{"id":147469,"date":"2026-07-14T11:00:14","date_gmt":"2026-07-14T11:00:14","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/147469\/"},"modified":"2026-07-14T11:00:14","modified_gmt":"2026-07-14T11:00:14","slug":"ivo-pesak-nebyl-jen-praskovaci-letadlo-stal-u-korenu-plastic-people-branil-je-i-u-soudu","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/147469\/","title":{"rendered":"Ivo Pe\u0161\u00e1k nebyl jen pr\u00e1\u0161kovac\u00ed letadlo. St\u00e1l u\u00a0ko\u0159en\u016f Plastic People, br\u00e1nil je i\u00a0u soudu"},"content":{"rendered":"

Obraz vousat\u00e9ho komika v\u00a0tesilov\u00e9m obleku, kter\u00fd bez jedin\u00e9ho slova \u010di t\u00f3nu na klarinet dok\u00e1zal strhnout davy, je v\u0161ak pouze vrcholkem ledovce neoby\u010dejn\u011b pestr\u00e9ho um\u011bleck\u00e9ho osudu. Ivo Pe\u0161\u00e1k byl toti\u017e ve skute\u010dnosti hluboce vzd\u011blan\u00fdm hudebn\u00edkem s\u00a0klasick\u00fdm akademick\u00fdm z\u00e1zem\u00edm, jeho\u017e ran\u00e1 kari\u00e9ra byla nesena na vln\u00e1ch avantgardn\u00edho jazzu, t\u011bsn\u00e9ho kontaktu s\u00a0rod\u00edc\u00edm se pra\u017esk\u00fdm undergroundem a\u00a0um\u011bleck\u00e9 spolupr\u00e1ce s\u00a0kl\u00ed\u010dov\u00fdmi postavami neofici\u00e1ln\u00ed kultury, jako byl saxofonista Vratislav Brabenec \u010di teoretik Ivan Martin Jirous.<\/p>\n

Ivo Pe\u0161\u00e1k se narodil v\u00a0roce 1944\u00a0v\u00a0Jarom\u011b\u0159i a\u00a0roku 1972\u00a0\u00fasp\u011b\u0161n\u011b absolvoval Pra\u017eskou konzervato\u0159 jako klarinetista, co\u017e mu okam\u017eit\u011b otev\u0159elo dve\u0159e do sv\u011bta v\u00e1\u017en\u00e9 hudby. N\u00e1sleduj\u00edc\u00ed t\u0159i roky p\u016fsobil jako stabiln\u00ed \u010dlen St\u0159edo\u010desk\u00e9ho symfonick\u00e9ho orchestru v\u00a0Pod\u011bbradech. Vedle orchestr\u00e1ln\u00ed praxe se kr\u00e1tce v\u011bnoval tak\u00e9 pedagogick\u00e9 \u010dinnosti na hudebn\u00ed \u0161kole, ale interpretace klasick\u00e9ho reperto\u00e1ru jeho touhu po svobodn\u00e9m sebevyj\u00e1d\u0159en\u00ed a\u00a0um\u011bleck\u00e9m experimentu nikdy nesplnila.<\/p>\n

B\u011bhem \u0161edes\u00e1t\u00fdch let za\u010dal Pe\u0161\u00e1k pronikat do prost\u0159ed\u00ed pra\u017esk\u00fdch jazzov\u00fdch klub\u016f a\u00a0kav\u00e1ren, kde se rodily nov\u00e9 hudebn\u00ed proudy. Kl\u00ed\u010dov\u00fdm se pro n\u011bj stalo setk\u00e1n\u00ed se saxofonistou Vratislavem Brabencem, s\u00a0n\u00edm\u017e se potkal v\u00a0kapele The Cats Jass Band. Tato skupina, hraj\u00edc\u00ed tradi\u010dn\u00ed i\u00a0modern\u011bj\u0161\u00ed jazz, se stala jak\u00fdmsi rodi\u0161t\u011bm hudebn\u00edk\u016f, kte\u0159\u00ed odm\u00edtali dobov\u00fd pop. Pe\u0161\u00e1k zde uplat\u0148oval svou precizn\u00ed techniku hry na saxofon a\u00a0klarinet, a\u00a0st\u00e1le v\u00edce se bl\u00ed\u017eil svobodn\u00e9 improvizaci a\u00a0avantgardn\u00edm sm\u011br\u016fm, kter\u00e9 tehdej\u0161\u00ed re\u017eim sn\u00e1\u0161el s\u00a0velkou nelibost\u00ed.<\/p>\n

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Na p\u0159elomu \u0161edes\u00e1t\u00fdch a\u00a0sedmdes\u00e1t\u00fdch let st\u00e1l Ivo Pe\u0161\u00e1k v\u00a0\u010dele vlastn\u00edho progresivn\u00edho souboru Alea Jazz. Tato kapela, v\u00a0n\u00ed\u017e s\u00a0n\u00edm op\u011bt p\u016fsobil Vratislav Brabenec, experimentovala se spojen\u00edm jazzov\u00e9 improvizace a\u00a0aleatorick\u00e9 hudby. Ta st\u00e1la na principu \u0159\u00edzen\u00e9 n\u00e1hody, kter\u00fd bo\u0159il tradi\u010dn\u00ed harmonick\u00e9 i\u00a0rytmick\u00e9 struktury. Alea Jazz fungovala v\u00a0pololeg\u00e1ln\u00edch podm\u00ednk\u00e1ch normaliza\u010dn\u00edho re\u017eimu pod hlavi\u010dkou Pra\u017esk\u00e9ho kulturn\u00edho st\u0159ediska.<\/p>\n

Absurditu doby ilustruje jejich dohoda s\u00a0jedn\u00edm z\u00a0pra\u017esk\u00fdch kulturn\u00edch dom\u016f, kde mohli vystupovat pouze pod podm\u00ednkou, \u017ee v\u00a0s\u00e1lu s\u00a0kapacitou dvou set m\u00edst bude sed\u011bt v\u00edce div\u00e1k\u016f, ne\u017e kolik muzikant\u016f stoj\u00ed na p\u00f3diu. P\u0159esto\u017ee na jejich n\u00e1ro\u010dn\u00e9 koncerty chodilo \u010dasto jen kolem patn\u00e1cti poslucha\u010d\u016f, Pe\u0161\u00e1k a\u00a0jeho spoluhr\u00e1\u010di vytrvale rozv\u00edjeli radik\u00e1ln\u00ed zvukov\u00e9 kol\u00e1\u017ee, kter\u00e9 m\u011bly bl\u00edzko k\u00a0z\u00e1padn\u00edm vliv\u016fm a\u00a0nap\u0159\u00edklad ke tvorb\u011b Franka Zappy.<\/p>\n

Pr\u00e1v\u011b Pe\u0161\u00e1kova skupina Alea Jazz se stala historick\u00fdm spojovn\u00edkem, kter\u00fd umo\u017enil vznik klasick\u00e9 sestavy legend\u00e1rn\u00ed undergroundov\u00e9 skupiny The Plastic People of the Universe. V\u00a0\u0159\u00edjnu roku 1973\u00a0uspo\u0159\u00e1dal Pe\u0161\u00e1k\u016fv soubor spole\u010dn\u00fd koncert se za\u010d\u00ednaj\u00edc\u00edmi Plastiky v\u00a0pra\u017esk\u00fdch Klukovic\u00edch. B\u011bhem tohoto spole\u010dn\u00e9ho vystoupen\u00ed, kde Alea Jazz p\u0159edstavila sv\u00e9 avantgardn\u00ed skladby, si um\u011bleck\u00fd vedouc\u00ed Plastik\u016f Ivan Martin Jirous v\u0161iml v\u00fdjime\u010dn\u00e9ho saxofonov\u00e9ho um\u011bn\u00ed Vratislava Brabence a\u00a0okam\u017eit\u011b mu nab\u00eddl st\u00e1l\u00e9 anga\u017em\u00e1 v\u00a0Plastic People.<\/p>\n

\"\"<\/a><\/p>\n

Pe\u0161\u00e1k tak nev\u011bdomky sehr\u00e1l roli kl\u00ed\u010dov\u00e9ho prost\u0159edn\u00edka v\u00a0d\u011bjin\u00e1ch \u010desk\u00e9ho undergroundu. O\u00a0\u00fazk\u00fdch vazb\u00e1ch mezi t\u011bmito sv\u011bty sv\u011bd\u010d\u00ed i\u00a0to, \u017ee kdy\u017e v\u00a0roce 1976\u00a0komunistick\u00fd re\u017eim rozpoutal monstrproces s\u00a0\u010desk\u00fdm undergroundem, byl Ivo Pe\u0161\u00e1k p\u0159edvol\u00e1n jako sv\u011bdek. Samizdatov\u00e1 Hn\u011bd\u00e1 kniha zachycuje jeho sv\u011bdectv\u00ed, v\u00a0n\u011bm\u017e potvrdil po\u0159\u00e1d\u00e1n\u00ed spole\u010dn\u00e9ho koncertu s\u00a0Plastiky a\u00a0korektn\u00ed finan\u010dn\u00ed vyrovn\u00e1n\u00ed, \u010d\u00edm\u017e de facto pomohl vyvr\u00e1tit l\u017eiv\u00e1 tvrzen\u00ed ob\u017ealoby o\u00a0asoci\u00e1ln\u00edm chov\u00e1n\u00ed hudebn\u00edk\u016f.<\/p>\n

S postupuj\u00edc\u00edm normaliza\u010dn\u00edm tlakem se prostor pro avantgardn\u00ed jazz uzav\u0159el. Ivo Pe\u0161\u00e1k se rozhodl pro pragmatick\u00fd, ale um\u011blecky nem\u00e9n\u011b zaj\u00edmav\u00fd krok\u00a0\u2013 vstoupil do rod\u00edc\u00edho se Banjo Bandu Ivana Ml\u00e1dka, kde p\u016fsobil s\u00a0kr\u00e1tk\u00fdmi p\u0159est\u00e1vkami a\u017e do sv\u00e9 smrti. Zde se jeho smysl pro absurdn\u00ed humor protnul s\u00a0Ml\u00e1dkovou hudebn\u00ed a\u00a0hlavn\u011b texta\u0159skou genialitou.<\/p>\n

Zrod nejv\u011bt\u0161\u00edho hitu kapely Jo\u017ein z\u00a0ba\u017ein se datuje do roku 1976, kdy se Pe\u0161\u00e1k a\u00a0Ml\u00e1dek v\u00a0restauraci zl\u00ednsk\u00e9ho hotelu setkali s\u00a0vala\u0161sk\u00fdm v\u00fdtvarn\u00edkem Zde\u0148kem \u201eK\u0148u\u010d\u00edkem\u201c Navr\u00e1tilem. Ten jim p\u0159edstavil svou syrovou b\u00e1se\u0148 o\u00a0exhibicionistovi z\u00a0mo\u010d\u00e1l\u016f u\u00a0Tluma\u010dova, kter\u00fd se boj\u00ed pr\u00e1\u0161kovac\u00edho letadla. Ml\u00e1dek text rafinovan\u011b upravil, z\u00a0vulg\u00e1rn\u00ed figury stvo\u0159il lido\u017erouta po\u017e\u00edraj\u00edc\u00edho Pra\u017e\u00e1ky a\u00a0d\u011bj zasadil do Vizovic.<\/p>\n

Kdy\u017e do\u0161lo na nat\u00e1\u010den\u00ed p\u00edsn\u011b pro televizi, Pe\u0161\u00e1kova p\u0159\u00edtomnost se uk\u00e1zala jako zcela kl\u00ed\u010dov\u00e1. Jeho minimalistick\u00fd, trhav\u00fd tanec, evokuj\u00edc\u00ed pohyby k\u0159\u00eddel pr\u00e1\u0161kovac\u00edho letadla, byl geni\u00e1ln\u00edm kontrastem k\u00a0Ml\u00e1dkovu kamenn\u00e9mu v\u00fdrazu. Pe\u0161\u00e1k vtiskl t\u00e9to figu\u0159e neopakovateln\u00fd r\u00e1z, kter\u00fd pozd\u011bji vtipn\u011b ozna\u010dil za zakladatelsk\u00fd po\u010din \u201etesilov\u00e9ho breakdance\u201c.<\/p>\n

Ne\u010dekan\u00fd mezin\u00e1rodn\u00ed ohlas se dostavil a\u017e po letech s\u00a0n\u00e1stupem internetu. P\u00edse\u0148 a\u00a0zejm\u00e9na Pe\u0161\u00e1kova tane\u010dn\u00ed kreace vyvolaly masovou vlnu popularity v\u00a0Polsku, kde se nahr\u00e1vky staly vir\u00e1ln\u00edm hitem, do\u010dkaly se mnoha coververz\u00ed a\u00a0p\u0159inesly kapele druhou vlnu sl\u00e1vy s\u00a0vyprodan\u00fdmi koncertn\u00edmi s\u00e1ly. S\u00e1m Pe\u0161\u00e1k s\u00a0nads\u00e1zkou prohla\u0161oval, \u017ee jeho tane\u010dn\u00ed styl byl univerz\u00e1ln\u00ed a\u00a0srozumiteln\u00fd pro jak\u00e9koli publikum, nebo\u0165 v\u00a0n\u011bm propojoval polsk\u00fd i\u00a0\u010desk\u00fd temperament.<\/p>\n

\"\"<\/a><\/p>\n

Vedle p\u016fsoben\u00ed v\u00a0Banjo Bandu se Pe\u0161\u00e1k pr\u016fb\u011b\u017en\u011b v\u011bnoval i\u00a0vlastn\u00edm hudebn\u00edm projekt\u016fm. Od osmdes\u00e1t\u00fdch let vedl rokenrolovou kapelu Rockec, se kterou v\u00a0roce 2002\u00a0vydal CD pln\u00e9 klasick\u00fdch p\u00edsn\u00ed s\u00a0origin\u00e1ln\u00edmi texty, kde s\u00e1m nejen hr\u00e1l na tenorsaxofon, ale i\u00a0zp\u00edval. Byl tak\u00e9 mal\u00ed\u0159em, kter\u00fd se ve sv\u00e9m ateli\u00e9ru v\u011bnoval v\u00e1\u017en\u011bj\u0161\u00edm, \u010dasto a\u017e existenci\u00e1ln\u00edm t\u00e9mat\u016fm.<\/p>\n

Z\u00e1v\u011br \u017eivota Iva Pe\u0161\u00e1ka byl poznamen\u00e1n t\u011b\u017ek\u00fdmi zdravotn\u00edmi pat\u00e1liemi. Dlouhodob\u011b bojoval s\u00a0agresivn\u00ed formou cukrovky, kv\u016fli n\u00ed\u017e musel podstoupit amputaci prst\u016f na noze a\u00a0neust\u00e1le mu hrozila ztr\u00e1ta cel\u00e9 kon\u010detiny, k\u00a0\u010demu\u017e se p\u0159idaly v\u00e1\u017en\u00e9 kardiovaskul\u00e1rn\u00ed pot\u00ed\u017ee. Zem\u0159el 9.\u00a0kv\u011btna 2011\u00a0v\u00a0pra\u017esk\u00e9m Institutu klinick\u00e9 a\u00a0experiment\u00e1ln\u00ed medic\u00edny na poopera\u010dn\u00ed komplikace po n\u00e1ro\u010dn\u00e9 operaci bypassu ve v\u011bku \u0161esta\u0161edes\u00e1ti let.<\/p>\n

https:\/\/cs.wikipedia.org\/wiki\/Ivo_Pe%C5%A1%C3%A1k<\/p>\n

https:\/\/www.ustrcr.cz\/wp-content\/uploads\/2017\/10\/Hneda-kniha.pdf<\/p>\n

https:\/\/dspace.cuni.cz\/bitstream\/handle\/20.500.11956\/84267\/120213892.pdf?sequence=1&isAllowed=y<\/p>\n

https:\/\/cs.wikipedia.org\/wiki\/Vo%C5%BEralej_jak_sl%C3%ADva<\/p>\n

psychedelicbabymag.com\/2021\/04\/vratislav-vrata-brabenec-the-plastic-people-of-the-universe-interview.html<\/p>\n

https:\/\/magazin.aktualne.cz\/kultura\/hudba\/zemrel-klarinetista-mladkova-banjo-bandu-ivo-pesak\/r~i:article:699636\/<\/p>\n

https:\/\/www.kvband.cz\/jozin-z-bazin-pribeh-nejpopularnejsiho-lidozrouta\/<\/p>\n

https:\/\/www.ireport.cz\/clanky\/smrt-si-rika-rocknroll\/ivo-pesak-dobrosrdecny-komik-ktery-udelal-z-jozina-z-bazin-mezinarodni-senzaci<\/p>\n","protected":false},"excerpt":{"rendered":"Obraz vousat\u00e9ho komika v\u00a0tesilov\u00e9m obleku, kter\u00fd bez jedin\u00e9ho slova \u010di t\u00f3nu na klarinet dok\u00e1zal strhnout davy, je v\u0161ak…\n","protected":false},"author":2,"featured_media":147470,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[38151,79,441,38152,5539,13107,38150,8524,650,1073,649,10891,82,10673,80],"class_list":["post-147469","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-avantgarda","tag-entertainment","tag-historie","tag-improvizace","tag-ivan-martin-jirous","tag-ivan-mladek","tag-ivo-pesak","tag-jazz","tag-lide","tag-pribeh","tag-spolecnost","tag-the-plastic-people-of-the-universe","tag-underground","tag-vratislav-brabenec","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116917988603148786","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/147469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=147469"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/147469\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/147470"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=147469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=147469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=147469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}