{"id":148251,"date":"2026-07-15T08:33:11","date_gmt":"2026-07-15T08:33:11","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/148251\/"},"modified":"2026-07-15T08:33:11","modified_gmt":"2026-07-15T08:33:11","slug":"jako-prvni-udelal-zidli-z-jednoho-kusu-plastu-verner-panton-zmenil-svet-designu","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/148251\/","title":{"rendered":"Jako prvn\u00ed ud\u011blal \u017eidli z\u00a0jednoho kusu plastu. Verner Panton zm\u011bnil sv\u011bt designu"},"content":{"rendered":"

Radik\u00e1ln\u00ed experimenty v\u00a0architektu\u0159e, designu \u010di um\u011bn\u00ed mnohdy kon\u010d\u00ed n\u011bkde na okraji, obdivovan\u00e9 jen nad\u0161enci a\u00a0ostatn\u00edmi pova\u017eovan\u00e9 za \u00fapln\u00e9 bl\u00e1zniviny. D\u00e1nsk\u00fd interi\u00e9rov\u00fd a\u00a0n\u00e1bytkov\u00fd design\u00e9r Verner Panton v\u0161ak pat\u0159il k\u00a0lidem, kte\u0159\u00ed jimi dok\u00e1zali \u0161iroce zaujmout. Natolik, \u017ee ovlivnil cel\u00e9 generace tv\u016frc\u016f v\u00a0oboru.<\/p>\n

Interi\u00e9rov\u00fd a\u00a0n\u00e1bytkov\u00fd design se za\u010dal hodn\u011b m\u011bnit od po\u010d\u00e1tku 50.\u00a0let, kdy s\u00a0n\u00e1stupem pov\u00e1le\u010dn\u00e9ho modernismu n\u00e1vrh\u00e1\u0159i za\u010dali experimentovat s\u00a0organick\u00fdmi tvary, plastov\u00fdmi sko\u0159epinami a\u00a0lamin\u00e1ty. Vedle Ameri\u010dan\u016f Charlese a\u00a0Raye Eamesov\u00fdch se tohoto chopili hlavn\u011b Skandin\u00e1vci jako Arne Jacobsen \u010di Eero Saarinen. Jejich n\u00e1bytek p\u016fsobil tak futuristicky, \u017ee jej od t\u011bch dob u\u017e des\u00edtky let vyu\u017e\u00edvaj\u00ed filma\u0159i pro tvorbu sci-fi interi\u00e9r\u016f budoucnosti.<\/p>\n

Vlivem vzniku pop-artu a\u00a0po\u010d\u00e1tk\u016f l\u00e9t\u00e1n\u00ed do kosmu se na p\u0159elomu 50.\u00a0a\u00a060.\u00a0let tento trend posunul je\u0161t\u011b d\u00e1l. A\u00a0st\u00e1l u\u00a0toho pr\u00e1v\u011b v\u00fdst\u0159edn\u00ed architekt a\u00a0design\u00e9r Verner Panton, kter\u00fd p\u016fvodn\u011b za\u010d\u00ednal jako asistent zm\u00edn\u011bn\u00e9ho Jacobsena. U\u00a0sv\u00e9ho mentora se inspiroval, ale brzy se vydal vlastn\u00ed cestou a\u00a0pustil se do rozvoje radik\u00e1ln\u011b nov\u00fdch prostorov\u00fdch koncept\u016f, ve kter\u00fdch hr\u00e1ly hlavn\u00ed roli barvy, textilie a\u00a0sv\u011btlo. <\/p>\n

\u010clov\u011bk pohlcen\u00fd barvou<\/p>\n

Zat\u00edmco jeho p\u0159edch\u016fdci se dr\u017eeli p\u0159ev\u00e1\u017en\u011b neutr\u00e1ln\u00edch odst\u00edn\u016f, on se neb\u00e1l syt\u00fdch barev. \u201eV\u011bt\u0161ina lid\u00ed tr\u00e1v\u00ed sv\u016fj \u017eivot v\u00a0ponur\u00e9, \u0161edob\u00e9\u017eov\u00e9 konformit\u011b a\u00a0smrteln\u011b se boj\u00ed pou\u017e\u00edvat barvy. Experimentov\u00e1n\u00edm s\u00a0osv\u011btlen\u00edm, barvami, textiliemi a\u00a0n\u00e1bytkem a\u00a0vyu\u017e\u00edv\u00e1n\u00edm nejnov\u011bj\u0161\u00edch technologi\u00ed se sna\u017e\u00edm uk\u00e1zat nov\u00e9 zp\u016fsoby, jak povzbudit lidi k\u00a0pou\u017e\u00edv\u00e1n\u00ed jejich fantazie a\u00a0u\u010dinit sv\u00e9 okol\u00ed vzru\u0161uj\u00edc\u00edm,\u201c \u0159\u00edkal Verner Panton<\/a>. <\/p>\n

Barva nav\u00edc p\u0159estala b\u00fdt jen dekora\u010dn\u00edm prvkem nebo n\u00e1t\u011brem jednotliv\u00fdch kus\u016f vybaven\u00ed. Za\u010dala prostupovat a\u00a0definovat cel\u00fd interi\u00e9r. Panton tak navrhoval cel\u00e9 interi\u00e9ry lad\u011bn\u00e9 do ur\u010dit\u00e9 barvy nebo kombinace dvou odst\u00edn\u016f. <\/p>\n

Foto: Se svolen\u00edm Verner Panton Design AG<\/a><\/p>\n

\u017didle, stoly nebo sv\u00edtidla v\u00a0nich z\u010d\u00e1sti splynuly s\u00a0pozad\u00edm, hranice objekt\u016f v\u00a0prostoru se zjemnily. \u010clov\u011bk uvnit\u0159 pak sp\u00ed\u0161e ne\u017e \u010d\u00e1sti vybaven\u00ed vn\u00edmal atmosf\u00e9ru celku, barvou se mohl nechat p\u0159\u00edmo pohltit. Interi\u00e9rov\u00fd design se v\u00a0Pantonov\u00fdch rukou prom\u011bnil ve sc\u00e9nografii. <\/p>\n

Kdy\u017e navrhoval interi\u00e9ry cel\u00e9 budovy, v\u00a0r\u016fzn\u00fdch prostor\u00e1ch \u010dasto volil odli\u0161n\u00e9 odst\u00edny. T\u0159eba v\u00a0hotelu Astoria v\u00a0Trondheimu ladil bar do oran\u017eov\u00e9 a\u00a0zelen\u00e9, restauraci vytvo\u0159il \u010derveno-\u017elutou a\u00a0tane\u010dn\u00ed s\u00e1l fialovo-r\u016f\u017eov\u00fd. V\u00a0interi\u00e9rech s\u00eddla vydavatelstv\u00ed Der Spiegel v\u00a0Hamburku zase obl\u00e9kl ka\u017ed\u00e9 patro do jin\u00e9 barvy. <\/p>\n

Interi\u00e9r jako fantazijn\u00ed krajina<\/p>\n

Zvl\u00e1\u0161tn\u00ed kapitolou je jeho koncept Fantasy Landscape z\u00a0roku 1970\u00a0pro v\u00fdstavu Visiona II, navr\u017een\u00fd pro chemick\u00fd koncern Bayer k\u00a0p\u0159\u00edle\u017eitosti kol\u00ednsk\u00e9ho veletrhu n\u00e1bytku. Firma po n\u011bm cht\u011bla showroom k\u00a0propagaci r\u016fzn\u00e9 syntetick\u00e9 v\u00fdroby v\u00a0souvislosti s\u00a0bytov\u00fdm za\u0159\u00edzen\u00edm. <\/p>\n

V\u00fdstava Verner Panton: Form, Colour, SpaceFoto: Vitra Design Museum, Franz Wamhof<\/p>\n

Z\u00e1v\u011bsn\u00e1 k\u0159es\u00edlka Flying Chair na v\u00fdstav\u011b ve Wheil am Rhein.<\/p>\n

Kde: Vitra Schaudepot, Vitra Design Campus, Wheil am Rhein v N\u011bmeckuDo kdy: do 9. kv\u011btna 2027Vstupn\u00e9: z\u00e1kladn\u00ed 16 eur (400 K\u010d), zv\u00fdhodn\u011bn\u00e9 13 eur (325 K\u010d), kombinace s Vitra Design Museem z\u00e1kladn\u00ed 26 eur (650 K\u010d), zv\u00fdhodn\u011bn\u00e9 24 eur (600 K\u010d)<\/p>\n

Krom\u011b designu n\u00e1bytku a\u00a0interi\u00e9r\u016f je zde poprv\u00e9 v\u00a0historii podrobn\u011bji prezentov\u00e1na tak\u00e9 Pantonova p\u0159ev\u00e1\u017en\u011b nerealizovan\u00e1 architektonick\u00e1 \u010dinnost a\u00a0proces vzniku n\u00e1vrh\u016f. V\u00fdstava vznikla ve spolupr\u00e1ci se spole\u010dnost\u00ed Verner Panton Design AG, kter\u00e1 je dr\u017eitelem pr\u00e1v k\u00a0jeho d\u00edlu.<\/p>\n

<\/a><\/p>\n

Pantonovo jm\u00e9no je ov\u0161em bytostn\u011b spojeno i\u00a0s jednotliv\u00fdmi kousky n\u00e1bytku, p\u0159edev\u0161\u00edm \u017eidl\u00ed a\u00a0k\u0159esel. I\u00a0v tomto sm\u011bru volil design\u00e9r na svou dobu radik\u00e1ln\u00ed a\u00a0provokativn\u00ed \u0159e\u0161en\u00ed. <\/p>\n

Nejv\u00edc ho proslavila \u017eidle s\u00a0vykonzolovan\u00fdm sed\u00e1kem Panton Chair, jej\u00ed\u017e koncept navrhl u\u017e v\u00a0polovin\u011b 50.\u00a0let a\u00a0kter\u00e1 se dostala do s\u00e9riov\u00e9 v\u00fdroby pod zna\u010dkou Vitra v\u00a0roce 1967.\u00a0Zat\u00edmco jeho p\u0159edch\u016fdci nasazovali plastov\u00e9 sed\u00e1ky na podno\u017ee z\u00a0jin\u00fdch materi\u00e1l\u016f, tohle byla prvn\u00ed \u017eidle vyroben\u00e1 vst\u0159ikov\u00e1n\u00edm z\u00a0jedin\u00e9ho kusu plastu. <\/p>\n

P\u0159edstavovala technick\u00fd pr\u016flom a\u00a0vzbudila okam\u017eit\u00fd mezin\u00e1rodn\u00ed ohlas. Jak se na takov\u00e9 \u017eidli sed\u00ed, je mo\u017en\u00e9 si vyzkou\u0161et nap\u0159\u00edklad ve foyer Kongresov\u00e9ho centra Zl\u00edn. T\u00edmto designem Panton nav\u00e1zal na sv\u00e9 p\u0159edchoz\u00ed n\u00e1vrhy \u017eidl\u00ed S-Chair z\u00a0oh\u00fdban\u00e9 p\u0159ekli\u017eky pro tov\u00e1rnu Thonet.<\/p>\n

Zn\u00e1m\u00e1 jsou t\u0159eba tak\u00e9 jeho k\u0159es\u00edlka z\u00a0roku 1958\u00a0Cone Chair v\u00a0podob\u011b trycht\u00fd\u0159e a\u00a0Heart Cone Chair ve tvaru srdce. K\u00a0nejodv\u00e1\u017en\u011bj\u0161\u00edm Pantonov\u00fdm experiment\u016fm pak pat\u0159\u00ed k\u0159eslo-houpa\u010dka Flying Chair z\u00a0roku 1964, kter\u00e9 se zav\u011b\u0161uje na lanech ze stropu a\u00a0d\u00e1 se i\u00a0v\u00fd\u0161kov\u011b nastavovat. Panton navrhoval tak\u00e9 sv\u00edtidla, textilie nebo komplexn\u00ed n\u00e1bytkov\u00e9 syst\u00e9my. <\/p>\n

Are\u00e1l se stavbami od Gehryho, Hadid i\u00a0Ji\u0159i\u010dn\u00e9Foto: Vitra, Seznam Zpr\u00e1vy<\/p>\n

Vitra Haus od kancel\u00e1\u0159e Herzog & de Meuron v\u00a0are\u00e1lu.<\/p>\n

Do are\u00e1lu Vitra ve Wheil am Rhein pobl\u00ed\u017e \u0161v\u00fdcarsk\u00e9 Basileje stoj\u00ed za to zav\u00edtat i\u00a0kv\u016fli \u0161pi\u010dkov\u00e9 architektu\u0159e, rozm\u00edst\u011bn\u00e9 z\u010d\u00e1sti v\u00a0parku pln\u00e9m soch a\u00a0instalac\u00ed. Od 80.\u00a0let minul\u00e9ho stolet\u00ed se tu stav\u00ed r\u016fzn\u00e9 budovy ve spolupr\u00e1ci se sv\u011btozn\u00e1m\u00fdmi architekty. <\/p>\n

Na jednom m\u00edst\u011b tak lze vid\u011bt pavilony od Franka Gehryho, Tadaa Anda, \u00c1lvara Sizy, Zahy Hadid \u010di ateli\u00e9r\u016f SANAA nebo Herzog & de Meuron. Stoj\u00ed zde tak\u00e9 kopule Dome od legend\u00e1rn\u00edho tv\u016frce kulovit\u00fdch konstrukc\u00ed Richarda Buckminstera Fullera. Na \u010d\u00e1sti jedn\u00e9 z\u00a0budov se pod\u00edlela n\u00e1vrhem kryt\u00e9ho vstupu rovn\u011b\u017e Eva Ji\u0159i\u010dn\u00e1<\/a>.<\/p>\n

Foto: Vitra<\/p>\n

Jeden z\u00a0posledn\u00edch p\u0159\u00edr\u016fstk\u016f je o\u00e1za harmonie a\u00a0klidu Doshi Retreat od uzn\u00e1van\u00e9ho indick\u00e9ho architekta Balkr\u0161ny D\u00f3\u0161\u00edho.<\/p>\n","protected":false},"excerpt":{"rendered":"Radik\u00e1ln\u00ed experimenty v\u00a0architektu\u0159e, designu \u010di um\u011bn\u00ed mnohdy kon\u010d\u00ed n\u011bkde na okraji, obdivovan\u00e9 jen nad\u0161enci a\u00a0ostatn\u00edmi pova\u017eovan\u00e9 za \u00fapln\u00e9…\n","protected":false},"author":2,"featured_media":148252,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[4025,335,10573,79,1740,80],"class_list":["post-148251","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-architektura","tag-design","tag-designeri","tag-entertainment","tag-interierovy-design","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116923072930236950","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/148251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=148251"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/148251\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/148252"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=148251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=148251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=148251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}