![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/07\/vinnetou-ribanna-film.jpeg\")
Foto: Profimedia (koupen\u00e1 licence)<\/p>\nKdy\u017e m\u011bl v\u00a0prosinci 1962\u00a0premi\u00e9ru Poklad na St\u0159\u00edbrn\u00e9m jeze\u0159e, m\u00e1lokdo o\u010dek\u00e1val, \u017ee odstartuje jednu z\u00a0nej\u00fasp\u011b\u0161n\u011bj\u0161\u00edch evropsk\u00fdch filmov\u00fdch s\u00e9ri\u00ed v\u0161ech dob. Producent Horst Wendlandt koupil pr\u00e1va na rom\u00e1ny Karla Maye s\u00a0nad\u011bj\u00ed, \u017ee vznikne jeden \u00fasp\u011b\u0161n\u00fd western. M\u00edsto toho p\u0159i\u0161el fenom\u00e9n, kter\u00fd zaplnil kina po cel\u00e9m N\u011bmecku, Rakousku, \u010ceskoslovensku i\u00a0Jugosl\u00e1vii. N\u00e1sledovalo dal\u0161\u00edch deset film\u016f a\u00a0z Pierra Brice a\u00a0Lexe Barkera se staly mezin\u00e1rodn\u00ed hv\u011bzdy. Obrovsk\u00e1 popularita ale zp\u016fsobila, \u017ee fanou\u0161ci za\u010dali filmy sledovat st\u00e1le pozorn\u011bji. A\u00a0tam, kde d\u0159\u00edve vid\u011bli jen dobrodru\u017estv\u00ed Vinnetoua a\u00a0Old Shatterhanda, dnes nach\u00e1zej\u00ed chyby, kter\u00e9 \u0161t\u00e1bu v\u00a0\u0161edes\u00e1t\u00fdch letech unikly.<\/p>\n
Autobus a\u00a0mrtvola se h\u00fdbe<\/p>\n
Nejslavn\u011bj\u0161\u00ed filmov\u00e1 chyba se objevuje u\u017e v\u00a0Pokladu na St\u0159\u00edbrn\u00e9m jeze\u0159e. V\u00a0jedn\u00e9 ze sc\u00e9n lze mezi skalami na okam\u017eik zahl\u00e9dnout autobus s\u00a0turisty. Jde jen o\u00a0kr\u00e1tk\u00fd okam\u017eik, ale jakmile ho jednou objev\u00edte, p\u0159\u00ed\u0161t\u011b u\u017e ho nep\u0159ehl\u00e9dnete. V\u00a0dob\u011b premi\u00e9ry p\u0159itom podobn\u00fd detail t\u00e9m\u011b\u0159 nikdo nemohl zaznamenat. Div\u00e1ci sed\u011bli v\u00a0kin\u011b daleko od pl\u00e1tna a\u00a0film b\u011b\u017eel bez mo\u017enosti zastaven\u00ed obrazu. Dnes si lze sc\u00e9nu p\u0159ehr\u00e1t sn\u00edmek po sn\u00edmku a\u00a0autobus se stal jednou z\u00a0nejzn\u00e1m\u011bj\u0161\u00edch kuriozit cel\u00e9 s\u00e9rie.<\/p>\n
Stejn\u011b zn\u00e1m\u00e1 je i\u00a0chyba b\u011bhem p\u0159est\u0159elky. Jeden z\u00a0padouch\u016f po z\u00e1sahu padne k\u00a0zemi, jen\u017ee o\u00a0n\u011bkolik sekund pozd\u011bji je patrn\u00e9, \u017ee se pohne a\u00a0uprav\u00ed si polohu. Pravd\u011bpodobn\u011b \u0161lo o\u00a0komparzistu, kter\u00fd se jednodu\u0161e zapomn\u011bl a\u00a0pohnul d\u0159\u00edv, ne\u017e kamera p\u0159estala sn\u00edmat. Podobn\u00e9 drobnosti dnes p\u016fsob\u00ed \u00fasm\u011bvn\u011b, ale p\u0159i rychl\u00e9m tempu nat\u00e1\u010den\u00ed nebyly ni\u010d\u00edm v\u00fdjime\u010dn\u00fdm.<\/p>\n
Foto: Profimedia (koupen\u00e1 licence)<\/p>\n
Vinnetou a\u00a0jeho sestra N\u0161o-\u010di<\/p>\n
Kdo vlastn\u011b \u0159\u00eddil dostavn\u00edk?<\/p>\n
Dal\u0161\u00ed z\u00a0\u010dasto p\u0159ipom\u00ednan\u00fdch p\u0159e\u0161lap\u016f souvis\u00ed s\u00a0dostavn\u00edkem. V\u00a0jednom z\u00e1b\u011bru jedou kon\u011b vp\u0159ed, ale ko\u010d\u00ed na kozl\u00edku nen\u00ed vid\u011bt. Po st\u0159ihu se op\u011bt objev\u00ed, jako by nikdy nezmizel. Jde o\u00a0klasickou kontinuitn\u00ed chybu, kter\u00e1 vznikla p\u0159i spojov\u00e1n\u00ed z\u00e1b\u011br\u016f nato\u010den\u00fdch v\u00a0r\u016fzn\u00fdch \u010dasech. Dnes by podobnou nep\u0159esnost odstranila digit\u00e1ln\u00ed postprodukce b\u011bhem n\u011bkolika minut. V\u00a0roce 1962\u00a0ale filma\u0159i takovou mo\u017enost nem\u011bli.<\/p>\n
P\u0159i pohledu na podobn\u00e9 chyby je dobr\u00e9 p\u0159ipomenout, za jak\u00fdch podm\u00ednek filmy vznikaly. V\u011bt\u0161ina exteri\u00e9r\u016f se nat\u00e1\u010dela v\u00a0tehdej\u0161\u00ed Jugosl\u00e1vii, p\u0159edev\u0161\u00edm v\u00a0chorvatsk\u00fdch n\u00e1rodn\u00edch parc\u00edch Paklenica, Krka a\u00a0u Plitvick\u00fdch jezer. \u0160t\u00e1b pracoval ve vedru, \u010dasto daleko od nejbli\u017e\u0161\u00edho m\u011bsta, a\u00a0technick\u00e9 z\u00e1zem\u00ed bylo nesrovnateln\u011b skromn\u011bj\u0161\u00ed ne\u017e dnes.<\/p>\n
Re\u017eis\u00e9r Harald Reinl nav\u00edc dost\u00e1val od producent\u016f jasn\u00fd \u00fakol, a\u00a0to nat\u00e1\u010det rychle. \u00dasp\u011bch prvn\u00edho filmu vedl k\u00a0tomu, \u017ee se dal\u0161\u00ed mayovky p\u0159ipravovaly t\u00e9m\u011b\u0159 bez p\u0159est\u00e1vky. \u010casu na opakov\u00e1n\u00ed sc\u00e9n nebo hled\u00e1n\u00ed drobn\u00fdch nep\u0159esnost\u00ed jednodu\u0161e nebylo nazbyt.<\/p>\n
Zbran\u011b, kter\u00e9 jako by nikdy nedo\u0161ly<\/p>\n
Pozorn\u00ed div\u00e1ci si v\u0161\u00edmaj\u00ed tak\u00e9 nelogick\u00e9 pr\u00e1ce se zbran\u011bmi. B\u011bhem p\u0159est\u0159elek vyst\u0159el\u00ed n\u011bkte\u0159\u00ed hrdinov\u00e9 i\u00a0bandit\u00e9 podstatn\u011b v\u00edce ran, ne\u017e kolik by jejich revolvery nebo pu\u0161ky ve skute\u010dnosti pojaly, ani\u017e by je bylo vid\u011bt p\u0159eb\u00edjet. Podobn\u00e9 p\u0159ehl\u00e9dnut\u00ed bylo u\u00a0western\u016f 50.\u00a0a\u00a060.\u00a0let pom\u011brn\u011b b\u011b\u017en\u00e9. Tv\u016frci d\u00e1vali p\u0159ednost tempu ak\u010dn\u00edch sc\u00e9n p\u0159ed technickou p\u0159esnost\u00ed a\u00a0m\u00e1lokdo tehdy po\u010d\u00edtal jednotliv\u00e9 v\u00fdst\u0159ely.<\/p>\n
Dal\u0161\u00ed skupinu chyb tvo\u0159\u00ed drobn\u00e9 nesrovnalosti v\u00a0kontinuit\u011b. V\u00a0n\u011bkter\u00fdch sc\u00e9n\u00e1ch se po st\u0159ihu zm\u011bn\u00ed poloha klobouku, pu\u0161ky nebo jin\u00fdch rekvizit, p\u0159esto\u017ee mezi z\u00e1b\u011bry neuplyne ani okam\u017eik. Jindy postavy stoj\u00ed v\u00a0odli\u0161n\u00e9 vzd\u00e1lenosti od sebe nebo dr\u017e\u00ed p\u0159edm\u011bty jinak ne\u017e o\u00a0vte\u0159inu d\u0159\u00edve. Takov\u00e9 chyby vznikaly jednodu\u0161e t\u00edm, \u017ee se jedna sc\u00e9na nat\u00e1\u010dela z\u00a0n\u011bkolika \u00fahl\u016f, \u010dasto s\u00a0odstupem hodin nebo dokonce dn\u016f. P\u0159i ru\u010dn\u00edm st\u0159ihu na filmov\u00fd p\u00e1s nebylo snadn\u00e9 uhl\u00eddat ka\u017ed\u00fd detail.<\/p>\n
Zm\u011bna po\u010das\u00ed a\u00a0st\u00e1le stejn\u00e1 m\u00edsta<\/p>\n
Filma\u0159\u016fm ob\u010das zkomplikovalo pr\u00e1ci tak\u00e9 po\u010das\u00ed. N\u011bkter\u00e9 sc\u00e9ny vznikaly v\u00a0r\u016fzn\u00fdch dnech, a\u00a0p\u0159esto m\u011bly p\u016fsobit jako souvisl\u00e1 akce. Pozorn\u011bj\u0161\u00ed div\u00e1ci si proto mohou v\u0161imnout, \u017ee se mezi jednotliv\u00fdmi z\u00e1b\u011bry m\u011bn\u00ed intenzita slune\u010dn\u00edho sv\u011btla, d\u00e9lka st\u00edn\u016f nebo mno\u017estv\u00ed prachu na oble\u010den\u00ed herc\u016f. V\u00a0jednom okam\u017eiku jsou postavy po dlouh\u00e9 j\u00edzd\u011b t\u00e9m\u011b\u0159 \u010dist\u00e9, o\u00a0p\u00e1r sekund pozd\u011bji maj\u00ed od prachu \u0161pinav\u00e9 tv\u00e1\u0159e i\u00a0od\u011bv. Jde o\u00a0typick\u00e9 kontinuitn\u00ed chyby, kter\u00e9 byly v\u00a0dob\u011b klasick\u00e9ho filmov\u00e9ho p\u00e1su b\u011b\u017en\u00e9 a\u00a0v\u011bt\u0161ina div\u00e1k\u016f je p\u0159i prvn\u00edm zhl\u00e9dnut\u00ed v\u016fbec nezaznamenala.<\/p>\n
Pozorn\u00ed fanou\u0161ci si \u010dasem v\u0161imli je\u0161t\u011b jedn\u00e9 zaj\u00edmavosti. Tv\u016frci opakovan\u011b vyu\u017e\u00edvali stejn\u00e9 lokace v\u00a0chorvatsk\u00fdch n\u00e1rodn\u00edch parc\u00edch, kter\u00e9 m\u011bly poka\u017ed\u00e9 p\u0159edstavovat jinou \u010d\u00e1st americk\u00e9ho Divok\u00e9ho z\u00e1padu. V\u00fdrazn\u00e9 skaln\u00ed \u00fatvary, ka\u0148ony nebo \u0159\u00ed\u010dn\u00ed sout\u011bsky se tak objevuj\u00ed v\u00a0n\u011bkolika filmech, jen poka\u017ed\u00e9 pod jin\u00fdm n\u00e1zvem a\u00a0v jin\u00e9m p\u0159\u00edb\u011bhu. V\u011bt\u0161in\u011b div\u00e1k\u016f to nevadilo, v\u00a0dob\u011b premi\u00e9r jednotliv\u00e9 d\u00edly d\u011blily m\u011bs\u00edce i\u00a0roky. Dnes, kdy si mohou fanou\u0161ci filmy pou\u0161t\u011bt jeden za druh\u00fdm, v\u0161ak stejn\u00e9 kulisy poznaj\u00ed t\u00e9m\u011b\u0159 okam\u017eit\u011b.<\/p>\n
Chyby, kter\u00e9 kultovn\u00edm film\u016fm neubl\u00ed\u017eily<\/p>\n
Chyb je ve filmech o\u00a0n\u00e1\u010deln\u00edkovi Apa\u010d\u016f opravdu mnoho. Autobus mezi skalami, pohybuj\u00edc\u00ed se mrtvola nebo zmizel\u00fd ko\u010d\u00ed dnes bav\u00ed cel\u00e9 generace div\u00e1k\u016f. P\u0159esto by bylo nespravedliv\u00e9 hodnotit filmy jen podle podobn\u00fdch p\u0159e\u0161lap\u016f. S\u00e9rie s\u00a0Vinnetouem vznikala v\u00a0dob\u011b, kdy filma\u0159i spol\u00e9hali p\u0159edev\u0161\u00edm na skute\u010dn\u00e9 lokace, stovky komparzist\u016f, \u017eiv\u00e1 zv\u00ed\u0159ata a\u00a0poctivou \u0159emeslnou pr\u00e1ci.<\/p>\n
Snad i\u00a0proto si tyto westerny uchovaly sv\u00e9 kouzlo dodnes. Drobn\u00e9 chyby z\u00a0nich neud\u011blaly hor\u0161\u00ed filmy. Naopak se staly sou\u010d\u00e1st\u00ed jejich historie a\u00a0dal\u0161\u00edm d\u016fvodem, pro\u010d se k\u00a0nim div\u00e1ci st\u00e1le vracej\u00ed.<\/p>\n
Zdroje: autorsk\u00fd \u010dl\u00e1nek s\u00a0vyu\u017eit\u00edm<\/p>\n","protected":false},"excerpt":{"rendered":"Kdy\u017e m\u011bl v\u00a0prosinci 1962\u00a0premi\u00e9ru Poklad na St\u0159\u00edbrn\u00e9m jeze\u0159e, m\u00e1lokdo o\u010dek\u00e1val, \u017ee odstartuje jednu z\u00a0nej\u00fasp\u011b\u0161n\u011bj\u0161\u00edch evropsk\u00fdch filmov\u00fdch s\u00e9ri\u00ed v\u0161ech…\n","protected":false},"author":2,"featured_media":155146,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[3777,79,1093,37448,1448,650,39355,649,18448,80,437],"class_list":["post-155145","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-chyby","tag-entertainment","tag-filmy","tag-karel-may","tag-kultura","tag-lide","tag-old-shatterhand","tag-spolecnost","tag-vinnetou","tag-zabava","tag-zajimavosti"],"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/155145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=155145"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/155145\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/155146"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=155145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=155145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=155145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}