{"id":155461,"date":"2026-07-22T18:45:11","date_gmt":"2026-07-22T18:45:11","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/155461\/"},"modified":"2026-07-22T18:45:11","modified_gmt":"2026-07-22T18:45:11","slug":"odyssea-versus-troja-filmy-nenabizi-autenticitu-ale-jeji-iluzi","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/155461\/","title":{"rendered":"Odyssea versus Troja: filmy nenab\u00edz\u00ed autenticitu, ale jej\u00ed iluzi"},"content":{"rendered":"

Troja re\u017eis\u00e9ra Wolfgang Petersena byla v\u00a0dob\u011b sv\u00e9ho uveden\u00ed p\u0159ijata rozpa\u010dit\u011b<\/a>, ale nakonec ve zkou\u0161ce \u010dasu obst\u00e1la. Nen\u00ed zapomenuta a\u00a0div\u00e1ci na ni vzpom\u00ednaj\u00ed v\u00a0dobr\u00e9m<\/a>. To m\u011b nijak neznepokojuje ani nep\u0159ekvapuje. Za zvl\u00e1\u0161tn\u00ed ov\u0161em pova\u017euji to, \u017ee je dnes tento film mnoh\u00fdmi hodnocen\u00fd jako ten, kter\u00fd je ve srovn\u00e1n\u00ed s\u00a0Nolanovou Odysseou \u201ehistoricky v\u011brn\u011bj\u0161\u00ed\u201c, a \u201erealisti\u010dt\u011bj\u0161\u00ed\u201c, nebo je mu p\u0159i\u010d\u00edt\u00e1no k\u00a0dobru, \u017ee se alespo\u0148 trochu realistick\u00fd b\u00fdt sna\u017eil.<\/p>\n

M\u00e1m toti\u017e za to, \u017ee Troja je naopak typick\u00fdm produktem sv\u00e9 doby, na n\u011bm\u017e se daj\u00ed demonstrovat dva principy. Zaprv\u00e9, filmov\u00fd realismus je prost\u011b jen druhem stylizace a\u00a0p\u0159\u00edhodn\u011bj\u0161\u00ed by bylo mluvit o\u00a0jak\u00e9si iluzi realismu. Zadruh\u00e9, div\u00e1ci sp\u00ed\u0161e p\u0159ij\u00edmaj\u00ed to, co vych\u00e1z\u00ed vst\u0159\u00edc jejich o\u010dek\u00e1v\u00e1n\u00edm a\u00a0d\u0159\u00edve utvo\u0159en\u00fdm p\u0159edstav\u00e1m, ne\u017e co re\u00e1ln\u011b odpov\u00edd\u00e1 historick\u00e9mu pozn\u00e1n\u00ed.<\/p>\n

D\u011bdictv\u00ed Gladi\u00e1tora a\u00a0P\u00e1na prsten\u016f<\/p>\n

Troja mohla vzniknout d\u00edky tomu, \u017ee Gladi\u00e1tor (2000) p\u00e1r let p\u0159ed n\u00ed uk\u00e1zal, \u017ee st\u00e1le existuje z\u00e1jem o\u00a0t\u00e9m\u011b\u0159 vym\u0159el\u00fd \u017e\u00e1nr takzvan\u00fdch sand\u00e1lov\u00fdch velkofilm\u016f<\/a>. Jen je pot\u0159eba starosv\u011btskou teatr\u00e1lnost t\u011bch klasick\u00fdch nahradit ak\u010dnost\u00ed, modern\u011bj\u0161\u00edm filmov\u00fdm stylem a\u00a0\u201edrsn\u011bj\u0161\u00ed\u201c stylizac\u00ed s\u00a0potem a\u00a0krv\u00ed. Sv\u016fj pod\u00edl na tom, \u017ee projekt filmu Troja dostal zelenou, m\u00e1 i\u00a0\u00fasp\u011bch filmov\u00e9ho P\u00e1na prsten\u016f. Ten zase v\u00a0div\u00e1c\u00edch vyvol\u00e1val \u00fa\u017eas velkolep\u00fdmi \u201est\u0159edov\u011bk\u00fdmi\u201c bitvami vyu\u017e\u00edvaj\u00edc\u00edmi nov\u00e9 technologie digit\u00e1ln\u00ed animace, jako byla simulace dav\u016f<\/a>. V\u00a0trailerech ostatn\u011b Troja ohromovala z\u00e1b\u011brem na stovky digit\u00e1ln\u011b nakop\u00edrovan\u00fdch lod\u00ed, co\u017e by dne\u0161n\u00ed div\u00e1ci ji\u017e odz\u00edvali.<\/p>\n

\u201eRealisti\u010dnost\u201c Troje spo\u010d\u00edv\u00e1 p\u0159edev\u0161\u00edm v\u00a0tom, \u017ee oproti star\u0161\u00edm sand\u00e1lov\u00fdm film\u016fm ubrala na barevnosti, v\u00fdrazn\u011b p\u0159idala na krvi a\u00a0brutalit\u011b, eliminovala bohy a\u00a0n\u011bkter\u00e9 prvky\u00a0\u2013 nejviditeln\u011bji trojsk\u00e9ho kon\u011b\u00a0\u2013 p\u0159izp\u016fsobila tak, aby p\u016fsobily uv\u011b\u0159iteln\u011bji a\u00a0m\u00e9n\u011b \u201epoh\u00e1dkov\u011b\u201c. Jen\u017ee: antick\u00e9 \u0158ecko skute\u010dn\u011b bylo barevn\u00e9<\/a>. V\u00a0odst\u00ednech p\u00edskov\u011b \u017elut\u00e9 a\u00a0mramorov\u011b b\u00edl\u00e9 si jej p\u0159edstavujeme jen proto, \u017ee jej takto z\u00e1padn\u00ed um\u011bn\u00ed a\u00a0popkultura dlouhodob\u011b zobrazuje na z\u00e1klad\u011b estetiky ruin \u0159eck\u00fdch pam\u00e1tek, kter\u00e9 u\u017e barvy ztratily.<\/p>\n

Trojsk\u00fd k\u016f\u0148 zbastlen\u00fd z\u00a0d\u0159ev\u011bn\u00fdch lod\u00ed, jeho\u017e ve filmu uvid\u00edme, sice skute\u010dn\u011b vypad\u00e1 jako n\u011bco, co by \u0158ekov\u00e9 mohli v\u00a0dan\u00fdch podm\u00ednk\u00e1ch vyrobit, ale zase je na pohled jasn\u00e9, \u017ee je dut\u00fd a\u00a0n\u011bkdo nebo n\u011bco se m\u016f\u017ee skr\u00fdvat uvnit\u0159. Trojan\u00e9 by museli b\u00fdt mimo\u0159\u00e1dn\u011b hloup\u00ed, aby jej bez kontroly vt\u00e1hli do m\u011bsta. Z\u00a0m\u00fdt\u016f se prost\u011b realistick\u00e9 vypr\u00e1v\u011bn\u00ed d\u011bl\u00e1 \u0161patn\u011b, o\u00a0\u010dem\u017e se pozd\u011bji p\u0159esv\u011bd\u010dil i\u00a0Ridley Scott, kdy\u017e se ve filmu Exodus: Bohov\u00e9 a\u00a0kr\u00e1lov\u00e9 (2014) k\u0159e\u010dovit\u011b sna\u017eil \u201ev\u011bdecky a\u00a0racion\u00e1ln\u011b\u201c vysv\u011btlit t\u0159eba biblick\u00fdch Deset ran egyptsk\u00fdch. <\/p>\n

Takt\u00e9\u017e eliminace boh\u016f je n\u011bco, co jde proti smyslu epos\u016f. P\u0159edstavte si, \u017ee by n\u011bkdo nato\u010dil R\u00e1m\u00e1janu tak, \u017ee by v\u00a0n\u00ed v\u0161echny postavy byly jen b\u011b\u017en\u00fdmi smrteln\u00edky. To by indi\u010dt\u00ed hinduist\u00e9 z\u0159ejm\u011b akceptovali velmi t\u011b\u017ece, by\u0165 r\u016fzn\u00e9 v\u00fdrazn\u011b pozm\u011bn\u011bn\u00e9 a\u00a0modernizovan\u00e9 adaptace tohoto klasick\u00e9ho d\u00edla p\u0159\u00edmo v\u00a0Indii vznikaj\u00ed ve velk\u00e9m mno\u017estv\u00ed. Stejn\u011b tak Iliada i\u00a0Odyssea jsou bez z\u00e1sah\u016f olympsk\u00fdch boh\u016f vytr\u017eeny z\u00a0mytologick\u00e9ho a\u00a0kulturn\u00edho kontextu, kter\u00fd je utv\u00e1\u0159el.<\/p>\n

Podobn\u00e9 je to i\u00a0s obsazen\u00edm, kter\u00e9 dnes internetov\u00ed diskutuj\u00edc\u00ed d\u00e1vaj\u00ed do kontrastu pr\u00e1v\u011b s\u00a0Nolanovou Odysseou. Ani tv\u016frci Troje ov\u0161em ne\u0161li po autenti\u010dnosti, n\u00fdbr\u017e po velk\u00fdch hv\u011bzd\u00e1ch, jejich\u017e pool byl tehdy v\u00fdrazn\u011b m\u00e9n\u011b \u201emultikulturn\u00ed\u201c ne\u017e dnes.<\/p>\n

Diane Kruger jako Helena Trojsk\u00e1 zcela spolehliv\u011b nereprezentovala ani typickou \u0158ekyni v\u00a0dob\u011b bronzov\u00e9, ani tehdej\u0161\u00ed ide\u00e1l kr\u00e1sy, a\u00a0ani \u0158ekyni sou\u010dasnou. Reprezentovala sp\u00ed\u0161 hollywoodskou p\u0159edstavu o\u00a0tom, jak m\u00e1 vypadat modern\u00ed kr\u00e1sn\u00e1 \u017eena. Dobov\u00e1 vyobrazen\u00ed<\/a> ukazuj\u00ed, \u017ee skute\u010dn\u00e1 \u0159eck\u00e1 krasavice<\/a> by m\u011bla pln\u011bj\u0161\u00ed obli\u010dej, tmav\u00e9 vlasy spleten\u00e9 do daleko komplikovan\u011bj\u0161\u00edho \u00fa\u010desu a\u00a0rozhodn\u011b macat\u011bj\u0161\u00ed postavu s\u00a0v\u00fdrazn\u00fdmi boky a\u00a0poprs\u00edm. \u0147adra by dost mo\u017en\u00e1 p\u0159i n\u011bkter\u00fdch p\u0159\u00edle\u017eitostech nosila hrd\u011b odhalen\u00e1, \u010di aspo\u0148 zd\u016frazn\u011bn\u00e1 oble\u010den\u00edm.<\/p>\n

Troja tedy nen\u00ed v\u011brn\u00e1 ani historii, ani Iliad\u011b, ani \u0159eck\u00e9 kultu\u0159e. Je v\u011brn\u00e1 Hollywoodu roku 2004\u00a0a\u00a0jeho tehdej\u0161\u00edm konvenc\u00edm. Tak u\u017e to s\u00a0um\u011bn\u00edm a\u00a0popkulturou b\u00fdv\u00e1.<\/p>\n","protected":false},"excerpt":{"rendered":"Troja re\u017eis\u00e9ra Wolfgang Petersena byla v\u00a0dob\u011b sv\u00e9ho uveden\u00ed p\u0159ijata rozpa\u010dit\u011b, ale nakonec ve zkou\u0161ce \u010dasu obst\u00e1la. Nen\u00ed zapomenuta…\n","protected":false},"author":2,"featured_media":155462,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[79,26568,16746,1448,2082,23301,10349,7526,80],"class_list":["post-155461","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-entertainment","tag-film-odyssea","tag-kinematografie","tag-kultura","tag-literatura","tag-mytologie","tag-poezie","tag-recko","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116965115411370582","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/155461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=155461"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/155461\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/155462"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=155461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=155461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=155461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}