{"id":151371,"date":"2026-07-18T14:46:10","date_gmt":"2026-07-18T14:46:10","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/151371\/"},"modified":"2026-07-18T14:46:10","modified_gmt":"2026-07-18T14:46:10","slug":"paris-paloma-na-colours-brojila-proti-zneuzivani-zen-moby-se-zastal-zvirat","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/151371\/","title":{"rendered":"Paris Paloma na Colours brojila proti zneu\u017e\u00edv\u00e1n\u00ed \u017een, Moby se zastal zv\u00ed\u0159at"},"content":{"rendered":"

Vloni soci\u00e1ln\u00ed s\u00edt\u011b zaplavily obr\u00e1zky vygenerovan\u00e9 um\u011blou inteligenc\u00ed ve stylu japonsk\u00e9ho studia Ghibli. Jeho zakladatel, oscarov\u00fd re\u017eis\u00e9r animovan\u00fdch film\u016f Hajao Mijazaki, p\u0159itom tento vyn\u00e1lez slavn\u011b odm\u00edtl. \u201eNikdy bych si nep\u0159\u00e1l tuto technologii vyu\u017e\u00edt ve sv\u00fdch filmech. Je to ur\u00e1\u017eka samotn\u00e9ho \u017eivota,\u201c prohl\u00e1sil p\u0159ed lety.<\/p>\n

Pr\u00e1v\u011b Mijazakiho jednozna\u010dn\u00fd postoj inspiroval sou\u010dasnou britskou zp\u011bva\u010dku Paris Palomu k\u00a0singlu, kter\u00fd vydala letos v\u00a0b\u0159eznu a\u00a0nazvala ho jednodu\u0161e Mijazaki. \u201eNepou\u017e\u00edvejte generativn\u00ed AI. Nestoj\u00ed za nic a\u00a0ni\u010d\u00ed na\u0161i vz\u00e1cnou planetu,\u201c zvolala tak\u00e9 tento p\u00e1tek ve\u010der, kdy\u017e skladbu uvedla na hlavn\u00ed sc\u00e9n\u011b festivalu Colours of Ostrava.<\/p>\n

\u0160estadvacetilet\u00e1 zp\u011bva\u010dka v\u00a0\u010dern\u00fdch rozevl\u00e1t\u00fdch \u0161atech, s\u00a0dlouh\u00fdmi rozpu\u0161t\u011bn\u00fdmi vlasy a\u00a0modr\u00fdm pruhem p\u0159es o\u010di naboso tan\u010d\u00ed a\u00a0b\u011bh\u00e1 po p\u00f3diu, zat\u00edmco se na nebi stahuj\u00ed tmav\u00e1 mra\u010dna a\u00a0zved\u00e1 se v\u00edtr. Atmosf\u00e9ra dob\u0159e koresponduje s\u00a0p\u00edsn\u011bmi z\u00a0jej\u00edho zat\u00edm jedin\u00e9ho alba Cacophony, kter\u00e9 vydala roku 2024.\u00a0Inspirovala ho mimo jin\u00e9 kniha esej\u016f \u010carod\u011bjnice od \u0161v\u00fdcarsk\u00e9 novin\u00e1\u0159ky Mony Chollet, kter\u00e1 zkoum\u00e1 osudy t\u0159\u00ed odsouzen\u00fdch \u017een a\u00a0zasazuje je do dne\u0161n\u00edho kontextu.<\/p>\n

\u017densk\u00fd vztek a\u00a0obecn\u011b \u017eensk\u00e1 s\u00edla jsou d\u016fle\u017eit\u00fdmi prvky v\u011bt\u0161iny p\u00edsn\u00ed, kter\u00e9 Paris Paloma p\u0159ivezla do Ostravy. Jedn\u00e1 se o\u00a0jej\u00ed prvn\u00ed samostatnou \u010deskou show. Zat\u00edm se p\u0159edstavila akor\u00e1t v\u00a0Praze, kde na ja\u0159e p\u0159edskakovala indie-rockov\u00e9 kapele Florence and the Machine. Tu uv\u00e1d\u00ed vedle irsk\u00e9ho hudebn\u00edka Hoziera jako sv\u00e9 nejv\u011bt\u0161\u00ed vzory.<\/p>\n

Paris Paloma cht\u011bla b\u00fdt liter\u00e1tkou, p\u0159i\u010dem\u017e talent pro psan\u00ed je patrn\u00fd z\u00a0jej\u00edch text\u016f, vypr\u00e1v\u011bj\u00edc\u00edch p\u0159\u00edb\u011bhy a\u00a0vymezuj\u00edc\u00edch se v\u016f\u010di genderov\u00e9 nerovnosti nebo patriarch\u00e1tu. Roda\u010dka z\u00a0hrabstv\u00ed Derbyshire nakonec vystudovala v\u00fdtvarn\u00e9 um\u011bn\u00ed, a\u00a0tak dnes do sv\u00e9 hudby m\u00eds\u00edc\u00ed prvky indie-popu i\u00a0folku zapojuje pr\u00e1v\u011b i\u00a0inspirace literaturou a\u00a0malbou.<\/p>\n

Na Colours ji doprov\u00e1zej\u00ed jen kytarista a\u00a0buben\u00edk. P\u0159esto\u017ee show nem\u00e1 vizu\u00e1ln\u00ed slo\u017eku, dok\u00e1\u017ee upoutat. Nap\u0159\u00edklad t\u00edm, jak Paris Paloma prokl\u00e1d\u00e1 skladby promluvami o\u00a0spole\u010densk\u00fdch t\u00e9matech, za n\u011b\u017e si opakovan\u011b vyslou\u017e\u00ed aplaus. <\/p>\n

\u201eKdy\u017e nen\u00e1vid\u00edte svoje t\u011blo, n\u011bkdo z\u00a0toho profituje. Kr\u00e1sa nen\u00ed n\u00e1jem, kter\u00fd plat\u00edte za svou existenci,\u201c upozor\u0148uje t\u0159eba p\u0159ed p\u00edsn\u011bmi s\u00a0my\u0161lenkou body positivity, co\u017e je sm\u011br hl\u00e1s\u00edc\u00ed p\u0159ijet\u00ed vlastn\u00edho t\u011bla bez ohledu na tvar \u010di velikost.<\/p>\n

\u201eV\u011bd\u011bla jsem, \u017ee jednoho dne budu muset sledovat \/ Jak mocn\u00ed mu\u017ei ni\u010d\u00ed sv\u011bt \/ Jen jsem ne\u010dekala, \u017ee budou takov\u00ed l\u00faz\u0159i,\u201c recituje na za\u010d\u00e1tku jedn\u00e9 z\u00a0nejnov\u011bj\u0161\u00edch skladeb Good Boy, kterou napsala jako vzkaz dosp\u00edvaj\u00edc\u00edm mu\u017e\u016fm obdivuj\u00edc\u00edm miliard\u00e1\u0159e Elona Muska \u010di influencera Andrewa Tatea. <\/p>\n

Hudebnice se mlad\u00edk\u016fm sna\u017e\u00ed uk\u00e1zat, \u017ee v\u00edc ne\u017e s\u00a0t\u011bmito dv\u011bma maj\u00ed ve skute\u010dnosti spole\u010dn\u00e9ho s\u00a0n\u00ed a\u00a0\u017ee podporou Muska \u010di Tatea nic nez\u00edskaj\u00ed. Skladba bude sou\u010d\u00e1st\u00ed alba The Fatal Flaw, kter\u00e9 Paris Paloma vyd\u00e1 v\u00a0z\u00e1\u0159\u00ed.<\/p>\n

<\/a><\/p>\n

Publikum ji v\u00a0Ostrav\u011b cel\u00fd koncert odm\u011b\u0148uje nad\u0161en\u00fdm potleskem, nejv\u011bt\u0161\u00ed ale p\u0159ich\u00e1z\u00ed a\u017e po posledn\u00ed p\u00edsni. T\u00e9, kter\u00e1 Paris Palomu proslavila. <\/p>\n

\u201eCel\u00fd den, ka\u017ed\u00fd den, terapeutka, matka, slu\u017eebn\u00e1 \/ Nymfa, potom panna, ch\u016fva, potom slu\u017eka \/ Pouze dopln\u011bk, \u017eiju, jen abych mu slou\u017eila \/ Aby nikdy ani nehnul prstem,\u201c zp\u00edv\u00e1 v\u00a0singlu Labour, jen\u017e za 24\u00a0hodin od vyd\u00e1n\u00ed nasb\u00edral p\u0159es milion poslech\u016f na platform\u011b Spotify. Dnes u\u017e tam m\u00e1 v\u00a0r\u016fzn\u00fdch verz\u00edch p\u0159es p\u016fl miliardy p\u0159ehr\u00e1n\u00ed.<\/p>\n

Na TikToku z\u00e1hy za\u010dala p\u0159ib\u00fdvat videa doprov\u00e1zen\u00e1 sborov\u011b zp\u00edvan\u00fdm refr\u00e9nem, v\u00a0nich\u017e \u017eeny z\u00a0cel\u00e9ho sv\u011bta popisuj\u00ed sv\u00e9 zku\u0161enosti se sexismem nebo sexu\u00e1ln\u011b podm\u00edn\u011bn\u00fdm n\u00e1sil\u00edm. I\u00a0d\u00edky tomu se Labour stala feministickou hymnou a\u00a0b\u00fdv\u00e1 spojov\u00e1na s\u00a0hn\u011bvem pramen\u00edc\u00edm z\u00a0nespravedliv\u00e9 rodinn\u00e9 \u010di emocion\u00e1ln\u00ed z\u00e1t\u011b\u017ee, kterou n\u011bkter\u00e9 \u017eeny poci\u0165uj\u00ed v\u00a0heterosexu\u00e1ln\u00edch vztaz\u00edch.<\/p>\n

Hit, jeho\u017e refr\u00e9n nahlas zp\u00edv\u00e1 i\u00a0publikum, zavr\u0161uje p\u00e1te\u010dn\u00ed vystoupen\u00ed Paris Palomy jen p\u00e1r minut p\u0159edt\u00edm, ne\u017e na Doln\u00ed oblast V\u00edtkovice ude\u0159\u00ed bou\u0159ka. B\u011bhem nejsiln\u011bj\u0161\u00edho de\u0161t\u011b organiz\u00e1to\u0159i zakazuj\u00ed vstup na nejv\u011bt\u0161\u00ed prostranstv\u00ed a\u00a0nav\u00e1d\u011bj\u00ed n\u00e1v\u0161t\u011bvn\u00edky do zd\u011bn\u00fdch budov. T\u0159i koncerty jsou p\u0159eru\u0161eny nebo za\u010d\u00ednaj\u00ed pozd\u011bji, dva se ru\u0161\u00ed. Kypersk\u00e1 um\u011blkyn\u011b Della pozd\u011bji dost\u00e1v\u00e1 n\u00e1hradn\u00ed term\u00edn na sobotu.<\/p>\n

Foto: Profimedia.cz<\/p>\n

Organiz\u00e1to\u0159i festivalu kv\u016fli bou\u0159ce v\u00a0p\u00e1tek kr\u00e1tce p\u0159eru\u0161ili program.<\/p>\n

Zhruba po hodin\u011b se d\u00e9\u0161\u0165 m\u00edrn\u00ed a\u00a0program festivalu pokra\u010duje navzdory\u00a0m\u00edrn\u011bj\u0161\u00edm p\u0159eh\u00e1\u0148k\u00e1m. V\u00a0pl\u00e1\u0161t\u011bnk\u00e1ch stoj\u00ed lid\u00e9 na koncertu trumpetisty Ibrahima Maaloufa i\u00a0\u010desk\u00e9 kapely Tata Bojs.\u2028\u2028<\/p>\n

Nejv\u011bt\u0161\u00ed dav si p\u0159ed p\u016flnoc\u00ed p\u0159ich\u00e1z\u00ed poslechnout hlavn\u00ed hv\u011bzdu dne, americk\u00e9ho skladatele a\u00a0DJ Mobyho. Na p\u00f3dium vtrhne ne\u010dekan\u011b rychle a\u00a0are\u00e1l okam\u017eit\u011b zapln\u00ed elektronick\u00e1 hudba. \u0160edes\u00e1tilet\u00fd Ameri\u010dan doprov\u00e1zen\u00fd\u00a0kapelou a\u00a0dv\u011bma zp\u011bva\u010dkami startuje show plnou blikaj\u00edc\u00edch sv\u011btel a\u00a0barevn\u00fdch obrazc\u016f. Dav roztancuje hned prvn\u00ed skladbou Bodyrock, energie vydr\u017e\u00ed a\u017e do sam\u00e9ho konce.<\/p>\n

\u201eNem\u011bl jsem moc co \u0159\u00edct \/ Nevzdal jsem se sv\u011btla \/ Zav\u0159el jsem o\u010di a\u00a0zav\u0159el jsem s\u00e1m sebe \/ A\u00a0zav\u0159el jsem sv\u016fj sv\u011bt a\u00a0nikdy ho neotev\u0159el ni\u010demu \/ Co by m\u011b mohlo dostat,\u201c zp\u00edv\u00e1 Moby nap\u0159\u00edklad v\u00a0elektronick\u00e9m remixu filmov\u00e9ho hitu Extreme Ways. <\/p>\n

S\u00e1m b\u011bhem ostravsk\u00e9ho vystoupen\u00ed vyst\u0159\u00edd\u00e1 n\u011bkolik n\u00e1stroj\u016f, zahraje s\u00f3lo na kytaru a\u00a0zp\u011bva\u010dky dopl\u0148uje sv\u00fdmi vok\u00e1ly.<\/p>\n

Foto: Ad\u00e9la Horelicov\u00e1<\/p>\n

V\u00a0New Yorku narozen\u00fd multiinstrumentalista, vlastn\u00edm jm\u00e9nem Richard Melville Hall, z\u00edskal pseudonym od rodi\u010d\u016f. Ti mu v\u00a0d\u011btstv\u00ed \u0159\u00edkali podle velryby z\u00a0rom\u00e1nu Moby Dick od Hermana Melvilla, se kter\u00fdm m\u00e1 b\u00fdt p\u0159\u00edbuzn\u00fd.<\/p>\n

Hudebn\u00ed dr\u00e1hu zah\u00e1jil Moby koncem 80.\u00a0let minul\u00e9ho stolet\u00ed, sv\u011btov\u011b proslul v\u00a0roce 1999\u00a0albem Play. Postupn\u011b vyzkou\u0161el nespo\u010det \u017e\u00e1nr\u016f v\u010detn\u011b techna, popu, alternativn\u00edho rocku, trip hopu \u010di punk rocku. Program p\u00e1te\u010dn\u00edho koncertu, sv\u00e9ho prvn\u00edho v\u00a0\u010cesku po 17\u00a0letech, pojal jako pr\u016f\u0159ez celou vlastn\u00ed tvorbou a\u00a0tud\u00ed\u017e je pom\u011brn\u011b rozmanit\u00fd.<\/p>\n

\u201eP\u0159edstavte si te\u010f, \u017ee sed\u00edte u\u00a0m\u011b v\u00a0ob\u00fdv\u00e1ku, se mnou i\u00a0m\u00fdm p\u0159\u00edtelem Davidem Bowiem, a\u00a0poslouch\u00e1te tu nejkr\u00e1sn\u011bj\u0161\u00ed p\u00edse\u0148, co kdy byla napsan\u00e1,\u201c uv\u00e1d\u00ed siln\u00fd moment ve\u010dera, coververzi Heroes od dnes ji\u017e ne\u017eij\u00edc\u00edho Bowie. V\u00fdjime\u010dn\u00e9 hlasy zp\u011bva\u010dek Nadii Christine Duggin a\u00a0Indii Carney, stejn\u011b jako smy\u010dcov\u00e1 linka, nech\u00e1vaj\u00ed div\u00e1ky v\u00a0\u00fa\u017easu. Mezi elektronick\u00fdmi skladbami se v\u0161e najednou zjemn\u00ed a\u00a0poslucha\u010di zap\u00ednaj\u00ed baterky na telefonech.<\/p>\n

B\u011bhem skladby Why Does My Heart Feel So Bad? se na obrazovk\u00e1ch objevuj\u00ed z\u00e1b\u011bry krav. Moby je dlouholet\u00fdm veganem a\u00a0aktivistou za pr\u00e1va zv\u00ed\u0159at, o\u00a0\u010dem\u017e sv\u011bd\u010d\u00ed i\u00a0jeho v\u00fdrazn\u00e1 tetov\u00e1n\u00ed \u201evegan for life\u201c na krku a\u00a0\u201eanimal rights\u201c na obou ruk\u00e1ch. Aktivismus a\u00a0vzdor v\u016f\u010di bezpr\u00e1v\u00ed v\u00a0Ostrav\u011b zmi\u0148uje i\u00a0p\u0159ed p\u00edsn\u00ed Lift Me Up, ji\u017e v\u011bnuje v\u0161em bojovn\u00edk\u016fm proti fa\u0161ismu \u010di tyranii. <\/p>\n

Sv\u016fj set zakon\u010duje rave skladbou, p\u0159i kter\u00e9 se na jeho p\u0159\u00e1n\u00ed k\u00a0nad\u0161en\u00ed div\u00e1k\u016f odehr\u00e1v\u00e1 sv\u011bteln\u00e1 show u\u017e nejen na p\u00f3diu, ale tak\u00e9 na nedalek\u00e9m rusk\u00e9m kole.<\/p>\n","protected":false},"excerpt":{"rendered":"Vloni soci\u00e1ln\u00ed s\u00edt\u011b zaplavily obr\u00e1zky vygenerovan\u00e9 um\u011blou inteligenc\u00ed ve stylu japonsk\u00e9ho studia Ghibli. Jeho zakladatel, oscarov\u00fd re\u017eis\u00e9r animovan\u00fdch…\n","protected":false},"author":2,"featured_media":151372,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[9837,15862,79,84,4341,34695,86,80],"class_list":["post-151371","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-colours-of-ostrava","tag-elektronicka-hudba","tag-entertainment","tag-hudba","tag-hudebni-festivaly","tag-moby","tag-popova-hudba-pop-music","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116941526645502622","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/151371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=151371"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/151371\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/151372"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=151371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=151371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=151371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}