{"id":147762,"date":"2026-07-14T15:55:21","date_gmt":"2026-07-14T15:55:21","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/147762\/"},"modified":"2026-07-14T15:55:21","modified_gmt":"2026-07-14T15:55:21","slug":"reziser-vojtech-stepanek-v-tehle-zmatene-komedii-mluvi-vsichni-cistou-pravdu","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/147762\/","title":{"rendered":"Re\u017eis\u00e9r Vojt\u011bch \u0160t\u011bp\u00e1nek: V\u00a0t\u00e9hle zmaten\u00e9 komedii mluv\u00ed v\u0161ichni \u010distou pravdu"},"content":{"rendered":"

Byla Komedie omyl\u016f va\u0161\u00ed volbou?<\/p>\n

Byla to nab\u00eddka, ale pro m\u011b p\u0159\u00edjemn\u00e1, proto\u017ee si mysl\u00edm, \u017ee pro letn\u00ed produkci se tahle komedie hod\u00ed. Pro Letn\u00ed shakespearovsk\u00e9 slavnosti jsem d\u011blal u\u017e dv\u011b shakespearovsk\u00e9 inscenace s\u00a0ostravsk\u00fdmi herci, a\u00a0poka\u017ed\u00e9 to byly komedie. <\/p>\n

Shakespearovy historick\u00e9 hry nebo trag\u00e9die o\u00a0\u0161\u00edlenstv\u00ed a\u00a0mechanismu moci jsou fantastick\u00e9 texty, ale nesed\u00ed mi ke sv\u00e1te\u010dn\u00edmu pocitu, kter\u00fd pro\u017e\u00edv\u00e1te, kdy\u017e si jdete o\u00a0letn\u00ed noci sednout na Hrad pod hv\u011bzdn\u00e9 nebe, d\u00e1te si k\u00a0tomu skleni\u010dku prosecca a\u00a0chcete si u\u017e\u00edt kr\u00e1sn\u00fd ve\u010der. <\/p>\n

Samoz\u0159ejm\u011b, \u017ee ka\u017ed\u00e9 dobr\u00e9 drama je z\u00e1rove\u0148 i\u00a0dobr\u00e1 z\u00e1bava, a\u00a0u Shakespeara to plat\u00ed mnohon\u00e1sobn\u011b, ale pro p\u0159edstaven\u00ed tohoto typu se l\u00e9pe hod\u00ed komedie. A\u00a0zvl\u00e1\u0161t\u011b tahle situa\u010dn\u00ed komedie, kter\u00e1 dok\u00e1\u017ee zaujmout i\u00a0div\u00e1ka, kter\u00fd by b\u011b\u017en\u011b na Shakespeara do kamenn\u00e9ho divadla nep\u0159i\u0161el.<\/p>\n

<\/a>Pro LSS jste re\u017e\u00edroval Zkrocen\u00ed zl\u00e9 \u017eeny a\u00a0Ve\u010der t\u0159\u00edkr\u00e1lov\u00fd. A\u00a0pr\u00e1v\u011b Zkrocen\u00ed m\u00e1 s\u00a0Komedi\u00ed omyl\u016f mnoho spole\u010dn\u00e9ho, ostatn\u011b ob\u011b hry vznikly kr\u00e1tce po sob\u011b. Jak vn\u00edm\u00e1te tuto souvislost?<\/p>\n

Velmi siln\u011b, t\u011bch spole\u010dn\u00fdch rys\u016f je tu opravdu hodn\u011b. V\u00a0na\u0161\u00ed tehdej\u0161\u00ed inscenaci Zkrocen\u00ed zl\u00e9 \u017eeny jsme pracovali se zar\u00e1mov\u00e1n\u00edm vlastn\u00ed komedie p\u0159\u00edb\u011bhem o\u00a0opil\u00e9m dr\u00e1ten\u00edkovi, p\u0159evle\u010den\u00e9m pro z\u00e1bavu za \u0161lechtice. <\/p>\n

Ta linka se obvykle \u0161krt\u00e1, proto\u017ee v\u00a0dochovan\u00e9m rukopise se tato d\u011bjov\u00e1 linka v\u00a0pr\u016fb\u011bhu hry vytr\u00e1c\u00ed. S\u00a0dramaturgem Tom\u00e1\u0161em V\u016fjtkem jsme v\u00a0na\u0161\u00ed inscenaci tento p\u0159\u00edb\u011bh dot\u00e1hli do konce. A\u00a0pokusili jsme se toho p\u0159evle\u010den\u00e9ho chud\u00e1ka, kter\u00fd v\u00a0Shakespearov\u011b verzi jen p\u0159ihl\u00ed\u017e\u00ed p\u0159edstaven\u00ed, co nejv\u00edc zapojit i\u00a0do p\u0159\u00edb\u011bhu Petruchia a\u00a0Kate\u0159iny.<\/p>\n

V obou titulech se objevuje dobov\u00e9 naz\u00edr\u00e1n\u00ed na vztah mu\u017ee a\u00a0\u017eeny, kter\u00e9 \u017eeny d\u016fsledn\u011b pod\u0159izuje v\u016fli mu\u017ee, co\u017e dnes u\u017e zn\u00ed t\u00e9m\u011b\u0159 rouhav\u011b. Co s\u00a0t\u00edm?<\/p>\n

Komedii omyl\u016f m\u016f\u017eeme naz\u00edrat na t\u00e9ma mu\u017e\u016f a\u00a0\u017een v\u00a0n\u011bkolika rovin\u00e1ch. M\u00e1me tu ne\u0161\u0165astnou nevdanou d\u00edvku a\u00a0jej\u00ed ne\u0161\u0165astn\u011b vdanou sestru. Ob\u011b cht\u011bj\u00ed spojit sv\u00e9 \u017eivotn\u00ed \u0161t\u011bst\u00ed s\u00a0mu\u017ei, ale v\u00a0praxi se jim to neda\u0159\u00ed. Pak tu m\u00e1me kurtiz\u00e1nu, kter\u00e1 m\u00e1 vztahy s\u00a0mu\u017ei naprosto pod kontrolou a\u00a0ve h\u0159e se dom\u00e1h\u00e1 sv\u00e9 cti proti ctihodn\u00e9mu p\u00e1novi, a\u00a0je tu tak\u00e9 postava abaty\u0161e, kter\u00e1 svou autoritou stav\u00ed cel\u00e9 obsazen\u00ed do lat\u011b. <\/p>\n

Foto: Pavel Hejn\u00fd, AGENTURA SCHOK<\/p>\n

Komedie omyl\u016f, premi\u00e9ra LSS 2026, Marek Tacl\u00edk<\/p>\n

I v\u00a0Komedii omyl\u016f nech\u00e1v\u00e1 Shakespeare sv\u00e9 hrdinky mluvit o\u00a0spole\u010densk\u00fdch pravidlech takov\u00fdm a\u017e staroz\u00e1konn\u00edm t\u00f3nem, nicm\u00e9n\u011b tyto promluvy z\u00a0\u00fast sou\u010dasn\u00fdch here\u010dek z\u00edsk\u00e1vaj\u00ed velmi sympatick\u00fd dr\u00e1p. Zvl\u00e1\u0161t\u011b jsou-li tyto promluvy nam\u00ed\u0159eny na p\u0159\u00edtomn\u00e9 mu\u017ee v\u00a0hledi\u0161ti, m\u016f\u017ee to vyvolat humor z\u00a0jist\u00e9ho potrefen\u00ed. A\u00a0to m\u011b na tom tak bav\u00ed: \u017ee na\u0161e i\u00a0Shakespearova epocha je propojena p\u0159es humor, ironii, inteligenci. <\/p>\n

Nemus\u00edme Shakespeara p\u0159ibli\u017eovat dne\u0161n\u00edmu publiku sou\u010dasn\u00fdmi kost\u00fdmy nebo modernistick\u00fdm pojet\u00edm sc\u00e9ny. Jestli\u017ee Shakespeare vsadil svou Komedii omyl\u016f do Efesu, bylo to u\u017e pro tehdej\u0161\u00ed publikum exotick\u00e9 m\u00edsto a\u00a0je tomu tak dosud. V\u00a0takov\u00e9m a\u017e poh\u00e1dkov\u00e9m m\u00edst\u011b m\u016f\u017eou platit i\u00a0trochu jin\u00e1 pravidla chov\u00e1n\u00ed, ne\u017e jak\u00e1 m\u00e1me nastaven\u00e1 dnes my.<\/p>\n

Do jak\u00e9 m\u00edry je pro v\u00e1s kontakt s\u00a0div\u00e1ky d\u016fle\u017eit\u00fd?<\/p>\n

Pro m\u011b je dialog s\u00a0publikem z\u00e1sadn\u00ed v\u011bc\u00ed. V\u00a0Shakespearov\u00fdch hr\u00e1ch nen\u00ed monolog nikdy pouhou samomluvou, ale v\u017edycky dialogem s\u00a0hledi\u0161t\u011bm. Odv\u00edj\u00ed se to u\u017e od prostoru, ve kter\u00e9m se jeho hry uv\u00e1d\u011bly. Pro m\u011b je to a\u017e jak\u00e9si jarmare\u010dn\u00ed divadlo, kde vyvol\u00e1v\u00e1n\u00ed a\u00a0upout\u00e1n\u00ed pozornosti hraje d\u016fle\u017eitou roli. O\u00a0to v\u00edc to pak souvis\u00ed s\u00a0prostorem, v\u00a0n\u011bm\u017e Komedii omyl\u016f inscenujeme. Kdybych ji d\u011blal v\u00a0uzav\u0159en\u00e9m divadle se spoustou tah\u016f, sv\u011btel a\u00a0dal\u0161\u00ed techniky, tak o\u00a0n\u00ed budu p\u0159em\u00fd\u0161let jinak ne\u017e na Hrad\u011b, kde opro\u0161t\u011bnost prostoru vede k\u00a0tomu, \u017ee daleko v\u00edc spol\u00e9h\u00e1m na herce a\u00a0jejich komunikaci s\u00a0publikem.<\/p>\n

Komedie omyl\u016f nab\u00edz\u00ed koloto\u010d situac\u00ed, p\u0159i nich\u017e se potk\u00e1vaj\u00ed ti prav\u00ed s\u00a0neprav\u00fdmi. Je to n\u00e1ro\u010dn\u00e9 u\u017e p\u0159i \u010dten\u00ed, jak se s\u00a0t\u00edm vyrovn\u00e1v\u00e1te p\u0159i zkou\u0161en\u00ed, aby se v\u00a0p\u0159\u00edb\u011bhu neztratili herci ani div\u00e1ci?<\/p>\n

P\u0159edev\u0161\u00edm mus\u00edme m\u00edt v\u00a0hlav\u011b v\u0161ichni po\u0159\u00e1d stejnou mapu hry. Kdo a\u00a0s k\u00fdm se pr\u00e1v\u011b setk\u00e1v\u00e1, kam \u0161el, odkud se vrac\u00ed. D\u016fle\u017eit\u00e9 je p\u0159itom d\u016fsledn\u011b dodr\u017eovat p\u0159\u00edchody a\u00a0odchody postav a\u00a0v\u017edy si uv\u011bdomovat, kam doty\u010dn\u00fd toho druh\u00e9ho poslal a\u00a0pro co, tedy co od n\u011bho p\u0159i n\u00e1vratu o\u010dek\u00e1v\u00e1. P\u00e1n po\u0161le sluhu pro zlato a\u00a0on mu p\u0159inese provaz. A\u00a0z rozd\u00edlu mezi o\u010dek\u00e1v\u00e1n\u00edm a\u00a0t\u00edm, co se skute\u010dn\u011b stane, plyne humor ka\u017ed\u00e9 dobr\u00e9 situa\u010dn\u00ed komedie. <\/p>\n

Herci mus\u00ed m\u00edt zcela jasno, jejich postavy v\u016fbec. V\u00a0ka\u017ed\u00e9 sc\u00e9n\u011b najdete n\u011bkolik motiv\u016f, kter\u00e9 se opakuj\u00ed ve sc\u00e9n\u00e1ch pozd\u011bji. Shakespeare toto d\u016fsledn\u011b dodr\u017euje ve v\u0161ech sv\u00fdch hr\u00e1ch, a\u00a0proto se v\u00a0jeho textech velmi obt\u00ed\u017en\u011b \u0161krt\u00e1. Kdy\u017e \u0161krtnete n\u011bco t\u0159eba na stran\u011b p\u011bt, d\u011bn\u00ed na stran\u011b t\u0159icet osm p\u0159estane d\u00e1vat smysl. V\u00a0ka\u017ed\u00e9 sc\u00e9n\u011b se stane cosi, co posouv\u00e1 d\u011bj a\u00a0co je t\u0159eba zav\u011bsit do vzduchu na ur\u010ditou dobu, aby si to lid\u00e9 pamatovali a\u017e do konce hry. A\u00a0v ka\u017ed\u00e9m zdvojen\u00ed najdeme i\u00a0n\u011bjak\u00fd ostr\u00fd kontrast. <\/p>\n

Foto: Pavel Hejn\u00fd, AGENTURA SCHOK<\/p>\n

Komedie omyl\u016f, premi\u00e9ra LSS 2026, Marek Adamczyk<\/p>\n

Hlavn\u00ed hrdina Antifolus Syrakusk\u00fd p\u0159ij\u00ed\u017ed\u00ed do Efesu a\u00a0okam\u017eit\u011b nar\u00e1\u017e\u00ed na \u0159adu lid\u00ed, kte\u0159\u00ed se k\u00a0n\u011bmu chovaj\u00ed, jako by ho znali, dvo\u0159\u00ed se mu d\u00e1my, zlatn\u00edk mu d\u00e1v\u00e1 zlat\u00fd \u0159et\u011bz, kter\u00fd si neobjednal, v\u0161ichni s\u00a0n\u00edm jednaj\u00ed jako s\u00a0v\u00e1\u017een\u00fdm ob\u010danem, a\u00a0to jen proto, \u017ee ani\u017e to tu\u0161\u00ed, v\u00a0Efesu \u017eije jeho dvoj\u010de. A\u00a0ten druh\u00fd naopak za\u017e\u00edv\u00e1 nepochopiteln\u00fd spole\u010densk\u00fd se\u0161up, kter\u00fd kon\u010d\u00ed dokonce jeho uv\u011bzn\u011bn\u00edm. A\u00a0to nab\u00edz\u00ed nejednu p\u0159\u00edle\u017eitost ke – skoro bych \u0159ekl – klauni\u00e1d\u011b.<\/p>\n

Co v\u00e1s na Komedii omyl\u016f nejv\u00edc bav\u00ed?<\/p>\n

Zaj\u00edmav\u00e9 je, \u017ee krom\u011b v\u00e9vody tu nen\u00ed \u017e\u00e1dn\u00e1 urozen\u00e1 figura, je to snad nejv\u011bt\u0161\u00ed shluk lidov\u00fdch figur ze v\u0161ech shakespearovsk\u00fdch her. A\u00a0lidov\u00e9 figury maj\u00ed u\u00a0Shakespeara zdravou \u017eivotn\u00ed energii, kter\u00e1 div\u00e1ky ob\u010derstvuje. Ona tahle hra p\u0159ipom\u00edn\u00e1 a\u017e takovou anticko-shakespearovskou variaci Goldoniho Poprasku na lagun\u011b, kter\u00fd je sice o\u00a0dv\u011b stolet\u00ed mlad\u0161\u00ed, ale pracuje s\u00a0podobn\u00fdmi motivy; i\u00a0tady je sluha, kter\u00fd, zde ov\u0161em nev\u011bdomky, slou\u017e\u00ed dv\u011bma p\u00e1n\u016fm.<\/p>\n

Na t\u00e9 h\u0159e je velmi p\u016fvabn\u00e9 i\u00a0to, \u017ee \u017e\u00e1dn\u00e1 z\u00a0postav nel\u017ee, tak\u017ee cel\u00fd ten obrovsk\u00fd zmatek plyne z\u00a0toho, \u017ee v\u0161ichni mluv\u00ed \u010distou pravdu. A\u00a0s t\u00edm souvis\u00ed to, \u017ee a\u010dkoli se nikdo za nikoho nep\u0159evl\u00e9k\u00e1 ani nevyd\u00e1v\u00e1, je neust\u00e1le pova\u017eov\u00e1n za n\u011bkoho jin\u00e9ho, tedy \u017ee z\u00e1m\u011bna postav nevych\u00e1z\u00ed z\u00a0nich samotn\u00fdch, ale z\u00a0reakc\u00ed jejich okol\u00ed. <\/p>\n

Kdy\u017e si vezmete, \u017ee v\u00a0\u0159ad\u011b Shakespearov\u00fdch trag\u00e9di\u00ed a\u00a0histori\u00ed se postavy chovaj\u00ed velmi proradn\u011b, vz\u00e1jemn\u011b intrikuj\u00ed a\u00a0vym\u00fd\u0161lej\u00ed, jak toho druh\u00e9ho zlikvidovat, tak tady se v\u0161ichni chovaj\u00ed a\u017e nepochopiteln\u011b \u010destn\u011b. A\u00a0to v\u010detn\u011b z\u00e1v\u011bru, kdy ka\u017ed\u00e1 z\u00a0postav p\u0159evypr\u00e1v\u00ed naprosto up\u0159\u00edmn\u011b, co se j\u00ed stalo, a\u00a0pak tot\u00e9\u017e u\u010din\u00ed dal\u0161\u00ed postava, chov\u00e1 se \u00fapln\u011b stejn\u011b, ale vznik\u00e1 z\u00a0toho absurdn\u00ed sm\u011bs p\u0159\u00edb\u011bh\u016f, kter\u00e1 je nap\u00ednav\u00e1 t\u00edm, jak nikdo nem\u016f\u017ee ustoupit ze sv\u00e9 verze.<\/p>\n

Z\u00e1rove\u0148 z\u00a0toho cel\u00e9ho plyne t\u00e9ma znejist\u011bn\u00ed, krize identity, kter\u00e9 je vlastn\u011b velmi aktu\u00e1ln\u00ed.<\/p>\n

Samoz\u0159ejm\u011b, v\u017edy\u0165 dnes \u017eijeme v\u00a0dob\u011b, kdy t\u00e9m\u011b\u0159 ka\u017ed\u00fd \u017eije krom\u011b sv\u00e9ho re\u00e1ln\u00e9ho \u017eivota je\u0161t\u011b ten druh\u00fd na soci\u00e1ln\u00edch s\u00edt\u00edch, kde si v\u0161ichni buduj\u00ed sv\u016fj obraz tak, jak cht\u011bj\u00ed, aby se o\u00a0nich mluvilo, jak\u00fdsi vzorov\u00fd \u017eivot k\u00a0zapamatov\u00e1n\u00ed. A\u00a0t\u00edm ten re\u00e1ln\u00fd \u017eivot vlastn\u011b pozb\u00fdv\u00e1 \u010d\u00e1st sv\u00e9 hodnoty. <\/p>\n

V\u00a0Komedii omyl\u016f \u017eij\u00ed postavy tak\u00e9 dva \u017eivoty, akor\u00e1t \u017ee nikoli z\u00a0vlastn\u00ed v\u016fle. Antifolus Syrakusk\u00fd a\u00a0jeho sluha Dromio pro\u017e\u00edvaj\u00ed situace, kter\u00e9 je vedou a\u017e k\u00a0tomu, \u017ee uv\u011b\u0159\u00ed, \u017ee jsou o\u010darov\u00e1ni. Ztr\u00e1ta jistoty sama sebe je p\u0159ece existenci\u00e1ln\u00ed t\u00e9ma. Stejn\u011b tak je tam i\u00a0motiv \u0161\u00edlenstv\u00ed, kter\u00e9 z\u00a0t\u00e9 ztr\u00e1ty vlastn\u00ed identity plyne. <\/p>\n

Foto: Pavel Hejn\u00fd, AGENTURA SCHOK<\/p>\n

Komedie omyl\u016f, premi\u00e9ra LSS 2026, Aneta Krej\u010d\u00edkov\u00e1<\/p>\n

Tohle v\u0161e p\u0159ece dob\u0159e zn\u00e1me. Tak\u017ee v\u00a0t\u00e9hle zd\u00e1nliv\u011b pouze z\u00e1bavn\u00e9 fra\u0161ce se pot\u00fdk\u00e1me i\u00a0s t\u00e9maty ztr\u00e1ty cti, existence a\u00a0lidskosti, a\u00a0to u\u017e zas takov\u00e1 legrace nen\u00ed. V\u00a0tom je ta hra ojedin\u011bl\u00e1. Dneska vznikaj\u00ed cel\u00e9 stohy situa\u010dn\u00edch komedi\u00ed, kter\u00e9 nap\u0159\u00ed\u010d republikou spolehliv\u011b bav\u00ed herce i\u00a0publikum, ale kter\u00e9 se s\u00a0vrstevnatost\u00ed t\u00e9hle Shakespearovy komedie nemohou v\u016fbec srovn\u00e1vat. Douf\u00e1m, \u017ee se n\u00e1m poda\u0159\u00ed tu tematickou bohatost do inscenace dostat.<\/p>\n

Pou\u017eil jste u\u017e slovo klauni\u00e1da. Znamen\u00e1 to, \u017ee ponech\u00e1v\u00e1te herc\u016fm jistou svobodu k\u00a0improvizaci?<\/p>\n

Na jedn\u00e9 stran\u011b je tu p\u0159esn\u00e1 partitura situac\u00ed, kterou je t\u0159eba dodr\u017eet, abychom se v\u00a0tom neztratili, na druh\u00e9 stran\u011b tu prostor pro hereckou tvorbu ur\u010dit\u011b je. Jsem r\u00e1d, \u017ee vzdor hereck\u00e9 sestav\u011b z\u00a0r\u016fzn\u00fdch divadel jsme nalad\u011bni stejn\u011b, ale i\u00a0tak to znamen\u00e1 sjednotit r\u016fzn\u00e9 hereck\u00e9 n\u00e1tury a\u00a0zku\u0161enosti do t\u00e9ho\u017e modu operandi komedi\u00e1ln\u00edho herectv\u00ed, na kter\u00e9m se shodneme. <\/p>\n

Hodn\u011b n\u00e1m v\u00a0tom pom\u00e1h\u00e1 \u017eiv\u00e1 hudba, kterou v\u00a0roli jak\u00e9hosi staro\u0159eck\u00e9ho buskera obstar\u00e1v\u00e1 m\u016fj dlouholet\u00fd spolupracovn\u00edk, herec a\u00a0muzikant Nikos Engonidis a\u00a0kter\u00e1 hereck\u00fd projev i\u00a0celou inscenaci rytmizuje. Pod pojmem klauni\u00e1da si ostatn\u011b ka\u017ed\u00fd p\u0159edstav\u00ed n\u011bco jin\u00e9ho, v\u00a0tomto p\u0159\u00edpad\u011b vych\u00e1z\u00ed z\u00a0p\u0159esn\u011b nastaven\u00fdch situac\u00ed.<\/p>\n

Dovolte mi osobn\u00ed ot\u00e1zku: Komedie omyl\u016f je hra o\u00a0dvou dvojic\u00edch bratr\u016f. M\u00e1te s\u00a0bratrstv\u00edm zku\u0161enost?<\/p>\n

Jsem nejmlad\u0161\u00ed ze t\u0159\u00ed bratr\u016f. Nejstar\u0161\u00ed je nevlastn\u00ed bratr, m\u00e1me spole\u010dn\u00e9ho otce, je o\u00a0p\u016fl generace star\u0161\u00ed, nevyr\u016fstali jsme spolu. Zato s\u00a0prost\u0159edn\u00edm br\u00e1chou jsme ob\u00fdvali panel\u00e1kov\u00fd pokoj\u00edk ve Stra\u0161nic\u00edch patn\u00e1ct \u0161estn\u00e1ct let. I\u00a0kdy\u017e te\u010f m\u00e1me vlastn\u00ed rodiny a\u00a0nev\u00edd\u00e1me se tak \u010dasto jako d\u0159\u00edve, po\u0159\u00e1d plat\u00ed, \u017ee v\u00e1\u0161 br\u00e1cha jste vy, jen zrovna v\u00a0jin\u00e9m p\u0159\u00edb\u011bhu.<\/p>\n

Existuje Shakespearova hra, kterou byste na Letn\u00edch shakespearovsk\u00fdch slavnostech r\u00e1d uvedl?<\/p>\n

Existuje a\u00a0kupodivu to nen\u00ed komedie. R\u00e1d bych se vr\u00e1til k\u00a0Juliu Caesarovi, kter\u00e9ho jsme p\u0159ed mnoha lety v\u00a0radik\u00e1ln\u00ed \u00faprav\u011b bez postavy Caesara hr\u00e1li ve Stra\u0161nick\u00e9m divadle. Ta hra je geni\u00e1ln\u00ed a\u00a0jsem si jist\u00fd, \u017ee je pot\u0159ebn\u00e1. Je to vlastn\u011b p\u0159\u00edb\u011bh o\u00a0touze zachr\u00e1nit demokracii a\u00a0ob\u010danskou spole\u010dnost a\u00a0o tom, do jak\u00fdch katastrof se m\u016f\u017eeme dostat, kdy\u017e se na stran\u011b v\u00edt\u011bz\u016f nakumuluj\u00ed neschopn\u00e1 a\u00a0zl\u00e1 monstra. Siln\u00fd a\u00a0aktu\u00e1ln\u00ed titul s\u00a0velk\u00fdmi hereck\u00fdmi p\u0159\u00edle\u017eitostmi.<\/p>\n

<\/a><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Byla Komedie omyl\u016f va\u0161\u00ed volbou? Byla to nab\u00eddka, ale pro m\u011b p\u0159\u00edjemn\u00e1, proto\u017ee si mysl\u00edm, \u017ee pro letn\u00ed…\n","protected":false},"author":2,"featured_media":147763,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[79,14026,14025,1059,5966,80],"class_list":["post-147762","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-entertainment","tag-komedie-omylu","tag-letni-shakespearovske-slavnosti-praha","tag-reziseri","tag-vojtech-stepanek","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116919148595174246","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/147762","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=147762"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/147762\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/147763"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=147762"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=147762"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=147762"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}