{"id":15645,"date":"2026-03-06T05:56:08","date_gmt":"2026-03-06T05:56:08","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/15645\/"},"modified":"2026-03-06T05:56:08","modified_gmt":"2026-03-06T05:56:08","slug":"recenze-carodejky-v-o2-arene-florence-the-machine-privezli-uzasnou-show","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/15645\/","title":{"rendered":"Recenze: \u010carod\u011bjky v\u00a0O2\u00a0aren\u011b. Florence + The Machine p\u0159ivezli \u00fa\u017easnou show"},"content":{"rendered":"

Nejd\u0159\u00edv to vypad\u00e1, \u017ee v\u00a0pra\u017esk\u00e9 O2\u00a0aren\u011b do\u0161lo k\u00a0vra\u017ed\u011b. Kdy\u017e se v\u00a0s\u00e1le setm\u00ed, za pr\u016fhlednou oponou probleskuj\u00ed siluety jak\u00e9hosi n\u00e1sil\u00ed. Zoufal\u00fd v\u00fdk\u0159ik z\u00a0reproduktor\u016f nazna\u010duje, \u017ee n\u011bkdo pr\u00e1v\u011b zabil \u017eenu. Jen\u017ee pak opona miz\u00ed a\u00a0na p\u00f3dium z\u00a0oblaku kou\u0159e vyj\u00ed\u017ed\u00ed britsk\u00e1 zp\u011bva\u010dka Florence Welch, je\u017e m\u00e1 zvl\u00e1\u0161tn\u00ed dar prom\u011b\u0148ovat trag\u00e9die v\u00a0cosi povzn\u00e1\u0161ej\u00edc\u00edho. V\u00a0n\u00e1sleduj\u00edc\u00edch dvou hodin\u00e1ch zp\u00edv\u00e1 o\u00a0sv\u00e9m znovuzrozen\u00ed.<\/p>\n

V nejv\u011bt\u0161\u00ed \u010desk\u00e9 zast\u0159e\u0161en\u00e9 hale tento \u010dtvrtek vystoupila kapela Florence + The Machine. \u017de zrovna l\u00edstky na jej\u00ed koncert zmiz\u00ed za jedin\u00fd den, ne\u010dekali ani po\u0159adatel\u00e9. Anglick\u00e1 skupina hraj\u00edc\u00ed t\u011b\u017eko za\u0159aditeln\u00fd, melodramatick\u00fd \u201eart pop\u201c v\u00a0rozp\u011bt\u00ed od komorn\u00ed hudby s\u00a0harfou a\u00a0houslemi po euforick\u00e9 songy se sborov\u00fdmi n\u00e1p\u011bvy existuje u\u017e t\u00e9m\u011b\u0159 20\u00a0let. A\u00a0zd\u00e1lo se, \u017ee m\u00e1 to nejlep\u0161\u00ed za sebou.<\/p>\n

Loni ale za\u017eila ne\u010dekan\u00fd comeback s\u00a0v\u00fdte\u010dn\u00fdm albem Everybody Scream, na kter\u00e9m spolupracovali Aaron Dessner z\u00a0rocker\u016f The National, hudebnice Mitski nebo Mark Bowen z\u00a0postpunkov\u00fdch Idles. Skv\u011blou hudbu podpo\u0159il siln\u00fd p\u0159\u00edb\u011bh zp\u011bva\u010dky, je\u017e kr\u00e1tce p\u0159ed \u010dty\u0159ic\u00edtkou p\u0159i\u0161la o\u00a0nenarozen\u00e9 d\u00edt\u011b a\u00a0te\u010f o\u00a0tom otev\u0159en\u011b mluv\u00ed.<\/p>\n

Florence Welch je ale p\u0159edev\u0161\u00edm skv\u011bl\u00e1 zp\u011bva\u010dka, origin\u00e1ln\u00ed skladatelka navazuj\u00edc\u00ed na osobnosti jako Kate Bush a\u00a0p\u016fsobiv\u00e1 performerka, kter\u00e1 se na p\u00f3diu m\u011bn\u00ed v\u00a0jevi\u0161tn\u00ed personu. Bosou, rusovlasou v\u00edlu, je\u017e vypad\u00e1 jako z\u00a0obraz\u016f anglick\u00fdch prerafaelit\u016f<\/a>. V\u00a0dlouh\u00fdch \u010dern\u00fdch \u0161atech od za\u010d\u00e1tku \u010dtvrte\u010dn\u00edho koncertu expresivn\u011b zp\u00edv\u00e1 i\u00a0tan\u010d\u00ed a\u00a0cel\u00e9 dv\u011b hodiny se ne\u00fanavn\u011b pohybuje po vysunut\u00e9m molu s\u00a0v\u00fddr\u017e\u00ed mlad\u00e9ho Micka Jaggera z\u00a0The Rolling Stones. Ani stopa po \u00farazech z\u00a0let 2015\u00a0a\u00a0znovu 2022, kdy si na koncertech zlomila nohu.<\/p>\n

Jej\u00ed pohyby i\u00a0hlas bohat\u00fd na emoce evokuj\u00ed jakousi p\u0159\u00edrodn\u00ed, pohanskou s\u00edlu, a\u00a0p\u0159itom odkazuj\u00ed k\u00a0n\u00e1bo\u017eenstv\u00ed: Jednou zp\u011bva\u010dka nasazuje v\u00fdraz jako barokn\u00ed sv\u011btice v\u00a0ext\u00e1zi, podruh\u00e9 kr\u00e1\u010d\u00ed nad lesem nap\u0159a\u017een\u00fdch rukou, jindy na n\u011bkolik vte\u0159in strne v\u00a0so\u0161n\u00e9 p\u00f3ze, jako by vst\u0159eb\u00e1vala jakousi energii. Je to vrcholn\u011b teatr\u00e1ln\u00ed, d\u016fsledn\u011b stylizovan\u00e9 a\u00a0vymy\u0161len\u00e9 s\u00a0nejlep\u0161\u00edmi choreografy, a\u00a0p\u0159esto to Florence Welch d\u011bl\u00e1 s\u00a0naprostou p\u0159irozenost\u00ed n\u011bkoho, kdo podobn\u00fdmi gesty jen vyjad\u0159uje tyt\u00e9\u017e emoce, jak\u00e9 p\u0159ed\u00e1v\u00e1 hlasem.<\/p>\n

Aktu\u00e1ln\u00ed turn\u00e9 je jej\u00ed nejdivadeln\u011bj\u0161\u00ed. Hned v\u00a0\u00favodn\u00edm songu, tituln\u00ed skladb\u011b z\u00a0lo\u0148sk\u00e9ho alba Everybody Scream vypr\u00e1v\u011bj\u00edc\u00ed z\u0159ejm\u011b o\u00a0jej\u00edm vztahu s\u00a0fanou\u0161ky, za\u010dne zp\u011bva\u010dku na jevi\u0161ti pron\u00e1sledovat \u010dtve\u0159ice \u017een stylizovan\u00fdch do \u010darod\u011bjnic. Kvarteto zp\u00edvaj\u00edc\u00edch tane\u010dnic ve slo\u017een\u00ed Lea Oro\u017e, Silas Grocott Cain, Belen Leroux a\u00a0Chihiro Kawasaki u\u017e po v\u011bt\u0161inu ve\u010dera neopust\u00ed sc\u00e9nu, kde nastoluj\u00ed osobitou atmosf\u00e9ru. Oble\u010den\u00e9 v\u00a0\u010dern\u00e9 a\u00a0b\u00edl\u00e9 vytv\u00e1\u0159ej\u00ed kolem hlavn\u00ed hv\u011bzdy \u017eiv\u00e9 obrazy za pou\u017eit\u00ed v\u00fdraziva sou\u010dasn\u00e9ho tance.<\/p>\n

Kdy\u017e k\u0159i\u010d\u00ed nebo sy\u010d\u00ed, p\u0159ipom\u00ednaj\u00ed jak\u00fdsi ob\u0159ad z\u00a0vesnick\u00e9ho hororu. Tak\u00e9 se ale kolem zp\u011bva\u010dky jen tak to\u010d\u00ed, divoce zakl\u00e1n\u011bj\u00ed, lezou po \u010dty\u0159ech, ztr\u00e1cej\u00ed v\u00a0oparech kou\u0159e, \u0161kubou sebou na zemi nebo um\u011blkyni obestupuj\u00ed do kruhu. Jednou se vz\u00e1jemn\u011b podp\u00edraj\u00ed, podruh\u00e9 hlad\u00ed po tv\u00e1\u0159\u00edch, potom naopak tahaj\u00ed za vlasy. Kdy\u017e netan\u010d\u00ed, nezp\u00edvaj\u00ed \u010di nehraj\u00ed na tambur\u00edny, dle pokyn\u016f choreografa Ryana Heffingtona se \u00fahledn\u011b rozlo\u017e\u00ed na schody v\u00a0zadn\u00ed \u010d\u00e1sti jevi\u0161t\u011b, kam si p\u0159edt\u00edm odlo\u017eily peler\u00edny. <\/p>\n

Tane\u010dnice koncert povy\u0161uj\u00ed na divadeln\u00ed show, by\u0165 m\u00edsty na hran\u011b k\u00fd\u010de: Kdy\u017e nadzved\u00e1vaj\u00ed sukn\u011b, jako kdyby tan\u010dily kank\u00e1n, nebo kdy\u017e se ve skladb\u011b Seven Devils pl\u00ed\u017e\u00ed coby d\u00e9monky z\u00a0b\u00e9\u010dkov\u00e9ho hororu, m\u016f\u017ee to b\u00fdt na n\u011bkoho moc.<\/p>\n

V\u011bt\u0161inou ale jejich pohyby vhodn\u011b dopl\u0148uj\u00ed \u00e9terick\u00fd hlas Florence Welch. Dev\u011btat\u0159icetilet\u00e1 Angli\u010danka je v\u00a0nejlep\u0161\u00ed form\u011b. Jako v\u017edy trochu nadu\u017e\u00edv\u00e1 skv\u011bl\u00e9 vibrato a\u00a0perfektn\u011b emocion\u00e1ln\u011b zbarvuje slova. S\u00edlu sv\u00e9ho suver\u00e9nn\u00edho mezzosopr\u00e1nu v\u00a0Praze naplno ukazuje ve star\u0161\u00ed balad\u011b s\u00a0harfou Cosmic Love.<\/p>\n

Foto: Lillie Eiger<\/p>\n

V sektoru na st\u00e1n\u00ed pod p\u00f3diem ji poslouchaj\u00ed p\u0159ev\u00e1\u017en\u011b mlad\u00e9 \u017eeny, kter\u00e9 hudebnice n\u011bkolikr\u00e1t oslovuje. \u201eA\u0165 u\u017e jste si pro\u0161ly \u010d\u00edmkoliv, dnes to v\u0161echno zvl\u00e1dneme spole\u010dn\u011b,\u201c avizuje zkraje ve\u010dera, v\u00a0jeho\u017e pr\u016fb\u011bhu stiskne ruce mnoha diva\u010dk\u00e1m a\u00a0p\u00e1r d\u00edvek obejme. \u201eN\u00e1sleduj\u00edc\u00ed skladbu jsem deset let nezp\u00edvala, proto\u017ee mi p\u0159ipom\u00ednala nehezk\u00e9 \u010dasy. Ale vy jste tu p\u00edse\u0148 nep\u0159estaly m\u00edt r\u00e1dy, a\u00a0tak jste m\u011b nau\u010dily se na ni d\u00edvat jinak,\u201c uv\u00e1d\u00ed klav\u00edrn\u00ed baladu Never Let Me Go slo\u017eenou s\u00a0Paulem Epworthem, producentem britsk\u00e9 hv\u011bzdy Adele.<\/p>\n

Florence Welch zp\u00edv\u00e1 v\u00a0Praze o\u00a0\u00fazkostech, traumatech a\u00a0z\u00e1vislosti, o\u00a0vnit\u0159n\u00edch souboj\u00edch, r\u016fzn\u00fdch typech emoc\u00ed ve vztaz\u00edch \u010di hled\u00e1n\u00ed l\u00e1sky. O\u00a0zranitelnosti, du\u0161evn\u00ed rovnov\u00e1ze i\u00a0zku\u0161enostech z\u00a0hudebn\u00edho pr\u016fmyslu. A\u00a0tak\u00e9 o\u00a0v\u00fd\u010ditk\u00e1ch, vin\u011b, pochyb\u00e1ch o\u00a0sob\u011b sam\u00e9, bolesti \u010di tenk\u00e9 hranici mezi \u017eivotem a\u00a0smrt\u00ed, konkr\u00e9tn\u011b v\u00a0songu s\u00a0v\u00fdraznou basovou linkou Witch Dance.<\/p>\n

Um\u00ed p\u0159esv\u011bd\u010div\u011b podat covidovou skladbu o\u00a0ztr\u00e1t\u011b ka\u017edodenn\u00edch radost\u00ed Daffodil. A\u00a0stejn\u011b dob\u0159e zvl\u00e1d\u00e1 navodit citlivou, zpov\u011bdn\u00ed n\u00e1ladu, kdy \u010dlov\u011bk pro\u017e\u00edv\u00e1 ka\u017ed\u00e9 slovo. Jako v\u00a0p\u00edsni, p\u016fvodn\u011b dokonce b\u00e1sni Hunger. \u201eV sedmn\u00e1cti jsem p\u0159estala j\u00edst \/ Myslela jsem, \u017ee l\u00e1ska je typ pr\u00e1zdnoty \/ A\u00a0tak jsem pochopila sv\u016fj hlad \/ A\u00a0nemusela jsem mu \u0159\u00edkat osam\u011blost,\u201c zp\u00edv\u00e1 ve skladb\u011b, kterou na jednu stranu zpracov\u00e1v\u00e1 n\u011bkdej\u0161\u00ed poruchu p\u0159\u00edjmu potravy z\u00a0dosp\u00edv\u00e1n\u00ed. Z\u00e1rove\u0148 ale pracuje s\u00a0hladem jako metaforou pro n\u011bco, co \u010dlov\u011bka p\u0159esahuje.<\/p>\n

N\u011bkolik kompozic v\u00a0O2\u00a0aren\u011b artikuluje pocity \u017eeny, kter\u00e1 si p\u0159ipad\u00e1 neust\u00e1le zpochyb\u0148ovan\u00e1,\u00a0souzen\u00e1 \u010di odstrkovan\u00e1. Ty nejosobn\u011bj\u0161\u00ed z\u00a0lo\u0148sk\u00e9ho alba jako The Old Religion pak zpracov\u00e1vaj\u00ed intimn\u00ed \u00favahy ohledn\u011b rodi\u010dovstv\u00ed a\u00a0zejm\u00e9na takzvan\u00e9ho mimod\u011blo\u017en\u00edho t\u011bhotenstv\u00ed<\/a>, kter\u00e9 zp\u011bva\u010dku v\u00a0roce 2023\u00a0m\u00e1lem st\u00e1lo \u017eivot. Zp\u016fsobilo j\u00ed vnit\u0159n\u00ed krv\u00e1cen\u00ed, v\u00a0jeho\u017e d\u016fsledku p\u0159i\u0161la o\u00a0nenarozen\u00e9 d\u00edt\u011b a\u00a0musela podstoupit chirurgick\u00fd z\u00e1krok. \u201eNejbl\u00ed\u017e ke stvo\u0159en\u00ed \u017eivota jsem se dostala, kdy\u017e jsem byla nejbl\u00ed\u017e smrti,\u201c glosovala to tehdy. V\u00a0prvn\u00edm p\u0159\u00eddavku \u010dtvrte\u010dn\u00edho koncertu One of the Greats zp\u00edv\u00e1 o\u00a0sv\u00e9m zmrtv\u00fdchvst\u00e1n\u00ed.<\/p>\n

Nov\u00fdch p\u00edsn\u00ed nakonec Florence Welch za\u0159azuje sedm, p\u0159i\u010dem\u017e t\u0159eba popov\u00e1 Buckle za\u010d\u00ednaj\u00edc\u00ed \u010dty\u0159mi akordy na akustick\u00e9 kyta\u0159e m\u00e1 skv\u011bl\u00fd ohlas u\u00a0publika. To ale do varu dost\u00e1vaj\u00ed p\u0159edev\u0161\u00edm star\u0161\u00ed hity: Katarzn\u00ed Shake It Out o\u00a0zbavov\u00e1n\u00ed se pochyb, Big God s\u00a0v\u00fdrazn\u00fdm klav\u00edrn\u00edm riffem nebo prvn\u00ed velk\u00fd hit kapely Dog Days Are Over, kter\u00fd lid\u00e9 na plo\u0161e na st\u00e1n\u00ed z\u00a0v\u011bt\u0161\u00ed \u010d\u00e1sti prosk\u00e1\u010dou. Stejn\u011b jako tancuj\u00ed p\u0159i skladb\u00e1ch Spectrum a\u00a0Howl.<\/p>\n

Florence Welch celou dobu doprov\u00e1z\u00ed \u010dty\u0159\u010dlenn\u00e1 sestava. V\u00a0n\u00ed u\u017e mnoho let na\u017eivo nep\u016fsob\u00ed spoluzakladatelka Isabella Summers p\u0159ezd\u00edvan\u00e1 Ma\u0161ina, podle n\u00ed\u017e se projekt jmenuje. M\u00edsto n\u00ed kl\u00e1vesy cel\u00fd ve\u010der ovl\u00e1d\u00e1 Aku Orraca-Tetteh, s\u00a0n\u00edm\u017e tvo\u0159\u00ed rytmiku buben\u00edk Cian Hanley a\u00a0baskytarista Cyrus Bayandor. N\u011bkolik v\u011bc\u00ed p\u0159ich\u00e1z\u00ed na harfu zahr\u00e1t jako p\u00e1t\u00fd \u010dlen formace Tom Monger, nejaktivn\u011bj\u0161\u00ed je jinak multiinstrumentalista Harry Fausing Smith, jen\u017e krom\u011b kytar ovl\u00e1d\u00e1 housle nebo saxofon.<\/p>\n

V p\u0159ijateln\u011b nazvu\u010den\u00e9 O2\u00a0aren\u011b se jim vcelku da\u0159\u00ed sjednotit nov\u00fd materi\u00e1l se star\u0161\u00edmi hity, jejich\u017e n\u011bkdy a\u017e barokn\u011b opulentn\u00ed aran\u017em\u00e1 muzikanti na\u017eivo zjednodu\u0161uj\u00ed. V\u00a0n\u011bkolika pas\u00e1\u017e\u00edch zp\u011bva\u010dku doprov\u00e1z\u00ed jen harfa nebo akustick\u00e1 kytara a\u00a0cel\u00e1 hala zmlkne. Jindy se z\u00a0p\u00f3dia oz\u00fdv\u00e1 t\u00e9m\u011b\u0159 tane\u010dn\u00ed pop.<\/p>\n

<\/a><\/p>\n

Florence + The Machine zah\u00e1jili turn\u00e9 minul\u00fd m\u011bs\u00edc. Oproti prvn\u00edm koncert\u016fm v\u00a0Belfastu nebo Lond\u00fdn\u011b u\u017e te\u010f nap\u0159\u00edklad vynech\u00e1vaj\u00ed song You Can Have It All a\u00a0dal\u0161\u00ed zm\u011bny jist\u011b p\u0159ijdou. Kdo p\u0159ed sedmi lety za\u017eil jejich \u010deskou premi\u00e9ru na festivalu Colours of Ostrava, v\u00ed, \u017ee tenkr\u00e1t m\u011bli po\u010detn\u011bj\u0161\u00ed sestavu a\u00a0kladli v\u011bt\u0161\u00ed d\u016fraz na muziku. Aktu\u00e1ln\u00ed projekt s\u00a0p\u0159\u00edm\u011bs\u00ed gotick\u00e9ho hororu je v\u011bt\u0161\u00ed z\u00e1\u017eitek na pohled, av\u0161ak hudba v\u00a0n\u011bm drobn\u011b ustupuje do pozad\u00ed. I\u00a0del\u0161\u00ed plochy d\u0159\u00edve slou\u017e\u00edc\u00ed k\u00a0p\u0159irozen\u00e9 gradaci skladeb v\u00a0Praze nahrazuj\u00ed ostr\u00e9 st\u0159ihy a\u00a0rychlej\u0161\u00ed tempa.<\/p>\n

Show je celkov\u011b temn\u011bj\u0161\u00ed, a\u00a0p\u0159esto se posledn\u00ed p\u016flhodinu poslucha\u010di jen usm\u00edvaj\u00ed od ucha k\u00a0uchu. \u201eChoose love\u201c, volte l\u00e1sku, sv\u00edt\u00ed na konci z\u00e1kladn\u00ed \u010d\u00e1sti koncertu \u010derven\u00fd n\u00e1pis a\u00a0z\u00e1rove\u0148 n\u00e1zev charitativn\u00ed organizace, kterou n\u00e1v\u0161t\u011bvn\u00edci podpo\u0159ili koup\u00ed vstupenky. To nejd\u016fle\u017eit\u011bj\u0161\u00ed se ale odehr\u00e1lo v\u00a0nich: V\u0161echna ta katarze a\u00a0euforie z\u00a0p\u00edsn\u00ed Florence + The Machine se slily do p\u0159\u00edjemn\u011b povzn\u00e1\u0161ej\u00edc\u00edho pocitu.<\/p>\n

Koncert: Florence + The Machine<\/p>\n

5.\u00a0b\u0159ezna 2026, O2\u00a0arena, Praha<\/p>\n","protected":false},"excerpt":{"rendered":"Nejd\u0159\u00edv to vypad\u00e1, \u017ee v\u00a0pra\u017esk\u00e9 O2\u00a0aren\u011b do\u0161lo k\u00a0vra\u017ed\u011b. Kdy\u017e se v\u00a0s\u00e1le setm\u00ed, za pr\u016fhlednou oponou probleskuj\u00ed siluety jak\u00e9hosi…\n","protected":false},"author":2,"featured_media":15646,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[10],"tags":[8390,8389,8391,17,21,84,88,16,85,86,1334,18,19,22,20],"class_list":["post-15645","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zpravy","tag-alternativni-hudba","tag-florence-the-machine","tag-florence-welch","tag-headlines","tag-hlavni-udalosti","tag-hudba","tag-live-nation","tag-news","tag-o2-arena","tag-popova-hudba-pop-music","tag-recenze-koncertu","tag-top-news","tag-top-stories","tag-udalosti-dne","tag-zpravy"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116180692681677018","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/15645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=15645"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/15645\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/15646"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=15645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=15645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=15645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}