Iron & Wine<\/a> – Hen’s Teeth
\n\u017e\u00e1nr: folk rock \/ indie folk<\/p>\n

\"Iron
\nAmerick\u00fd p\u00edsni\u010dk\u00e1\u0159 Sam Beam<\/a>, kter\u00fd u\u017e v\u00edce ne\u017e dvacet let p\u016fsob\u00ed pod jm\u00e9nem Iron & Wine<\/a>, po dvou letech navazuje na sv\u00e9 sedm\u00e9 album „Light Verse“ a p\u0159edkl\u00e1d\u00e1 fanou\u0161k\u016fm nahr\u00e1vku „Hen’s Teeth“. Napsal, nahr\u00e1l a vyprodukoval pro ni celkem deset p\u00edsni\u010dek v\u010detn\u011b dvou, v nich\u017e se k n\u011bmu p\u0159ipojilo trio I’m With Her<\/a>. Aktu\u00e1ln\u00ed pom\u011br jeho mixu folku, rocku a indie okus\u00edte na bandcampu<\/a>.<\/p>\n

Jan Burian<\/a> – Bo\u017e\u00ed koncert
\n\u017e\u00e1nr: indie folk<\/p>\n

\"Jan
\nAlbum „Bo\u017e\u00ed koncert“ zachycuje intimn\u00ed ve\u010der pln\u00fd hled\u00e1n\u00ed a ot\u00e1zek, kter\u00e9 p\u0159esahuj\u00ed ka\u017edodenn\u00ed \u017eivot. Jan Burian<\/a> u klav\u00edru p\u0159edstavuje dv\u011b des\u00edtky p\u00edsn\u00ed z v\u00edce ne\u017e \u010dty\u0159 desetilet\u00ed vlastn\u00ed tvorby – nab\u00edzej\u00ed osobn\u00ed v\u00fdpov\u011b\u010f o tom, jak se jeden \u010dlov\u011bk vyrovn\u00e1v\u00e1 s duchovn\u00edmi ot\u00e1zkami. V tichu mezi t\u00f3ny z\u016fst\u00e1v\u00e1 dost prostoru i pro vlastn\u00ed p\u0159em\u00fd\u0161len\u00ed. Poslucha\u010d\u016fm dovol\u00ed sd\u00edlet momenty setk\u00e1n\u00ed um\u011blce s publikem, kter\u00e9 spolu s n\u00edm, s kulisou zda\u0159il\u00e9ho hudebn\u00edho doprovodu, nach\u00e1z\u00ed odpov\u011bdi na ot\u00e1zky, je\u017e se nedaj\u00ed jen tak vygooglovat. N\u011bkdy sta\u010d\u00ed jeden klav\u00edr a prost\u00e1 up\u0159\u00edmnost bez filtr\u016f a \u00faprav. Uk\u00e1zky z desky naleznete na str\u00e1nk\u00e1ch vydavatelstv\u00ed Supraphonline<\/a>.<\/p>\n

Neal Morse<\/a> Band – L.I.F.T.
\n\u017e\u00e1nr: rock<\/p>\n

\"NealDuchovn\u00ed cesta za hled\u00e1n\u00edm soun\u00e1le\u017eitosti a vy\u0161\u0161\u00edho smyslu se stala \u00fast\u0159edn\u00edm bodem nov\u00e9ho koncep\u010dn\u00edho alba „L.I.F.T.“. Neal Morse<\/a> a jeho st\u00e1l\u00e1 dru\u017eina, v n\u00ed\u017e nechyb\u00ed virtu\u00f3zn\u00ed buben\u00edk Mike Portnoy<\/a> \u010di kytarista Eric Gillette<\/a>, se po p\u011bti letech vracej\u00ed ke spole\u010dn\u00e9 studiov\u00e9 pr\u00e1ci, aby fanou\u0161k\u016fm nab\u00eddli ucelen\u00fd p\u0159\u00edb\u011bh o lidsk\u00e9 du\u0161i. Nahr\u00e1vka, jej\u00ed\u017e n\u00e1zev v sob\u011b nese nad\u011bji na povznesen\u00ed, sleduje osud \u010dlov\u011bka od prvotn\u00edho pocitu spojen\u00ed se sv\u011btem p\u0159es bolestnou izolaci a\u017e po z\u00e1v\u011bre\u010dn\u00e9 vykoupen\u00ed. <\/p>\n

Hudebn\u011b jde o n\u00e1vrat k tomu nejlep\u0161\u00edmu, co tato sestava kdy vytvo\u0159ila. Najdeme zde velkolep\u00e9 orchestr\u00e1ln\u00ed \u00favody, technicky n\u00e1ro\u010dn\u00e9 pas\u00e1\u017ee i k\u0159ehk\u00e9 momenty s akustickou kytarou. Kolekce vynik\u00e1 soudr\u017enost\u00ed – jednotliv\u00e9 motivy se prol\u00ednaj\u00ed celou deskou a vytv\u00e1\u0159ej\u00ed siln\u00fd emocion\u00e1ln\u00ed z\u00e1\u017eitek. Zat\u00edmco skladba „Hurt People“ p\u0159ekvap\u00ed ne\u010dekanou tvrdost\u00ed a drav\u00fdmi riffy, z\u00e1v\u011bre\u010dn\u00fd jeden\u00e1ctiminutov\u00fd epos „Love All Along“ p\u0159edstavuje majest\u00e1tn\u00ed vyvrcholen\u00ed, kter\u00e9 v sob\u011b spojuje v\u0161echny nitky p\u0159\u00edb\u011bhu. Je to d\u00edlo muzikant\u016f, kte\u0159\u00ed spolu hraj\u00ed v naprost\u00e9m souladu a i po letech dok\u00e1\u017eou do progresivn\u00edho rocku vn\u00e9st hloubku a up\u0159\u00edmnou radost z objevov\u00e1n\u00ed nov\u00fdch hudebn\u00edch krajin. Uk\u00e1zky naleznete na YouTube kan\u00e1lu vydavatelstv\u00ed<\/a>.<\/p>\n

Ne\u017efale\u0161<\/a> – D\u00e1vka \u0161t\u011bst\u00ed
\n\u017e\u00e1nr: punk<\/p>\n

\"Ne\u017efale\u0161
\nPra\u017esk\u00e1 punk-rockov\u00e1 skupina Ne\u017efale\u0161<\/a> pat\u0159\u00ed k nejv\u00fdrazn\u011bj\u0161\u00edm jm\u00e9n\u016fm \u010desk\u00e9 klubov\u00e9 sc\u00e9ny posledn\u00edch dvou dek\u00e1d. Nov\u00e1 deska „D\u00e1vka \u0161t\u011bst\u00ed“ je jej\u00ed \u0161est\u00e9 studiov\u00e9 album a navazuje na energick\u00fd po\u010din „Zlo\u010din z v\u00e1\u0161n\u011b“, kter\u00fd vy\u0161el v roce 2018. Novinka stav\u00ed na klasick\u00e9m melodick\u00e9m punk-rocku, ale textov\u011b p\u016fsob\u00ed o n\u011bco osobn\u011bji ne\u017e d\u0159\u00edve. Formace zde reflektuje dosp\u00edv\u00e1n\u00ed fanou\u0161k\u016f i vlastn\u00ed \u017eivotn\u00ed zku\u0161enosti – od radosti z drobn\u00fdch moment\u016f a\u017e po frustraci z ka\u017edodenn\u00ed reality. Hudebn\u011b jde o chytlav\u00fd punk s v\u00fdrazn\u00fdmi refr\u00e9ny a typickou klubovou energi\u00ed. Muzikanti neztratili nic z autenticity ani schopnosti ps\u00e1t p\u00edsn\u011b, kter\u00e9 funguj\u00ed skv\u011ble i na\u017eivo. „D\u00e1vka \u0161t\u011bst\u00ed“ m\u00ed\u0159\u00ed hlavn\u011b na koncertn\u00ed p\u00f3dia, kde tyto skladby tradi\u010dn\u011b z\u00edsk\u00e1vaj\u00ed je\u0161t\u011b v\u011bt\u0161\u00ed s\u00edlu. Video k tituln\u00ed skladb\u011b najdete na YouTube<\/a>.<\/p>\n

Chick Corea<\/a> – Forever Yours: The Farewell Performance
\n\u017e\u00e1nr: jazz<\/p>\n

\"Chick
\nPosledn\u00edm jazzmanem, kter\u00fd aktu\u00e1ln\u011b vyd\u00e1v\u00e1 sv\u016fj \u017eiv\u00e1k, je zesnul\u00fd Chick Corea<\/a>. Z jeho bohat\u00e9ho archivu se vylouplo unik\u00e1tn\u00ed album „Forever Yours: The Farewell Performance“, kter\u00e9 obsahuje to nejlep\u0161\u00ed ze dvou transcendentn\u00edch koncert\u016f, je\u017e se uskute\u010dnily pouh\u00e9 \u010dty\u0159i m\u011bs\u00edce p\u0159ed jeho odchodem. Koncerty, kter\u00e9 se konaly v Ruth Eckerd Hall v Clearwateru na Florid\u011b v \u0159\u00edjnu 2020, byly posledn\u00edmi ve\u0159ejn\u00fdmi vystoupen\u00edmi, kter\u00e1 uspo\u0159\u00e1dal. P\u0159edstavuj\u00ed rozlou\u010den\u00ed i definitivn\u00ed dokument jeho klav\u00edrn\u00ed hry. Obsahuj\u00ed celkem t\u0159iadvacet skladeb, v nich\u017e se m\u00eds\u00ed origin\u00e1ln\u00ed hudba v\u010detn\u011b minirecit\u00e1lu v\u011bnovan\u00e9mu „D\u011btsk\u00fdm p\u00edsn\u00edm“ a pocty n\u011bkter\u00fdm skladatel\u016fm, kter\u00fdch si v\u00e1\u017eil, jako jsou Thelonious Monk, Bud Powell, Stevie Wonder<\/a>, Wolfgang Amadeus Mozart<\/a> \u010di Duke Ellington<\/a>. Album je v cel\u00e9 sv\u00e9 kr\u00e1se k dispozici na hudebn\u00edkov\u011b bandcampu<\/a>.<\/p>\n

Nothing<\/a> – A Short History Of Decay
\n\u017e\u00e1nr: shoegaze \/ alternativn\u00ed rock<\/p>\n

\"Nothing
\nAmerick\u00e1 modern\u00ed rockov\u00e1 skupina Nothing<\/a> je zn\u00e1m\u00e1 svou melancholickou estetikou a zvukem inspirovan\u00fdm devades\u00e1tkov\u00fdm shoegazem. Nov\u00e9 album „A Short History Of Decay“ je jej\u00ed p\u00e1t\u00e9 studiov\u00e9 a navazuje na introspektivn\u00ed kolekci „The Great Dismal“ z roku 2020, kter\u00e1 si z\u00edskala velk\u00fd \u00fasp\u011bch. Deska tematicky pracuje s motivem postupn\u00e9ho rozpadu – vztah\u016f, ide\u00e1l\u016f i osobn\u00ed identity. Hudebn\u011b kombinuje masivn\u00ed kytarov\u00e9 st\u011bny s jemn\u00fdmi vok\u00e1ly a zasn\u011bnou atmosf\u00e9rou. O novince se v recenz\u00edch mluv\u00ed jako o nejtemn\u011bj\u0161\u00ed nahr\u00e1vce v historii skupiny s velkou emocion\u00e1ln\u00ed hloubkou. Uk\u00e1zky najdete na YouTube<\/a>.<\/p>\n

Katannah<\/a> – Sever Rod\u00ed Hv\u011bzdy
\n\u017e\u00e1nr: rap<\/p>\n

\"KatannahTeplick\u00fd rapper s ko\u0159eny sahaj\u00edc\u00edmi do Nig\u00e9rie a Bosny pr\u00e1v\u011b vyd\u00e1v\u00e1 druhou studiovku „Sever rod\u00ed hv\u011bzdy“ s dvan\u00e1cti p\u0159\u00edmo\u010dar\u00fdmi skladbami, ve kter\u00fdch stav\u00ed hlavn\u011b na p\u0159\u00edb\u011bz\u00edch ze sv\u00e9ho \u017eivota. V posledn\u00edch t\u00fddnech na desku postupn\u011b l\u00e1kal singly „V\u0161edn\u00ed den“ a „Grindin“, je\u0161t\u011b d\u0159\u00edv vypustil dnes u\u017e hit „TASO“. Zvukov\u011b se podle vlastn\u00edch slov inspiroval rapem z Memphisu a Texasu. Katannah<\/a> si tentokr\u00e1t vysta\u010dil t\u00e9m\u011b\u0159 s\u00e1m, co\u017e je na rapov\u00e9 pom\u011bry docela nezvyk. Na nov\u00e9m albu m\u00e1 toti\u017e jedin\u00fd feat – kamar\u00e1da jm\u00e9nem Trnovanskyy Princ, pro kter\u00e9ho jde z\u00e1rove\u0148 o debutov\u00fd track. Spole\u010dn\u011b nato\u010dili song „Naho\u010f p\u00f3zu“. Nejen ten najdete na jeho YouTube profilu<\/a>.<\/p>\n

Bill Callahan<\/a> – My Days Of 58
Americk\u00fd p\u00edsni\u010dk\u00e1\u0159 v minulosti vystupuj\u00edc\u00ed tak\u00e9 pod jm\u00e9nem Smog<\/a>, kter\u00fd letos oslav\u00ed \u0161edes\u00e1tku, si k tomuto v\u00fdro\u010d\u00ed nad\u011blil novou desku, pro ni\u017e slo\u017eil a nahr\u00e1l dvan\u00e1ct song\u016f. Produkce se ujal on s\u00e1m. (YouTube<\/a>)
\n
\n Ludovico Einaudi<\/a> – Solo Piano
Zn\u00e1m\u00fd italsk\u00fd skladatel se v posledn\u00ed dob\u011b lehce odklonil od filmov\u00e9 hudby a skl\u00e1d\u00e1 sp\u00ed\u0161e vlastn\u00ed kusy, co\u017e dolo\u017eil i na lo\u0148sk\u00e9 nahr\u00e1vce „The Summer Portraits“, kde se k n\u011bmu p\u0159ipojil i smy\u010dcov\u00fd orchestr. Na t\u00e9 leto\u0161n\u00ed se u\u017e prezentuje pouze u klav\u00edru. (YouTube<\/a>)
\n
\n Buck Meek<\/a> – The Mirror
Americk\u00fd kytarista a zp\u011bv\u00e1k se po lo\u0148sk\u00e9m albu „Double Infinity“ s Big Thief<\/a> vr\u00e1til k s\u00f3lov\u00e9 kari\u00e9\u0159e a vyd\u00e1v\u00e1 album s jeden\u00e1cti p\u00edsni\u010dkami na pomez\u00ed americany, indie rocku, folku a garage rocku. (bandcamp<\/a>)
\n
\n Pet Shop Boys<\/a> – Dreamworld
Vedle jazzman\u016f se s \u017eiv\u00e1kem hl\u00e1s\u00ed tak\u00e9 popul\u00e1rn\u00ed britsk\u00e9 synthpopov\u00e9 duo. Na z\u00e1znam se dostal koncert z Kodan\u011b, kter\u00fd se uskute\u010dnil v r\u00e1mci turn\u00e9 „Dreamworld“. Fanou\u0161ci se mohou t\u011b\u0161it na celkem \u010dty\u0159iadvacet p\u00edsni\u010dek. (YouTube<\/a>)
\n
\n Ben Sollee – Time On Hold
Americk\u00fd cellista, kter\u00fd se pohybuje na pom\u011brn\u011b \u0161irok\u00e9m poli \u017e\u00e1nr\u016f od bluegrassu p\u0159es folk, jazz a rhythm and blues a\u017e po klasiku, vyd\u00e1v\u00e1 nahr\u00e1vku s deseti skladbami. (bandcamp<\/a>)
\n
\n Gena – The Pleasure Is Yours
Projekt, za n\u00edm\u017e se skr\u00fdv\u00e1 detroitsk\u00fd buben\u00edk a producent Karriem Riggins<\/a> a neosoulov\u00e1 rapperka Liv.e, vstupuje na sc\u00e9nu debutem, na n\u011bm\u017e p\u0159in\u00e1\u0161\u00ed \u0161estn\u00e1ct track\u016f na pomez\u00ed alternativn\u00edho r’n’b, neo soulu a hip hopu. (bandcamp<\/a>)
\n
\n Heavenly<\/a> – Highway To Heavenly
Po neskute\u010dn\u00fdch t\u0159iceti letech se na sc\u00e9nu vrac\u00ed britsk\u00e1 tweepopov\u00e1 formace v \u010dele s Ameli\u00ed Fletcher. Nahr\u00e1v\u00e1n\u00ed jeden\u00e1cti p\u00edsni\u010dek se u\u017e pochopiteln\u011b ne\u00fa\u010dastnil buben\u00edk Mathew Fletcher, kter\u00fd si vzal \u017eivot t\u011bsn\u011b p\u0159ed vyd\u00e1n\u00edm alba „Operation Heavenly“. (bandcamp<\/a>)
\n
\n Voxtrot<\/a> – Dreamers In Exile
Americk\u00e1 indiepopov\u00e1 formace si v jeden\u00e1cti p\u00edsni\u010dk\u00e1ch vypomohla indie rockem, jangle popem i alternativou. (bandcamp<\/a>)
\n
\n Em Beihold<\/a> – Tales Of A Failed Shapeshifter
Po dvou \u00edp\u00ed\u010dk\u00e1ch, kter\u00e9 vydala v roce 2017 a 2022, se americk\u00e1 popov\u00e1 p\u00edsni\u010dk\u00e1\u0159ka kone\u010dn\u011b propracovala ke sv\u00e9mu plnohodnotn\u00e9mu debutu. Pod produkc\u00ed jeden\u00e1cti p\u00edsni\u010dek jsou podepsan\u00ed James Flannigan (Lucy Spraggan<\/a>, Weezer<\/a>), CJ Baran (Melanie Martinez<\/a>, Marina<\/a>), Jason Evigan (Maroon 5<\/a>, David Guetta<\/a>) \u010di Jason Suwito (Imagine Dragons<\/a>). (YouTube<\/a>)
\n
\n Red Leather – Tahoe
Sv\u00e9 t\u0159et\u00ed album vyd\u00e1v\u00e1 americk\u00fd country-rockov\u00fd hudebn\u00edk z Kalifornie. \u0160estn\u00e1ct p\u00edsni\u010dek si s\u00e1m napsal i produkoval. (YouTube<\/a>)
\n
\n Telenova – The Warning
Australsk\u00e9 trio, kter\u00e9 ve sv\u00e9 hudb\u011b m\u00edch\u00e1 alt pop, art pop, blues, elektroniku, indie, folk, r’n’b i trip hop, po roce a p\u016fl navazuje na debut „Time Is a Flower“ des\u00edtkou novinek. (bandcamp<\/a>)
\n
\n Tinlicker – Dreams Of The Machine
Kdo m\u00e1 r\u00e1d spojen\u00ed progresivn\u00edho house, deep house a indietroniky, ten ur\u010dit\u011b nemine \u010dtvrtou desku holandsk\u00e9ho uskupen\u00ed se \u010dtrn\u00e1cti tracky. (YouTube<\/a>)
\n
\n Will Dailey<\/a> – Boys Talking
Nahr\u00e1vka tohoto americk\u00e9ho nez\u00e1visl\u00e9ho hudebn\u00edka a producenta se zrodila z up\u0159\u00edmn\u00e9ho spole\u010dn\u00e9ho muzic\u00edrov\u00e1n\u00ed v jedn\u00e9 m\u00edstnosti, kde se organicky propl\u00e9taj\u00ed vlivy americk\u00e9ho folku, soulu i tradi\u010dn\u00edho rockov\u00e9ho p\u00edsni\u010dk\u00e1\u0159stv\u00ed. \u00dast\u0159edn\u00edm motivem d\u00edla je hled\u00e1n\u00ed vnit\u0159n\u00edho klidu a slo\u017eitost lidsk\u00e9ho dorozum\u00edv\u00e1n\u00ed, co\u017e podtrhuje nal\u00e9hav\u00fd p\u0159ednes doprov\u00e1zen\u00fd v\u0159el\u00fdmi akustick\u00fdmi texturami i jemn\u00fdm elektrick\u00fdm jisk\u0159en\u00edm.
\n(YouTube<\/a>)
\n
\n Deathcrash<\/a> – Somersaults
Z britsk\u00e9 metropole Lond\u00fdna se hl\u00e1s\u00ed rockov\u00e1 parta, kter\u00e1 se ve sv\u00e9m um\u011bleck\u00e9m sna\u017een\u00ed odd\u00e1v\u00e1 tkliv\u00fdm n\u00e1p\u011bv\u016fm na pomez\u00ed rozv\u00e1\u017en\u00e9ho rocku a hloubav\u00e9ho minimalismu. Jej\u00ed nejnov\u011bj\u0161\u00ed po\u010din p\u0159edkl\u00e1d\u00e1 poslucha\u010di kompozice, v nich\u017e se st\u0159\u00eddm\u00e9 kytarov\u00e9 motivy vlnovit\u011b sl\u00e9vaj\u00ed v mohutn\u00e9 zvukov\u00e9 st\u011bny pln\u00e9 syrov\u00e9ho citu. V t\u011bchto nepokojn\u00fdch \u010dasech p\u016fsob\u00ed jako vz\u00e1cn\u00fd balz\u00e1m pro zkou\u0161enou mysl.
\n(YouTube<\/a>)
\n
\n Geese<\/a> – Geese: Live At Third Man Records
Americk\u00e1 rockov\u00e1 kapela, kter\u00e1 vznikla v roce 2016, p\u0159in\u00e1\u0161\u00ed na sv\u00e9m nejnov\u011bj\u0161\u00edm z\u00e1znamu nezkrocen\u00fd projev, v n\u011bm\u017e se snoub\u00ed dravost a hrav\u00e1 vynal\u00e9zavost jej\u00edho hudebn\u00edho \u0159emesla. Nahr\u00e1vka byla po\u0159\u00edzena v syrov\u00fdch podm\u00ednk\u00e1ch v\u011bhlasn\u00e9ho studia. Skladb\u00e1m v\u00e9vod\u00ed prom\u011bnliv\u00fd hlas a spletit\u00e9 kytarov\u00e9 rozhovory, kter\u00e9 s naprostou p\u0159irozenost\u00ed t\u011bkaj\u00ed mezi bou\u0159liv\u00fdm vzep\u011bt\u00edm a jemn\u011bj\u0161\u00edmi pas\u00e1\u017eemi.
\n(YouTube<\/a>)
\n
\n Hey Colossus<\/a> – Heaven Was Wild
Letit\u00e9 seskupen\u00ed z britsk\u00fdch ostrov\u016f p\u0159edkl\u00e1d\u00e1 d\u00edlo prodchnut\u00e9 h\u0159motn\u00fdmi t\u00f3ny, v nich\u017e se snoub\u00ed temn\u00e1 t\u00ed\u017ee strunn\u00fdch n\u00e1stroj\u016f s uhran\u010divou vytrvalost\u00ed. Jednotliv\u00e9 kompozice jsou protk\u00e1ny syrovou silou a hlukov\u00fdmi st\u011bnami, je\u017e se v\u0161ak nez\u0159\u00eddka rozestupuj\u00ed p\u0159ed ne\u010dekan\u011b jasn\u011bj\u0161\u00edmi n\u00e1p\u011bvy a rozv\u00e1\u017en\u00fdm rytmem. Muzikanti tak stvrzuj\u00ed v\u00fdsadn\u00ed m\u00edsto v neprob\u00e1dan\u00fdch kon\u010din\u00e1ch soudob\u00e9 tvorby.
\n(YouTube<\/a>)
\n
\n Lala Lala<\/a> – Heaven 2
Chicagsk\u00e9 uskupen\u00ed se ve sv\u00e9m um\u011bn\u00ed odd\u00e1v\u00e1 tkliv\u00fdm n\u00e1p\u011bv\u016fm na pomez\u00ed sniv\u00e9ho rocku a jemn\u00e9ho popu. Jejich nejnov\u011bj\u0161\u00ed d\u00edlo se odkl\u00e1n\u00ed od d\u0159\u00edv\u011bj\u0161\u00ed r\u00e1znosti a no\u0159\u00ed se do hlubin tich\u00e9ho rozj\u00edm\u00e1n\u00ed, jemu\u017e v\u00e9vod\u00ed jemn\u00fd p\u0159ednes a nehmotn\u00e9 zvukov\u00e9 vrstvy.
\n(YouTube<\/a>)
\n
\n Carpenter Brut<\/a> – Leather Temple
T\u0159et\u00ed studiov\u00fd po\u010din francouzsk\u00e9ho producenta, kter\u00fd pat\u0159\u00ed l k nejv\u00fdrazn\u011bj\u0161\u00edm postav\u00e1m modern\u00ed synthwave sc\u00e9ny. (YouTube<\/a>)
\n
\n Inner Wave<\/a> – See You When I Get Back
\u010ctvrt\u00e1 studiovka kapely z Los Angeles, je\u017e pat\u0159\u00ed k nejzaj\u00edmav\u011bj\u0161\u00edm jm\u00e9n\u016fm sou\u010dasn\u00e9ho alternativn\u00edho popu a indie rocku. (YouTube<\/a>)
\n
\n Powerwolf<\/a> – Wildlive (Live At Olympiahalle)
Nov\u00fd \u017eiv\u00e1k n\u011bmeck\u00e9 powermetalov\u00e9 formace zachycuje jej\u00ed velkolep\u00fd koncert v mnichovsk\u00e9 Olympiahalle. Vych\u00e1z\u00ed i na Blu-ray disku. (YouTube<\/a>)
\n
\n Ulver<\/a> – Neverland
\u010ctrn\u00e1ct\u00e9 studiov\u00e9 album norsk\u00e9ho experiment\u00e1ln\u00edho projektu, kter\u00e9 navazuje na elektronicky lad\u011bn\u00e9 projekty posledn\u00edch let. (YouTube<\/a>)
\n
\n Varials<\/a> – Where The Light Leaves
\u010ctvrt\u00e1 studiovka navazuj\u00edc\u00ed na p\u0159edchoz\u00ed po\u010din „Scars for You to Remember“ z roku 2022 z d\u00edlny americk\u00e9 metalcore kapely. (YouTube<\/a>)
\n
\n Kwes<\/a>. – Kinds
Anglick\u00fd hudebn\u00edk a producent, jeho\u017e slu\u017eeb vyu\u017eili nap\u0159\u00edklad Sampha<\/a>, Nubya Garcia<\/a>, Lucy Rose<\/a> nebo Solange<\/a>, se po dlouh\u00fdch t\u0159in\u00e1cti letech vrac\u00ed ke sv\u00e9 tvorb\u011b. V dev\u00edti skladb\u00e1ch op\u011bt experimentuje s elektronikou. (bandcamp<\/a>) <\/p>\n

2Charm – Star Scum City
\nAndrew Bird<\/a> – The Mysterious Production Of Eggs (20th Anniversary Box Set)
\nAndrew Cyr – Sarah Kirkland Snider : Forward Into Light
\nCootie Catcher – Something We All Got
\nDeadletter – Existence Is Bliss
\nExek – Prove The Mountains Move
\nFinal Gasp – New Day Symptoms
\nForager – Even A Child Can Cover The Sun With A Finger
\nGloom In The Corner – Royal Discordance
\nHana – Hana
\nHotel Fiction – Staring At The Sun (Deluxe)
\nIxxxy – Atm (Deluxe)
\nJackie West – Silent Century
\nKabeaush\u00e9 – Kabeaush\u00e9 Presents: I.s.u.i.l.p
\nKishi Bashi<\/a> – Sonderlust (10th Anniversary Edition)
\nLandowner – Assumption
\nLet\u00f3n P\u00e9 – Golosa
\nMaria BC – Marathon
\nMendelssohn \/ Wagner \/ Schumann – Nikolaus Harnoncourt
\nMolly Millington – Frank Morgan
\nPink Floyd<\/a> – MCMLXXII \/ Live At Pompeii 1972 \/ 4K
\nPoisoned – Lies, Jealousy And Obsession Will Be The Death Of Me
\nRitt Momney – Base
\nRosie Carney – Doomsday\u2026 Don\u2019t Leave Me Here
\nSideshow – Tigray Funk
\nTaroug – Chott
\nTvam – Ruins
\nUnverkalt – H\u00e9r\u00e9ditaire
\nV\u00e1clav Noid B\u00e1rta<\/a> – 3CD Box (Jedinej Krok, Zem, Hollywood)<\/p>\n

Vych\u00e1z\u00ed na vinylu:
\nArchive<\/a> – Glass Minds
\nBill Callahan<\/a> – My Days Of 58
\nBill Frisell<\/a> – In My Dreams
\nBruno Mars<\/a> – The Romantic
\nBryan Ferry<\/a> – Bitter-Sweet
\nBryan Ferry<\/a> – The Jazz Age
\nBuck Meek<\/a> – The Mirror
\nCarpenter Brut<\/a> – Leather Temple
\nCircle<\/a> X<\/a> – Prehistory
\nCootie Catcher – Something We All Got
\nDeadletter – Existence Is Bliss
\nDeathcrash<\/a> – Somersaults
\nExek – Prove The Mountains Move
\nGary Moore<\/a> – Bad For You Baby
\nGary Moore<\/a> – Close As You Get
\nGary Moore<\/a> – Live At Bush Hall
\nGary Moore<\/a> – Old New Ballads Blues
\nGeese<\/a> – Geese<\/a>: Live At Third Man Records
\nGloom<\/a> In The Corner – Royal Discordance
\nGorillaz<\/a> – The Mountain
\nHeavenly<\/a> – Highway To Heavenly
\nHey Colossus<\/a> – Heaven Was Wild
\nChick Corea<\/a> – Forever Yours: The Farewell Performance
\nInner Wave<\/a> – See You When I Get Back
\nIron & Wine<\/a> – Hen’s Teeth
\nJoel Hoekstra’s 13<\/a> – From The Fade
\nLala Lala<\/a> – Heaven 2
\nLandowner – Assumption
\nLudovico Einaudi<\/a> – Solo Piano
\nMaria BC – Marathon
\nMichel Petrucciani – Both Worlds
\nMitski<\/a> – Nothing’s About To Happen To Me
\nMorrissey<\/a> – Make-Up Is A Lie
\nNeal Morse<\/a> Band – L.I.F.T.
\nNe\u017efale\u0161<\/a> – D\u00e1vka \u0160t\u011bst\u00ed
\nNothing<\/a> – A Short History Of Decay
\nPavol Hammel<\/a> – Balady (Best Of)
\nPowerwolf<\/a> – Wildlive (Live At Olympiahalle)
\nRob Zombie<\/a> – The Great Satan
\nSodom<\/a> – Get What You Deserve
\nTata Bojs<\/a> – V p\u016fvodn\u00edm sn\u011bn\u00ed (Supraphon)
\nTvam – Ruins
\nUlver<\/a> – Neverland
\nVarials<\/a> – Where The Light Leaves
\nVladim\u00edr Mi\u0161\u00edk<\/a>, Etc…<\/a> – 20 Deka Du\u0161e
\nVoxtrot<\/a> – Dreamers In Exile
\nWillie Nelson<\/a> – Country Music<\/p>\n

EP:
\nDebbie Sings – Oh My
\nFleur Electra – Strike The Match<\/p>\n

Reedice:
\nBryan Ferry<\/a> – Bitter-Sweet
\nBryan Ferry<\/a> – The Jazz Age
\nCrooked Fingers – Breaks In The Armor
\nCrooked Fingers – Swet Deth
\nGary Moore<\/a> – Bad For You Baby
\nGary Moore<\/a> – Close As You Get
\nGary Moore<\/a> – Live At Bush Hall
\nGary Moore<\/a> – Old New Ballads Blues
\nJi\u0159\u00ed Stiv\u00edn<\/a> & Gabriel Jon\u00e1\u0161 – Zv\u011brokruh
\nJi\u0159\u00ed Stiv\u00edn<\/a> & Virtuosi Di Praga – Antonio Vivaldi : Koncerty pro zobcovou fl\u00e9tnu \/ Recorder Concertos
\nMetal Church<\/a> – A Light In The Dark (Remastered, 2025)
\nMetal Church<\/a> – Generation Nothing (Remastered, 2025)
\nMetal Church<\/a> – Masterpeace (Remastered, 2025)
\nMetal Church<\/a> – The Weight Of The World (Remastered, 2025)
\nMetal Church<\/a> – This Present Wasteland (Remastered, 2025)
\nMichel Petrucciani – Both Worlds
\nPavol Hammel<\/a> – Balady (Best Of)
\nSodom<\/a> – Get What You Deserve
\nVladim\u00edr Mi\u0161\u00edk<\/a>, Etc…<\/a> – 20 deka du\u0161e
\nWillie Nelson<\/a> – Country Music \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"Minul\u00fd p\u00e1tek p\u0159i\u0161ly velmi pestr\u00e9 novinky. S novou deskou se vr\u00e1tili Tata Bojs a po deseti letech tak\u00e9…\n","protected":false},"author":2,"featured_media":14704,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[8086,8087,79,8085,195,80],"class_list":{"0":"post-14703","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-cs","9":"tag-dvd","10":"tag-entertainment","11":"tag-musicserver","12":"tag-recenze","13":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116175761771545280","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/14703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=14703"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/14703\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/14704"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=14703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=14703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=14703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}